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Riches-to-Rags Memoir Funny, Poignant
'Cause I'm Scrooge-y Like That ... (And I Like to Start Post Titles With 'Cause)
As much as I love Christmastime, with all its beautiful carols, heartwarming holiday movies, and tales of forgiveness and hope, there's one thing I can't abide: sap. Okay, I can take a little. Just not a lot. I'm not saying I don't enjoy inspirational Christmas stories (I'm not that heartless!), but I don't like holiday novels (or any other kind) that try too hard to be touching. Give me a subtle lesson, not a saccharine one, you know? Because I'm sort of Scrooge-y like that, I gave Jason F. Wright's first Christmas novel, Christmas Jars, a scathing review, calling it "the kind of book that sacrifices good storytelling for sentimental sermonizing." Harsh, but true. And, Once Again, I'm Not a Fan ...
(Image from Barnes & Noble)
Anyway, The Walk concerns 32-year-old Alan Christoffersen, a successful advertising executive who's enjoying the very best life has to offer. He's got a luxurious house, a zippy sports car, a beautiful wife, and a wall full of business honors and awards—all the trappings of a happy life. Or so Alan thinks. When tragedy strikes, his perfect world begans to crumble. As Alan watches everything that's important to him slip away, he becomes so grief-stricken and depressed that he contemplates suicide. Then he does something even crazier: he decides to walk from his home near Seattle all the way to sunny Key West, Florida.
Preachy? Check. Predictable? Check. Ooey-gooey? Check, check, check. The Walk must, therefore, be inspirational fiction at its finest, right? Maybe, but what I found was a whole lot of tell-not-show storytelling, flat characters and underdeveloped relationships. Alan's idea to walk to Florida made no sense to me since he seemed to have no real, concrete motivation to do so. The biggest problem for me, though, was that, while there was enough going on in the beginning of the book to keep the story moving forward, the majority of the novel is spent on the road with Alan. Which would be okay if the details were interesting, but they're just not. Reading about every town he crosses into, every diner he enters, and every meal he inhales gets tedious and boring. I had to drag myself through it, kicking and screaming, until the end, when something exciting finally happened.
Although the book deals with grief, I have to say it is more uplifting than my usual reading fare. It's definitely a feel-good book, so if you like that kind of thing, you'll probably dig this one. But, for me, The Walk was too unrealistic, too saccharine and too preachy. The author, I think, was trying so hard to teach a powerful life lesson that he forgot how effectively that can be done through the subtleties of good storytelling. Which, come to think of it, is my absolute biggest beef with inspirational fiction. So, yeah, while I can appreciate the aim of this genre, I'm still just not a fan.
(Readalikes: The Walk: Miles to Go by Richard Paul Evans
Grade: C
If this were a movie, it would be rated: PG for mild language and sexual innuendo
To the FTC, with love: Another library fine find
Ignore the Cover Art - Everything I Was Warm, Funny and Hopeful
(Image from Barnes & Noble)Despite its rather ominous cover, Everthing I Was by Corinne Demas, is actually a very sweet story. It begins on the day 13-year-old Irene moves out of her posh Upper West Side apartment. With her father out of work, her family can no longer afford the exorbiant rent, even though they've auctioned off valuable art, let the housekeeper go, and sold her father's Jag. Unless a job suddenly becomes available, her private school tuition won't be paid, and Irene won't be able to return except as a scholarship student - a fate too embarrassing to contemplate. In the meantime, the family's moving to the country to live with Irene's paternal grandfather, who lives on a rural farm. Irene's leaving her whole life behind, with nothing to look forward to ahead of her.
When an opportunity comes up in the city, Irene doesn't know what to think: City or country? Old life or new? As she deals with this newest life reversal, she must come to terms with her family, her friends, but, most of all, herself.
The cover of this one really threw me; the darkness of it still bothers me. Not that the story's all flowers and bubbles. It's not, but it's definitely lighter than the cover indicates. That little issue aside, though, I enjoyed Everything I Was. It's a quick read, full of warmth, humor and hope. It's a timely story and one I think young readers will find relatable in this time of economic upheavel. Even if they've never been uprooted, they'll sympathize with Irene, fall for the laidback Jim, and enjoy this gentle ride out into the countryside.
If this were a movie, it would be rated: PG-13? - This is the first time I've ever encountered this situation, so I'm not sure exactly how to rate Everything I Was. Irene says the F-word twice, which should automatically make the book an R. However, there's nothing else in the book that's offensive. A little kissing, but that's it. Weird, right? If it weren't for those two F-bombs, the book would be PG. So, what do I give it? PG-13? R? I'm going to stick with the former for now.
Four Words for Ahern's Newest: P.S. I Love You
(Image from Indiebound)In the Acknowledgments section of her newest book, Irish novelist Cecelia Ahern writes:
In The Book of Tomorrow I share my belief in the magic of books, how I believe books must contain some sort of homing device, which allows them to draw the correct reader to them. Books choose their readers, not the other way around. I believe that booksellers are the matchmakers
(p. 312).I have to agree with her, although in my case, it's usually book bloggers who set me up with great stories. Case in point: The Book of Tomorrow by Cecelia Ahern. The author's best known for her debut novel, P.S. I Love You, which enjoyed bestsellerdom, then became a movie starring Hillary Swank and Gerard Butler. Despite the story's popularity, I couldn't get past its first chapter. So, I was a tiny bit reluctant to pick up Ahern's newest venture. Still, rave reviews in Book Bloggerland persuaded me to give it a go. The first page convinced me: this book and I belonged together. Really. It was love at first sight (well, first read).
The book revolves around 16-year-old Tamra Goodwin, a wealthy Dubliner whose world starts to crumble when her father commits suicide. It's not just his death that shocks her, but also the reason behind it: George Goodwin owed so much money that he died with barely a euro to his name. As the bank repossesses the family's home, Tamra's mother sells off everything she can to pay her husband's debt. Now Tamra, the girl who swathed herself in designer-ware, swung at tennis balls on her private court, and played princess in a 7,000-square-foot mansion, is homeless, penniless, and not too happy about it either. She's stuck living in a cramped cottage in the countryside, miles away from anything that's anything, with her eccentric aunt and uncle.
Aunt Rosaleen takes charge of Tamra's mother, who's almost comatose with grief, leaving the teenager to find something - anything - to do. As Tamra explores the area, she finds all kinds of wondrous things, including a ruined castle, a traveling bookmobile run by a very sexy librarian, an unconventional nunnery and a mysterious diary. While each discovery holds its own secrets, it's the last that has her completely flummoxed. Drawn to the old-fashioned book with its leather cover and gold padlock, Tamra takes it home to pry it open. When she succeeds, she's disappointed to find that it's a journal, every page blank. She's never been into writing, but these days she's bored enough to try just about anything. This time, as Tamra opens the diary, she's shocked to discover that the first few pages are already filled, covered with words written in her own handwriting, words she's sure she never penned. The entry's dated for the next day. A practical joke, she assumes, until all the things written in the diary come true.
Tamra doesn't know how the diary works, but she believes in its magic. Somehow, it's leading her, luring her to investigate the dark secrets that swirl around Kilsaney Castle. The more Tamra pries, the more confused she becomes. What happened to the castle? Why did the Kilsaneys abandon it? Why does timid Rosaleen yank the mail out of Tamra's hands, forbid her from entering the garage, and insist that Tamra's mother does not need a doctor when she so clearly does? And, most importantly, what does it all have to do with her? Something sinister's going on in the Irish countryside and Tamra's going to find out what. Even if it kills her. Which it just might.
Family secrets, a magic diary, a handsome Irish book lender - you can see why I find The Book of Tomorrow so intriguing. Add in a bit of humor, a healthy dose of teenage angst, and some good, old-fashioned mysteries and, really, what's not to love? Okay, I would have liked more depth from the male characters (Marcus and Weseley are so similar I can barely tell them apart), and some of the plot points come off as a bit contrived, but the story overall does not disappoint. Not in the least. In fact, it's one of those magical novels Ahern referred to, the kind that pulls the right reader to them, then proceeds to enchant the heck out of them. After devouring her latest novel, I have only four words for Ms. Ahern: P.S. I Love You.
(Readalikes: It reminds me of other books about family secrets, though no specific titles come to mind.)
Grade: B+
If this were a movie, it would be rated: R for language (a handful of F-bombs, plus milder invectives), some violence and sexual content (not graphic)
To the FTC, with love: I received an ARC of The Book of Tomorrow from the generous folks at Harper Collins. Thank you!

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