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Latest Veronica Speedwell Mystery an Enchanting, Madcap Adventure
Forget Set-Worshiping Egyptians, I Want Adorkable Fairy Godmothers

Aislynn's laughed off her dad's warnings about "the enemy" for so long, she's shocked when she discovers the truth: her family really is being hunted. Before she can even begin to comprehend the fact that she's part of an ancient tribe of Set-worshiping Egyptians engaged in a perpetual battle against the evil Horusians, she's, once again, on the run. So much for normal. As Aislynn learns astonishing facts about herself and her family, she begins to realize just how much danger she's really in. Fighting for her own survival only becomes more complicated as she engages in a struggle between two halves of herself. Will she make it out of this confusing war alive? And what about her dream of a normal life? Does it have any chance of coming true now that Aislynn knows what she really is?

You may have noticed that I have a love/hate relationship with Janette Rallison. Not the woman herself because she is as warm and generous as she could possibly be. I mean with her books. As much as I adore Rallison's Godmother series, I just can't get on board with her YA sci fi/fantasy novels. I appreciate the fact that she's trying to branch out, try other genres, but in my opinion, these newer books are just ... meh. Son of War, Daughter of Chaos, Rallison's newest, is no exception. It has some bright spots, for sure, but overall, it feels too flat, too long, and way, way too Twilight. Rallison's novels are all infused with her trademark wit and this one definitely has some of that familiar sparkle. I also like that the whole Setite/Horusian world/war has depth to it, making it feel more real (true, the explanatory passages often get long and boring, but still). My biggest problem with the novel, I think, is that not only did I not really care about the ancient war, but I also didn't understand its sudden urgency. And while the characters are likable, they just didn't really speak to me. Overall, then, Son of War, Daughter of Chaos was just an okay read for me. If there are sequels coming, I won't bother reading them.
In happier news, My Fairly Dangerous Godmother, the third installment in Rallison's series about an adorkable fairy godmother-in-training, came out a couple months ago. Squee! I haven't read it yet, but I will. Soon.
(Readalikes: Reminds me of The Lightning Thief by Rick Riordan and the Twilight series [Twilight; New Moon; Eclipse; Breaking Dawn; by Stephenie Meyer)
Grade:
Historical Adventure Series Good, Clean, Well-Written Fun
Former Pinkerton spy Isabelle Webb thought she was retiring from the adventurous life. Not so. After a harrowing adventure in India, she's now in Egypt, along with her 16-year-old ward, Sally Rhodes, and her boyfriend, 33-year-old blacksmith James Ashby. Although Isabelle is anxious to save Sally from any further mishaps (one kidnapping is more than enough, thank you very much), she's intrigued when a woman from her past offers her the chance to join a real archaeological dig. The opportunity is simply too intriguing to miss.
Isabelle is fascinated by the excavation site, a cave near Luxor that is rumored to be the tomb of a shamed pharaoh's daughter. But strange things are happening—Isabelle's hearing sinister voices near her tent at night; Alice Bilbey's birthmark burns like fire; and locals keep giving the Americans dire warnings and protective charms. The longer the group stays, the more danger they seem to be finding. Is finding treasure, even if it is more magical jewels, worth the risk? Is it worth their lives? Isabelle and her friends will soon find out.Egyptian Epic Lets You Go Only After You've Laughed, Cried and Just About Wet Your Pants in Suspense
I'll be honest: I tend to make snap decisions. Especially when it comes to books. By the 
Although the novel's spotlight shines on its title character, it is the narrator who steals the show. Mutnodjmet, Nefertiti's younger half-sister, tells the story with the quiet dignity that becomes her trademark. Through Mutny, we come to know her sister, one of the most infamous and iconic queens in history.
Though close, the sisters could not be more different - where Nefertiti is small and graceful, Mutny is tall and awkward; Nefertiti lives for the glamour and glitz of palace life, Mutny prefers the solitude of her gardens; Nefertiti is impulsive and passionate, Mutny is reserved and level-headed. Because of her calm demeanor, Mutny is the perfect foil for Nefertiti, who is poised to become the next queen of Egypt. As their father, Vizier Ay, plots to put Nefertiti on the throne, Mutny scrambles to save her peaceful life in the country. Eventually, she succumbs to the inevitable and becomes her sister's companion at court. When Nefertiti weds Amunhotep, an ambitious prince who's rumored to have murdered his brother to capture the crown, Ay begs Mutny to act as Nefertiti's conscience. For the good of the family, Mutny accepts her fate, even if it means forsaking her garden. Soon, she realizes her lofty position makes her little more than a spy for and servant to her demanding sister.
As much as Mutny resents her duties, she knows she must protect her family's power. Potential usurpers lurk around every corner. Nefertiti's goddess-like beauty dazzles princes and peasants alike, but Amunhotep's other wives, especially the lovely Kiya, see it only as a threat. If only Nefertiti could produce a male heir, the throne would be safe, but her womb seems doomed to release only princesses. As her paranoia grows, Nefertiti employs a full arsenal of schemes, plots and deadly acacia to cut down her rivals. Clearly, she will stop at nothing - no matter how vicious - to keep her gilded crown. When Mutny finally realizes just how far her sister and brother-in-law will go to preserve their rule, she flees in fear, vowing never to return to the palace.
Meanwhile, trouble is brewing outside the palace walls, where the people have finally grown weary of Amunhotep's fanaticism. Testaments to his vanity appear on every wall, where images of himself and his queen have replaced those of the Gods. He's commanded almost every soldier to build his city, leaving Egypt's borders open to intruders. Within his court, things are no less turbulent. Enemies abound even within Amunhotep's inner circle, making the Pharaoh mad with threats both real and imagined. While Ay begs Nefertiti to reign in her husband, the situation becomes desperate. Although she's determined not to become a slave to her family's ambition, Mutny finds herself back in the palace, frantic to protect her sister. It's a fight for life, power and a place in the history books. It's a battle that will be won - and lost.
Although Nefertiti contains all the elements of a satisfying novel - action, romance, humor, depth - it's the characters that make it most appealing. Each is a finely-crafted masterpiece, from the fearsome Amunhotep to his power-hungry viziers to his magnificent wife and her humble sister. We see their failings, their triumphs, their desperation; Moran makes the ancients human, sympathetic, real. Just as the Egyptians once were, we cannot help but be entranced by these figures and their turbulent histories. As Nefertiti's people did, we can only watch in open-mouthed amazement as the story unfolds and hold our breath until it comes to its heart-pounding conclusion. This is one of those books that swallows you whole, spitting you out only after you've laughed, cried and just about wet your pants in suspense. Loved, loved, loved it. That's all I can say.
Grade: A
(Although I didn't label Nefertiti a clean read, it has no profanity and no real sex scenes. References to sex are many, but vague and undetailed - intercourse is discussed mostly in relation to producing heirs. In my opinion, Nefertiti is suitable for church and other book clubs, that prefer G and PG-rated books.)

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