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Friday, March 04, 2016
Jaw-Dropping, Mind-Boggling Everest Memoir Intensely Personal, Deeply Affecting
2:30 PM
(Image from Barnes & Noble)
If someone else was footing the bill (which can run in excess of $70,000) and you were given a year to train, would you be willing to make a go at climbing to the summit of Mount Everest? Keep in mind that topping Earth's tallest mountain (above sea level) takes around two months and requires great skill and strength. Despite increasing safety measures, people still die every year while trying to reach Everest's top. They expire because of altitude sickness, exposure, heart attacks, exhaustion, falling, and being caught in blizzards and storms (In 2015, Everest's deadliest year, 21 were killed because of an earthquake-triggered avalanche). Many of the dead bodies are never found; even when they're located, the difficulty of removing corpses at such high elevation means that many remain on the mountain. Considering all of this, would you do it? Would you risk life and limb to try to achieve something only a few thousand people in the world have done? Would all this be worth it to you, just to be able to say you've summited the highest mountain in the world?
For me, the answer is an unequivocal no way, nuh uh, never, ever, ever. If your answer is more like, "Heck, yeah, I would," or even, "maybe," may I suggest that you're completely off your rocker you pick up a copy of Into Thin Air, Jon Krakauer's unforgettable memoir about his experience on Everest? In vivid, compelling prose, the Seattle journalist describes what happened before, during, and after his life-changing climb. The elaborate preparation (financial, physical, and emotional) that goes into planning and executing a "normal" Everest summit is mind-boggling all on its own. Just that would have made for fascinating reading, especially told in Krakauer's engaging style. But, the writer's trip would turn out to be anything but ordinary. Krakauer, who was 42 at the time, staggered to the top of Mount Everest on the afternoon of May 10, 1996. Unbeknownst to him, that day would come to be known as the deadliest in the mountain's history. On that momentous day, he would lose teammates and friends in a terrible tragedy that haunts him to this day.
While some might romanticize their triumphs over Everest, Krakauer does nothing of the sort. His account is honest, harrowing, and heartbreaking. He talks frankly about common Everest issues like overcrowding, trash accumulation, unsafe climbing, and man's ridiculous hubris in the face of nature's supremacy. Krakauer also admits that "...climbing Everest was primarily about enduring pain" (140). In a 2015 interview with a Huffington Post reporter, he stated:
Climbing Mount Everest was the biggest mistake I've ever made in my life. I wish I'd never gone. I suffered for years of PTSD, and still suffer from what happened. I'm glad I wrote a book about it. But, you know, if I could go back and relive my life, I would never have climbed Everest.Krakauer is forthright about everything he felt on his journey—from excitement to determination to horror to guilt to despair. Because of that, Into Thin Air is more than just a recitation of facts about the infamous disaster of which Krakauer was an indelible part; it's an intensely personal, deeply affecting commentary that is as mesmerizing as it is memorable. I watched Everest—the movie version of this book (of which Krakauer is extremely critical, by the way)—in 3D and although it was visually stunning, it's the images Krakauer painted in Into Thin Air that have really stayed with me. I have zero interest in rock climbing, but this book is truly jaw-dropping and incredible. It's a must-read for Everest aficionados as well as armchair travelers like me who are fascinated by the mountain's dazzling, deadly allure.
(Readalikes: I haven't read any other true accounts of climbing Everest, but Into Thin Air reminded me of Bones on Ice, an Everest murder mystery by Kathy Reichs.)
Grade:
If this were a movie, it would be rated:
for language, violence, scenes of peril, and a few references to sex and illegal drug use
Note: Everest the movie, which is based on Into Thin Air, is actually rated PG-13 for disturbing images and scenes of peril. Surprisingly, it has little—if any—profanity (unlike the book).
To the FTC, with love: I bought a copy of Into Thin Air at Costco with a portion of the millions I make from my lucrative career as a book blogger. Ha ha.
Thursday, March 03, 2016
Mormon Mentions: Fiona Barton
7:12 AM
If you're not sure what a Mormon is, let alone a Mormon Mention, allow me to explain: My name is Susan and I'm a Mormon (you've seen the commercials, right?). As a member of The Church of Jesus Christ of Latter-Day Saints (commonly known as the Mormon or LDS Church), I'm naturally concerned with how my religion is portrayed in the media. Because this blog is about books, every time I see a reference to Mormonism in a book written by someone who is not a member of my church, I highlight it here. Then, I offer my opinion—my insider's view—of what the author is saying. It's my chance to correct misconceptions, expound on principles of the Gospel, and even to laugh at my (sometimes) crazy Mormon culture.
--
In The Widow, a debut novel by Fiona Barton, Detective Inspector Bob Sparkes is looking into the disappearance of a 2-year-old girl. He and a sergeant knock on the door of a person of interest in the case:
When he [Mike Doonan] cracked open the door onto the walkway, it was not his Good Samaritan neighbor with his Saturday delivery of lager and sliced bread but two men in suits.
"If you're Mormons, I've already got enough ex-wives," he said, and made to close the door."
(quote from Page 77 of uncorrected proofs)
You'd be surprised how many times police procedurals mention detectives knocking on doors being mistaken for Mormon missionaries. It's the clean-cut, suit-wearing thing, apparently. This particular mention, with its not-very-subtle reference to polygamy, made me laugh out loud. Although plural marriage has not been practiced in The Church of Jesus Christ of Latter-Day Saints (the mainstream church is vastly different from its splinter groups, including fundamentalist sects that continue the practice) for over 100 years, the polygamy misconception/stigma remains. Even while I chuckle over this quote, I want to make one thing perfectly clear: members of the modern LDS Church do not practice polygamy. Okay? Okay.
Hyped-Up Debut Leaves Me Seriously Underwhelmed
6:56 AM
(Image from Barnes & Noble)
When her banker husband is hit and killed by a bus, Jean Taylor's first reaction is relief. She's unmoored, as Glen has always told her what to do and say, but she's far from devastated by his death. Ever since he was accused of involvement in the disappearance of a 2-year-old girl, Glen—and by extension, Jean—has been living under a cloud of suspicion. Even though the widow has always stood by her man, their life together has been tense and difficult.
With Glen Taylor out of the picture, the local media knows it's the perfect time to get the real story out of his vulnerable wife. Jean has always refused to talk to journalists, but somehow, Kate Waters manages to get in her door. With her gentle approach, the reporter is an expert at softening up her subjects before moving in for the kill. Jean, however, proves tough to crack. Although she eventually agrees to sell her story to Kate's newspaper, the widow is not exactly forthcoming about Glen, their marriage, and the disappearance of little Bella Elliott.
As Kate digs into Jean's psyche, Detective Inspector Bob Sparkes—the cop who's still haunted by his inability to find Bella—does his own investigating. The questions that have always plagued the case haven't changed much. Did Glen Taylor kidnap the little girl? What about Bella's single mom? Does she know more than she's saying? Was it, in fact, her who did something to the toddler? What role, if any, did Jean Taylor play in the crime and its possible cover-up? Both Bob and Kate are convinced the widow knows more than she's saying. But how can they pry loose the truth from a surprisingly obstinate Jean?
Told from several different perspectives, the story bounces between the past and the present to slowly reveal the truth about what really happened to Bella Elliott. While doing so, it asks the terrifying question: How well can we ever know another person?
The Widow, a debut novel by journalist Fiona Barton, has received lots of buzz, including comparisons to recent bestselling psychological thrillers Gone Girl and The Girl on the Train. Are those examples apt? Not really. While The Widow has similar themes, it lacks the depth, complexity, and wow factor of the aforementioned books. For a suspense novel, it's just not that suspenseful. The characters are almost wholly unlikable, the plot is too predictable, and the ending feels anticlimatic. Although the premise behind The Widow seems promising, the execution doesn't do it justice. Barton's prose is skilled enough, but the rest of her debut left me seriously underwhelmed. Bummer.
(Readalikes: Um, I can't really think of anything. Can you?)
Grade:
If this were a movie, it would be rated:
for strong language, violence, and disturbing subject matter (child pornography, child endangerment, emotional abuse, etc.)
To the FTC, with love: I received an ARC of The Widow from the generous folks at Berkley/NAL (an imprint of Penguin Random House. Thank you!
Tuesday, March 01, 2016
Tense, Atmospheric Gilded Age Mystery One of My Favorite Reads So Far This Year
1:00 AM
(Image from Barnes & Noble)
"If you're going to bury the past, bury it deep, girl. Shallow graves always give up their dead" (187).
Jo Montfort is an atypical girl living an average life—at least for a wealthy society girl in the Gilded Age. The 17-year-old is beautiful, cultured, and expected to marry a man whose blood is as blue as her own. Although she's practically engaged to her best childhood friend, Bram Aldrich is a man who "inspired admiration rather than passion" (103). Jo knows she would have a comfortable, happy life with him. Still, she longs for excitement, for freedom, for something more than the banality of endless tea parties, balls, and child rearing. She yearns to be a reporter, to make a difference like her hero, Nellie Bly. Of course, such desires are entirely inappropriate for a well-bred woman. Jo will never voice them; instead, she'll wed Bram, bear his children, and settle into married life with grace, just like every other young woman with whom she associates.
Then, Jo's world shatters utterly and irrevocably. Her beloved father, the successful owner of several prominent New York businesses, accidentally shoots himself while cleaning his gun. When Jo overhears Eddie Gallagher, a dashing young reporter, call it suicide, she's outraged. Charles Montfort would never do such a thing! Jo begs the handsome newspaperman to help her find the truth about her father's death, never suspecting just how big of a mess she's getting herself into. To find out what really happened, she'll have to cavort with the city's seediest residents, combing its slimy underbelly for clues no one wants unearthed. Being spotted in public without a chaperone, let alone with a low-class reporter (or worse) could mean the permanent ruin of Jo's reputation. And yet, she can't help herself. She must clear her father's good name—because no matter what, no matter what she finds, she has to believe he still has one. Jo can't be wrong, she just can't.
The closer Jo and Eddie come to finding the truth, the riskier their partnership becomes. Not only are their movements being tracked by goons with murderous intentions, but the damning eyes of society are always on them. As Jo's own eyes are opened to the realities of life outside (and inside) her gleaming world, she begins to understand what she really wants and— most dangerous of all—what she doesn't.
Can Jo uncover the truth about her father's death? Was it really an accident? Suicide? Or murder? And after her Nellie Bly-ish pursuits, can she return to her gilded life? Will she ever be the same again?
There's so much to love about These Shallow Graves, Jennifer Donnelly's newest YA novel. Tense, atmospheric, and compelling, it's a page turner that will leave you breathless. I literally (yes, literally) could not put it down. Jo is a brave, sympathetic heroine, one whose ignorance and subsequent awakening feels realistic. The minor characters are likewise complex, making the whole cast intriguing. While I did guess some of the story's turns, several of the twists caught me by surprise. All of these elements combined to make a thoroughly enjoyable novel, one of my favorite reads of the year so far. Trust me, you don't want to miss this one.
(Readalikes: Hm, I can't really think of anything. Can you?)
Grade:
If this were a movie, it would be rated:
for language (no F-bombs), violence, blood/gore, sexual innuendo, and disturbing subject matter (prostitution, domestic violence, drug/alcohol abuse, poverty, etc.)
To the FTC, with love: Another library fine find
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