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Monday, October 19, 2015
Tense Historical Mystery/Thriller Gets Everything Right
10:05 PM
October 1922—On a warm day in Milan, Italy, the life of 19-year-old Isabella Berotti changes forever. One moment she is gliding through the busy marketplace on the arm of her handsome husband, their unborn child nestled safely in her womb. The next, Luigi lies dead in the street, blood streaming from a bullet wound in his chest. A second shot rings out, felling Isabella, who barely survives the injury. The bambino inside her is not so lucky.
Ten years later, Isabella is still haunted by the violent death of her husband. As a Blackshirt—one of Mussolini's elite soldiers—Luigi was in a dangerous line of work. Still, why him? Why her? Their shooter has never been brought to justice and the police claim to know nothing. Isabella doesn't believe them. Someone knows something, she's sure of it. But, questioning authority in Fascist Italy is never a good idea, so Isabella distracts herself with work. As an architect in the most prestigious firm in Bellina, one of Mussolini's new cities, she has the privilege of designing beautiful new buildings and homes. Her work is the center of her life, the only thing that keeps her moving forward.
Little does Isabella know that her life is about to change in an instant once again. When a strange woman approaches Isabella, begging the architect to watch her young daughter, she doesn't have time to react, let alone refuse. Moments later, she's horrified when the mother throws herself off a clock tower, plummeting to her death. The woman hinted that she knew something of Luigi's death—now Isabella will never know what it was. Unless the child knows. Trying to simultaneously protect 9-year-old Rosa and extract information from her throws Isabella into the middle of a dangerous political battle. Surrounded by enemies, she doesn't know who to trust. With her neck and that of the girl who's reawakened her mother's heart on the line, Isabella doesn't know what to do, where to turn. Mussolini's goons lurk down every possible road and of one thing she's certain—they want her dead.
The Italian Wife by Kate Furnivall is one of those novels that just gets everything right. In vivid, painstaking prose, the author builds a setting so rich, so authentic, it was as if I had truly stepped into Fascist Italy (and wanted to step right out, thank you very much). Because their tension, their fear, their desperation, and their anger felt so palpable, I had no trouble at all empathizing with the characters. I rooted for them without hesitation. Character-driven though it may be, The Italian Wife doesn't skimp on plot. There's plenty of pulse-pounding action, nail-biting suspense, and life-or-death twists to keep a reader glued to her seat. Although the book clocks in at 411 pages, I never got bored with it. It kept me riveted to the very end. There's so much to love about this one that I honestly can't come up with any complaints (be amazed, be very amazed). If you like tense historical thrillers, this is the book for you.
(Readalikes: Reminded me of several WWII novels, including The Nightingale by Kristin Hannah; The Kommandant's Girl by Pam Jenoff, and Prisoner of Night and Fog by Anne Blankman)
Grade:
If this were a movie, it would be rated:
for language (one F-bomb, plus milder expletives), violence, blood/gore, and mild sexual content
To the FTC, with love: I received a finished copy of The Italian Wife from the generous folks at Penguin Random House. Thank you!
Saturday, October 17, 2015
Complex, Enjoyable Still Life SO Much More Than a Cozy
1:51 PM
(Image from Barnes & Noble)
South of Montreal, near the U.S. border, sits a small, idyllic village called Three Pines. With its lush natural beauty, quaint shops, and warm-hearted residents, it's a lovely, postcard-perfect kind of place. A place where "the only reason doors were locked was to prevent neighbors from dropping off baskets of zucchini at harvest time" (1%). From a distance, it looks like a snow globe scene, perpetually safe inside its protective bubble. No community can be that flawless, of course. As in every other town, plenty of tension simmers beneath Three Pines' serene surface.
Still, the discovery of a dead body in the woods comes as a great shock. Especially since it belongs to Jane Neal, a retired teacher much beloved in the village. Pierced with an arrow, she appears to have been the victim of a tragic hunting accident. Armand Gamache, the chief inspector of the Sûreté du Quebec, however, isn't convinced. Determined to discover what really happened to the elderly teacher, he and his team take up temporary residence in Three Pines. Intelligent and thoughtful, Gamache knows the better acquainted he is with the townspeople, the more forthcoming they will be. But as he becomes more and more familiar with the colorful village people, slowly falling in love with them and their town, the less he wants to suspect any of them of killing an old woman. And yet, it's his duty to find her murderer. Was it Jane's greedy niece? Or someone with a less obvious motive? As pressure to solve the case intensifies, it's up to Gamache to find a killer among his new found friends. Can he do it in time or will he become the next victim?
Despite its intimate, small-town setting, labeling Still Life by Canadian author Louise Penny a "cozy" mystery would be a mistake. The novel, the first in her popular Armand Gamache series, is much more than that. I completely agree with what Penny said about her books in a recent interview with BookPage:
To call them cozies is to completely misread! I get very annoyed at anyone who calls them cozies, or even traditional. I think it's facile for people to think that anything set in a village must, per force, be superficial and simplistic. (BookPage, September 2015 issue, Pages 14-15)
Too true. Still Life introduces a town that, to an outsider, looks as cozy as a fleece blanket, when in truth, it's more like a patchwork quilt—still warm, but with a variety of pieces, patterns, and stitching styles that create a more layered, complex beauty than is apparent at first glance. The novel isn't really about the murder of a community member, it's about the community itself. It's about the people who live there, the relationships they have with each other, and the ways in which they deal with their differences—in personality, in cultural background, in political views, in everything. Still Life and the books that follow are character-driven mysteries, focusing on the most appealing of Penny's story people: Chief Inspector Armand Gamache. Unlike most of literature's craggy, uncouth police personnel, Gamache is a kind and consummate gentleman. Although he battles his own demons, he's a positive man, happily married, and upbeat even in the face of his often unpleasant duties. A breath of fresh air, for sure. All that being said, you'll be happy to know that Penny doesn't skimp on plot. There's plenty happening to keep the story moving along. Although I figured out who the killer was before Gamache did, I wasn't totally sure I was right until the very end. That's the mark of a good murder mystery, in my book. In case you can't tell, all of these elements blend to make Still Life a fun, compelling read. I enjoyed it immensely, as I did the next book in the series and the next and the ... you get the picture. If you dig murder mysteries that are more than just another police procedural, definitely try this series on for size. It's a darn good one.
(Readalikes: Other books in the Armand Gamache series [A Fatal Grace; The Cruelest Month; A Rule Against Murder; The Brutal Telling; Bury Your Dead; A Trick of the Light; The Beautiful Mystery; How the Light Gets In; The Long Way Home; and The Nature of the Beast)
Grade:
If this were a movie, it would be rated:
for language (a handful of F-bombs, plus milder invectives) and violence
To the FTC, with love: I bought a copy of Still Life from Amazon with a portion of the millions I make from my lucrative career as a book blogger. Ha ha.
Friday, October 16, 2015
If It Weren't For the Cop-Out of An Ending ...
7:47 PM
(Image from Barnes & Noble)
Although she's eighteen, Madeline Whittier knows little of life beyond the walls of her home. Born with "baby in the bubble" disease (aka Severe Combined Immunodeficiency or SCID), she's allergic to nearly everything. Going outside could mean death. So, she doesn't. Madeline stays inside, studying with online tutors, socializing only with her nurse and her physician mother, and posting spoiler book reviews on her blog. It's a lonely existence, but one Madeline bears with reluctant acceptance.

Will Madeline break free, throwing caution to the wind in order to be with the boy she's coming to love? Or will she do the sensible thing and forget Olly ever existed? With her heart—not to mention her life—at stake, what will Madeline decide?
There's plenty to love about Everything, Everything, a debut novel by Nicola Yoon. To begin with, there's the kind of diversity that is often lacking in YA novels. Yoon, a Jamaican-American married to a Japanese-American, gives Madeline a mixed ethnicity (Japanese/African-American), which helps her stand out. I thought the token gay character who drops in at the end was a little much (Why was he even in the story?), but I like that our heroine is bi-racial and it's just a fact of life for her, no big deal. I also enjoyed the peeks we get into her bright, engaging personality via lists, book reviews, lists, drawings (by David Yoon, the author's husband), and diary entries. These snippets perk up the narration, moving the plot along in a fast, fresh manner. The growing relationship between Madeline and Olly is also sweet and fun. I found all of these elements appealing. My only real complaint with the novel is with the ending. With little foreshadowing, the conflict's resolution comes out of nowhere. And yet, the big twist didn't surprise me at all, as I've seen it done before. Yoon's wrap-up, thus, felt like a rushed cop-out. In fact, it kind of soured the whole book for me. Despite that, Everything, Everything really is pretty enjoyable. It's the sweet, swoony kind of read teens will definitely get into (my 13-year-old daughter adored it). Judging by the rave reviews the novel is getting all over the book blogosphere, I'm the only one who felt a little gipped by this one. Ah, well. I can deal.
(Readalikes: Broken by C.J. Lyons)
Grade:
If this were a movie, it would be rated:
for language (no F-bombs), violence, and mild sexual content
To the FTC, with love: I received an e-ARC of Everything, Everything from the generous folks at Random House via those at NetGalley. Thank you!
Appalachian Murder Mystery Series Goes Deeper, Gets Better As It Goes
7:56 AM
(Image from Barnes & Noble)
(Note: While this review will not contain spoilers for Summer of the Dead, it may inadvertently reveal plot surprises from previous Bell Elkins mysteries. As always, I recommend reading books in a series in order.)
High summer in Acker's Gap, West Virginia, means more time for its mountain residents to enjoy the rugged beauty around them. And yet, few seem to be outside, taking advantage of the long, arid days. With a killer on the loose, the hill people are scared. Too frightened to linger, too scared to stray far from their homes. It's up to Belfa "Bell" Elkins, Raythune County's prosecutor, and her old friend, Sheriff Nick Fogelsong, to stop the killing. If only they had a clue where to look. For all its breathtaking natural wonders, Acker's Gap is a hard, dead end kind of town, one where desperation leads to violence of every kind. Who could be harboring homicidal tendencies? Just about everyone.
Bell's got enough problems to deal with, never mind the recent murders. Her 45-year-old sister, Shirley, has moved in with her after serving 30 years in prison for killing their abusive father. Trying to re-form the close relationship they shared as girls isn't easy now that they're independent, headstrong adults. Especially since Shirley refuses to listen to reason. Bell's also missing her 17-year-old daughter, who lives with her flashy father in D.C. The last thing she needs is more problems to solve. Or, maybe it's the best thing to get her mind off her domestic troubles?
When Bell's investigation leads her to 19-year-old Lindy Crabtree, the prosecutor believes she's finally getting somewhere. The jumpy teenager is hiding her sad, angry father in the locked basement. The ex-miner, whose failing mind prefers the lonely darkness, could be the exact person for whom Bell and the sheriff have been searching. If only the case were that simple ...
Julia Keller's exploration of Odell Crabtree's issues gives Summer of the Dead, the third installment in her Appalachian mystery series, a greater depth than what is found in the two previous books. Keller always excels at bringing to life the struggles and stresses of her beloved hill people, but Odell's plight feels especially poignant. As does Bell's constant worry over her older sister. It's always been the characters and setting more than the plot that draws me to this series—still, there's plenty of action to be had in a Keller novel, no worries about that! Although I pieced together some of the answers to the mysteries in Summer of the Dead, I didn't see all of them coming. That suspense, as well as my interest in the daily dramas of Acker's Gap's salt-of-the-Earth residents, kept me turning pages. Not to mention hankering for more from the indomitable Bell Elkins.
(Readalikes: Other books in the Bell Elkins series [A Killing in the Hills; Bitter River; and Last Ragged Breath])
Grade:
If this were a movie, it would be rated:
for strong language, violence, sexual innuendo, and adult subject matter (child abuse, drug abuse, etc.)
To the FTC, with love: Another library fine find
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