Imagine a world in which all of your choices were made for you, from your daily wardrobe to your family members to your career to your spouse. Think of a world in which you were entirely safe, where you were permitted to take no risks, and where physical pain could be erased with a single dose of medicine. Picture dwelling in a whitewashed world where everyone lives and thinks in exactly the same way, and questioning the rules leads to public chastisement and even "Release" from the community.

Jonas, star of Lois Lowry's The Giver, lives in just such a community. For 12 years, he has dwelt within its borders, attending school, mingling with friends and abiding by the strict rules that make his town the peaceful place it always is. Like all of his classmates, Jonas is looking forward to the December Ceremony when he will receive his "Assignment." This will be his career, which could be anything from Laborer to Doctor to Road Crew Maintainer. To his shock, Jonas learns he will be the new Receiver. The position comes with great honor, but even greater secrecy. Jonas receives a list of rules that will govern his training period, which allow him to do two things which are strictly prohibited in his community: to ask questions of anyone and to lie. Disconcerted, Jonas begins his training with The Giver, an elder who sags under the weight of his responsibilities. The Giver explains Jonas' new responsibilites: he must carry all the memories of the world - from sunshine, to sledding, to war, to starvation - so that his community will be free to live their peaceful, doubtless lives. In essence, he will feel all their emotions for them. As The Giver transfers his memories into his new apprentice's being, Jonas' dull world explodes into a dazzling array of color, sensation and emotion. Some of the memories Jonas receives are terrifying - war, loneliness, abandonment - but others are so powerful - love, family, warmth - that he realizes how empty his real life is. Now that he is able to ask questions freely, Jonas finds himself questioning the life he has been leading - why is he not allowed to have choices? Why can't families have more than the 2 children allowed by the Elders? And what does it really mean when someone is "Released" from the community?

As Jonas ingests this new knowledge, he knows that he can never again be satisfied with his dull, flavorless life. Together, he and The Giver hatch a plan to open the peoples' eyes. When their plans go horribly awry, Jonas suddenly finds himself on a terrifying journey to find "Elsewhere," a place that may or may not exist. Without the promised memories of courage to bind him up, Jonas must rely on his own wits and bravery to save himself, his future and the one person he truly loves.

That's the story in a nutshell, but this book isn't really about the main story. As one reviewer put it, "The simplicity and directness of Lowry's writing force readers to grapple with their own thoughts" (Booklist, Starred Review). Lowry's story is so unadorned that it provides the perfect canvas for infinte thoughts, opinions and analyses. Lowry, herself, says,

...The Giver is many things to many different people. People
bring to it their own complicated beliefs and hopes and dreams and fears and all
that.

At the very least, it's a story about what it means to be human. To me, its message is that without choices, experience, risk and passion, we are not fully human.

I don't know if Lowry meant for the book to have any religious applications, but to me The Giver symbolizes Jesus Christ, at least to some degree. When he accepts memories for other people, he swallows some of their pain, leaving them comforted. Their pain still exists, but only dimly. This is what Christ does for us. Our suffering weighed on Christ (as it does on The Giver), as evidenced by his tortured cry, "O my Father...let this cup pass from me" (Matthew 26:39, KJV) in Gethsamane, but He knew His duty and thus carried our burdens for us. Like Christ, The Giver desires that all men have their agency so they can learn wisdom through their choices. And like Jesus, The Giver knows he must help his people through the pain that knowledge and agency can bring. Like Lowry said, we bring our own convictions to the book and this is the interpretation to which I kept returning.

The one issue I had with this book is the very ambiguous ending. I'm a reading simpleton, who loves endings which neatly wrap up all of the story's loose ends. Paradoxically, I hate predictable endings. Anyway, The Giver ends in a way that leaves it VERY open to interpretation. Lowry calls it an "optimistic ending," but insists that the true ending exists only in the mind of the reader. As aggravating as that is for a neat-endings-junkie, it's also a sign of a truly great novel - one that makes you think long after you've closed the book.

Grade: A+

Set in Medieval England, Crispin: Cross of Lead tells the story of a 13-year-old peasant boy - called Asta's Son - who becomes orphaned when his mother dies. He has no kin and few friends in his village, where he and his mother were always treated as outsiders. Distraught, he hides in the woods, where he overhears a disturbing conversation between his cruel feudal master Lord Aycliffe and a stranger. Although the words exchanged make little sense to Asta's Son, he senses the men are discussing his own situation. When the feudal lord spies the boy, a chase ensues, and Asta's Son narrowly escapes. After spending a night in the forest, the boy creeps back to his hut, only to see soldiers burning it to the ground. Stunned, Asta's Boy cannot understand what is happening. At nightfall, he creeps to the town church to seek help from the only friend he has left - Father Quinlen. The priest presents Asta's Boy with a leaden cross, which belonged to his mother. On the cross is printed words the boy can't read - Father Quinlen promises to read to decipher the writing later. The priest also gives the boy another gift, the name with which he was christened - Crispin. Father Quinlen further explains to Crispin that he has been declared a "wolf's head" - a wanted criminal, who is to be shot on sight - by Lord Aycliffe. The charge is thievery, although Crispin has done nothing. Mystified, Crispin creeps back into the woods, promising to meet Father Quinlen the next night, when the priest will help him escape the village. Crispin keeps the appointment, only to find his friend dead. In abject terror, Crispin flees, heeding the priest's warnings to run for his life. Lost and hungry, the boy wanders into a deserted village where he encounters a huge, red-headed juggler named Bear. The man commands Crispin to be his servant, but the boy soon realizes that he is freer with Bear than he has ever been. Still, Lord Aycliffe pursues the boy, and Crispin cannot be wholly certain Bear will not betray him for a reward. As Bear and Crispin travel to Great Wexley for a grand festival, they attempt to make sense of Crispin's mystifying situation. The solution appears to be connected to the writing on Crispin's lead cross, writing which remains undeciphered. Once in Great Wexley, Bear and Crispin find themselves in more danger than they could have possibly imagined. As they close in on the truth, they must risk their necks to save their lives. Although I won't give away the ending, I will say that Crispin survives to continue his adventures in Crispin at The Edge of the World (which I haven't read yet).

This Newbery Award winner gives the reader a fascinating glimpse into the bleak world of 14th Century England; its old-fashioned, formal tone just adds to the period detail. I think younger readers may be put off by the tone of the novel, but they will certainly be pulled in by the non-stop action. It's truly a grand adventure with a brave and admirable hero on a quest to find the most important thing in the world - his true identity.