(Image from Barnes & Noble)

"It occurs to me that this house is like that, too.  It remembers, just as I do.  It remembers everything."

When London archivist Elodie Winslow discovers an old leather satchel at work, she thinks little of it.  Until she finds two remarkable items within.  She's intrigued by the old photo of an arresting woman wearing Victorian-era clothes, but she's completely mesmerized by an artist's sketch of a riverside country manor that appears to be straight out of a storybook.  Although Elodie's never actually seen such a place, she's intimately familiar with the twin-gabled home nestled in a bend of the river.  Somehow, the artist has drawn the exact place where Elodie's mother set all the fanciful bedtime stories with which she enchanted her young daughter.   

As Elodie peers into the past in search of answers, she discovers that Birchwood Manor is, indeed, a real place.  Built in the 1500s, it's been an artists' retreat, a boarding school for girls, even a refuge for children fleeing London during World War II.  Its residents have experienced every emotion—grief, joy, fear, comfort, triumph, and tragedy.  The estate houses ghosts and the key to solving at least one mystery.  When Elodie learns of the mysterious events of 1862, when one woman was shot to death and another went missing from a summer artists' getaway, she knows she won't be able to rest until she finds out what really happened.  She hopes her search for the truth will reveal the answer to the most unsettling question of all—What does Elodie's mother have to do with the many sorrows of Birchwood Manor? 

It's no secret that I'm a raving Kate Morton fan.  I adore her eloquent, atmospheric dual-timeline novels featuring crumbling mansions, mysterious heirlooms, and juicy family secrets.  I've read—and loved—all of her books.  Since they only come out every 2-3 years, I wait with bated breath for new sagas from this talented Australian author.  So, to say I was excited for the emergence of The Clockmaker's Daughter would be a vast understatement.  Did Morton's newest live up to my (admittedly very high) expectations?  No, actually.  While I liked it overall, it's my least favorite of the author's books.  Why?  The story had a little different format from Morton's others, which left it feeling overly long, unfocused, and dull in places.  I loved learning about Birchwood Manor's long history, but with so many characters over so much time, I got a tad lost.  So, while I found the mystery at the novel's center compelling, the plot felt a bit loosey-goosey and a little confusing.  On the whole, I still enjoyed The Clockmaker's Daughter—just not nearly as much as I've loved all Morton's others.  

(Readalikes:  Reminded me of The House Between Tides by Sarah Maine and other books by Kate Morton, including The Lake House; The House at Riverton; The Forgotten Garden; The Distant Hours; and The Secret Keeper)

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What happens when a crowd of eligible young lords and ladies converges in the Yorkshire countryside for a two-week long house party?  Plenty of merriment, mischief, and matchmaking, that's what!  

The Regency House Party: Somerstone series is made up of five romance novels penned by popular and up-and-coming LDS writers.  Each revolves around a different set of Somerstone houseguests, all of whom are searching for love while at the estate.  Since the stories take place simultaneously, the books can be read in any order.  While the characters in the novels intermingle, their individual stories don't intertwine enough to contain spoilers.  It's a fun device for a series, don't you think?  You can read more about it at the Regency House Party website.  

(Image from Amazon)

Despite being a lowly stable master's daughter, 19-year-old Marjorie Fairchild has been invited to the hottest house party of the season thanks to her aunt's acquaintance with its hosts.  Although her days of scampering around barefoot, climbing trees, and spying on her betters are long gone, Marjorie's still not entirely comfortable mingling with London's elite.  Still, her silly childhood fantasies all revolved around another Somestone houseguest: dashing Reginald Beauchamp.  It doesn't matter how much she's developed, Marjorie knows there's no way she could hope to snag the son of an earl, but she can't help hoping that maybe, just maybe, she might be able to catch his eye.  Even a few moments of his attention would be enough to soothe her unrequited longings.

Lord Miles Beauchamp has little patience for frivolous social gatherings, even if his earldom is in need of a Lady to refine it.  His only goal at the house party is to keep an eagle eye on his flippant, irresponsible younger brother.  When Reginald sets his fickle sights on Marjorie Fairchild, the beautiful daughter of the family's stable master, Miles knows he must step in.  He can't allow his dandy of a brother to toy with the heart of his employee's daughter.  It's not right—for many reasons.  Setting himself in the role of her protector, Miles vows to save Marjorie from Reginald, only to find his own traitorous heart hopelessly lost to the enchanting redhead.  

Can Miles successfully woo Marjorie's affections away from his charming brother?  If he can, what then?  Can a romance between two people of such different social classes ever really work?  Despite the risks, Miles is determined to find out ...

The Stable Master's Daughter—a debut novel by Sara Cardon—tells a swoony story about a woman whose yearnings for the wrong man blind her to the charms of the right one.  It's a familiar setup which leads to an obvious, predictable ending.  The characters are nothing special either, although they're mostly a likable lot.  While I definitely wanted a twistier plot and more dynamic story people from it, The Stable Master's Daughter remains a fun, enjoyable novel that's short, sweet, and satisfying.  With it, Cardon proves herself a capable writer, making her an author on whom I will definitely keep my eye!  

(Readalikes:  Other novels in the Regency House Party: Somerstone series, as well as Regency romances by Josi S. Kilpack, Jennifer Moore, Julianne Donaldson, and Sarah M. Eden)

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