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Thursday, March 29, 2012
Despite Newbie Mistakes, Debut Novelist Shows Potential
5:11 AM
(Image from Barnes & Noble)
It's easy to become invisible in a city of 600,000 people. Olivia Tate should know. The 20-year-old floats through the streets of Seattle, so wrapped in grief and sorrow that she

feels hollow, empty, like a ghost drifting silently among the living. When her burden grows too heavy, she reaches for a bottle of Valium, hoping to dull the pain. Forever. She's shocked when she wakes up in a hospital, even more so when she meets her rescuer, a quiet 22-year-old named Jude West. Not only does Jude save Olivia's life, but he sticks around for weeks afterward, always making sure she has what she needs.
His presence makes all the difference for Olivia. Jude's friendship helps her heal, gives her hope. He's so good to her, makes her so happy, that she ignores all his weird little quirks—like how he never invites her over to his apartment or talks about his family or the fact that he has no real job, but always has plenty of money. It's only when Olivia begins to
remember disturbing details about the night of her suicide attempt that she realizes just how much Jude's been keeping from her. Her suspicions seem crazy, unbelievable, but what if they're true? Does she really know Jude? Does she really want to? If he is what she thinks he is, what does that mean for their growing relationship, the one that's rapidly turning into something that's much, much more than just friendship? Will the secret Jude keeps tear them apart forever?
It's difficult to describe Emerald City, a debut novel by Alicia K. Leppert, because, really, it has no plot. The main characters lack concrete story goals, which means the tale has no driving force behind it, no direction. It rambles here, there and everywhere, losing oomph with every purposeless turn. This is a newbie mistake, one I see often in first novels. Still, it makes a huge impact on the reader's enjoyment of a story, especially since the novel also suffers from lifeless prose, flat characters and some pretty big leaps in logic. My biggest issue (besides the no-plot thing) is with Olivia. I'm not sure I've ever met a more pitiful heroine. She's sympathetic, at least at first. But her wallowing gets old pretty darn quick, especially when it becomes apparent that that's all she ever does. Olivia's so self-centered that only once in the entire novel does she do something for anyone but herself—and that's to leave a paltry (35 cents!) tip for a street musician. Olivia's entire aim in the story is to make herself happier by focusing on, you guessed it, herself. This selfishness made me lose any sympathy or respect I had for her, which also stood in the way of my enjoyment of Emerald City.
Given all my complaints, you might think I detested every word of the story. Not so. The book's premise, while not all that original, has plenty of potential. As do the characters. In fact, most of what's wrong with Emerald City could have—and should have—been fixed through a session or two with a good, tenacious editor. Leppert has a lot to learn, for sure, but I did catch enough glimpses of capable writing throughout her debut to convince me that she will learn and she will improve with each book she writes. Maybe her next novel will do more for me than this one did. Let's hope.
(Readalikes: Reminded me a lot [too much] of the movie City of Angels, also of the book No Angel by Theresa Sneed and a little of Twilight by Stephenie Meyer)
Grade: C-
If this were a movie, it would be rated: PG for scenes of peril and sexual innuendo
To the FTC, with love: I received an ARC of Emerald City from its generous author and her publisher, Cedar Fort. Thank you!
Tuesday, March 27, 2012
It's the Mistborn World, Just Funnier, Sexier And, If Possible, Even Cooler
1:00 AM
(Image from Barnes & Noble)
I went all fan girl about Brandon Sanderson the last time I reviewed a book by him (here), so I'm not going to do that this time. Much. Yeah, never mind. I'm totally going to gush this time, too. Because, really, as much as I loved the first books in Sanderson's Mistborn

trilogy, in some ways, I liked The Alloy of Law even better. It's got everything I admired about the earlier novels, just with a more lighthearted tone, an intriguing mystery, even a little steampunk goodness. It's the Mistborn world made funnier, sexier and, if possible, even cooler. I know, right? Pure awesomeness.
The story takes place 300 years after Vin and Elend make their last stand against Ruin in The Hero of Ages. In the ensuing years, Scadrial has transformed into a progressive, modern land. Electric lights keep the city streets and the homes of the wealthy aglow, while railroads take transportation to a whole new level. Skyscrape
rs reach for the skies, their jaw-dropping height inspiring hope, awe and the promise of more advances to come. Magic may seem out of place in this new world, but Allomancy is still very much alive in Scadrial. Powers are not necessarily flaunted by their owners, especially those living within the city of Elendel, and yet they are used for various and sundry purposes.

Lord Waxillium "Wax" Ladrian, a rare Twinborn (meaning he wields both Allomantic and Feruchemical powers) prefers to use his skills in a less subtle way. The 42-year-old has spent the last 20 years out in the Roughs, wielding his special talents against all manner of ruffians. Maybe order can never be brought to the wilds, but he can at least make sure justice is served as often as possible. Keeping such uncouth company has made Wax unfit for the society life he left behind in the city, but when a family tragedy strikes, he finds himself reentering the glamorous world of the wealthy. He's not too thrilled about his new responsibilities—including the pressure to find a wife—but Wax is resigned. He's head of Ladrian House now and must act accordingly.
But, when a string of train robberies becomes increasingly dangerous, Wax knows someone has to intervene. It shouldn't be him, of course, but he might just go crazy if it isn't. With the help of a dashing old friend and an alluring new one, Wax sets out to solve the mystery. In doing so, he must evaluate the mistakes of his past, the purpose of his present and the goals of his future. There's not a lot of time for musing, though, not with a dastardly villain plotting his demise. It's a time for action, a time for Wax to decide who he is, what he wants and how to save his friends from peril. If he can't figure out the truth in time to stop what's happening, the entire land could be in grave danger.
I can't do justice to the book's plot, so you're just going to have to trust me when I say The Alloy of Law is worth the read. Even if you're not into sci fi/fantasy-ish novels, you're going to dig this one. It is sci fi, but it's also got a lot of crossover appeal since it has a Victorian feel, dystopian elements, a steampunk vibe and just, I don't know, lots of crazy-good stuff. Sanderson knows how to tell a balanced story, creating appealing characters, fascinating worlds and scenes that combine action with mystery with humor with romance with ... everything. Bottom line: Love Sanderson, love this book. Raving fan girl out.
(Readalikes: The Mistborn trilogy [The Final Empire; The Well of Ascension; The Hero of Ages] by Brandon Sanderson)
Grade: A
If this were a movie, it would be rated: PG-13 for language (no F-bombs), violence/gore and sexual innuendo
To the FTC, with love: I bought The Alloy of Law from Amazon with a portion of the millions I make from my lucrative career as a book blogger. Ha ha.
Monday, March 26, 2012
Wright's Newest More Hit Than Miss
1:00 AM
(Image from Barnes & Noble)
You know how I have that little quirk (which one, right?) that makes it impossible for me to start a series from anywhere but the beginning? Well, I'm proud to say I overcame that bit of OCD in order to read The Wedding Letters by Jason F. Wright. I'm running out of time to read all the Whitney finalists, especially since I have to cram them in among all my other reviewing

responsibilities, so I skipped The Wednesday Letters and dove right into its sequel. I wouldn't suggest doing it that way, though. Like always, I recommend reading a series in order. This time (only!), it's a does-as-I-say-not-as-I-do kind of thing.
Anyway, the story starts when Noah Cooper, a senior at George Mason University and a budding artist/illustrator, runs into Rachel Kaplan. Literally. As he tries his best to make up for hitting the grad student with his truck, he finds himself falling deeply in love with her. She doesn't seem to mind. Noah figures

taking her to meet his family will seal the deal forever—everybody loves Malcolm and Rain Cooper, as well as the charming B&B in rural Virginia where they live and work. Not only does Rachel fall for the Cooper Family, but she agrees to become one of them. Noah couldn't be happier.
It doesn't take long, though, for the wedding plans to go awry. Even though Rachel adores the family's "Wedding Letters" tradition, reading them brings up a dark secret in her past, a secret that could stop the wedding forever. Malcolm and Rain are also keeping a secret, the announcement of which will no doubt shock their children. As Noah tries to keep his whole life from imploding, he'll learn a thing or two about family, forgiveness and the fortitude to fight for the things—and people—he loves.
The Wedding Letters is predictable, of course. Cheesy, too, although not quite as much as I expected it to be. As you would guess, the short novel's also warm, positive and uplifting. The great romance between Noah and Rachel falls a little short for me, as it feels a bit spark-less, but I really grew to like the Cooper Family as a whole. I enjoy the fact that they aren't a perfect family, but that their love for each other comes through to the reader loud and clear. Speaking of the Coopers, I did get a little confused over who was who and what was what as far as relationships and such go, but I'm sure that's mainly due to not having read The Wednesday Letters. All in all, though, I enjoyed this read. Wright's books are kind of hit and miss for me, so I was glad to discover that this one was more of the former than the latter.
(Readalikes: The Wednesday Letters by Jason F. Wright; Wright's books also remind me of those by Richard Paul Evans and Nicholas Sparks)
Grade: B-
If this were a movie, it would be rated: PG for mature themes and mild sexual innuendo
To the FTC, with love: I received a finished copy of The Wedding Letters by Jason F. Wright from the generous folks at Shadow Mountain. Thank you!
Saturday, March 24, 2012
Mean Girl?
4:39 PM
I've been mulling over the topic of negative reviews—both the writing of them and the receiving of them—for a while now, wondering if I really wanted to address the issue and just how many people I might offend in the process. Then, I thought, "What the heck?" I'm known in the book blogosphere for telling it like it is, so why shy away now? Here you have it, then, my unfiltered opinion on a subject that affects all authors and reviewers: negative reviews.
First of all, I have to say that we book bloggers do what we do because we love books. We love reading them, we love promoting them, and we especially love discussing them with friends, family, neighbors, even random strangers at the dentist's office. We spend our free time (because, remember, no one's paying us to do this) analyzing what we read so that we can spend even more of our free time typing up a review, replying to reader comments and emailing links around to authors/publishers/publicists. Doing this takes time. Lots of time. Time that could be spent on family, friends, sleep, housework or myriad other things. Why would anyone do such a thing? Simple: We love books.
Why, then, do we sometimes trash them in so public a manner? I can't answer for every book blogger, but I can explain my own rationale and here it is: reading a book requires the expenditure of time and, often, money. Because both are precious, readers want to know if a certain book is worth it. My job, as I see it, is to answer this question for them. The best way I can do that is to evaluate the book in-depth, asking the same things I would of any other product—Did it work for me? Did it live up to its hype? Was it well-crafted or hastily thrown together? Did it fulfill its intended function? Am I happy that I bought/used it? Giving glossed-over or half-baked answers doesn't help me or anyone else. So, I say exactly what I think, because even though it's just my opinion, that's the reason people come to my blog in the first place.
Now, what I call honesty, many people (including this author) call mean. For this reason, lots of book bloggers opt not to publish negative reviews at all. While I understand their decision, I don't agree with it. I don't want to waste my valuable time on books rife with dull characters, stilted dialogue, flat writing, glaring copyediting errors, etc. Neither do my readers. Just as I rely on straight-talking reviewers to steer me away from lousy reads, my readers depend on me. I refuse to let them down. So, I'm honest. Fair (at least I think so), but always, always honest.
Because of my conviction that honesty-is-the-best-policy, I often write things that could be construed as mean. Especially if you happen to be the author I accuse of creating a boring cast, drab scenery or a plot so holey it could rival Swiss cheese for ... you know, holey-ness. I get that books are authors' babies. I get that criticism can hurt. I get that me giving a book a "D" might make its author want to punch me in the nose. Believe me, I get it. But when a "baby" is made public and its "parent" is asking people to spend their precious time and money on a product that may or may not be worth it, it's only fair to expect people to evaluate it and share their feelings—however positive or negative—with other would-be customers. My evaluation of a book may make a writer spitting mad, but I'd rather have them upset with me than to have one of my readers say, "Why did you lie to me? I trusted you."
Just as book bloggers struggle with the question of whether or not to post negative reviews, I know authors wrestle with how to react to them. Should they shoot off a nasty email to the blogger, letting him/her know exactly where he/she can stick his/her review? Should they post their own nasty comments on the reviewer's blog so that everyone reading it can see just how much the writer's been wronged? Or, even better, should an author write their own post, publicly shaming book bloggers and their mothers, too? Should authors call attention to a negative review? Ignore it? Laugh about it? What's the most appropriate response?
Well, that depends on how much a writer cares about his/her career. I know it's a terrible double standard, but the fact is, if an author wants to succeed, the best thing for him/her to do is to take negative reviews in stride. They happen. Reacting in an outraged and public manner will only paint an author as a thin-skinned whiner, losing them readers while, at the same time, gaining the reviewer followers (because who doesn't love a good drama?). Even if the blogger's attack is vicious and unfounded, it's probably best to just let the review slide and move on. A terrible double standard, I agree, but that's the way it is.
Does this give book bloggers license to say whatever they want? Of course not. Professional writing (many published authors, of course, argue that blogging does not qualify as "real" writing, which makes me wonder why, then, they care so much about negative reviews written by hacks like us?), in my opinion, should be respectful, well-founded and, above all, fair. If I say a book is dull, I explain why. If I cite bumpy writing, a bumbling plot or characters who are paper-doll flat, I try to back myself up with examples. If I give a book a D, you better believe I've got my reasons.
Speaking of my reasons, let me make one last point: A review is simply one person's evaluation of a product. Maybe you agree with their opinion, maybe you don't. I can't count the number of times people have responded to a less-than-favorable review I wrote by saying, "I know you didn't like this book, but I'm going to go ahead and try it," or "You might have loved this one, but I couldn't stand it." Which is fine—wonderful, even—since I always dig a lively book discussion. My point is that I don't think negative book reviews do nearly as much damage as some people think they do. Maybe I'm wrong, but I think there's really something to that old adage about any publicity being good publicity. I mean, would authors rather deal with negative reviews or no reviews at all?
So, here's my advice for authors: Remember that a book review is an evaluation of a product, not a person, and that reacting to a negative one in a public way does more damage to your career than good. And for bloggers: Regardless of what anyone says, you hold a lot of power in those little fingers of yours. Use it to promote books in a way that's engaging, honest and fair. Together, we can blast the world with book love, while, at the same time, promoting a community where the free exchange of ideas/opinions leads readers to books they'll love, resulting in writers getting attention from fans who are devoted and sincere. Because, really, isn't that what we all want?
Thoughts?
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