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2026 Bookish Books Reading Challenge (hosted by Yours Truly)

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30 / 30 bookish books. 100% done!

2026 Cover Lovers Reading Challenge (hosted by Yours Truly)

2026 Cover Lovers Reading Challenge (hosted by Yours Truly)

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46 / 50 books. 92% done!

2026 Literary Escapes Challenge

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International:

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My Progress:


43 / 51 states. 84% done!

2026 Historical Fiction Reading Challenge

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25 / 25 books. 100% done!

2026 POPSUGAR Reading Challenge

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34 / 50 books. 68% done!

Booklist Queen's 2026 Reading Challenge

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40 / 52 books. 77% done!

2026 52 Club Reading Challenge

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37 / 52 books. 71% done!

2026 Build Your Library Reading Challenge

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25 / 40 books. 63% done!

2026 Craving for Cozies Reading Challenge

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30 / 51 cozies. 59% done!

2026 Medical Examiner Mystery Reading Challenge

2026 Mount TBR Reading Challenge

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25 / 25 books. 100% done!

2026 Around the Year in 52 Books Reading Challenge

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45 / 52 books. 87% done!

Shelf Reflection Candy Reading Challenge for Kids (and Adults)

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59 / 65 books. 91% done!

2026 Countdown Reading Challenge

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55 / 55 books. 100% done!

2026 Series Reading Challenge


25 / 36 books. 69% done!

Dragon Rambles' Law of Fives Bingo

Dragon Rambles' Law of Fives Bingo

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74 / 125 books. 59% done!

2026 Southern Literary Reading Challenge

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17 / 20 books. 85% done!

2026 Reading Challenge (by Linz the Bookworm)

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41 / 60 books. 68% done!

2026 Pioneer Book Reading Challenge

2026 Pioneer Book Reading Challenge

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10 / 40 books. 25% done!

European Reading Challenge 2026

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7 / 50 books. 14% done!

2017 Pick Your Poison Reading Challenge (retired challenge - doing old boards for fun)

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79 / 125 books. 63% done!

2026 Reading Challenge Addict Reading Challenge

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4 / 5 challenges. 80% done!

The 100 Most Common Last Names in the U.S. Reading Challenge

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98 / 100 names. 98% done!

The Life Skills Reading Challenge

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76 / 80 skills. 95% done!

The Girl with the Mermaid Hair: I Love It Even If I Don't Exactly Know Why

Check out that title - see how I didn't mention drugs once? Guess that means I'm feeling better!

(Image from Barnes & Noble)
So, I'm still trying to figure out exactly why Delia Ephron's The Girl with the Mermaid Hair is such a brilliant novel. Because it is. Brilliant. It's one of the simplest, but truest books I've ever read. Plus, it's funny. And the deftness of the characterization (caricature-ization?) astounds me. I guess that's the winning combination right there: Ephron's created a story that is simple, true, and funny, populated by characters who are pop-off-the-page real. It works. Brilliantly.
Our heroine, 15-year-old Sukie Jamieson, lives in a world of seamless order. She glides from her sparkly new development home to her brainiac high school to her tennis lessons at the club with a practiced grace. Because she "[is]n't only in the world--the world [is] watching" (62), Sukie must appear flawless at all times. No one can know that she's been up since 3 a.m. trying on dozens of outfits (then rehanging them "precisely - the collars on blouses and jackets turned down and matching, all shoulders even, jeans clipped so the legs fell to the exact same length" [133]), conditioning her hair (for "the exact recommended time for fortifying and softening and after rinsing" [136]), and blending foundations to the right consistency needed to "successfully [doctor] her most exotic feature" into absolute blandness. She must be immaculate, impeccable, defectless. And she is. With her lustruous mermaid hair, her creamy complexion and a figure so svelte it moves Hudson Glen's quarterback to declare, "I like your body-fat ratio" (6), she's as unblemished as Barbie. And when she faltered for half a second? Well, "She didn't like to acknowledge any situation in which she was less than perfect" (20).
This becomes a problem when her mother gifts her a family heirloom, an antique mirror which she predicts will become Sukie's "best friend and worst enemy" (3). It's a beautiful piece. Suddenly, Sukie - who checks herself in every reflective surface she can find - can see herself like she never has before. How did she never notice the way her nose ramps up instead of sloping gracefully? No wonder her mother resorted to plastic surgery to change the one feature she and Sukie have in common. And why, oh why, does her butt, normally "neat, round, and tightly packaged in jeans, waist size 27" (47), suddenly resemble "twenty-pound ham hocks?" (47). Is the mirror broken? Cracked? Distorted? Or is it Sukie's vision of herself that needs a transformation?
An honest look at her life reveals what Sukie's "selfies" (the camera-phone pictures she snaps constantly to make sure she has no makeup smudges, food in her teeth, mascara clumps or any other potentially-humiliating imperfections) cannot: The masks behind which Sukie hides - her Cover Girl face, her charming parents, her activity-filled lunches, her gorgeous boyfriend - have all been carefully constructed to hide the terrible, stunning truth that Sukie is insecure, friendless, unoriginal and, perhaps, the phoniest in a family of flakes. Can the obsessed teenager cope with this startling imperfection or will the knowledge cause her, like her lovely mirror, to crack, forever ruined?
I know it all sounds deadly serious, but it's not. Exactly. Ephron writes with a wit that makes the novel both sardonically entertaining and undeniably true. Because her story people are more caricature than characters, they're instantly recognizable, easy to laugh at - until, like Sukie, we receive a startling revelation: They are us. We are them. Obsessive-compulsive-neuroticness and all. Only when this truth sneaks up and hits us in the face can we understand the real brilliance of this novel. It's simple, complex, true - I love, love, love The Girl with the Mermaid Hair.
Now that my brain hurts from the effort of waxing eloquent, let me give you a little taste of the genius that is Delia Ephron. I don't generally love animals in my fiction, but the following characterization is so clever, so colorful, so spot-on that this dog leaps right off the page (not that he would do anything as undistinguished as leaping). It's a perfect example of the brilliance that makes this novel so compelling. The passage is long, but trust me, you're not going to care:
Sukie, her mom, and her younger brother, Mikey, turned to their dog, Señor, who sat at the head of the table.
When they all looked to see what Señor thought - and it was not the first time - Señor didn't bark. He wasn't a trick dog. He didn't bark once for yes and twice for no. And he wasn't a talking dog, there's no such thing. Medium-sized with a thick white coat, short pointed ears that were rosy pink inside, and a long graceful snout, Señor had powerful silent communication skills and an incredibly intimidating manner. He never licked anyone. None of that grateful happy kissing for Señor. No one had ever seen him roll over for a tummy rub, and his tail, which curled up over his back, did not wag. No one had ever seen him fetch his red rubber ball either. Every so often Mikey threw it for the amusement of watching Señor ignore it. "Is this your dog?" people would ask when they entered the house, even though Señor was clearly the Jamiesons' dog, what else would he be doing there, but there was something about his elegance, his reserve, the way he observed without moving a muscle that made people question whether he was a pet, anyone's pet. When one night he climbed into the chair at the head of the table, no one questioned it. Sukie's dad simply slid his place setting out of Señor's way and over to the long side of the rectangular table next to Sukie's. Her mom, at the other end, did likewise so that she sat next to Mikey. Señor, at the head, had the only chair with arms.
Did Sukie have a phone addiction? The family awaited Señor's verdict. His watchful gray eyes did not narrow, a good sign, and his mouth dropped open slightly, revealing small, even bottom teeth and the tip of his pink tongue.
"No," said Sukie tentatively. "No, I don't. No problem. I'm fine!" She jumped up and hugged Señor, gunking up her red sweater with white hairs. It was Señor's shedding season (9-10).
See? It's impossible not to adore this book. Even if I'm not exactly sure why - I love it.
(Readalikes: It reminded me of the movie Clueless and will probably be similar to its companion book, Falling to Pieces. I'll get back to you on that one.)
Grade: A
If this were a movie, it would be rated: PG for language and some sexual innuendo
To the FTC, with love: I received a copy of this book from the generous folks at HarperTeen. Thanks!
Wednesday, March 03, 2010

Is it the Painkillers Talking or Is The Dark Divine Really That Forgettable?

(Image from Barnes & Noble)

Everyone knows that preachers' families are perfect - home cooked dinners around the table every night, love and harmony permeating the very air, and absolutely no skeletons hidden in the closets (those are filled with crocheted booties for the congregation's newborns and afghans for the shut-ins). The Divine Family fits the cliche pretty well. Except that Grace, a high school junior, knows that beneath her family's shiny facade lies a murky little secret. It has to do with Daniel Kalbi, a troubled teen who once found solace at the Divine home. It has to do with the night Daniel vanished, the night Grace's brother came home dripping blood.

When The Dark Divine by Bree Despain opens, Grace is shocked to find that Daniel's returned to their small Minnesota town. What he wants exactly, she's not sure, but Daniel has a habit of appearing wherever she goes. He's obviously still hurting. Is it wrong that Grace wants to help him work through his pain? They were once as close as siblings. Grace's father has always preached forgiveness, so why won't her family embrace Daniel as they once did? What do they know about him that she doesn't? What happened the night he disappeared? The closer Grace gets to the truth of the matter, the more she realizes that nothing is ever as it seems. Even within a preacher's family.

I was excited to read this book for several reasons: (1) It's generated a lot of buzz in the book blogosphere; (2) I always get excited when a young (ish - roughly around my age) LDS author publishes for a mainstream audience; and (3) Bree Despain is one of the infamous "6" that the hilarious Brodi Ashton can't quit talking about. So, naturally, I had to give it a whirl. What did I think? Honestly, I wanted to be a lot more impressed than I was. The Dark Divine is not a bad book, it's just not unique enough to stand above the crowd in a market saturated with this exact kind of story. It could have used some depth, some development, and a whole lotta originality. That being said, I did read the book in one day (sucking in a couple of chapters whenever I surfaced from my Vicodin-induced coma), so it was engrossing enough to keep me turning pages. However, I had a hard time recalling much about the story when I sat down to write this review which means one of two things - either my mind's still fuzzy from pain meds or the book just wasn't that memorable. Unfortunately, I think it's the latter.

Now, don't think I'm giving up on Despain (I have dumped the Vicodin, however - I just can't stand the mind cloud) - I'll definitely be checking out The Dark Divine's sequel. I'm just hoping for a little originality, a few surprises, something to make this series different than all the other YA paranormal stories out there. C'mon, she's LDS, a BYU alum and a member of the illustrious "6" - I think it's fair to expect great things out of this girl.

(Readalikes: Shiver by Maggie Stiefvater [my review])

Grade: B-

If this were a movie, it would be rated: PG for some language and violence

To the FTC, with love: Another library fine find

Back-to-School is the brainchild of Julie P. over at Booking Mama. I'll be using this button whenever I publish a review of a book by an author who went to my alma mater, BYU. Go Cougs!

Monday, March 01, 2010

Even Without the Vicodin, This One's A Dud

(Image from Barnes & Noble)

(Note: While this review will not contain spoilers for Sent, it may inadvertently reveal plot surprises from Found. As always, I recommend reading books in a series in order.)

Before I begin this review, I should make two things clear: (1) I love historical fiction and (2) I adore Margaret Peterson Haddix. So, how exactly, did Sent, the much-anticipated (by moi, anyway) follow-up to Found, go so wrong for me? I think it has something to do with the fact that the storyline I found so original in the first book somehow morphed into a Magic Treehouse-clone in the second. I mean, the whole babies-alone-in-an-airplane thing creeped me out, but in a wholly original, deliciously disturbing kind of way. The time-travel-but-be-sure-not-to-change-anything-and-let's-teach-kids-about-history-while-we're-at-it deal? It's been done. About a million times.
If you have no idea what I'm talking about, let's retrace our steps: First, came Found, in which several adopted teenagers find out they're part of a group of babies who made a mysterious arrival at a local airport aboard a pilotless flight. Then, said teenagers discover that, thanks to a time-controlling-maniac, they've actually been stolen from their rightful places in history. In other words, each one of the babies aboard the strange flight is a famous child - an endangered kid - from various times in the world's past. Now, in Sent, several of the kids find themselves in a position to reverse what's been done to them. The question is, what happens when you change history?

Sent begins when two boys - Chip and Alex - are shoved out of "real" time into the past. Terrified for their friends, 13-year-old Jonah and his sister Katherine grab on for the ride. The foursome find themselves plopped into 15th Century England. Chip and Alex find their new surroundings weirdly familiar. After all, Chip is really Edward V, England's boy king, and Alex is his younger brother, Richard, Duke of York. Jonah and Katherine, who never belonged in this time period, can't wait to leave the stinky, dirty time period. They can't get out without Chip and Alex, though, so they're stuck for the time being. In the meantime, the kids need to figure out how to save Edward V and Richard from being assasinated by their power-hungry uncle, Richard of Gloucester. They also need to navigate the complexities of the 15th Century to figure out how to eat, bathe, and survive in a world very much different from the one they've left behind.

Sent, which grew from such a clever premise, soon becomes a time travel tale like any other. Jonah and Katherine have to figure out how to save their friends from the dangers of court; Chip and Alex become more and more enmeshed in their own time period; all the while, the kids have to decide if it's really worth it to mess with history and how much they can change things without completely destroying the past. The story seems to exist only to teach kids about history. Action gets swallowed up in historical detail, the complexity of which slows the tale down to a yawn-worthy crawl. I did read part of this book while under the influence of Vicodin, but still - it got slow, dull and predictable awfully fast. After enjoying Found so immensely, I was really disappointed in its successor. My faith in Haddix, however, is strong. I know if she can breathe some life into the next installment, she can save this series. All the next books need is a little of the originality and adventure that drives the first book and voila! you've got another fun, interesting, exciting series of historical stories for kids. If anyone can do it, it's the indomitable Margaret Peterson Haddix.

(Readalikes: It really is like a middle grade version of The Magic Treehouse books)

Grade: C

If this were a movie, it would be rated: PG for mild violence

To the FTC, with love: Another library fine find






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