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10 / 30 books. 33% done!

2024 Literary Escapes Challenge

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My Progress:


18 / 51 states. 35% done!

2024 Historical Fiction Reading Challenge

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13 / 50 books. 26% done!

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20 / 50 books. 40% done!

Booklist Queen's 2024 Reading Challenge

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38 / 50 books. 76% done!

2024 52 Club Reading Challenge

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33 / 52 books. 63% done!

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23 / 40 books. 57% done!

2024 Pioneer Book Reading Challenge


13 / 40 books. 33% done!

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5 / 25 books. 20% done!

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25 / 26.2 miles. 95% done!

Mount TBR Reading Challenge

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19 / 100 books. 19% done!

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50 / 104 books. 48% done!

Around the Year in 52 Books Reading Challenge

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39 / 52 books. 75% done!

Disney Animated Movies Reading Challenge

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45 / 165 books. 27% done!
Tuesday, March 08, 2011

Charming, Melodious Prose Makes The Oracle of Stamboul Enjoyable, If Not Exciting

(Image from Indiebound)

When a flock of exotic hoopoes descends on the Romanian city of Constanta and two Tartan midwives arrive suddenly at the home of a laboring woman, it's a sign: Something special is happening. It's the birth of a young girl, a cause for celebration, but one that's tinged with sadness as the infant's mother perishes from blood loss. Raised by her devoted father and her stepmother, a woman "dangerously close to thirty, wrung out by life, and profoundly resentful" (8), Eleanora Cohen shows extraordinary intelligence at a very young age. When her parents realize the extent of their child's abilities, they react in different ways - Eleanora's father wants her to study, expand her knowledge, while Ruxandra, her stepmother, insists on limited her learning so as not to scare off potential husbands.

Not at all enamored of her stepmother, 8-year-old Eleanora is distraught when her father announces he's traveling alone to Stamboul (now Istanbul) for a month to sell carpets. Not willing to stay behind, the child stows away in one of her father's trunks. When she arrives in the city, Eleanora's mind fills with the rich sights and sounds of the great city. She's happy spending time with her father, exploring the grand library of his benefactor, and watching the hoopoes who have followed her across the sea. When the Sultan learns of the young savant living in his city, he seeks her company, an invitation that throws the child into the confusing world of politics. As the ruler comes to increasingly rely on Eleanora, she becomes an unwitting adviser to people far and wide on all manner of subjects. When the pressure becomes too great, she must decide how much of herself she's willing to extend to help those around her before she collapses from the weight of so many conflicts. And, of course, there's the matter of her own future ...

The Oracle of Stamboul, a historical novel by newcomer Michael David Lukas, is difficult to summarize because, truly, not a whole lot happens. The story's rich in setting, characters and language, all of which make the book enjoyable, if not exciting. Considering the melodious charm of Lukas' prose, I expected more from his debut - more focus, more story, more magic. As is, the tale lacks that special something it needs to really shine. It's still worth the read, however, for the eloquence with which Lukas writes. Just pack some patience; you'll need it for this slow, meandering trip into the colorful Ottoman Empire.
(Readalikes: Hm, I can't really think of anything. Can you?)

Grade: B-

If this were a movie, it would be rated: PG for vague references to violence

To the FTC, with love: I received an ARC of The Oracle of Stamboul from the generous folks at Harper Collins and TLC Book Tours, for whom this review was written.

Imagination Needing a Workout? Two Words For You: Neal Shusterman.

(Image from Indiebound)

When the cars Nick and Allie are riding in collide one day, the force of the impact throws them both into the forest. Months later, they wake up to discover that not only are they dead, but they're not in heaven. Or in hell. Or really, anywhere at all. As Lief, a young, freckled boy living in the woods, explains, the pair have been flung into Everlost, a kind of middle world between life and death. Not even Lief, who has lived in Everlost for decades, knows why they are all there, what they're supposed to be doing, or how they might escape. All he wants are some friends, other kids to play his favorite games with him.

Allie, however, has no use for playing in the trees, even if the forest offers a safety not assured in other parts of Everlost. She wants to go back home to New Jersey. Convincing Nick and Lief to join her takes a little work, but eventually the trio takes off on an adventure-filled journey through the strange world of which they are now apart. When they reach New York City, they join another band of lost souls, a group led by an enigmatic leader who knows a lot more about the whys and wherefores of Everlost than she's letting on. To "get where they're going" (Leif's term for successfully crossing from life to death) they'll have to pry Everlost's secrets away from those who guard them most fiercely, face the land's most frightening figure, and learn to live their afterlives on their own terms.

For those of you who, like me, think there's too little originality in the world of children's literature, I have two words for you: Neal Shusterman. Everlost, the first book in his highly-acclaimed Skinjacker Trilogy, introduces a world so unique you really have to experience it for yourself. Try as I might, I can't do justice to the wondrous complexity of it. Just as fresh are the characters, who truly come to life as they battle each other to achieve their own purposes. From a religious standpoint (although this is not a religious book, not at all), I appreciated Shusterman's idea of "heaven" as a place of progression instead of stagnation. A vivid setting, engaging characters, subtle philosophy and really, just everything about it, makes this an excellent read that I highly recommend to anyone whose imagination needs a little workout. Mine certainly enjoyed the exercise.

(Readalikes: Although I haven't read them yet, the sequels, Everwild and Everfound [available May 2011]; Also, a little like Elsewhere by Gabrielle Zevin, The Everafter by Amy Huntley and If I Stay by Gayle Forman)

Grade: B+

If this were a movie, it would be rated: PG for scenes of peril

To the FTC, with love: I bought Everlost with a portion of the millions I make from my lucrative career as a book blogger. Ha ha.

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