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2026 Bookish Books Reading Challenge (hosted by Yours Truly)

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30 / 30 bookish books. 100% done!

2026 Cover Lovers Reading Challenge (hosted by Yours Truly)

2026 Cover Lovers Reading Challenge (hosted by Yours Truly)

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46 / 50 books. 92% done!

2026 Literary Escapes Challenge

- Alabama
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My Progress:


44 / 51 states. 86% done!

2026 Historical Fiction Reading Challenge

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25 / 25 books. 100% done!

2026 POPSUGAR Reading Challenge

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34 / 50 books. 68% done!

Booklist Queen's 2026 Reading Challenge

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41 / 52 books. 79% done!

2026 52 Club Reading Challenge

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37 / 52 books. 71% done!

2026 Build Your Library Reading Challenge

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25 / 40 books. 63% done!

2026 Craving for Cozies Reading Challenge

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30 / 51 cozies. 59% done!

2026 Medical Examiner Mystery Reading Challenge

2026 Mount TBR Reading Challenge

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25 / 25 books. 100% done!

2026 Around the Year in 52 Books Reading Challenge

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45 / 52 books. 87% done!

Shelf Reflection Candy Reading Challenge for Kids (and Adults)

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59 / 65 books. 91% done!

2026 Countdown Reading Challenge

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55 / 55 books. 100% done!

2026 Series Reading Challenge


25 / 36 books. 69% done!

Dragon Rambles' Law of Fives Bingo

Dragon Rambles' Law of Fives Bingo

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76 / 125 books. 61% done!

2026 Southern Literary Reading Challenge

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18 / 20 books. 90% done!

2026 Reading Challenge (by Linz the Bookworm)

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42 / 60 books. 70% done!

2026 Pioneer Book Reading Challenge

2026 Pioneer Book Reading Challenge

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10 / 40 books. 25% done!

European Reading Challenge 2026

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7 / 50 books. 14% done!

2017 Pick Your Poison Reading Challenge (retired challenge - doing old boards for fun)

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83 / 125 books. 66% done!

2026 Reading Challenge Addict Reading Challenge

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4 / 5 challenges. 80% done!

The 100 Most Common Last Names in the U.S. Reading Challenge

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98 / 100 names. 98% done!

The Life Skills Reading Challenge

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76 / 80 skills. 95% done!
Tuesday, May 20, 2008

Self-Published West Across the Board Makes Me Eat My Words

In a review I wrote yesterday, I very insensitively slammed authors who self-publish. Lest you think I am completely callous, I have to explain that the last few self-published titles I have read have been terrible. After reading Andrew Jalbert's West Across the Board, however, I am happily eating my words. This touching story proves that great books can come from anywhere - even the world of self-publishing.

The story begins in 2000 with 86-year-old Lazaro bumping down the road in the dusty old pickup he hasn't driven in years. Undaunted by his lack of a valid driver's license, Lazaro heads for the Florida Keys, where his old friend Dominic withers away from cancer. Although the men haven't seen each other in 60 years, they have unfinished business - the chess board they have played on since the 1930s, faithfully recording the winner of every game, shows a tie. Lazaro won't let his old friend go without a rematch.

As Lazaro drives, his mind wanders over the "single, nearly complete, linear memory of his life" (6). He remembers losing his mother in Cuba, then migrating to the Keys with his father. As a young man, Lazaro yields to the pull of the sea, cutting through the water on his runabout, fishing for grouper, exploring the reefs, and basking in the Florida sun. After working in the fishing camp one day, Lazaro enters a local saloon to find a stranger sitting at the bar. The man proposes a game of chess. As the men play, Lazaro discovers the stranger's name is Dominic, and he works as an engineer for the Overseas Railroad and Toll Commission. Dominic's warm, friendly manner draws Lazaro to him, and the men quickly become friends. Despite marriage, divorce, tragedy and sorrows, the two continue to play, always finding common ground over the board.

It is on Labor Day 1935 that things start to change. On that day, a deadly hurricane hits the Keys (the hurricane actually occurred, although it claimed no victims in the Keys) and Lazaro's life is forever altered. Plagued by guilt, he flees the tropics and makes a life for himself in Chicago. Although Dominic writes often, begging Lazaro to return to the Keys and their chess games, Lazaro stuffs his past onto the cellar shelf and tries to forget his former life. It is only when Lazaro receives a call from Dominic's nurse begging him to visit before Dominic dies, that Lazaro returns to the Keys. The chessboard comes out of the cellar and makes the trip as well.

As Lazaro reconnects with his old friend, he realizes not only how much he's missed Dominic, but also how much their friendship has shaped his life. As the old men reminisce, Lazaro realizes he must come to terms with his past in order to grant his dying friend's final wish. Can he face the pain of the past? And what will it mean for his future? Will the chessboard that started it all lead to a reconciliation? Or will the final game remain unplayed?

I loved this sweet story about two elderly men reconnecting over a chessboard. It's a simple, touching tale set against a vibrant Florida background. Andrew Jalbert paints his setting with authority, clearly building on his own experience as a mariner, fisherman and explorer to create an intriguing backdrop for his story. Still, it's the relationship between the characters that makes the novel. The beauty of their friendship makes the story a warm, engaging read. Even as the novel draws to its inevitable conclusion, the tale resists sappy platitudes and celebrates lives well lived.

West Across the Board won't win a Pulitzer for the brilliance of its writing, but it's one of those books that makes you remember why you read. It's simply a lovely book that reminds you of what's really important - goodness, friendship and the "games" that make life worth living.

Grade: B


When the Bough Breaks Looks at Families In All Their Twisted, Imperfect Glory

(Image from Amazon)

For me, there are three things that kill an LDS YA novel: Molly Mormon/Peter Priesthood-type characters, unrealistic situations, and preachy passages. Kay Lynn Mangum's When the Bough Breaks passes on the first two, but falters a little on the third. Still, it's a thought-provoking book that should resonate with readers.

The story revolves around 17-year-old Rachel Fletcher, whose life falls apart when her father dies in a car accident. Because he was coming to fetch her from a friend's house, she feels responsible for his death. Although Rachel desperately needs reassurance from her family members, they are in no position to offer it. Her mother sleeps all day to escape her pain, while her brother Ryan numbs his feelings with alcohol. Despite her own feelngs, Rachel knows it's up to her to keep the family functioning, at least enough so that no one sees how much it's disintegrating.

Rachel's testimony keeps her afloat, but her constant prayers don't seem to be helping. Ryan's drinking spirals, causing increasingly violent situations. Her mother has risen from her bed, but she's still in the dark about Ryan. Plus, she's marrying the father of one of Rachel's classmates - and her dad's been gone for less than a year. Living with her new stepbrother is awkward enough, but it gets much worse when Rachel realizes she might actually have feelings for him. Rachel's only escape from her "twisted Brady Bunch" world comes when she writes poetry. The crazier her life gets, the more Rachel begs God for help. Will she ever get the answers she needs? And will they come in time to save her and her family?

I have my issues with this book (don't worry, we'll get to those in a minute), but I applaud the author for daring to portray a very flawed LDS family. She takes taboo subjects like teenage alcoholism and crippling grief and shows the heartbreaking toll they can take on an ordinary family. The scenes in which Rachel spends her morning dumping booze down the sink, then prodding her mom to eat, then tackling laundry and housework are especially poignant. As someone who has lived with a self-destructing sibling, I can say that Mangum's descriptions ring with authenticity. Like all LDS novels, this one also strives to be uplifting - the ending exudes hope (although things are wrapped up a little too neatly) as Rachel learns that God does answer prayers, just not always in the way we're expecting. I also have to mention the cover of When the Bough Breaks - it's both beautiful and provocative.

Probably my biggest problem with this novel lies in the flatness of the characters. While the reader comes to know Rachel fairly well, many members of her supporting cast remain merely facades. Each one could have used more depth to add realism and interest to the story. I also thought the plot suffered from lack of direction, which made tit seem overlong. After awhile, I got tired of reading about Ryan's latest incident - I wanted more than just a play-by-play. Again, I longed for more depth. The other thing that bothered me - and I think it will be even more annoying to teenagers - is the preachiness that seeped into the story. Long passages of lecture from Rachel's seminary teacher lacked subtlety and her religious conversations with Dallin seemed stilted and contrived. I'm guessing the hardest part about writing LDS fiction for young adults is inspiring while avoiding overt preaching. When the Bough Breaks tips a bit toward the latter, but it's not ooey-gooey enough to make your teeth hurt.

Overall, I enjoyed this book. It drew me in, made me care about Rachel, and kept me reading to find out what happened to her. Of the three story "killers" I mentioned, When the Bough Breaks suffers only from a tendency toward preachiness. In my mind, 2 out of 3 ain't so bad. The story definitely has its flaws, but I think readers will appreciate the novel's honesty. Its message will ring true to anyone who was absent the day God handed out perfect families - oh wait, that's all of us.

Grade: B-

Monday, May 19, 2008

I'm Putting The Heretic Where It Belongs - In The Trash

If a 17-year-old boy wrote a book detailing his deepest, darkest fantasies, it would probably read just like Andrew Feder's The Heretic. After all, what young man doesn't want a life like main character, Jerry Fletcher's? By day, Jerry works as a senator in a future version of L.A., drives a convertible Caddy, makes love to his girlfriend (who is, of course, a "hottie") and goes out for Korean with his ex, all in one day (Naturally, the ex is also a hottie). He's a foul-mouthed, take-no-prisoners kind of guy, who's respected by men and women (the former want to be just like him, while the latter line up to bed him).


Given his circumstances in the present, it is perhaps not difficult to believe that Jerry had it going on in a series of past lives as well. In The Heretic, he discovers his late career as a military hero in the army of Alexander the Great. Through a psychic, Jerry regresses back to his former self - Aias, military hero and husband of the beautiful Nefertiti. The remainder of the book consists of Aias telling his children (in great detail) about his prowess both on the battlefield and in the bedroom. In war, Aias conquers all, fighting like a machine to earn Greece the respect it deserves. His amazing combat skills cause the soldiers to wonder if he isn't a God descended from heaven. Predictably, he wins all his battles, never forgetting to give the glory to his buddy Alexander. So humble is the mighty Aias that he even insists his name be kept out of Alexander's journal, preferring to pass his heroics off as belonging to Hercules or other generals.

All of Aias' victories bring him women by the dozens, but he, of course, will have only the greatest beauty by his side - Nefertiti. They marry and have children who revere their father as a hero.

Ahhh ... sounds like any boy's fantasy, right? The problem lies in the fact that The Heretic is just that - a fantasy, not a story. It has no plot, no character development, no original word choice, and no moral. The only thing it has - and it has it in spades - is profanity, crappy dialogue and revolting sex scenes. Perhaps a talented writer could have crafted something worthy out of Feder's idea, but this author gives us only gems like this:


I began to thrust my sword, disembowling their insides before them. Those who stood along their disembowled brethren were in shock. With mercy, I quickly took them out of their shocking misery with a slice and a dice of my sword, allowing their falling beheaded bodies to next amongst the corpses of their companions (77).

To be fair, Feder published The Heretic himself (via AuthorHouse), so perhaps I shouldn't expect too much. Still, my 6-year-old just self-published a picture book (via IlluStory) and it's both more imaginative and better written than this one.


The funny thing is, Andrew Feder's bio makes him sound like a fascinating man, who has done plenty of interesting things. Part of his "education" included studying under psychic Janaeu St. Clair, which is probably where he got the idea of regression as a way to write historical fiction. Although I don't believe in psychic mumbo jumbo, I actually think this device is quite clever. I just wish Feder had put some effort into writing a real story - with a plot, rounded characters, witty dialogue and fresh writing. As is, The Heretic reads like a teenage boy's fantasy, complete with filthy language (Did ancient Greeks really use the F-word in every other sentence?), a hero without weakness, and women who will do anything he pleases. Like all teenage fantasies this one should have stayed where it belonged - safely inside the dreamer's head. Since it didn't, I'm going to do the world a favor and give The Heretic the funeral it deserves - in the bottom of my trash can.



Grade: F



Tuesday, May 13, 2008

Janeology Well Written, But Ultimately Dissatisfying



It's a little ironic that I picked up Karen Harrington's Janeology right after Mother's Day, considering it's the story of a mother who drowns her son. Like the book's title character, all of us moms have felt weary and overwhelmed. In fact, most of us have probably uttered the words "I'm going to kill that child" at one point or another. Janeology asks the question, What happens when a mother goes from venting to actually committing falicide?

The story is told from the perspective of college professor Tom Nelson, whose world shatters when a police officer interrupts his lecture, urging him to go home immediately. Shock envelops him as he learns these chilling facts: his wife, Jane, drowned the family dog, then held her twin toddlers under water, killing one and leaving the other on the brink of death. When Tom demands to know why, his wife casually replies, "I had too much. I was done being a mother, you know?" (15). Jane's subsequent trial ends with a verdict of "not guilty by reason of insanity." Committed to a mental health facility, Jane descends further into madness, while Tom tries to pick up the pieces and parent his remaining child singlehandedly.

Three years later, Tom is horror-struck to find himself on trial. The charge: failure to protect. Awash in guilt over his son's death, Tom dissects his marriage, wondering how he could have missed the signs of Jane's mental illness. Sure, she had been down after a miscarriage, but at what point had she turned dangerous? Had he somehow missed the warning signs? Noticed them, but denied them? Is he guilty?

Tom's lawyer, Dave Frontella, proposes a strategy: If the defense can find evidence of mental illness in Jane's family history, they can prove Tom's innocence by showing she was predisposed to suffer a mental break. To achieve this end, Dave introduces Mariah, a clairvoyant relative of Jane's. The psychic instructs Tom to bring her an antique trunk Jane inherited from her mother. Using the objects inside, Mariah channels Jane's ancestors, finding cold mothers, "oblivious fathers" (133) and "parental models of inaction" (114), as well as deeper psychiatric problems. All of it proves Dave's point, but will it be enough to convince a jury? Will it be enough to wash away Tom's guilt? Can it - can anything - fully explain Jane's break?

Each time a mother kills her own child, I want to know why. What could possibly make a woman snap like that? I was hoping Janeology would offer a Jodi Picoult-like dissection of the killer, allowing me to understand and even empathize with Jane. But, it doesn't. In fact, Jane's voice is never heard. The little bit we learn about her comes from Tom and a clairvoyant's version of her family history. In fact, the whole Mariah thing rubbed me the wrong way. I actually love the idea of telling a story through family heirlooms, but not in the middle of a legal thriller. It just didn't fit. I kept wondering what Mariah's "visions" of Jane's ancestors had to do with the story. Plus, who can trust the accuracy of a psychic's visions? I sure don't. Some of the chapters about her family (especially her mother) shed light on Jane's psyche, but most of them don't. What results is a study of Jane (Janeology) using only secondary, tertiary and even more remote sources, when what we really crave is information from the primary source.

The bulk of the book is taken up by these glimpses into Jane's family history, but they have very little bearing on its conclusion. In fact, the book ends ambigiously, dissatisfactorily. I did, however, love the Epilogue.

While I was disappointed with the format of this novel, I still think it's a good read. Harrington writes well, especially when penning character sketches. She chose a fascinating subject, and she kept my interest with her examination of it. Unfortunately, the psychic subplot felt disparate, making the book ultimately dissatisfying for me.

Grade: B

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