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Saturday, October 17, 2015
Complex, Enjoyable Still Life SO Much More Than a Cozy
1:51 PM
(Image from Barnes & Noble)
South of Montreal, near the U.S. border, sits a small, idyllic village called Three Pines. With its lush natural beauty, quaint shops, and warm-hearted residents, it's a lovely, postcard-perfect kind of place. A place where "the only reason doors were locked was to prevent neighbors from dropping off baskets of zucchini at harvest time" (1%). From a distance, it looks like a snow globe scene, perpetually safe inside its protective bubble. No community can be that flawless, of course. As in every other town, plenty of tension simmers beneath Three Pines' serene surface.
Still, the discovery of a dead body in the woods comes as a great shock. Especially since it belongs to Jane Neal, a retired teacher much beloved in the village. Pierced with an arrow, she appears to have been the victim of a tragic hunting accident. Armand Gamache, the chief inspector of the Sûreté du Quebec, however, isn't convinced. Determined to discover what really happened to the elderly teacher, he and his team take up temporary residence in Three Pines. Intelligent and thoughtful, Gamache knows the better acquainted he is with the townspeople, the more forthcoming they will be. But as he becomes more and more familiar with the colorful village people, slowly falling in love with them and their town, the less he wants to suspect any of them of killing an old woman. And yet, it's his duty to find her murderer. Was it Jane's greedy niece? Or someone with a less obvious motive? As pressure to solve the case intensifies, it's up to Gamache to find a killer among his new found friends. Can he do it in time or will he become the next victim?
Despite its intimate, small-town setting, labeling Still Life by Canadian author Louise Penny a "cozy" mystery would be a mistake. The novel, the first in her popular Armand Gamache series, is much more than that. I completely agree with what Penny said about her books in a recent interview with BookPage:
To call them cozies is to completely misread! I get very annoyed at anyone who calls them cozies, or even traditional. I think it's facile for people to think that anything set in a village must, per force, be superficial and simplistic. (BookPage, September 2015 issue, Pages 14-15)
Too true. Still Life introduces a town that, to an outsider, looks as cozy as a fleece blanket, when in truth, it's more like a patchwork quilt—still warm, but with a variety of pieces, patterns, and stitching styles that create a more layered, complex beauty than is apparent at first glance. The novel isn't really about the murder of a community member, it's about the community itself. It's about the people who live there, the relationships they have with each other, and the ways in which they deal with their differences—in personality, in cultural background, in political views, in everything. Still Life and the books that follow are character-driven mysteries, focusing on the most appealing of Penny's story people: Chief Inspector Armand Gamache. Unlike most of literature's craggy, uncouth police personnel, Gamache is a kind and consummate gentleman. Although he battles his own demons, he's a positive man, happily married, and upbeat even in the face of his often unpleasant duties. A breath of fresh air, for sure. All that being said, you'll be happy to know that Penny doesn't skimp on plot. There's plenty happening to keep the story moving along. Although I figured out who the killer was before Gamache did, I wasn't totally sure I was right until the very end. That's the mark of a good murder mystery, in my book. In case you can't tell, all of these elements blend to make Still Life a fun, compelling read. I enjoyed it immensely, as I did the next book in the series and the next and the ... you get the picture. If you dig murder mysteries that are more than just another police procedural, definitely try this series on for size. It's a darn good one.
(Readalikes: Other books in the Armand Gamache series [A Fatal Grace; The Cruelest Month; A Rule Against Murder; The Brutal Telling; Bury Your Dead; A Trick of the Light; The Beautiful Mystery; How the Light Gets In; The Long Way Home; and The Nature of the Beast)
Grade:
If this were a movie, it would be rated:
for language (a handful of F-bombs, plus milder invectives) and violence
To the FTC, with love: I bought a copy of Still Life from Amazon with a portion of the millions I make from my lucrative career as a book blogger. Ha ha.
Friday, October 16, 2015
If It Weren't For the Cop-Out of An Ending ...
7:47 PM
(Image from Barnes & Noble)
Although she's eighteen, Madeline Whittier knows little of life beyond the walls of her home. Born with "baby in the bubble" disease (aka Severe Combined Immunodeficiency or SCID), she's allergic to nearly everything. Going outside could mean death. So, she doesn't. Madeline stays inside, studying with online tutors, socializing only with her nurse and her physician mother, and posting spoiler book reviews on her blog. It's a lonely existence, but one Madeline bears with reluctant acceptance.
That changes when a new family moves in next door to the Whittiers. Watching their movements from her window, Madeline becomes fascinated with Olly Bright, the family's teenage son. Always clad in black, he does Spiderman-like parkour moves, launching himself into secret places to get away from his father's alcohol-fueled rages. When Madeline and Olly start instant messaging each other, she discovers that her neighbor is not just physically skilled, but he's also funny, smart, and thoughtful. As much as Madeline looks forward to their chats, she longs to talk to Olly face-to-face. To feel his hand in hers, his lips on her skin. Of course, her mother would never allow such a thing. She'd have a coronary if she knew about the instant messaging. Madeline has never considered defying her mother-doctor, risking illness or worse to escape her confinement, but now? Now, it's all she wants.
Will Madeline break free, throwing caution to the wind in order to be with the boy she's coming to love? Or will she do the sensible thing and forget Olly ever existed? With her heart—not to mention her life—at stake, what will Madeline decide?
There's plenty to love about Everything, Everything, a debut novel by Nicola Yoon. To begin with, there's the kind of diversity that is often lacking in YA novels. Yoon, a Jamaican-American married to a Japanese-American, gives Madeline a mixed ethnicity (Japanese/African-American), which helps her stand out. I thought the token gay character who drops in at the end was a little much (Why was he even in the story?), but I like that our heroine is bi-racial and it's just a fact of life for her, no big deal. I also enjoyed the peeks we get into her bright, engaging personality via lists, book reviews, lists, drawings (by David Yoon, the author's husband), and diary entries. These snippets perk up the narration, moving the plot along in a fast, fresh manner. The growing relationship between Madeline and Olly is also sweet and fun. I found all of these elements appealing. My only real complaint with the novel is with the ending. With little foreshadowing, the conflict's resolution comes out of nowhere. And yet, the big twist didn't surprise me at all, as I've seen it done before. Yoon's wrap-up, thus, felt like a rushed cop-out. In fact, it kind of soured the whole book for me. Despite that, Everything, Everything really is pretty enjoyable. It's the sweet, swoony kind of read teens will definitely get into (my 13-year-old daughter adored it). Judging by the rave reviews the novel is getting all over the book blogosphere, I'm the only one who felt a little gipped by this one. Ah, well. I can deal.
(Readalikes: Broken by C.J. Lyons)
Grade:
If this were a movie, it would be rated:
for language (no F-bombs), violence, and mild sexual content
To the FTC, with love: I received an e-ARC of Everything, Everything from the generous folks at Random House via those at NetGalley. Thank you!
Appalachian Murder Mystery Series Goes Deeper, Gets Better As It Goes
7:56 AM
(Image from Barnes & Noble)
(Note: While this review will not contain spoilers for Summer of the Dead, it may inadvertently reveal plot surprises from previous Bell Elkins mysteries. As always, I recommend reading books in a series in order.)
High summer in Acker's Gap, West Virginia, means more time for its mountain residents to enjoy the rugged beauty around them. And yet, few seem to be outside, taking advantage of the long, arid days. With a killer on the loose, the hill people are scared. Too frightened to linger, too scared to stray far from their homes. It's up to Belfa "Bell" Elkins, Raythune County's prosecutor, and her old friend, Sheriff Nick Fogelsong, to stop the killing. If only they had a clue where to look. For all its breathtaking natural wonders, Acker's Gap is a hard, dead end kind of town, one where desperation leads to violence of every kind. Who could be harboring homicidal tendencies? Just about everyone.
Bell's got enough problems to deal with, never mind the recent murders. Her 45-year-old sister, Shirley, has moved in with her after serving 30 years in prison for killing their abusive father. Trying to re-form the close relationship they shared as girls isn't easy now that they're independent, headstrong adults. Especially since Shirley refuses to listen to reason. Bell's also missing her 17-year-old daughter, who lives with her flashy father in D.C. The last thing she needs is more problems to solve. Or, maybe it's the best thing to get her mind off her domestic troubles?
When Bell's investigation leads her to 19-year-old Lindy Crabtree, the prosecutor believes she's finally getting somewhere. The jumpy teenager is hiding her sad, angry father in the locked basement. The ex-miner, whose failing mind prefers the lonely darkness, could be the exact person for whom Bell and the sheriff have been searching. If only the case were that simple ...
Julia Keller's exploration of Odell Crabtree's issues gives Summer of the Dead, the third installment in her Appalachian mystery series, a greater depth than what is found in the two previous books. Keller always excels at bringing to life the struggles and stresses of her beloved hill people, but Odell's plight feels especially poignant. As does Bell's constant worry over her older sister. It's always been the characters and setting more than the plot that draws me to this series—still, there's plenty of action to be had in a Keller novel, no worries about that! Although I pieced together some of the answers to the mysteries in Summer of the Dead, I didn't see all of them coming. That suspense, as well as my interest in the daily dramas of Acker's Gap's salt-of-the-Earth residents, kept me turning pages. Not to mention hankering for more from the indomitable Bell Elkins.
(Readalikes: Other books in the Bell Elkins series [A Killing in the Hills; Bitter River; and Last Ragged Breath])
Grade:
If this were a movie, it would be rated:
for strong language, violence, sexual innuendo, and adult subject matter (child abuse, drug abuse, etc.)
To the FTC, with love: Another library fine find
Thursday, October 15, 2015
Alcoholism and Abuse in Amish Country Make For a Surprisingly Ho-Hum Read
1:00 AM
(Image from Barnes & Noble)
To the Plain people in his Fold, the Deacon stands as an example of the Amish ideal—he works hard, cares for his flock, and listens closely to the God with whom he has always communed. Only Joshua, the Deacon's 11-year-old son, knows the truth. Only he sees the hungry slurps his father takes from jars of pungent "communion wine," only he witnesses the rage that ensues, only he receives the Deacon's vicious beatings. No one else knows—not his mother, not his four sisters, not any of their Plain neighbors. The family's lives look perfect from the outside. It's not until a scuffle between Joshua and his father turns deadly that the truth begins to leak out.
Unable to stay in Pennsylvania, Joshua makes a run for it. He's heard about a distant California city, Monte Rey, where the sun always shines. Perpetual summer sounds infinitely better than whatever awaits him at home. The naive boy, who's never lived among the "English" before, stumbles into every kind of danger along his decade-long journey to the West. Having learned some excruciating lessons about life and love, an adult Joshua yearns for one thing: home. He longs to return to the Fold, but how can one so tainted go back? Especially when doing so means confronting the abusive father who never wanted him in the first place.
Miriam's life changes forever on the night of the fire. Not only is Joshua, her oldest child, missing—presumed dead—but her strong, stalwart husband is burned so badly he can barely move. So severe are his wounds that Miriam knows the Deacon will never be the same again. It will be up to her to tend to his injuries, care for the children, run the farm, and keep hope alive despite the unbearable strain. Despite the years that pass, Miriam refuses to believe Joshua is dead, even when everyone begs her to let go. Exhausted and worried about her crumbling marriage, that hope is the only thing to which she can cling.
While tension mounts for both Joshua and Miriam, their reunion grows ever closer. But will it be the sweet homecoming of which Joshua dreams? Or will his family Shun him as the sinner he's become?
When I think of the Amish people, sweet, gentle adjectives come to mind. Abusive and alcoholic not being two of them. Since Plain folks are as human as the rest of us, it stands to reason that even the most peaceful of communities has its dark secrets. E.B. Moore, a sculptor and author with Amish roots, would probably know. Loosely based on her grandfather's early life, Moore's second novel, Stones in the Road, addresses some of these issues. Joshua, whose tumultuous relationship with his father makes him instantly sympathetic, is a compelling narrator. His mother's plight makes her equally so. Because of this, the reader can't help but root for their reunion. Still, it's a slow journey, one that gets dull—and downright weird—in some places. Although Joshua and Miriam's various adventures kept me interested enough, I wasn't racing through the pages to see what happened next. The story is ultimately hopeful, but it's also almost overwhelmingly depressing. I did, however, appreciate its important message of making your own peace, even when (especially when?) others cause you unbearable pain. Still, I found Stones in the Road to be only a so-so read for me.
(Readalikes: Reminds me a little of Heart's Journey by Kristen McKendry)
Grade:
If this were a movie, it would be rated:
To the FTC, with love: I received a finished copy of Stones in the Road from the generous folks at Penguin Random House. Thank you!
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