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2026 Historical Fiction Reading Challenge

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Booklist Queen's 2026 Reading Challenge

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Dragon Rambles' Law of Fives Bingo

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2026 Pioneer Book Reading Challenge

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2017 Pick Your Poison Reading Challenge (retired challenge - doing old boards for fun)

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Friday, March 05, 2010

Wench as Thought-Provoking as it is Heartbreaking

(Image from Barnes & Noble)

"Stories didn't get told unless they had to. Stories were for remembering, and none of the women wanted to tell how they had gotten there. When they told their stories, they preferred to tell the ones about that faraway place. They preferred to tell ones they had patched together in their heads, hundreds of oral remnants whispered in dark slave cabins" (55).

There's a short time every year when the slave women get to feel like human beings. They're mistresses of their own homes, cooking and cleaning only for themselves and their men, dressing up for dinner, gossipping with their girlfriends, even taking occasional dips in the pond. It's not freedom, but it's the closest thing the women have ever known. For Lizzie, Sweet and Reenie, it's a chance to experience something that's not exactly happiness, but not quite the usual misery either.

Each summer, wealthy plantation owners gather at Tawawa House to hunt, fish and enjoy "extracurricular activities" away from the watchful eyes of their wives. Along with their fishing poles and hunting rifles, the men haul their favorite slaves to the Ohio resort, including their most desirable "wenches." Tawawa House sits in free territory, surrounded by sympathetic Quakers and Methodists, but the slave mistresses know that they cannot run. Beatings are not uncommon, even in this vacation setting - best to pretend its freedom rather than longing for the real thing.

These are the rules by which the three women are used to abiding ... until Mawu comes along. With her light skin, red hair and uppity mannerisms, she sets herself apart from the other slaves. Her bold ways shock the other women. Mawu's intent on escaping into free territory, an act that could endanger herself and her new friends. With no children to worry about, Mawu can afford her rebellious attitude - the others would be risking far, far more. Lizzie, especially, can't bear the thought of abandoning her kids. Sure, they look just like their father - pale-skinned and bright-eyed, but even that doesn't guarantee them the Master's protection. The lure of freedom is so close for the Tawawa women, but so, so far away. Even when a fire breaks out, giving them the best chance of escape they've ever had, the slaves hesitate. What are they willing to risk to save their own lives? Will Mawu convince them to follow her lead to freedom? Or will she simply guide them all to their deaths? Amidst the horror of slavery, where even a shred of happiness is hard won, will the wenches be content with their tiny slice? Or will it only whet their appetites for the real thing?

Wench by Dolen Perkins-Valdez explores this little-known, but historically-accurate piece of slave history. She looks at what it means to live and love under the most complicated and trying of circumstances. It's an unsentimental novel that is as thought-provoking as it is heartbreaking. Like Toni Morrison's Beloved, Wench is not an easy or happy read, nor should it be. It's bleak, disturbing, an impressive and important debut, but one that may be too difficult for the casual reader.

(Readalikes: Beloved by Toni Morrison; reminded me a tiny bit of The Help by Kathryn Stockett)


Grade: B

If this were a movie, it would be rated: R for language, violence and sexual content

To the FTC, with love: I received this book from the generous folks at HarperCollins. Thanks!

The Girl with the Mermaid Hair: I Love It Even If I Don't Exactly Know Why

Check out that title - see how I didn't mention drugs once? Guess that means I'm feeling better!

(Image from Barnes & Noble)
So, I'm still trying to figure out exactly why Delia Ephron's The Girl with the Mermaid Hair is such a brilliant novel. Because it is. Brilliant. It's one of the simplest, but truest books I've ever read. Plus, it's funny. And the deftness of the characterization (caricature-ization?) astounds me. I guess that's the winning combination right there: Ephron's created a story that is simple, true, and funny, populated by characters who are pop-off-the-page real. It works. Brilliantly.
Our heroine, 15-year-old Sukie Jamieson, lives in a world of seamless order. She glides from her sparkly new development home to her brainiac high school to her tennis lessons at the club with a practiced grace. Because she "[is]n't only in the world--the world [is] watching" (62), Sukie must appear flawless at all times. No one can know that she's been up since 3 a.m. trying on dozens of outfits (then rehanging them "precisely - the collars on blouses and jackets turned down and matching, all shoulders even, jeans clipped so the legs fell to the exact same length" [133]), conditioning her hair (for "the exact recommended time for fortifying and softening and after rinsing" [136]), and blending foundations to the right consistency needed to "successfully [doctor] her most exotic feature" into absolute blandness. She must be immaculate, impeccable, defectless. And she is. With her lustruous mermaid hair, her creamy complexion and a figure so svelte it moves Hudson Glen's quarterback to declare, "I like your body-fat ratio" (6), she's as unblemished as Barbie. And when she faltered for half a second? Well, "She didn't like to acknowledge any situation in which she was less than perfect" (20).
This becomes a problem when her mother gifts her a family heirloom, an antique mirror which she predicts will become Sukie's "best friend and worst enemy" (3). It's a beautiful piece. Suddenly, Sukie - who checks herself in every reflective surface she can find - can see herself like she never has before. How did she never notice the way her nose ramps up instead of sloping gracefully? No wonder her mother resorted to plastic surgery to change the one feature she and Sukie have in common. And why, oh why, does her butt, normally "neat, round, and tightly packaged in jeans, waist size 27" (47), suddenly resemble "twenty-pound ham hocks?" (47). Is the mirror broken? Cracked? Distorted? Or is it Sukie's vision of herself that needs a transformation?
An honest look at her life reveals what Sukie's "selfies" (the camera-phone pictures she snaps constantly to make sure she has no makeup smudges, food in her teeth, mascara clumps or any other potentially-humiliating imperfections) cannot: The masks behind which Sukie hides - her Cover Girl face, her charming parents, her activity-filled lunches, her gorgeous boyfriend - have all been carefully constructed to hide the terrible, stunning truth that Sukie is insecure, friendless, unoriginal and, perhaps, the phoniest in a family of flakes. Can the obsessed teenager cope with this startling imperfection or will the knowledge cause her, like her lovely mirror, to crack, forever ruined?
I know it all sounds deadly serious, but it's not. Exactly. Ephron writes with a wit that makes the novel both sardonically entertaining and undeniably true. Because her story people are more caricature than characters, they're instantly recognizable, easy to laugh at - until, like Sukie, we receive a startling revelation: They are us. We are them. Obsessive-compulsive-neuroticness and all. Only when this truth sneaks up and hits us in the face can we understand the real brilliance of this novel. It's simple, complex, true - I love, love, love The Girl with the Mermaid Hair.
Now that my brain hurts from the effort of waxing eloquent, let me give you a little taste of the genius that is Delia Ephron. I don't generally love animals in my fiction, but the following characterization is so clever, so colorful, so spot-on that this dog leaps right off the page (not that he would do anything as undistinguished as leaping). It's a perfect example of the brilliance that makes this novel so compelling. The passage is long, but trust me, you're not going to care:
Sukie, her mom, and her younger brother, Mikey, turned to their dog, Señor, who sat at the head of the table.
When they all looked to see what Señor thought - and it was not the first time - Señor didn't bark. He wasn't a trick dog. He didn't bark once for yes and twice for no. And he wasn't a talking dog, there's no such thing. Medium-sized with a thick white coat, short pointed ears that were rosy pink inside, and a long graceful snout, Señor had powerful silent communication skills and an incredibly intimidating manner. He never licked anyone. None of that grateful happy kissing for Señor. No one had ever seen him roll over for a tummy rub, and his tail, which curled up over his back, did not wag. No one had ever seen him fetch his red rubber ball either. Every so often Mikey threw it for the amusement of watching Señor ignore it. "Is this your dog?" people would ask when they entered the house, even though Señor was clearly the Jamiesons' dog, what else would he be doing there, but there was something about his elegance, his reserve, the way he observed without moving a muscle that made people question whether he was a pet, anyone's pet. When one night he climbed into the chair at the head of the table, no one questioned it. Sukie's dad simply slid his place setting out of Señor's way and over to the long side of the rectangular table next to Sukie's. Her mom, at the other end, did likewise so that she sat next to Mikey. Señor, at the head, had the only chair with arms.
Did Sukie have a phone addiction? The family awaited Señor's verdict. His watchful gray eyes did not narrow, a good sign, and his mouth dropped open slightly, revealing small, even bottom teeth and the tip of his pink tongue.
"No," said Sukie tentatively. "No, I don't. No problem. I'm fine!" She jumped up and hugged Señor, gunking up her red sweater with white hairs. It was Señor's shedding season (9-10).
See? It's impossible not to adore this book. Even if I'm not exactly sure why - I love it.
(Readalikes: It reminded me of the movie Clueless and will probably be similar to its companion book, Falling to Pieces. I'll get back to you on that one.)
Grade: A
If this were a movie, it would be rated: PG for language and some sexual innuendo
To the FTC, with love: I received a copy of this book from the generous folks at HarperTeen. Thanks!
Wednesday, March 03, 2010

Is it the Painkillers Talking or Is The Dark Divine Really That Forgettable?

(Image from Barnes & Noble)

Everyone knows that preachers' families are perfect - home cooked dinners around the table every night, love and harmony permeating the very air, and absolutely no skeletons hidden in the closets (those are filled with crocheted booties for the congregation's newborns and afghans for the shut-ins). The Divine Family fits the cliche pretty well. Except that Grace, a high school junior, knows that beneath her family's shiny facade lies a murky little secret. It has to do with Daniel Kalbi, a troubled teen who once found solace at the Divine home. It has to do with the night Daniel vanished, the night Grace's brother came home dripping blood.

When The Dark Divine by Bree Despain opens, Grace is shocked to find that Daniel's returned to their small Minnesota town. What he wants exactly, she's not sure, but Daniel has a habit of appearing wherever she goes. He's obviously still hurting. Is it wrong that Grace wants to help him work through his pain? They were once as close as siblings. Grace's father has always preached forgiveness, so why won't her family embrace Daniel as they once did? What do they know about him that she doesn't? What happened the night he disappeared? The closer Grace gets to the truth of the matter, the more she realizes that nothing is ever as it seems. Even within a preacher's family.

I was excited to read this book for several reasons: (1) It's generated a lot of buzz in the book blogosphere; (2) I always get excited when a young (ish - roughly around my age) LDS author publishes for a mainstream audience; and (3) Bree Despain is one of the infamous "6" that the hilarious Brodi Ashton can't quit talking about. So, naturally, I had to give it a whirl. What did I think? Honestly, I wanted to be a lot more impressed than I was. The Dark Divine is not a bad book, it's just not unique enough to stand above the crowd in a market saturated with this exact kind of story. It could have used some depth, some development, and a whole lotta originality. That being said, I did read the book in one day (sucking in a couple of chapters whenever I surfaced from my Vicodin-induced coma), so it was engrossing enough to keep me turning pages. However, I had a hard time recalling much about the story when I sat down to write this review which means one of two things - either my mind's still fuzzy from pain meds or the book just wasn't that memorable. Unfortunately, I think it's the latter.

Now, don't think I'm giving up on Despain (I have dumped the Vicodin, however - I just can't stand the mind cloud) - I'll definitely be checking out The Dark Divine's sequel. I'm just hoping for a little originality, a few surprises, something to make this series different than all the other YA paranormal stories out there. C'mon, she's LDS, a BYU alum and a member of the illustrious "6" - I think it's fair to expect great things out of this girl.

(Readalikes: Shiver by Maggie Stiefvater [my review])

Grade: B-

If this were a movie, it would be rated: PG for some language and violence

To the FTC, with love: Another library fine find

Back-to-School is the brainchild of Julie P. over at Booking Mama. I'll be using this button whenever I publish a review of a book by an author who went to my alma mater, BYU. Go Cougs!

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