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A Northern Light: Historical Fiction That Has It All

For a girl like Mattie Gokey, who thrills in the discovery of new words and ideas, life cannot get much crueler. With her mother fresh in the grave, she's stuck looking after her grieving father, three rambunctious little sisters, and her family's deteriorating farm. Between cooking, cleaning, milking, tending the crops, and caring for the children, Mattie's got little time for studying. It's 1906 and she's 16, well beyond the age most girls leave school. Still, she's determined. She will finish school, go to college in New York and become a writer. It's the only way to escape the drudgery that rules her life. There's just one problem: She swore to her dying mother that she would take care of the family. Pursuing her dream means breaking that promise, while keeping her vow guarantees a future of hard work and crop talk with her unsophisticated husband-to-be.
Even with her acceptance letter to Barnard College in hand, Mattie knows it's not to be. Her father can't farm 60 acres by himself. Her biggest supporters - her best friend, Weaver, and her teacher, Miss Wilcox - encourage her to go to New York despite her family's protests. Instead, Mattie gets a job at the Glenmore Hotel, a nearby resort catering to wealthy tourists. It's here that a packet of letters is thrust into Mattie's hand by a distressed young woman by the name of Grace Brown. Although Grace insists that she must burn the notes, Mattie forgets about them. Days later, Grace's body is pulled from Big Moose Lake - her fiancee, with whom she went rowing, is missing. As if she doesn't have enough on her mind already, Mattie now has to figure out what to do with Grace's letters. The whole situation is suspicious - should she turn the correspondence over to the police? Reading them seems a breach of privacy, but Mattie can't help herself. As she delves into the young woman's thoughts and dreams, Mattie ponders her own. Is she, like Grace, willing to give up everything she's ever wanted for a man who doesn't appreciate her? Is she destined to live a life of obscurity because she's not brave enough to take a chance? Will duty keep her from living the life she really wants? And then there's the question to which everyone wants an answer: Who killed Grace Brown?
A Northern Light by Jennifer Donnelly tells the parallel stories of Mattie Gokey and Grace Brown, although it's really the former's tale. Mattie's the kind of narrator who's easy to identify with - she's sympathetic, believable, engaging and, most charmingly, word hungry. The reader feels her longing, her desperation, her desire for something beyond the dreary confines of her world. Her voice is so compelling that it makes her story burst into vivid life. And what a story it is. Filled with family drama, mystery, romance and humor, it's one of those historical novels that just has it all. Both entertaining and evocative, A Northern Light is not to be missed.
"I knew a lot of words - a lot more than Belinda, who giggled all the time and said things like "swell" and "chum" and "hopelessly dead broke" - but not the right ones. I kept my eyes on the furrows for a while, but that got to be boring, so I stared at Royal's backside. I had never really noticed a man's backside before. Pa didn't have one. It was as flat as a cracker. Momma would tease him about it and he'd tell her the lumber bosses worked it off him. I thought Royal's was very nice. Round and proud like two loaves of soda bread. He turned around just then and I blushed. I wondered what Jane Eyre would have done, then realized Jane was English and proper and wouldn't have gone around eyeing Rochester's backside to begin with" (53).
"[Momma]'d sat me down at the kitchen table ... and told me that I was a grown woman now, not a girl anymore, and that a woman's virtue was the greatest treasure she possessed and that I must never, ever give mine to any man but the one I married.
'Do you understand me, Mattie?' she'd said.
I thought I did, but I wasn't sure. I knew what virtue means - goodness, purity, and excellence - because it had once been my word of the day. But I didn't think men wanted to get ahold of those things because Fran told me all they want to get ahold of is your bosoms" (301).
Grade:
A
If this were a movie, it would be rated:
PG-13 for some sexual content
What's Rocking My World Today?
Speaking of books, you're probably dying to know how my (slightly) over-ambitious reading plan fared. I know it's all you've been able to think about this week. Unfortunately (or fortunately, as the case may be), I didn't get all my books read. I was actually proud of myself for pulling my nose out of my books long enough to enjoy the water, as well as my family and friends. Still, reading on top of the houseboat felt so luxurious that I just had to spend some hours up there. I managed to finish A Northern Light by Jennifer Donnelly and Hush by Jacqueline Woodson. I also got 1/3 of the way through Palace of Mirrors by Margaret Peterson Haddix, a book my 7-year-old read twice while on the lake. When I reminded her that I needed to read it, she said, "Oh, you're going to love it, Mom!" So far, she's right. Look for reviews of all three of my vacation reads in the next week.
I tried really hard to clean off my feed reader before I left for my trip - now, it's back up over 1000. Yikes! I'll try hard to catch up with all of your blogs as well as my own. For now, though, I'm going to try to make it up the stairs without falling over. Is it just me or is the world tilting a little to the right?
Hi Ho, Hi Ho, A Houseboatin' I Go
In Arizona, we have this little thing called October Break. It used to be very little - just a couple days off school. This year, the kids have a whole week of vacation. Our week on our houseboat (a timeshare kind of thing) very conveniently coincides with October Break this year, so we're headed off to Lake Powell for some R & R. I'll be offline, with nothing prepared to auto-post in my absence. If you need to contact me, try smoke signals. Hee hee.
We all know the most important part of taking a trip is planning which books to bring along. This is especially critical when houseboating since there's no access to Border's out on the lake. Thus, you have to choose wisely. I wanted a mix of "beachy" reads and more serious books, but I ended up picking these:
A Northern Light by Jennifer Donnelly - I'm about a third of the way through this one. So far, I'm really, really liking it.
Hush by Jacqueline Woodson - I'm loving Woodson these days, so I want to read all her books. I've had this one out from the library for about a month. About time I got to it.
Palace of Mirrors by Margaret Peterson Haddix - I love me some Haddix. All of the books I've read by her so far have been more the sci fi/adventure/thriller type - this one should be an entertaining departure. I'm reading it as part of my volunteer work for my kids' elementary school.
The Weight of Heaven by Thrity Umrigar - My contact at Harper Collins sent me this ARC. I've heard lots about Umrigar, but have yet to experience her work for myself. We'll see if I get to it.
One Lost Boy: His Escape from Polygamy by David Beagley - I got this one from Cedar Fort. It's a slim memoir about a boy whose father abandons his family to pursue life as a polygamist. Polygamy always seems to be a hot topic, especially among Mormon-haters. Beagley is an active member of The Church of Jesus Christ of Latter-day Saints (the mainstream church, members of which have not practiced polygamy in over 100 years) - it will be interesting to read his perspective.
I know, I know - the list is eclectic and not exactly light beach reading. I don't usually care for that kind of fluff anyway. Who knows if I'll get to one book, let alone five, but you know I'm going to pack them all - just in case. Hope y'all have a good week - I'll catch up with you when I return!
Kephart's Newest Like A Railroad Journey - Slow, But Worth the Ride
Different authors appeal to me for different reasons. Some writers consistently wipe away my cares by yanking me into a heart-pounding world of action and suspense; others create characters so real that I miss them when they're gone; still others make me swoon with the sheer beauty of their wordcraft. An author who can successfully combine all three is a treasure indeed. Since I've only read one book by Beth Kephart, I can't speak to her consistency; however, judging by The Heart Is Not A Size, I'd say she falls solidly into the last category. Why? Because although I thought the novel's plot dragged, sometimes awkwardly, sometimes disjointedly, I hardly noticed because I was too busy savoring Kephart's every word. She sculpts each sentence until it's pure poetry - lovely, lyrical and full of subtle meaning.
Kephart's newest novel (to be released in March 2010 from HarperCollins) features best friends Georgia Walker and Riley Marksmen. For bosom buddies, the two couldn't be more different - Georgia's a giant next to the see-through skinny Riley; the former lives with her parents and brothers in an older home, the latter is a lonely only who dwells in the "biggest house on the tallest hill" (3) with her self-absorbed mother; and Riley's an artist with failing grades, where the thought of not answering a teacher's question correctly can send Georgia into a panic attack. Still, Georgia can't imagine traveling to Mexico without Riley. And Georgia really, really wants to go to Mexico. For her, it's not just about adding another community service item to her college application, it's about releasing herself from the pressure of being herself:
"In Juarez all my little self-imposed rules would be tested, the things I tried to control, my minuscule attempts at doing most things right ... I needed a release from the narrow outlines of my life" (17).
Georgia understands that working in Juarez isn't going to be a walk on the beach. The more she researches the place, the more she discovers
"... there were fuzzy collisions of optimism and despair, opportunity and danger, welcome and barbed fences. The ghosts of murdered women. The faces of children left behind. The chance to help. The possibility of being helpless" (87).
These contradictions only intrigue Georgia, convincing her that Mexico is exactly the cure for the neuroses that ail her. She can't wait to shed her outer skin and discover precisely what lies beneath.
The ever-responsible Georgia can't quite escape all of her duties, however - she has to look after Riley, after all. Although she feigns ignorance, Georgia knows what her friend is doing too herself, how desperate she is to earn not only her mother's attention but also her approval. Georgia can't wait to whisk her out from under Mrs. Marksmen's manicured thumb, to give her the chance to see herself in a truer light.
So, packing different agendas, the girls head to Anapra, a squatter's village south of the border. Along with 9 other teens and several chaperones, the group sets about building a community bathroom for the village's poverty-stricken residents. It's back-breaking work, performed under the blazing Mexican sun. Georgia's exhausted, but thrilled by the landscape, by the smiling children, by the photographs she takes to capture the experience. Then, things take a turn for the worse. Georgia knows she has to help Riley, but the tension between them is palpable. Is she finding herself in Mexico only to lose her best friend? Will the secrets they keep, the truths they dare not broach, keep them apart forever? How can Georgia stop Riley from self-destructing? Can she help her friend find herself when Georgia's not even sure who she, herself, is? Will Juarez be the glue that holds Georgia and Riley together or the one thing that will rip them apart?
It's difficult to describe the plot of The Heart Is Not A Size, because not a lot really happens. The novel is based on Kephart's own transforming experience in Mexico, and at times, it reads more like a memoir than a novel. Her description makes the tiny village of Anapra come alive, makes her characters live and breathe, but also weighs down the story a tad. It's apparent from the first chapter that the novel's not going to be plot-driven, but I still wish it had moved a little faster.
At its heart, of course, the book is about a friendship. It's also about things we see and things we don't see, secrets needing to be kept and truths begging to be revealed, people making themselves invisible when what they really want is to be seen. (If I was reading this for an English class, I'd go through and mark all the references to looking, seeing, losing, finding, remembering and forgetting and turn it into a brilliant essay.) This is not the kind of book you are going to fly through, flipping pages as fast as you can to get to the cliffhanger at the end. The Heart Is Not A Size is the kind of book that will have you combing back through the pages, re-reading passages for the deeper meaning you know is there. It's a multi-layered, ponderous type of tale that will have have you digging into your own heart, wondering what, exactly, it's made of. In short, this is not the dizzying thrill ride so common in teen novels - it's more like a railroad journey, slow and contemplative. Not what you're used to, but worth it. So worth it.
Grade:
BIf this were a movie, it would be rated:
PG for some language

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