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Showing posts with label Printz Honor Book. Show all posts
Showing posts with label Printz Honor Book. Show all posts
Tuesday, May 16, 2017
Unique and Lovely, Dolssa Is Another Julie Berry Gem
12:43 PM
(Image from Barnes & Noble)

When her reputation as a prophetess becomes a threat to the Catholic Church, Dolssa de Stigata—an 18-year-old noblewoman—is sentenced to death by hanging. Although she manages to escape her grisly fate, she's hardly free. An inquisitor stalks her through the countryside, hunting for his prey with a determination dark and dangerous. Devoted to her beloved Jhesus, Dolssa prays for deliverance.
Like Dolssa, Botille Flasucra harbors a special gift. With an almost supernatural talent for matchmaking, the 17-year-old's services are much requested in the small town of Bajas. Botille uses her skills to supplement the money she and her sisters make from running the Three Pigeons tavern.
The fates of the two women intertwine when Botille discovers Dolssa lying half-dead by an isolated lagoon. Although no one wants to borrow trouble, Botille and her sisters rescue the delirious mystic. Hiding her in the tavern, they nurse Dolssa back to health. When they learn who she truly is, the sisters vow to protect her. As danger creeps ever closer to Bajas, the Flasucras begin to realize just how much they are risking, not just their own lives but those of everyone in the village. Is it worth it to shelter Dolssa and her outrageous claims? When the vengeful friar comes calling, what will happen to Botille and her sisters? To peaceful Bajas? Only one thing remains certain—no one will escape unscathed.
With only three books to her credit, Julie Berry is not a prolific writer (Edit: Turns out this statement is totally false. You can see all the books she's written listed on her website. I apologize for the error.). Which is a real bummer because I'm a huge fan. I've loved all her novels, her newest being just as unique and lovely as all the rest. While I can't see teens flocking to check out The Passion of Dolssa, I adored it. The rich, sophisticated story is told in gorgeous prose. Short vignettes narrated by various everymen and -women break up the narrative, adding interest, local color, and originality to the tale. Dolssa and Botille are intriguing narrators in their own right, but it's all the different voices that really plump this book up, making it stand out from its fellows. The recipient of numerous awards (including a Printz Honor designation and a recent Whitney Award for best YA novel by an LDS author), it's a gem that I can't stop recommending.
(Readalikes: I can't think of anything. Can you?)
Grade:
If this were a movie, it would be rated:
for brief, mild language (no F-bombs), violence, blood/gore, and sexual innuendo
To the FTC, with love: I bought a copy of The Passion of Dolssa from Changing Hands Bookstore with a portion of the millions I make from my lucrative career as a book blogger. Ha ha.
Tuesday, February 07, 2017
It's Shusterman And Yet ...No, Just No
7:29 AM
(Image from Barnes & Noble)
With no disease, no war, no government, no real pain, and virtually no death, life in MidMerica is pleasantly staid. Ambition has become a thing of the past. In fact, "with nothing to aspire to, life had become about maintenance. Eternal maintenance" (44). Citra Terranova is satisfied with her comfortable, unremarkable existence which she knows will evolve into a comfortable, unremarkable future. As just one member of a very large family, 16-year-old Rowan Damisch isn't quite as at ease, but he's not unhappy with his life either. What neither teen expects is to be given the chance to do something important, something extraordinary. Becoming a scythe's apprentice—and eventually, a real scythe—is that kind of assignment. In a pleasant world full of placid people, it's a chance to be stand out, to become something special.
As the harbingers—and executors—of death, scythes are universally feared. Although the random killings performed by scythes are deemed necessary for population control, few are truly comfortable with their presence. Citra and Rowan are no exception. They don't want to become scythes, are appalled by the idea of spending the rest of their lives killing people. Then again, they don't really have a choice, do they? As the teens learn the "art" of performing sanctioned murder, they're awakened to the harsh realities and cruel costs of maintaining a perfect world. Is it worth the heavy price? And how can two kids possibly change things if it's not?
First off, let me say that I love Neal Shusterman. His Unwind series is brilliant, one of my favorites. Shusterman has a way of examining contemporary issues in unique and surprising ways while, at the same time, telling an engaging, exciting story. I'm a fan, for sure. So, naturally, I got excited when I heard he was penning a new series. Even though the book's premise sounded a little odd, I was stoked to read Scythe, the first installment. What did I think? Honestly, I was disappointed. I expected the novel to be chilling. I expected it to be disturbing. I also expected to like it because, well ... it's Shusterman! And yet, I just couldn't get on board with the story's premise (which is, indeed, chilling and disturbing). At no point in the tale did I become convinced of the necessity of scything. Nothing about the job seemed noble or necessary. I mean, if you absolutely had to kill people off every now and then to control the population, why in the world would you make their deaths any more violent or traumatizing than they had to be? Makes no sense to me, not even in a fictional world. So, yeah, I had trouble stomaching the whole idea. Also, considering all the blood and gore, Scythe actually gets boring in places. I can't see teens sticking with it for all 435 pages. The novel does ask some intriguing philosophical questions (Can one truly know pleasure without experiencing pain? Can people really appreciate life if they know nothing of death?) that would make for some excellent discussion. Overall, though, I had a hard time enjoying Scythe. I'm still in awe of Shusterman's impressive storytelling skills, but his new series is just not for me. Bummer.
(Readalikes: Reminds me a little of the Hunger Games series [The Hunger Games; Catching Fire; and Mockingjay] by Suzanne Collins and "The Lottery" by Shirley Jackson)
If this were a movie, it would be rated:
for violence, blood/gore, sexual innuendo, and language (no F-bombs)
To the FTC, with love: I bought a copy of Scythe from Costco with a portion of the millions I make from my lucrative career as a book blogger. Ha ha.
Wednesday, March 17, 2010
Printz Contender Like Good, Old-Fasioned Comfort Food: Warm and Satisfying
1:00 AM
(Image from Barnes & Noble)
Virginia's read about stuff like this. It happens sometimes - a nurse accidentally hands the wrong newborn to the wrong couple. Obviously, this is what happened to her. How else could a short, plump blonde like her have ended up in a family full of tall, thin brunettes? Clearly, she was switched at birth.
Welcome to the world of Virginia Shreves, the 15-year-old narrator of The Earth, My Butt, and Other Big Round Things by Carolyn Mackler. In a family of beautiful overachievers who are dedicated to looking like beautiful overachievers, Virginia's a bit of a misfit. She's not super skinny like her older sister; she's not popular like her older brother; she's not a golf-toting club member like her father and she's certainly nothing like her gym-rat-child-psychologist mother. She's smart enough, sure, but she's also boyfriendless and lonely now that her only friend's been whisked off to Oregon by her vagabond parents. With no social life to speak of, she's been spending her time surfing the Web and downing Doritos, neither of which help with her biggest problem - her weight. Viriginia's not grossly obese, but she's chubby enough to get picked last for any kind of team in P.E. She's "heavy" enough that her calorie-conscious mother has to remind her about it every single day. Virginia's getting the message loud and clear: she is the fleshy blight on what is otherwise a perfect family.
Then, one night, the phone rings. And changes everything. The caller delivers horrifying, unimaginable news. While the rest of the Shreves are busy hiding the unsightly accusation behind their blemishless facades, Virginia's imploding. Facing the ugly truth about her flawless family means confronting the cold, hard facts about herself. As terrifying as the process is, it might just be the one thing that can free Virginia to be the only person she really needs to be - herself.
Virginia Shreves is one of those characters that girls recognize instantly. With all of her doubts, her self-loathing, and the tremendous pressure she puts on herself to look a certain way, she's an EveryGirl who will jiggle her way into the hearts of all girls, whether they're a size 2 or 20. She's the perfect antiheroine - funny, but self-deprecating; sweet, but sarcastic; sympathetic, but not pathetic; smart, but often clueless. Her story resounds not because it's terribly unique, but because her voice makes it so. While The Earth, My Butt, and Other Big Round Things didn't completely blow me away like other Printz Award contenders, it's still an appealing read. In fact, it's a lot like good, old-fashioned comfort food (something Virginia would no doubt appreciate): warm and satisfying.
(Readalikes: Reminded me of The Girl With the Mermaid Hair by Delia Ephron)
Grade: B
If this were a movie, it would be rated: PG-13 for language, sexual innuendo/making out/sexual references
To the FTC, with love: Another library fine find
Saturday, October 17, 2009
A Northern Light: Historical Fiction That Has It All
12:23 PM
(Image from Barnes & Noble)
Drudgery [druhj-uh-ree] - noun, plural -er-ies. Menial, distasteful, dull, or hard work. Synonyms: backbreaker, chore, daily grind, elbow grease, gruntwork, labor, menial labor, rat race, slavery, struggle, sweat, toil, travail, workout. (from dictionary.com and thesaurus.com)
For a girl like Mattie Gokey, who thrills in the discovery of new words and ideas, life cannot get much crueler. With her mother fresh in the grave, she's stuck looking after her grieving father, three rambunctious little sisters, and her family's deteriorating farm. Between cooking, cleaning, milking, tending the crops, and caring for the children, Mattie's got little time for studying. It's 1906 and she's 16, well beyond the age most girls leave school. Still, she's determined. She will finish school, go to college in New York and become a writer. It's the only way to escape the drudgery that rules her life. There's just one problem: She swore to her dying mother that she would take care of the family. Pursuing her dream means breaking that promise, while keeping her vow guarantees a future of hard work and crop talk with her unsophisticated husband-to-be.
Even with her acceptance letter to Barnard College in hand, Mattie knows it's not to be. Her father can't farm 60 acres by himself. Her biggest supporters - her best friend, Weaver, and her teacher, Miss Wilcox - encourage her to go to New York despite her family's protests. Instead, Mattie gets a job at the Glenmore Hotel, a nearby resort catering to wealthy tourists. It's here that a packet of letters is thrust into Mattie's hand by a distressed young woman by the name of Grace Brown. Although Grace insists that she must burn the notes, Mattie forgets about them. Days later, Grace's body is pulled from Big Moose Lake - her fiancee, with whom she went rowing, is missing. As if she doesn't have enough on her mind already, Mattie now has to figure out what to do with Grace's letters. The whole situation is suspicious - should she turn the correspondence over to the police? Reading them seems a breach of privacy, but Mattie can't help herself. As she delves into the young woman's thoughts and dreams, Mattie ponders her own. Is she, like Grace, willing to give up everything she's ever wanted for a man who doesn't appreciate her? Is she destined to live a life of obscurity because she's not brave enough to take a chance? Will duty keep her from living the life she really wants? And then there's the question to which everyone wants an answer: Who killed Grace Brown?
A Northern Light by Jennifer Donnelly tells the parallel stories of Mattie Gokey and Grace Brown, although it's really the former's tale. Mattie's the kind of narrator who's easy to identify with - she's sympathetic, believable, engaging and, most charmingly, word hungry. The reader feels her longing, her desperation, her desire for something beyond the dreary confines of her world. Her voice is so compelling that it makes her story burst into vivid life. And what a story it is. Filled with family drama, mystery, romance and humor, it's one of those historical novels that just has it all. Both entertaining and evocative, A Northern Light is not to be missed.
**
While there are plenty of deep, contemplative passages in the book, as well as fun bookish lines the following are neither. They're a little risque, but so funny that I couldn't help myself:
"I knew a lot of words - a lot more than Belinda, who giggled all the time and said things like "swell" and "chum" and "hopelessly dead broke" - but not the right ones. I kept my eyes on the furrows for a while, but that got to be boring, so I stared at Royal's backside. I had never really noticed a man's backside before. Pa didn't have one. It was as flat as a cracker. Momma would tease him about it and he'd tell her the lumber bosses worked it off him. I thought Royal's was very nice. Round and proud like two loaves of soda bread. He turned around just then and I blushed. I wondered what Jane Eyre would have done, then realized Jane was English and proper and wouldn't have gone around eyeing Rochester's backside to begin with" (53).
**
"[Momma]'d sat me down at the kitchen table ... and told me that I was a grown woman now, not a girl anymore, and that a woman's virtue was the greatest treasure she possessed and that I must never, ever give mine to any man but the one I married.
'Do you understand me, Mattie?' she'd said.
I thought I did, but I wasn't sure. I knew what virtue means - goodness, purity, and excellence - because it had once been my word of the day. But I didn't think men wanted to get ahold of those things because Fran told me all they want to get ahold of is your bosoms" (301).
**
Grade:
A
If this were a movie, it would be rated:
PG-13 for some sexual content
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