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Anything He Writes, I Will Read. Amen.
(Image from Barnes & Noble)(Note: Although this review will not contain any spoilers for The Hero of Ages, it may inadvertently reveal plot surprises from its predecessors. As always, I recommend reading books in a series in order.)
Killing the Lord Ruler to end the Final Empire was obviously the right thing to do, wasn't it? With the return of the lethal form of the ubiquitous mists, increasingly heavy ashfalls, and ever more powerful earthquakes, Vin and Elend are no longer so sure. Long ago, Ruin—one of the primal beings who created the world—was promised the eventual right to destroy all things. Now that Vin has been tricked into releasing him from the Well of Ascension, Ruin apparently intends to collect.
The conclusion of the Mistborn trilogy fulfills all the promise of the first two books. Revelations abound, connections rooted in early chapters of the series click into place, and surprises, as satisfying as they are stunning, blossom like fireworks to dazzle and delight. It all leads up to a finale unmatched for originality and audacity that will leave you rubbing your eyes in wonder, as if awaking from an amazing dream.
There's not a lot more to say except that I love the Mistborn series. The first tw
o books enthralled me, as did the third. The world Sanderson creates in the series is so complex, so detailed and so utterly compelling that it's difficult not to get lost in it. Like the novels that came before it, The Hero of Ages offers a little bit of everything—adventure, romance, mystery, fantasy, etc. There's so much going on in the book that it never gets boring. And that's saying a lot for a 724-page novel. The bottom line is this: Sanderson is a master storyteller, absolutely in a class by himself. Anything the man writes, I will read. Amen.
(Readalikes: The Final Empire, The Well of Ascension and The Alloy of Law by Brandon Sanderson)
Grade: A
If this were a movie, it would be rated: PG-13 for language (no F-bombs) and violence/gore
To the FTC, with love: I bought The Hero of Ages from Amazon with a portion of the millions I make from my lucrative career as a book blogger. Ha ha.
Give Me A Story, Not A Sermon
(Image from Barnes & Noble)(Note: While this review will not contain spoilers for Miles to Go, it may inadvertently reveal plot surprises from The Walk. As always, I recommend reading books in a series in order.)
ing it from his home near Seattle to the beach in Key West, Florida. He's made it to the outskirts of Spokane, Washington—only about 318 miles from home—when he's mugged by a group of teenage thugs. Too injured to resume his journey right away, Alan decides to hunker down in Spokane until he's recovered enough to resume his trek.
ing with his own issues? As Alan tries to figure out what to do about Angel, he also has to make another decision: should he continue with his long walk or stay in Spokane with the people who are fast starting to feel like family. Since The Walk by Richard Paul Evans failed to impress me, I didn't have a lot of hope for its sequel, Miles to Go. I figured the same things that bugged me about the former would probably bug me about the latter and I was right. Evans' writing was still more tell than show, more sap than substance. His characters remained flat, their relationships so underdeveloped they never felt real. Because of the mysterious Angel, the first half (or so) of the book at least had enough action to be somewhat interesting. Not so for the rest of the novel. All in all, I liked Miles to Go a teensy bit more than The Walk, but, truthfully, I really wasn't wild about either. I've said it before and I'll say it again, inspirational fiction is just not my genre. I want a story, not a sermon.
And, Once Again, I'm Not a Fan ...
(Image from Barnes & Noble)
Anyway, The Walk concerns 32-year-old Alan Christoffersen, a successful advertising executive who's enjoying the very best life has to offer. He's got a luxurious house, a zippy sports car, a beautiful wife, and a wall full of business honors and awards—all the trappings of a happy life. Or so Alan thinks. When tragedy strikes, his perfect world begans to crumble. As Alan watches everything that's important to him slip away, he becomes so grief-stricken and depressed that he contemplates suicide. Then he does something even crazier: he decides to walk from his home near Seattle all the way to sunny Key West, Florida.
Preachy? Check. Predictable? Check. Ooey-gooey? Check, check, check. The Walk must, therefore, be inspirational fiction at its finest, right? Maybe, but what I found was a whole lot of tell-not-show storytelling, flat characters and underdeveloped relationships. Alan's idea to walk to Florida made no sense to me since he seemed to have no real, concrete motivation to do so. The biggest problem for me, though, was that, while there was enough going on in the beginning of the book to keep the story moving forward, the majority of the novel is spent on the road with Alan. Which would be okay if the details were interesting, but they're just not. Reading about every town he crosses into, every diner he enters, and every meal he inhales gets tedious and boring. I had to drag myself through it, kicking and screaming, until the end, when something exciting finally happened.
Although the book deals with grief, I have to say it is more uplifting than my usual reading fare. It's definitely a feel-good book, so if you like that kind of thing, you'll probably dig this one. But, for me, The Walk was too unrealistic, too saccharine and too preachy. The author, I think, was trying so hard to teach a powerful life lesson that he forgot how effectively that can be done through the subtleties of good storytelling. Which, come to think of it, is my absolute biggest beef with inspirational fiction. So, yeah, while I can appreciate the aim of this genre, I'm still just not a fan.
(Readalikes: The Walk: Miles to Go by Richard Paul Evans
Grade: C
If this were a movie, it would be rated: PG for mild language and sexual innuendo
To the FTC, with love: Another library fine find
And My Love/Hate Relationship with OSC Novels Continues ... *Sigh*
(Image from Barnes & Noble)
Although Danny North has grown up in an isolated compound in the mountains of western Virginia, surrounded only by members of his family, he's never really felt the love. Unlike his vast collection of aunts, uncles and cousins, Danny's not special. While the rest of them practice their magical, godlike powers, he can't. Because he has none. Considering who his parents are, Danny should be the most talented member of the clan. And yet, he's not. He's a lowly, misfit drekka—a person who should have powers, but doesn't.

As Danny grows up, struggling to decide what he is and where he fits in with his
strange family, he makes a startling discovery: he can create "gates," which allow him to move about the compound unnoticed, invisible. This revelation leads to an even greater understanding—Danny's not a drekka, he's the most powerful mage to enter the world in a thousand years. As a gatemage, he should be able to move between lands, between times. Danny has no idea how to actually do that, but he knows that rival clans—heck, even his own clan—wouldn't hesitate to kill him just for one shot at using his power as their own.
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