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2025 Cover Lovers Reading Challenge (hosted by Yours Truly)

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Showing posts with label Mexico/Mexican Culture. Show all posts
Showing posts with label Mexico/Mexican Culture. Show all posts
Monday, February 01, 2021

Middle Grade Historical a Beautiful, Illuminating Read

(Image from Barnes & Noble)

Esperanza Ortega lives a luxurious life in Mexico.  Her father is a wealthy landowner, which allows her to live in a spacious home with servants to tend to her every need.  On the eve of her 13th birthday, Esperanza is thinking only about her upcoming fiesta and all the fine presents she will receive from her loving family and friends.  When her beloved father is killed by bandits, however, everything changes.  Grief settles like a pall over the family's ranch.  With their brother out of the way, Esperanza's greedy uncles threaten to kick Esperanza and her mother off the property.  Before she knows it, they are being smuggled out of the country, headed to the United States to find their own way as migrant farm workers.  

Her shocking reversal of fortune makes Esperanza's head spin.  Once, she had her own bedroom filled with expensive toys and fancy dresses.  Now, she shares a cramped shanty with two other families.  Once, servants cleaned up after her.  Now, she does her own sweeping and washing.  Once, her father paid serfs to work in his fields.  Now, Esperanza and her mother are competing with other desperate workers to labor for pennies on someone else's farm.  As she becomes used to her shabby new life in California, Esperanza's eyes are opened to the harsh realities of life as a poverty-stricken immigrant struggling to get ahead in a foreign country already devastated by the Great Depression.  When Esperanza's mother falls desperately ill and rumors of a massive workers' strike threaten the family's only source of income, Esperanza is ready to give up.  She's already overcome so many hardships and struggles.  How can she rise above them?  Will she ever be happy again?

Esperanza Rising by Pam Muñoz Ryan tells an unforgettable riches-to-rags story set against a memorable Great Depression backdrop.  With its focus on Mexican immigrants, the book has a unique angle that feels timely even though it's set in the past.  An atmospheric setting coupled with a cast of sympathetic characters and an engaging storytelling style make the novel an engrossing, empathy-inducing read that is as affecting as it is heartfelt.  Esperanza's growth as a character is the best part of the story as it shows her realistic progression from spoiled princess to pragmatic peasant.  While Ryan's depiction of Mexican migrant life during the Depression might not be entirely realistic (Esperanza's ability to save a large chunk of money in a short amount of time with her meager earnings seems inauthentic, for instance), it's grim enough to get her point across while remaining upbeat enough for a children's book.  Overall, Esperanza Rising is a story about hope, hard work, and finding joy in the things that really matter—family, friendship, traditions, etc.—even in the bleakest of circumstances.  It's a beautiful novel that I very much enjoyed.

A note:  I listened to Esperanza Rising on audio, with Trini Alvarado reading the book.  Her voice is smooth, soothing, and authentic as she seamlessly narrates using both Spanish and English to bring the characters and story to life.  If you're looking for a new book to listen to an audio, I would absolutely recommend this one.

(Readalikes:  Reminds me of The Four Winds by Kristin Hannah, although it's an adult book and much bleaker than Esperanza RisingThe Land of the Cranes by Aida Salazar and Efrén Divided by Ernesto Cisneros are also great middle-grade reads about the plight of Mexican immigrants in modern America)

Grade:


If this were a movie, it would be rated:


for violence, scenes of peril, and difficult subject matter

To the FTC, with love:  Another library fine find

Thursday, December 24, 2020

Efrén Divided Provides Intimate Peek at Illegal Immigration Through the Eyes of Those It Impacts Most

(Image from Barnes & Noble)

In many ways, Efrén Nava is just like any other American seventh grader.  He hangs out with his best buddy, hides in the bathroom to get away from his pesky younger siblings, worries about how his ears stick out, wolfs down the food his mom makes, and is forever trying to convince his overprotective parents that he's ready for more independence.  His neighborhood is rundown and his apartment is tiny, but Efrén is surrounded by a caring family and a warm, vibrant Mexican-American community.  He is loved and protected.  And yet, he never quite feels safe.  Although he was born in America, his parents are in the country illegally, as are many of their neighbors and friends.  The threat of ICE raids and deportation is a constant dark cloud looming over them all.  

Efrén's worst fears come true when his mother is arrested and sent back to Mexico.  With his father taking on extra work to earn the money needed to bring her back home, he must step up and take care of his rowdy younger siblings.  In addition to wrangling rambunctious kindergarten twins, he still has to keep up with his schoolwork, help his BFF with a school election, and keep all his fears and worries in check.  Desperate to keep his family's problems a secret, Efrén is exhausted, terrified, and in need of help he's too scared to ask for.  Can he keep it all together so no one finds out what's really going on in his life?  Will his family ever be reunited?  How will Efrén cope when his entire world is falling apart?

No matter how you feel about U.S. immigration policies, border walls, and detention centers, you can't read a book like Efrén Divided by Ernesto Cisneros and not be moved.  The story is fictional, of course, but it mirrors the sad reality of many immigrant families who live lives marked by fear and division every day.  Cisneros provides an intimate peek at what that looks like and how it affects all members of a family that's already just doing its best to get by.  Efrén Divided features sympathetic characters, a compelling plot, and engaging prose.  It's a timely, impactful, discussion-worthy read that teaches empathy while exploring the explosive issue of Mexican immigration to the U.S. through the eyes of those it impacts most.  

(Readalikes:  Reminds me of Land of the Cranes by Aida Salazar)

Grade:


If this were a movie, it would be rated:


for difficult subject matter and scenes of peril

To the FTC, with love:  Another library fine find

Wednesday, December 16, 2020

MG Novel-in-Verse a Gut-Wrenching, Illuminating Illegal Immigration Story

(Image from Barnes & Noble)

Betita Quintero loves going to fourth grade in her East Los Angeles neighborhood.  There, a beloved teacher has been showing her how to express her feelings using vivid "word-poems."  She has plenty of emotions to illustrate—happiness from being surrounded by loving parents and a poor, but supportive community of immigrants; excitement over the impending birth of her baby sibling; and fear of her parents' undocumented status being discovered.  Betita's worst nightmare comes true when her father is arrested by Immigration and Customs Enforcement (ICE) and deported to Mexico.  Now, she and her pregnant mother are worried, scared, and on their own.  How can they survive without Papi?  

Things go from bad to worse when Betita and her mom are detained, locked away in a dirty cell with other terrified refugees.  How will they survive in such a hopeless, joyless place?  Will her Mami's baby be okay?  Most of all, will the Quintero family ever be reunited?  

Land of the Cranes by Aida Salazar (who was born in Mexico and brought to the United States by her undocumented parents when she was a baby) tells a gut-wrenching, heartrending story that is all too timely and real.  It's grim and disturbing in a lot of ways, but it's also hopeful and beautifully told in verse.  No matter what you think of U.S. immigration policy and its enforcement, it's impossible not to be moved by this illuminating story.  It's a quick read, but a powerful one that has stuck with me for months.  

(Readalikes:  Reminds me of Efrèn Divided by Ernesto Cisneros)

Grade:


If this were a movie, it would be rated:


for violence, language, and disturbing subject matter 

To the FTC, with love:  Another library fine find

Friday, December 30, 2016

Sprinkles of Magical Realism Make MG Coming-of-Age Story Unique

(Image from Barnes & Noble)

The last place 12-year-old Carol wants to spend her summer vacation is on an isolated sheep ranch in the New Mexico desert.  While her friends are lounging by the pool, she'll be sweating to death as she helps care for an elderly stranger with dementia.  Yes, Serge is her grandfather, but it's not like she's ever met him before.  Unfortunately, there's nothing she can do to change her pathetic situation—her stressed-out parents need Carol's help to clean up and sell the ranch so they can move Grandpa Serge into a care home.  

Carol doesn't take most of what Serge says seriously.  His mind is going, right?  So, why does it sting so much when he admonishes her not to spit on her Mexican heritage?  And why do his crazy stories about a healing tree and magic bees strike such a chord with her?  Grandpa Serge has no idea what he's talking about.  Or does he?  

As Carol learns to appreciate the things that matter most, she'll come to some surprising conclusions about herself, her family, and a desolate ranch that's filled with more possibility than she ever could have imagined. 

Hour of the Bees, a debut novel by Lindsay Eager, tells a compelling coming-of-age story about roots, relationships, and redemption.  Its blend of magical realism and plain ole realism makes it unique.  Carol's voice seems authentically twelve, in all of its whiny/whimsical glory.  The tale does get preachy and overly sentimental, especially toward the end.  It also has a very far-fetched finale that kind of soured the story for me.  Overall, though, Hour of the Bees makes for an enjoyable read with some important messages.  Be warned, though:  the heavy subject matter might be a tad much for more sensitive middle grade readers.


Grade: 


If this were a movie, it would be rated:


for scary scenes/scenes of peril

To the FTC, with love:  I received a finished copy of Hour of the Bees from the generous folks at Candlewick Press.  Thank you!
Friday, November 22, 2013

What's the Most Difficult Kind of Review to Write? This Kind.

(Image from Barnes & Noble)

Jaycee Draper will be forever haunted knowing she received a text for help from her estranged best friend right before she died.  A text Jaycee never answered.  Now, plagued with guilt and remorse, she's doing the only thing she can to help her former BFF—she's looking for answers.  The police have declared 16-year-old Rachel Sanchez a victim of a random act of violence; Jaycee knows better.  Discovering a trail of clues Rachel left for her only confirms Jaycee's suspicions.  Rachel wanted to tell her something, something important, something about who killed her and why.


Part of the puzzle, Jaycee knows, has to do with a terrible encounter the two friends experienced in an old, abandoned house.  It's a night both tried to block from memory, a time to be forgotten, never discussed.  Jaycee hates reliving that nightmare, but she knows she must.  It doesn't help that someone's intent on stopping her little investigation.  And will do whatever it takes to end her inquiries, especially as she gets closer to discovering the identity of her friend's killer.  Can Jaycee solve the mystery before it's too late—not just for Rachel, but for herself as well?

It's tough to diss a book when you request it from an author (who also happens to be related to a friend of yours), she gladly sends you one of her last copies, and is just super sweet about the whole thing.  This is the hardest part of reviewing for me—wanting to be honest without offending kind, hardworking authors.  It's most important, though, for my readers to trust me, so here we go with the honest-even-though-I-don't-want-to-be review: 

I really, really, really wanted to love Dead Girls Don't Lie, Jennifer Shaw Wolf's second novel.  But I just didn't.  Since I grew up in a small town in rural Washington State, I did like the book's familiar setting as well as the conflict between Mexican migrant workers and small-minded local yokels (not that I like that kind of conflict, I just like that it's fresh, something I haven't encountered before in YA lit).  It's a current kind of problem, one I observed firsthand while growing up; it's a hot topic even now, especially in states like Arizona (my current location), which border Mexico.  The whole gang plot, though, seemed a little too melodramatic for rural Washington.  It didn't ring very true to me.  I also had a problem connecting to the characters in Dead Girls Don't Lie.  None of them struck me as particularly likable.  They didn't seem to like each other much either, as I felt little warmth between any of them.  Add that to a far-fetched plotline with some big holes, and yeah, this one just didn't do a lot for me.  Wolf's got lots of potential, though, so I'll keep an eye on her.  Hopefully, her next venture will be a little more to my liking.

(Readalikes:  I'm sure there are many, but nothing's coming to mind ...)


Grade:
  
If this were a movie, it would be rated:

for language (no F-bombs), violence and sexual innuendo

To the FTC, with love:  I received a finished copy of Dead Girls Don't Lie from the very generous Jennifer Shaw Wolf.  Thank you!
Thursday, April 21, 2011

What Can't Wait An Immigrant Story With Bite

(Image from Indiebound)

Marisa Moreno's parents came to The United States to make a better life for themselves. So, why won't they let her do the same? Sure, they want her to graduate from high school, but only if it doesn't interfere with cooking meals for her gruff Papi, babysitting her niece, or working enough hours at Kroger to help pay the family's bills. Marisa knows her duties to la familia come first, but she also knows she's smart enough to really make something of herself. Marisa's parents want her to stay in the barrio, marry a neighborhood boy, have babies, and work at some dead-end job like a good little Mexican girl. Marisa wants more. So much more.

When Marisa's favorite teacher urges her to apply to a competitve engineering program at the University of Texas, Marisa longs to do it. But just the thought of fleeing Houston fills her with paralyzing guilt. How will her Mami and Papi afford rent without Marisa's paycheck? Who will cook Papi's meals? If Tia Marisa isn't around, who will watch little Anita, soothe her when her parents fight, keep her safe from her drug-dealing father's vicious temper? And what of sweet, gorgeous Alan Peralta, who's finally showing some interest in her? Can she leave all of it behind? Just for some fancy science program? As much as Marisa wants to follow her own dreams, she knows it's impossible.

As things at home become more and more impossible, Marisa faces the most difficult choice of her life: Does she give up on her own future to make everyone else happy, like she's always done in the past? Or does she fight for her dreams, no matter what the cost? Trapped by all that's expected of her, Marisa will be forced to choose between tradition and progress, cultural expectations and personal ambition, familial obligations and her own fulfillment. Can she find a way to make her dreams come true without losing everything in the process? Or is she doomed to eke out a hard scrabble life in a cockroach-infested tenement building, just like her parents?

What Can't Wait, a debut novel by Texas native Ashley Hope Perez, is an immigrant story with bite. It's familiar, touching on all the usual conflicts, but surprising in its unflinching honesty. I found the novel both compelling and affecting, even though I would have liked a whole lot more originality from it. Still, it's refreshing to see modern Mexican-American culture being explored in teen lit, especially when it comes from a writer like Perez, who uses her own experience to make her story realistic, relevant and, most of all, relatable to readers of every background. While What Can't Wait didn't blow me away, it has placed Perez firmly on my radar. You better believe I'll be keeping my eye on this intriguing literary lady.

(Readalikes: I guess I don't read many stories about Mexican-American teenagers. Any ideas here?)

Grade: B-

If this were a movie, it would be rated: R for strong language, sexual content and depictions of underrage partying/drinking and illegal drug use

To the FTC, with love: I received a finished copy of What Can't Wait from the generous folks at Carolrhoda LAB. Thank you!

Tuesday, October 06, 2009

Kephart's Newest Like A Railroad Journey - Slow, But Worth the Ride

(Image from author's blog)

Different authors appeal to me for different reasons. Some writers consistently wipe away my cares by yanking me into a heart-pounding world of action and suspense; others create characters so real that I miss them when they're gone; still others make me swoon with the sheer beauty of their wordcraft. An author who can successfully combine all three is a treasure indeed. Since I've only read one book by Beth Kephart, I can't speak to her consistency; however, judging by The Heart Is Not A Size, I'd say she falls solidly into the last category. Why? Because although I thought the novel's plot dragged, sometimes awkwardly, sometimes disjointedly, I hardly noticed because I was too busy savoring Kephart's every word. She sculpts each sentence until it's pure poetry - lovely, lyrical and full of subtle meaning.

Kephart's newest novel (to be released in March 2010 from HarperCollins) features best friends Georgia Walker and Riley Marksmen. For bosom buddies, the two couldn't be more different - Georgia's a giant next to the see-through skinny Riley; the former lives with her parents and brothers in an older home, the latter is a lonely only who dwells in the "biggest house on the tallest hill" (3) with her self-absorbed mother; and Riley's an artist with failing grades, where the thought of not answering a teacher's question correctly can send Georgia into a panic attack. Still, Georgia can't imagine traveling to Mexico without Riley. And Georgia really, really wants to go to Mexico. For her, it's not just about adding another community service item to her college application, it's about releasing herself from the pressure of being herself:

"In Juarez all my little self-imposed rules would be tested, the things I tried to control, my minuscule attempts at doing most things right ... I needed a release from the narrow outlines of my life" (17).

Georgia understands that working in Juarez isn't going to be a walk on the beach. The more she researches the place, the more she discovers

"... there were fuzzy collisions of optimism and despair, opportunity and danger, welcome and barbed fences. The ghosts of murdered women. The faces of children left behind. The chance to help. The possibility of being helpless" (87).

These contradictions only intrigue Georgia, convincing her that Mexico is exactly the cure for the neuroses that ail her. She can't wait to shed her outer skin and discover precisely what lies beneath.

The ever-responsible Georgia can't quite escape all of her duties, however - she has to look after Riley, after all. Although she feigns ignorance, Georgia knows what her friend is doing too herself, how desperate she is to earn not only her mother's attention but also her approval. Georgia can't wait to whisk her out from under Mrs. Marksmen's manicured thumb, to give her the chance to see herself in a truer light.

So, packing different agendas, the girls head to Anapra, a squatter's village south of the border. Along with 9 other teens and several chaperones, the group sets about building a community bathroom for the village's poverty-stricken residents. It's back-breaking work, performed under the blazing Mexican sun. Georgia's exhausted, but thrilled by the landscape, by the smiling children, by the photographs she takes to capture the experience. Then, things take a turn for the worse. Georgia knows she has to help Riley, but the tension between them is palpable. Is she finding herself in Mexico only to lose her best friend? Will the secrets they keep, the truths they dare not broach, keep them apart forever? How can Georgia stop Riley from self-destructing? Can she help her friend find herself when Georgia's not even sure who she, herself, is? Will Juarez be the glue that holds Georgia and Riley together or the one thing that will rip them apart?

It's difficult to describe the plot of The Heart Is Not A Size, because not a lot really happens. The novel is based on Kephart's own transforming experience in Mexico, and at times, it reads more like a memoir than a novel. Her description makes the tiny village of Anapra come alive, makes her characters live and breathe, but also weighs down the story a tad. It's apparent from the first chapter that the novel's not going to be plot-driven, but I still wish it had moved a little faster.

At its heart, of course, the book is about a friendship. It's also about things we see and things we don't see, secrets needing to be kept and truths begging to be revealed, people making themselves invisible when what they really want is to be seen. (If I was reading this for an English class, I'd go through and mark all the references to looking, seeing, losing, finding, remembering and forgetting and turn it into a brilliant essay.) This is not the kind of book you are going to fly through, flipping pages as fast as you can to get to the cliffhanger at the end. The Heart Is Not A Size is the kind of book that will have you combing back through the pages, re-reading passages for the deeper meaning you know is there. It's a multi-layered, ponderous type of tale that will have have you digging into your own heart, wondering what, exactly, it's made of. In short, this is not the dizzying thrill ride so common in teen novels - it's more like a railroad journey, slow and contemplative. Not what you're used to, but worth it. So worth it.




Grade: B

If this were a movie, it would be rated: PG for some language

Saturday, November 04, 2006

The Ruins: DiVINEly Creepy

On Halloween night, my husband took the kids trick-or-treating while I handed out candy at home. Since I didn't want to just sit there, I picked up the library book I had started recently - Scott Smith's The Ruins. Talk about a mistake - I jumped every time the doorbell rang. The book is that engrossing, that creepy. It's a good read; in fact, if it wasn't for the annoying ending, I would call it a great read.

The story begins with 4 friends vacationing in Cancun. After a few days soaking up the rays on the beach, they decide to join a German friend, Mathias, on a day trip to visit some ruins. Mathias' brother had followed his girlfriend archaeologist to the site, encouraging Mathias to join them by following a crude map he had drawn. So, the 5 of them, plus a Greek they just met, head off for a remote Mayan village. Strange happenings occur right off the bat - the group's taxi driver warns them the place is "no good," the locals try to run them off, and the archaeologists are nowhere in sight. Soon, the group finds itself stranded on a hillside, surrounded by armed Mayans. The hillside is eerily silent, devoid of animal, insect or human life - the only thing that's living is the vine that grows thickly all over the hill. As it becomes increasingly clear that they won't be leaving the hillside anytime soon, the group has to figure out how to survive on little food and water, and how to avoid turning on each other. As if they didn't have enough problems, the mysterious vines seem to have a life of their own...

The story is, in a word, creepy. The first half, especially, is taut, and breathtakingly suspenseful. You won't be able to turn the pages fast enough. The only thing I really didn't like about the book was the ending - the characters became wimpy and annoying, and the mystery of the vine was never solved. Should you read it? Definitely. It's an incredibly suspenseful book - just watch out for the vegetation!
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