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Tense Family Drama Convinces Me Riggle's A Writer to Watch
(Image from Indiebound)Considering the mistakes she's made in the past, Edna Leigh Casey can hardly believe she's landed someone as stable as Michael Turner. Despite the ten year difference in their ages
, 26-year-old Casey feels understood and valued by Michael, so much so that she's agreed to marry him. In the meantime, they're living together in the quaint Heritage Hills area of Grand Rapids, Michigan, playing house with Michael's three children. Although the kids react to Casey's presence with varying degrees of disdain, she's determined to make the situation work. Even when she wants to scream, she keeps her lips tightly sealed. After all, Michael appreciates Casey so much because she's the opposite of his hysterical ex-wife, Mallory. But all the tongue-biting is starting to wear on Casey and she wonders if it's time to come clean to her very exacting fiancee - about her dubious past, about her doubts concerning stepmotherhood, about his moody silences, even about her real name.
On the day Casey decides to leave Michael, breaking their engagement in order to keep her secrets buried, Michael's 14-year-old son disappears. Dylan's always been a quiet, responsible kid, not the type to skip school or take off without telling anyone where he's going. Lately, Casey had even been getting him to open up a little. Knowing she can't abandon the Turners at such a terrible time, Casey stays, determined to help bring Dylan back home. Mallory also insists on "helping," which involves moving her drama queen derriere in for the duration. Her presence stirs up the kids, pushes Casey and Michael even farther apart, and generally makes Casey want to scream. When Casey reaches her breaking point, she has to make a crucial decision - she either has to find her voice or stick to her original plan and leave. Either way, she could lose Michael and the kids. Forever.
Things We Didn't Say by Kristina Riggle is one of those tense family dramas that keeps me riveted while making me feel totally depressed at the same time. There are lots of things I like about it - the portrayal of a patient, loving father with full custody of his kids, for one - but the overall tone of the book left me a little blue. I don't even know why, really. Overall, the story kept my attention, the characters grabbed my sympathy, and the skilled writing helped me feel like I was right in the middle of the action. The novel didn't knock my socks off, but it did convince me that Riggle's a writer to watch. And you know I'll be watching.
(Readalikes: The writing style reminds me a little of Jodi Picoult's.)
Grade: B-
If this were a movie, it would be rated: R for strong language and a small amount of sexual content
To the FTC, with love: I received a finished copy of Things We Didn't Say from the generous folks at Harper Collins and TLC Book Tours, for whom this review was written.
New Dear America Novel Tackles Civil Rights Movement
(Image from Barnes & Noble)
he can do when it comes to her two biggest goals in life - meeting baseball great Jackie Robinson and becoming a doctor when she grows up. Neither's likely to happen for a poor colored girl living in small, segregated Hadley, Virginia. Little girls with no money can't travel to Brooklyn to meet baseball stars and students at dingy Mary Mcleod Bethune School don't grow up to be anything special. Everybody knows that. Even Dawnie, with her keen intellect and bold fantasies, realizes the futility of wishing too hard for something that will never come to pass. Still, a girl can dream, can't she?Dawnie's stunned when a landmark Supreme Court decision (Brown v. the Board of Education) gives her an unbelievable opportunity to start turning her dream of attending medical school into a reality. When Prettyman Coburn, Hadley's all-white school, is forced by law to allow black kids to enter its doors, Dawnie's the first - and only - colored student to show up. Despite the protesters spitting on her from the sidewalks, despite the other kids staring her down, despite members of Dawnie's own community accusing her of acting "uppity," Dawnie's determined to get the education she deserves. But when her best friend deserts her, her father loses his job for supporting Negro rights, and the Johnsons have to rip their phone from the wall to stop hassling phone calls, Dawnie can't help but wonder - is integration really worth it?
In With the Might of Angels, a new addition to Scholastic's excellent Dear America series, Andrea Davis Pinkney uses the made-up diary of a fictional girl to tell an honest, compelling story about one of the most important events of the Civil Rights Movement. Many of us are familiar with the story of Ruby Bridges, but Pinkney's quick to point out that hundreds of other African-American children took equally courageous steps, some singlehandedly integrating schools in their areas. Dawnie represents all of them. She's an engaging narrator - smart, spunky, and completely sympathetic. Intertwined with the book's main conflict are several subplots that lift the tension, offering lighthearted moments which allow the story to feel both realistic and hopeful. Fans of historical fiction, especially those with an interest in the Civil Rights Movement, won't want to miss this one.
(Readalikes: The Dear America series reminds me of the American Girl historical novels. With the Might of Angels is similar to other children's books about the Civil Rights Movement, although I can't think of any specific titles. Can you?)
Grade: B
If this were a movie, it would be rated: PG for tension and some violence
To the FTC, with love: I received a finished copy of With the Might of Angels from the generous folks at Scholastic. Thank you!
Kick-'Em-While-They're-Down Fourth Book Ups the Ante In Already Exciting YA Dystopian Series
(Image from Indiebound)(Note: While this review will not contain spoilers for Plague, it may inadvertently reveal plot surprises from earlier books in the Gone series. As always, I recommend reading books in a series in order.)

"Kick 'em while they're down" must be the motto of Michael Grant, author of the YA dystopian Gone series. I mean, I get that you have to have conflict to keep a story gallopping along, but seriously? Haven't the kids of Perdido Beach, California, suffered enough? First, everyone aged 15 and over disappeared in a mysterious poof. Then, the young survivors noticed a strange dome enclosing their town, barricading them off from the rest of the world. As the weeks wore on, with no help in sight, the streets of the sleepy beach town turned into a war zone, with armed children battling it out for food, water, shelter and control of the weird new world they nicknamed the FAYZ (Fall-Out Alley Youth Zone). As if all of that wasn't bad enough, things in the FAYZ - animals, even people - started evolving in terrifying ways. Oh, and then they discovered the Gaiaphage, a being constructed of pure evil, who's hell-bent on destroying the children's every last hope ...
And that's only in the first three books.
Plague, the recently-released fourth installment in the series, introduces a new threat: a violent, mutated flu virus is sweeping through town, leaving a trail of corpses in its wake. Dahra's meager medical knowledge can't explain the disease and Lana, the Healer, can't cure it. Which is bad, but not the worst thing happening in town. The water supply's running out, Drake's trying to break out of prison, Orc's slurping booze like it's lemonade, Sam's off on some half-baked exploration adventure, Little Pete's burning up with fever, and Astrid's contemplating murder. Still - not the worst things going on in the FAYZ. What is the worst thing? Well, that would be the bloodthirsty monster devouring the Hunter from the inside out. And its friends. The most powerful kids in town can't stop the destruction, can't stop the creatures from eating everything - everyone - in their paths. After everything the kids have endured, will this finally be the end of the FAYZ? Or worse, will the nightmares just keep on coming?
Knowing Michael Grant (and the fact that there are two remaining books in the series), you should probably go with the latter.
Four books into a series, I'm usually starting to get bored. Not so in this case. Grant keeps things so lively, I don't dare look away. I'm not saying this is great literature - really, the writing's just so-so - but it's a fun, exciting story that keeps jutting off in surprising new directions. As much as I don't want the books to end, I'm anxious to see how the story plays out. The possibilities truly are endless. And you know how much I love that.
(Readalikes: Similar to the other books in the series - Gone, Hunger, and Lies; also reminds me a little of The Maze Runner and The Scorch Trials by James Dashner; and a bit of the Chaos Walking series [The Knife of Never Letting Go; The Ask and the Answer; and Monsters of Men] by Patrick Ness)
Grade: B-
If this were a movie, it would be rated: PG-13 for violence, mild language, some sexual content, and slurs related to race and homosexuality
To the FTC, with love: Another library fine find
6 American Jews + 1 Abandoned Bulgarian + 4 Ethiopian Orphans = A Family??
and four Ethiopian orphans? Chaos, for starters. Eventually, though, you get a family. The Greene-Samuel Family of Atlanta, Georgia, to be exact. How did these 11 people meld different backgrounds, different personalities, and different expectations into one happy, workable unit? That's the question Melissa Fay Greene tackles in her parenting memoir No Biking in the House Without A Helmet. With trademark humor, the journalist describes the tumultuous blending of cultures that rocked her household when she and her husband, already the parents of four, decided to adopt five more children.Adoption seems so theoretical, and fun, until you realize you will have to put one foot in front of the other in real time, through actual streets of a city with an impossibly exotic name, on a continent you've never been to, surrounded by people rapidly speaking in many languages of which you will understand not one word - all with the goal of bringing back a traumatized young human being from very far away to your everyday midtown American life (120).

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