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Saturday, November 03, 2018
YA Thriller Can't-Put-It-Down Compelling, If Not Wholly Believable
4:20 PM
(Image from Barnes & Noble)
Three years ago, Skye Gilchrist fled her hometown in the wake of a tragic school shooting that left four of her classmates dead. One of the students was her brother, Luka. If he had been a victim that would have been one thing, but he wasn't. Luka was one of the shooters. Ever since the shooting, Skye has been wracked with grief and confusion. How could her only sibling have committed such a hateful act? She simply can't believe Luka would have done such a thing.
Now 16, Skye has returned to live in a town still haunted by what her brother did. She's barely stepped off the plane when she realizes Luka's sins have not been forgotten. Not by a long shot. Since he's not around to take the blame, Skye becomes the recipient of the town's anger. Even though he lost his brother in the shooting, Jesse Mandal—Skye's former best friend—is the only one who shows any empathy. Together, the two of them uncover inconsistencies about the school shooting, evidence that may clear Luka's name. The more they dig into the past, however, the more dangerous their present becomes ...
Since I've been enjoying Kelley Armstrong's Rockton series for adults, I thought I'd give one of her YA novels a go. Aftermath sounded intriguing and it is, although I didn't end up loving the book overall. While I did find it a compelling, couldn't-put-it-down thriller, it also seemed far-fetched and melodramatic to me. The fact that everyone in the mid-size town knew Skye on sight (even though she was the sister of a shooter and it had been three years since she lived there) and felt so vehemently vicious toward her just didn't ring true for me. Also, the kids in the book didn't act like 16 year olds—they seemed much older and their parents/guardians didn't seem to care a lick what they did. Totally unrealistic. So, yeah, there were definitely things about Aftermath that bugged. Still, it's a fast, engrossing read that had me burning through the pages to find out what was going to happen. Based on this, I'll for sure read Armstrong's other teen thrillers.
(Readalikes: Reminds me of Nineteen Minutes by Jodi Picoult)
Grade:
If this were a movie, it would be rated:
for language (no F-bombs), violence, blood/gore, depictions of/references to illegal drug use, and disturbing subject matter
To the FTC, with love: Another library fine find
Thursday, November 01, 2018
Shivery Gothic Tale Another Winner From Ware
7:46 AM
(Image from Barnes & Noble)
Working as a tarot card reader on a Cornwall pier has given Harriet "Hal" Westaway certain skills. The 21-year-old has learned to read not just fortunes, but people. That's how she knows the loan sharks sniffing around her booth mean serious business. If Hal doesn't pay her dead mother's debts and soon, some very dangerous men are going to end her card-reading days forever.
When Hal receives a notice informing her she's received a large inheritance, she knows it's too good to be true. The letter has obviously been delivered to the wrong person. Hal's too desperate, however, not to see this unexpected opportunity as the lifesaver she's been praying for. With the acting skills she's honed over a lifetime of boardwalk bewitching, she just might be able to convince complete strangers to give her the cash she needs to save her life.
As soon as Hal steps inside mysterious Trespassen House, it becomes clear that something very, very strange is going on with her newfound relatives. She's come too far to back out now, but is the prize worth tangling herself up in whatever sinister plot is afoot in the Cornwall countryside?
I've enjoyed all of Ruth Ware's psychological thrillers, but her newest—The Death of Mrs. Westaway—is my hands-down favorite. The story revolves around a likable heroine whose pitiable situation makes her wholly sympathetic. Hal is intriguing, as is the situation in which she finds herself. With creepy, Gothic overtones, the tale is a compelling and shivery one. Its atmospheric setting, mysterious characters, and twisty, propulsive plot combine to make The Death of Mrs. Westaway an engrossing, can't-put-it-down thriller. I loved it.
(Readalikes: Reminds me of other books by Ruth Ware, including In a Dark, Dark Wood; The Lying Game; and The Woman in Cabin 10)
Grade:
If this were a movie, it would be rated:
for language (a dozen or so F-bombs, plus milder expletives) and violence
To the FTC, with love: Another library fine find
Monday, October 29, 2018
"Locked Room" Family Saga Sharp, But Dull
5:08 PM
(Image from Barnes & Noble)
For the first time in recent memory, the four members of the Birch Family will be together for Christmas. Since Olivia—a medical doctor who's been fighting the virulent Haag virus in Liberia— must be quarantined for seven days to avoid contaminating the public, the family will be closeted together for a week at their home in the Norfolk countryside. No one will be allowed to leave the property, and no one will be allowed to enter. It will be only the Birches, 24/7.
To make things even more difficult, each of the Birches is hiding a secret from the others. No one wants to ruin the upcoming holiday with troubling revelations, so the quartet will be walking on eggshells to avoid any unwanted disclosures. Nerves are already starting to fray when Andrew Birch's secret comes knocking on the door. As tension nears fever pitch for the housebound residents of Weyfield Hall, an implosion becomes inevitable. What will happen when everyone's secrets are finally out in the open? Will the Birch Family survive their catastrophic holiday intact?
I'm always up for a sweeping family saga that promises the outing of juicy secrets that will test the bonds that tie people together. Add in a "locked room" situation and I'm a goner. Naturally, then, I was excited to give Seven Days of Us, a debut novel by journalist Francesca Hornak, a go. I went in expecting a sharp, funny story and the novel delivered. Kind of. Through her authentic, very flawed cast, Hornak makes some fascinating observations about family dynamics. I recognized parts of myself in the ways each of the characters interacted with each other. While I enjoyed that aspect of the book, I did grow bored with the plot, which seems to wander all over the place without really going anywhere. The ending didn't help, as it left me thinking, "What was the point of that?" Overall, then, Seven Days of Us turned out to be just an okay read for me.
(Readalikes: Hm, I can't really think of anything. Can you?)
Grade:
If this were a movie, it would be rated:
for strong language, sexual content, violence, and references to illegal drug use
To the FTC, with love: I received a finished copy of Seven Days of Us from the generous folks at Penguin Random House in exchange for an honest review. Thank you!
Newest Kate Morton Saga Not Quite Up to Snuff
11:24 AM
(Image from Barnes & Noble)
"It occurs to me that this house is like that, too. It remembers, just as I do. It remembers everything."
When London archivist Elodie Winslow discovers an old leather satchel at work, she thinks little of it. Until she finds two remarkable items within. She's intrigued by the old photo of an arresting woman wearing Victorian-era clothes, but she's completely mesmerized by an artist's sketch of a riverside country manor that appears to be straight out of a storybook. Although Elodie's never actually seen such a place, she's intimately familiar with the twin-gabled home nestled in a bend of the river. Somehow, the artist has drawn the exact place where Elodie's mother set all the fanciful bedtime stories with which she enchanted her young daughter.
As Elodie peers into the past in search of answers, she discovers that Birchwood Manor is, indeed, a real place. Built in the 1500s, it's been an artists' retreat, a boarding school for girls, even a refuge for children fleeing London during World War II. Its residents have experienced every emotion—grief, joy, fear, comfort, triumph, and tragedy. The estate houses ghosts and the key to solving at least one mystery. When Elodie learns of the mysterious events of 1862, when one woman was shot to death and another went missing from a summer artists' getaway, she knows she won't be able to rest until she finds out what really happened. She hopes her search for the truth will reveal the answer to the most unsettling question of all—What does Elodie's mother have to do with the many sorrows of Birchwood Manor?
It's no secret that I'm a raving Kate Morton fan. I adore her eloquent, atmospheric dual-timeline novels featuring crumbling mansions, mysterious heirlooms, and juicy family secrets. I've read—and loved—all of her books. Since they only come out every 2-3 years, I wait with bated breath for new sagas from this talented Australian author. So, to say I was excited for the emergence of The Clockmaker's Daughter would be a vast understatement. Did Morton's newest live up to my (admittedly very high) expectations? No, actually. While I liked it overall, it's my least favorite of the author's books. Why? The story had a little different format from Morton's others, which left it feeling overly long, unfocused, and dull in places. I loved learning about Birchwood Manor's long history, but with so many characters over so much time, I got a tad lost. So, while I found the mystery at the novel's center compelling, the plot felt a bit loosey-goosey and a little confusing. On the whole, I still enjoyed The Clockmaker's Daughter—just not nearly as much as I've loved all Morton's others.
(Readalikes: Reminded me of The House Between Tides by Sarah Maine and other books by Kate Morton, including The Lake House; The House at Riverton; The Forgotten Garden; The Distant Hours; and The Secret Keeper)
Grade:
If this were a movie, it would be rated:
for mild language (no F-bombs), violence, and mild sexual content
To the FTC, with love: I received an e-ARC of The Clockmaker's Daughter from the generous folks at Simon & Schuster via those at NetGalley in exchange for an honest review. Thank you!
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