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Showing posts with label Dorothea Benton Frank. Show all posts
Showing posts with label Dorothea Benton Frank. Show all posts
Tuesday, April 24, 2018

Top Ten Tuesday: Titular Gold in Southern Fiction


Today's Top Ten Tuesday is all about trends in book titles.  Remember the recent feminist uproar over popular mystery/thriller books using the term "girl" instead of "woman"?  That's what I'm talking about.  Titles are important and it's interesting to see how the trends change from year to year and vary from genre to genre.  The topic du jour, then, is Top Ten Most Frequently Used Words In [Insert Genre/Age Group] Titles

Before we get to my list, though, I encourage you to join in the fun.  Top Ten Tuesday really is the best time!  It's easy to participate—just hop on over to That Artsy Reader Girl, read a few guidelines, make your own list, then click around the book blogosphere and enjoy reading other people's lists.  It's a fantastic way to find new book blogs, give old favorites some love, and just enjoy chatting about our favorite subject.

Since I read so many mystery/thrillers, I started brainstorming a list for that genre.  With words like death, secrets, lies, kill, dark, etc. piling up, it quickly got too depressing!  So, I turned to a genre whose lighter nature is reflected in softer, more reflective titles that evoke memories of home, family, and summering by the seaside.  Without further ado, here's my list of Top Ten Most Frequently Used Words in Southern Fiction Titles:  


1.  Home/House—Southern novels are often about the draw of the land and how, in the end, it always lures its children home.  Think Falling Home and The House on Tradd Street, both by Karen White; Look Homeward, Angel by Thomas Wolfe; A Land More Kind Than Home by Wiley Cash; Calling Me Home by Julie Kibler; etc.


2.  Sweet—Must be something in that most iconic of Southern beverages ... Think Sweet Tea Tuesdays by Ashley Farley; Sweetwater Creek by Anne Rivers Siddons; Secrets Over Sweet Tea by Denise Hildreth Jones; Sweet Unrest by Lisa Maxwell; The Sweetness of Honey by Alison Kent; etc.


3.  Girl—Think Welcome to the World, Baby Girl by Fannie Flagg; The Summer Girls by Mary Alice Monroe; The Girl Who Chased the Moon by Sarah Addison Allen; The All-Girl Filling Station's Last Reunion by Fannie Flagg; etc.


4.  Glory—Southern pride being what it is, this one makes perfect sense.  Think The Crowning Glory of Calla Lily Ponder by Rebecca Wells; Glory Be by Augusta Scattergood; No Grits, No Glory by Elaine Calloway; etc. 


5.  Sister(s)—Think Divine Secrets of the Ya-Ya Sisterhood by Rebecca Wells; The Almost Sisters by Joshilyn Jackson; The Hurricane Sisters by Dorothea Benton Frank; Her Sister's Shoes by Ashley Farley; etc. 



6.  Beach/Tide/Island/Ocean/Sea—It's all about the sand and surf in the South, apparently!  Think The Prince of Tides by Pat Conroy; Sea Change by Karen White; Folly Beach by Dorothea Benton Frank; The Beach House by Mary Alice Monroe; Up Island and Low Country by Anne Rivers Siddons; Beach Music by Pat Conroy; etc.


7.  Tree—I'm not sure what it is about trees in the South, but they appear to be titular gold.  Think Cold Sassy Tree by Olive Ann Burns; The Beach Trees by Karen White; Peachtree Road by Anne Rivers Siddons; The Sweet Gum Tree by Katherine Allred; A Sound Among the Trees by Susan Meissner; etc.


8.  Garden—Think Midnight in the Garden of Good and Evil by John Berendt; Garden Spells by Sarah Addison Allen; The Ladies of Garrison Gardens by Louise Shaffer; etc.


9.  Café—Everyone loves a warm, quirky café.  Think Fried Green Tomatoes at the Whistle Stop Café by Fannie Flagg; The Ballad of the Sad Café and Other Stories by Carson McCullers; The Second Chance Café by Alison Kent; The Calamity Café by Gayle Leeson; etc.


10.  South/Southern—Naturally.  Think South of Broad by Pat Conroy; The Widow of the South by Robert Hicks; Southern Comfort by Fern Michaels; Bound South by Susan Rebecca White; Five Miles South of Peculiar by Angela Hunt; etc.

I'm sure I've missed tons of great Southern novels.  Do you have any to add to my list?  What genre did you pick for today's list?  I'd love to know.  Leave me a comment and I will gladly return the favor.

Happy TTT!

Tuesday, March 29, 2011

Frank's Newest Lowcountry Tale A Quick, Fun Read

(Image from Indiebound)

(Note: While this review will not contain spoilers for Lowcountry Summer, it may inadvertently reveal plot surprises from its companion novel, Plantation. As always, I recommend reading books in a series in order.)

It's Caroline Wimbley Levine's 46th birthday and all she wants is a nice, calm celebration with her family. Too bad the Wimbleys don't do calm. Even the dead ones can't resist a little drama, as evidenced by the balloon bouquet Caroline receives from her recently-deceased mother. Then there's her brother, Trip, who can barely handle the woman he's married to, let alone the complicated situation with his girlfriend. It doesn't help the situation when Frances Mae, Trip's redneck, gold-digging wife shows up at the party so sloshed she doesn't remember running her SUV into the ditch or injuring her young daughter in the process. Caroline's only consolation on this bummer of a birthday is seeing Frances Mae's escort - the county sheriff who makes her blood boil. In a good way.

After her sister-in-law's latest drunken escapade, Caroline knows she has to do something since, Heaven knows, Trip won't. Fixing family situations is part of her duty as the matriarch of the Wimbley Family and current mistress of Tall Pines Plantation. Her mother, the flamboyant, outspoken, late Miss Lavinia would have known exactly what to do. Caroline's not so confident. But she is determined, which leads to Frances Mae's commitment to a treatment program and Caroline's commitment to the four hellcats Trip calls his daughters. Dealing with the sullen girls, their helpless father, as well as her own complicated love life, and her son's mysterious new girlfriend is enough to make Caroline completely crazy. To top it all off, Caroline's got her gullah cook forecasting disaster and her mother leaving signs all over the place to show her amusement/displeasure/infuriation with the way Caroline's handling it all. Caroline's not sure she can take any more crazy from the people she loves - and loathes - the most. Can she deal with it all without cracking? Especially when the only people she can turn to for advice are a ghost and a voodoo queen.

If you've read a few Southern novels, you won't find anything surprising in Lowcountry Summer, the newest book by Dorothea Benton Frank. Her characters are typical of the genre, almost cliche really, and the plot gets a bit contrived. What Frank excels at, though, is setting. The places she describe radiate more depth, more personality, more charm than any of her story people. Tall Pines Plantation is like that - it's what stayed in my mind after I finished the book. I felt more connected to it than to its residents, although that could be because Lowcountry Summer is actually a sequel and I haven't read the first book (Plantation, 2001). Whatever the reason for the slight disconnect I felt with the characters, I enjoyed the novel enough to read it in one day. It had enough Southern quirkiness to charm me, enough conflict to keep me turning pages, and enough humor to make me smile. The book didn't blow me away, but it was definitely a quick, fun read, one that kept me entertained and reminded me why I love Southern novels (Light-as-a-feather biscuits. Need I say more?).

(Readalikes: Plantation by Dorothea Benton Frank as well as other novels by the author; her books also remind of Anne Rivers Siddons'.)

Grade: C

If this were a movie, it would be rated: R for language, some sexual content and depictions of underrage drug use

To the FTC, with love: I received a finished copy of Lowcountry Summer from the generous folks at Harper Collins and TLC Book Tours, for which this review was written. To see more stops on Lowcountry Summer's virtual book tour, click here.

Wednesday, July 22, 2009

The Magic Done Gone, Y'all

(Image from Barnes & Noble)

Generations of Beth Hayes' family grew up on the shores of Sullivan's Island, South Carolina. Their rambling old beach house - Island Gamble - has seen all their tragedies, triumphs and downright disasters. As much as Beth loves the old house, it's really her mother's refuge, not hers. So, when she's asked to housesit for a year while her mother flits off to Paris, she grumbles. A lot. Not only has she just graduated from Boston College, but Beth's got plans to attend the Iowa Writer's Workshop. Now, the family's asking her to put her life on hold to babysit their crumbling house of horrors. True, there are worse places to write than the beach. But, still ...
In Dorothea Benton Frank's Return to Sullivan's Island, Beth Hayes does just that - returns to the island where she's spent countless days roaming the dunes, searching for crabs, and watching the tide roll in from the Gamble's back porch. With the relatives pursuing their various dreams in faraway locales like France and California, Beth has the place to herself. Well, kinda. She has Lola, her miniature Yorkshire - plus all the cranky dead Hamiltons who just can't seem to pass peacefully to the other side. Beth's not about to put up with all their antics - slamming doors, creaking floors, creepy turn down service - but the spirits aren't necessarily cooperating with this uppity new generation.

With characteristic (inherited?) aplomb, Beth sets about making a life for herself on the island. Her job search yields opportunities for friendship, even career advancement. It also leads her into the arms of handsome Max Mitchell, a developer who's determined to introduce Sullivans Island to the modern age. Sure, he's a little distracted, but it's not long before Beth's imagining what their kids would look like. Her new friend, Cecily, who also happens to be the granddaughter of Livvie Singleton (The Hayes' beloved Gullah maid), cautions Beth against falling too hard. But, it's too little too late. Soon, she's got so much going on even she can hardly keep things straight - with two jobs to work, a man to keep, and a family of haints to appease, her hands are full to overflowing. Then there's her family - her cousin's drinking heavily; her Aunt Allison seems to have gone off the deep end, and Aunt Sophie just doesn't sound like herself. Beth, always the responsible one, must handle it all. But, what about her own needs? When is her life ever going to begin? Is there really a place for her on Sullivan's Island?
Sullivan's Island (which I reviewed here) charmed me with its Southern magic, but its sequel just doesn't have the same juju. The new characters aren't nearly as appealing (except for Cecily, who sparkles, just like Livvie did); even those from the first book seem duller somehow. I spent a lot of the book asking, "When did Beth turn into such a brat?" It was only toward the end that she started growing on me. A little. Frank's wild swings in point of view also drove me crazy - the majority of the book comes straight from Beth, but occasionally, Frank would linger in another character's head, giving his/her POV. I hate that. Plotwise, Return to Sullivan's Island is generic and predictable, even a little boring. I still love the authenticity of the setting, with that hint of Gullah magic in the air, but it doesn't leap off the page like it did in the first book. Conclusion? I wanted more from this sequel, and it just didn't deliver. Sorry y'all, but the magic's gone 'eah.
Grade: C
If this was (were?) a movie, it would be rated: PG-13 for some language, some sexual content, some violence, and references to drug use and underrage drinking.
This review is part of Dorothea Benton Frank's virtual tour with MotherTalk. For more opinions, check out this page.



Monday, July 20, 2009

Sullivan's Island: When Suzie Gets Her Sassy Back, Y'all Better Watch Out

(Image from Barnes & Noble)
Another time, we will shag, I'll teach you a little Gullah poem and we'll argue on how to make use of an entire ham. We will stroll down to the Sullivans's Island beach at dawn, talking hurricanes, tide tables and sand castles. You will spread your arms in the eastern wind and feel the sun rise in every one of your bones. Once the sand of Sullivan's Island gets in your shoes, your heart will ache to return. And return you will. You will be one of us. You won't mind being a little bit Geechee.

As the head and light of day begin to rise and glow, I'll feed you a Lowcountry breakfast of warm salted air, and smiling, you will tell all these stories to your friends until you think they're your own. You will hum this music of so much magic forever. Yes, you will. 'Eah?
- Dorothea Benton Frank
Author's Note
Despite the fact that I'm a complete and utter Yank who's spent barely a week in the South, there are times when I wish I grew up eating grits for breakfast, talking with a soft drawl, and being shushed by a large, loud Mammy-type. Those times pretty much always coincide with me reading a big-hearted Southern novel like Dorothea Benton Frank's Sullivan's Island: A Lowcountry Tale. Something about all that Southern charm just oozing out from between the covers makes me want to start throwing y'alls around, you know? Yankee or not, I do love me a good Southern novel.
Still, Sullivan's Island started out a little slowly for me. I wasn't immediately taken with our heroine, Susan Hamilton Hayes, a librarian who finds her husband of 16 years in bed with another woman. Unlike the dowdy Susan, this pretty young thing's been "chemically enhanced and surgically improved" (5). Blaming herself for her husband's infidelity, Susan turns into a simpering mess, yelling at him to get out, even while packing his toiletry bag so he doesn't strain himself. Her life in shambles, she grabs her 14-year-old daughter and makes for Island Gamble, her ancestral home on Sullivan's Island. With the smell of plough mud in her nostrils and a hint of Gullah magic swirling in the air, Susan finally comes back to herself - and when Suzie gets her sassy back, well, y'all better just watch out. Suddenly, she's a much, much more interesting character. And the story gets saucier, funnier and much, much better.
In chapters alternating between the past and the present, we get Susan's bio: As a child of the island, she spends her days running wild - scaling water towers, filling coffee cans with blackberries, collecting crabs for supper, and swinging lazily on the porch hammock. Outside, life seems free and easy. Inside the Island Gamble, however, is another story altogether - between her father's mean streak; her grandparents' steady decline; and her mother's drug-induced stupor; Susan and her siblings fend for themselves, steering clear of the mine field that is their home. That is, until Livvie shows up. The Gullah housekeeper demands order of the household, offering a breath of cunja-spiced fresh air. Livvie's good-natured efficiency seems to be just what the doctor ordered for a family whose tragedies are about to go from bad to worse. Despite the traumas and dramas of her childhood, Susan survives. Forty-some-odd years later, she's living in Charleston with her daughter, eking out a meager living, negotiating a divorce with her tightwad husband, and trying not to fall apart completely. With the help of her sister Maggie, who's turned the Island Gamble into a happy family home, Susan's just might be able to find the refuge she needs on the island that has cradled her since birth.
But the island holds great mysteries as well. How did her father, a raving hypocrite who terrorized his family, but (very vocally) supported the civil rights movement, really die? Is Susan destined to become her mother - trampled on, discarded, constantly used by men? Is she, who received little affection as a child, even capable of real love? And, most importantly of all, can the island that shaped her then heal her now?
Like the place itself, Sullivan's Island is a little rough around the edges. Frank's prose could use some polish, her two plotlines - Susan's life crisis and the mystery of her father's death - could have been more smoothly intertwined, and she could have tied up all the loose ends in a tighter knot. Still and all, I enjoyed this wild, funny romp. Frank's characters come alive well enough, although the setting upstages them all. Sullivan's Island sizzles with life and color - it pops off the page with a vibrancy unrivaled even by the irrepressible Livvie. There's plenty of drama here, but it's tempered with humor and a whole lotta heart. Oozing with Southern charm and a little Gullah magic, Sullivan's Island makes for good reading. Know what I mean, y'all?
Grade: B
If this was (were?) a movie, it would be rated: PG-13 for some language, fairly graphic (though totally hilarious) sexual content, and some violence.
(Note: I'm not clear on the proper way to write Sullivan's Island. Frank, herself, uses the name both with and without the apostrophe. The book's cover declares it Sullivan's Island, while its sequel reads Return to Sullivans Island [no apostrophe]. I found the name on the Internet both ways. I decided to use the apostrophe since that's the way it appears on the book's cover. I apologize for any error.)
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