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Wednesday, January 25, 2017
I Found You A Liked-It-Didn't-Love-It Psychological Thriller
1:30 AM
(Image from Barnes & Noble)
Single mom Alice Lake lives a lonely life by the sea in East Yorkshire. The 41-year-old takes care of her "Bennetton" children, makes crafts out of old maps, and minds her own business. Until she notices a strange man sitting on the beach near her cottage. He remains there all day, barely moving, despite the inclement weather. The man seems harmless, although he's dazed and can't remember his name or the reason for his vigil at Ridinghouse Bay. Despite her reservations, Alice offers the man a room for the night. As a single night turns into many more, she grows increasingly curious about who the stranger is and what he might be hiding.
Meanwhile, in London, Lily Monrose is searching for her missing husband. The 21-year-old has only been married for three weeks. She can't imagine where Carl could be. When she notifies the police of his disappearance, she's shocked to learn that there is no such person as Carl Monrose. Stuck in a foreign country with no one to lean on, Lily doesn't know where to turn.
As both women search for answers, shocking secrets will come to light. What will they be left with when the truth is finally revealed?
I Found You (available in the U.S. on April 25, 2017), a psychological thriller by Lisa Jewell, tells a tense, twisty tale. It's an intriguing page turner that kept me reading and guessing. The novel gets depressing, even a little bizarre in places, but overall, it's a compelling read. Although I didn't love I Found You, I liked it well enough that I'll search out more books by Jewell.
(Readalikes: Reminded me a little of Coffin Road by Peter May)
Grade:
If this were a movie, it would be rated:
for language, sexual content, violence, and depictions of illegal drug use
To the FTC, with love: I received an e-ARC of I Found You from the generous folks at Atria Books (an imprint of Simon and Schuster) via those at NetGalley. Thank you!
El Deafo An Entertaining Autobiographical Graphic Novel About Acceptance of Others—and Yourself
1:00 AM
(Image from Barnes & Noble)
After a battle with meningitis, 4-year-old Cece Bell loses her hearing. Thrust into a confusing new existence, she must learn how to cope with an overwhelming disability. She's excited to start school, especially when she receives a powerful hearing aid that will help her communicate better with those around her. Unfortunately, the Phonic Ear is such a bulky, visible instrument that it makes Cece feel even more conspicuous. It's tough being different from her family, friends, and classmates. Cece's emotions bounce from anger to sadness to loneliness to embarrassment to triumph when she finally learns to think of her deafness not as a disability, but as a superpower. El Deafo won't let hearing loss stop her from being everything she wants to be. And neither will Cece.
Author/illustrator Cece Bell chronicles her experiences as a deaf child in El Deafo, a graphic novel based on events that really happened to her. Although it's a thick (and super heavy) book, the story it tells is fast, funny, and compelling. It's very real—achingly so in places—but that's what makes it so impacting. Reading about Cece's trials should help readers empathize with those who are "different" as well as making them realize that everyone feels out of place for some reason or another. El Deafo is entertaining, yes, but it also teaches some important lessons about awareness, acceptance, and turning perceived weaknesses into avowed strengths. Definitely hand this to your middle graders—they'll be better for reading it.
(Readalikes: Reminded me a little of Wonder by R.J. Palacio)
Grade:
If this were a movie, it would be rated:
for brief, mild language (no F-bombs) and cartoon nudity (Cece is depicted in her underwear and without a shirt on -- cartoons are not graphic)
To the FTC, with love: Another library fine find
Tuesday, January 24, 2017
Second Old San Francisco Mystery Not (Quite) As Compelling As First
1:30 AM
(Image from Barnes & Noble)
(Note: While this review will not contain spoilers for No Pity for the Dead, it may inadvertently reveal plot surprises from its predecessor, No Comfort for the Lost. As always, I recommend reading books in a series in order.)
When 14-year-old orphan Owen Cassidy discovers a corpse in the basement of the real estate office where he's been working, he turns to the one person he knows will help—not condemn—him. Celia Davies, a British-born nurse who runs a free clinic for the women of San Francisco, has always been his advocate. After seeing the body for herself, Celia knows the police must be alerted to the situation. Detective Nick Greaves is soon on the scene.
The dead man is identified as Virgil Nash. Plenty of people had motive for offing the importation merchant, who loved to show off his wealth and status. Greaves' suspicion lands on Frank Hutchinson, one of the real estate partners, who also happens to be his old war buddy. Although he'd be delighted to arrest Frank, Greaves has plenty of other suspects to interrogate. Celia, of course, can't stop herself from launching her own investigation. The more she pokes around, the more she discovers—and the more dangerous her life becomes. Someone is desperate to stop Greaves and Celia from solving the murder. How far will they go to prohibit the duo from getting too close to the truth?
I enjoyed No Comfort for the Lost, the first book in Nancy Herriman's Old San Francisco mystery series, so I was excited to pick up the next installment, No Pity for the Dead. Although I wasn't quite as engrossed in Celia's second adventure, it still made for a good read. The story gets a bit confusing as there are a few too many characters to keep straight—I had trouble differentiating them all. Still, the plot moves along at a nice clip. Celia's a compelling heroine. Her compassion and fearlessness make her admirable and exciting to follow. The Old San Francisco setting adds a fun historical element to the novel as well. Overall, then, I enjoyed No Pity for the Dead. Not as much as its predecessor, true, but enough. I'll keep an eye out for the next book in the series.
(Readalikes: No Comfort for the Lost by Nancy Herriman; also reminds me a little of the Veronica Speedwell series [A Curious Beginning; A Perilous Undertaking] by Deanna Raybourn)
Grade:
If this were a movie, it would be rated:
for brief, mild language (no F-bombs), violence, and non-graphic references to prostitution, drug addiction, etc.
To the FTC, with love: I bought a copy of No Pity for the Dead from Barnes & Noble with a portion of the millions I make from my lucrative career as a book blogger. Ha ha.
Coffin Road Another Twisty, Atmospheric Mystery From May
1:00 AM
(Image from Barnes & Noble)
A dazed, hypothermic man walks out of the sea on the Outer Hebrides' Isle of Harris with no recollection of his name, address, or occupation. Gradually, he learns that he's Ian McLean, he lives in a seaside cottage in Luskentyre, and he's a writer working on a book about something called the Coffin Road. According to his neighbors, Ian moved to the island 18 months ago to write. It's curious, then, that he can find no evidence of a manuscript-in-progress anywhere in his house. Has he been suffering from a massive case of writer's block? Or is something else going on here? Nothing that Ian has learned about himself feels right. Who is he, really? And what's he been doing in the Outer Hebrides?
George Gunn, a detective sergeant from Stornoway, also has a mystery on his hands. The body of an unidentified man has been found on a tiny, sea-soaked island where a century ago a trio of lighthouse keepers disappeared without a trace. George doesn't recognize the corpse, but Ian thinks he does. The details are very murky in Ian's mind, but he believes he might have been the one to kill the man.
Karen Fleming, a 17-year-old Goth girl living in Edinburgh, is also trying to piece together a mysterious puzzle. Her father, a scientist, vanished two years ago. His apparent suicide doesn't sit well with her. The more Karen finds out about the work her dad was doing before he disappeared, the more convinced she is that he didn't kill himself. But if he didn't, who did?
As these three mysteries unfurl, it's up to the principal characters to figure out what in the world is going on. When the different threads become tangled together, it's apparent that something very sinister is happening on the Isle of Harris. Can Ian and George weave it all together in time to save themselves? Or will they, too, become victims in the dangerous game being played out before their eyes?
Like Peter May's other Outer Hebridean mysteries, Coffin Road is a tense, intriguing mystery set against a broody backdrop that lends an otherworldly eeriness to the story at hand. This one gets maybe a little far-fetched, but who cares? It's a twisty, compelling tale that kept me turning pages well into the night. If you're a fan of intriguing mysteries set in remote, atmospheric locales (which I am), definitely give Peter May a go. I've read a number of his books over the last year or so and I've enjoyed them all. Coffin Road is no exception.
(Readalikes: other mysteries by Peter May, including the Lewis Trilogy [The Blackhouse; The Lewis Man; The Chessmen] and Entry Island)
Grade:
If this were a movie, it would be rated:
for language, violence, blood/gore, sexual content, and references to illegal drug use
To the FTC, with love: I received a finished copy of Coffin Road from the generous folks at Quercus (a division of Hachette Book Group). Thank you!
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