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Last Norma Fox Mazer Novel Leaves Me Feeling Dreary, Disappointed

It's easy to get lost in the shuffle when you come from a large family, especially one as dysfunctional as the Herberts. Just ask 11-year-old Autumn. She's the youngest of five - all girls - and nothing about her stands out. She's not mature like 17-year-old Beauty; she's not nurturing like 16-year-old Mim; she's not passionate like 14-year-old Stevie; and she's not mentally challenged like 12-year-old Fancy. Autumn's just ... ordinary. Well, as ordinary as it gets in her family.
Even the man who secretly watches the Herbert girls doesn't pick her as a favorite. He's not sure which sister he prefers; he likes watching them all. Everything about them intrigues him - from the way they prance about town, to the way their chatter fills the air around them, to their bright eyes, shiny hair and youthful innocence. If he didn't keep himself under rigorous control, he'd let them know just how he feels. But he can't, he can't. No one can know about his little problem. He doesn't want to go back to jail. Better to stay anonymous and admire his girls from a distance. And wait.
His patience pays off. When Autumn takes off one day after a particularly intense day in the Herbert household, fate delivers her right to his door. He's delighted. She's terrified. He wants her to stay forever. She's desperate to get back to her family, however screwed up they may be. As the days of her captivity wear on, Autumn realizes it's up to her to save herself. Digging deep for the inner strength she needs to survive, Autumn's determined to prove - if not to her family, at least to herself - that she's not invisible, not helpless, not ordinary. Not at all.
The Missing Girl, a chilling psychological thriller by Norma Fox Mazer, is told in alternating voices that give an already intense story added depth and intensity. The Herbert sisters, all realistically flawed, are sympathetic characters, which makes their plight even more affecting. Still, I found their story a little too generic, a little too predictable, a little too reliant on coincidence to be believable. Like all books of this sort, it's also disturbing. Although it does end on a hopeful note, I still found this one too dreary. Ultimately, The Missing Girl - the last book, incidentally, that Mazer wrote before her death in 2009 - left me feeling more disappointed than anything else.
(Readalikes: Reminded me a little of Stolen by Lucy Christopher, Girl, Stolen by April Henry, and Circle Nine by Anne Heltzel)
Grade: C
If this were a movie, it would be rated: PG-13 for language (no F-bombs) and disturbing images/content
To the FTC, with love: I received a finished copy of The Missing Girl from the generous folks at HarperTeen. Thank you!
Dear America Titanic Story Familiar, But Still Entertaining

If this were a movie, it would be rated: PG for scenes of peril
To the FTC, with love: I received a finished copy of Dear America: Voyage on the Great Titanic from the generous folks at Scholastic. Thank you!
Creepy Cryer's Cross An Entertaining Spine-Tingler

When a high school freshman from Cryer's Cross, Montana, disappears, it rocks the tiny town to its core. Despite days of searching the area, no one can find a trace of the missing girl. It could be she just ran away, but, to 17-year-old Kendall Fletcher, the whole thing feels sinister. Kendall knows she won't rest easy until she finds out what happened to her classmate - not because she was particularly close to the girl, more because her OCD makes coping with ambiguity difficult. To say the least.
Searing, Provocative Dystopian Scarlet Letter Begs to Be Discussed

For Hannah Payne, a 26-year-old seamstress, chroming is just a part of life. She sees Chromes frequently on the streets of Dallas, but like any good girl, she stays far away from them. A devout woman like Hannah, whose almost cloistered life revolves solely around her church and her family, has nothing in common with outcasts like them. At least that's what she thinks. Until a secret affair with a prominent minister leaves her pregnant. By law, she can't have the baby without naming its father. Not willing to risk her lover's pious reputation by exposing him as an adulterer, she seeks an abortion instead. The act, considered murder by both church and state, earns Hannah a sentence of 16 years as a Red.
When she's released from the hospital, where her chroming procedure was not only performed, but televised to the public, Hannah stumbles out into a world grown suddenly cruel. Her flaming red skin seems to render her inhuman, making her both a target for lewd jeers and a danger to be avoided at all costs. Shunned by her family, Hannah must make her way in a world where she has no rights, where discrimination colors her every interaction, where she's judged - instantly and harshly - by the crime she has committed. It's a bleak, tortorous existence, one made even more difficult by the fact that Hannah can't see her family or acknowledge the man she loves or live any kind of normal life. The shunning, the humiliation, the hardness of the punishment are all designed to teach Hannah one thing - how it feels to be victimized.
Hannah knows she could end it all by choosing suicide over endurance, but she doesn't have the courage to do to herself what she did to her unborn child. Besides, her new life is showing her things she never saw before: hypocrisy, lies, hate, and truth. As she struggles to come to terms with life as a Red, Hannah "unknowingly embarks on a journey of self-discovery that forces her to question the values she once held true and the righteousness of a country that politicizes faith and love" (quote from jacket copy).
The premise of When She Woke intrigued me from the second I heard about it. It's a fascinating concept, explored in a way that is raw, searing, yet sympathetic, too. Much to my surprise, Jordan made me care about Hannah, even though I found her crime repugnant and her "selfless" justification deplorable. I didn't agree with the majority of Hannah's decisions, but I still found her story riveting. Jordan writes so vividly, so provocatively that I literally could not stop myself from turning the pages of When She Woke. In the end, though, I disagreed so strongly with Hannah's conclusions that I found myself ultimately disappointed by a novel I thought I might love. My own beliefs just differ too strongly, I guess, although I still think this novel would make a great book club choice. Like Hawthorne's masterpiece, When She Woke just begs to be discussed.
(Readalikes: The Scarlet Letter by Nathaniel Hawthorne and Small-Town Sinners by Melissa Walker)
Grade: B
If this were a movie, it would be rated: R for language, sexual content and adult situations/themes
To the FTC, with love: I bought When She Woke at Changing Hands Bookstore with some of the millions I make from my lucrative career as a book blogger. Ha ha.


Reading
The Haunting of Emily Grace by Elena Taylor

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The Graveyard Book by Neil Gaiman


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