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Showing posts with label World Settings: China. Show all posts
Showing posts with label World Settings: China. Show all posts
Tuesday, July 22, 2014

Chinese Adoption Tale Needs Something More

(Image from Barnes & Noble)

I'm not sure quite how to describe The Year She Left Us, a debut novel by Kathryn Ma, so I'm going to take the lazy way out and give you the official plot summary:
The Kong women are in crisis.  A disastrous visit to her "home" orphanage in China has plunged eighteen-year-old Ari into a self-destructive spiral.  Her adoptive mother, Charlie, a lawyer with a great heart, is desperate to keep her daughter safe.  Meanwhile, Charlie must endure the prickly scrutiny of her beautiful, Bryn Mawr-educated mother, Gran—who, as the daughter of a cultured Chinese doctor, came to the United States to survive Mao's revolution—and her sister, Les, a brilliant judge with a penchant to rule over everyone's lives.                                                                                                                                                                                                                                                         As they cope with Ari's journey of discovery and its aftermath, the Kong women will come face-to-face with the truths of their lives—four powerful intertwining stories of accomplishment, tenacity, secrets, loneliness, and love.  Beautifully illuminating the bonds of family and blood, The Year She Left Us explores the promise and pain of adoption, the price of assimilation and achievement, the debt we owe to others, and what we owe ourselves.  Full of pathos and humor, featuring a quartet of unforgettable characters drawn from real life, it marks the debut of an important new voice in American fiction.    
As you can probably tell, plot is not something this novel has in abundance.  The story relies on the strength of its characters—not just their individual conflicts, but also the vibrancy of their separate and distinct voices. While the Kong women offer this, to some extent, the fact is, none of them are very likable.  Interesting, yes; engaging enough to want to know better?  Not so much.  This, combined with the novel's weak plotting; caustic tone; and disjointed storytelling made for a disappointing read.  Truth is, I put The Year She Left Us down several times, with no intention of finishing the book.  I did complete it, but, in the end, I found it dull and depressing.  I'm not saying Ma can't write.  She can.  It's just that this particular story needed something more—like a plot—to pull it all together.

(Readalikes:  Reminded me a little of The Joy Luck Club by Amy Tan and Lucky Girl by Mei-Ling Hopgood)

Grade:


If this were a movie, it would be rated:


for strong language, sexual content, depictions of illegal drug use, and violence

To the FTC, with love:  I received an ARC of The Year She Left Us from the generous folks at Harper Collins.  Thank you!
Friday, December 07, 2012

Happily Ever After Has Never Been This Exciting

(Image from Barnes & Noble)

You know how it is when you're sorta reluctant to read a book, then someone whose opinion you trust totally raves about it, so you read it and fall head over heels in love and then you feel dumb for your initial hesitation?  Yeah?  Well, that's exactly what happened with Cinder by Marissa Meyer.  The ARC sat on my shelf for over a year before I wised up and (with a gentle nudge from Sarah over at Sarah's YA Blog ) gave it a try.  Turns out, it offers everything I've ever wanted in a novel—an inventive plot, compelling characters, solid writing, and strong voice.  Not surprisingly, I adored it.  

The story takes place in the not-too-distant future in the crowded city of New Beijing.  Here, as in other parts of the world, humans and androids live and work side-by-side.  Sixteen-year-old Linh Cinder is neither human nor robot, but a cyborg.  Her mixed composition makes her an outcast, a second-class citizen.  Even at home with her step family, Cinder's treated like a servant.  The only place she feels comfortable is in the marketplace, where she spends her days fixing broken 'bots.  Her stepmother keeps 100% of the profits from Cinder's popular market stall, but at least Cinder's allowed to spend most of her time away from home. That small freedom makes the long hours of work worth it. 

A vicious plague is sweeping through the land and a cunning lunar queen watches with interest from the moon, waiting for just the right moment to attack.  Despite the tumult, Cinder's life goes on as always—until a handsome prince stops by her booth.  Cinder's shocked to her core to meet the gorgeous king-to-be.  She's even more surprised when he treats her like an actual human and not just any human, but one he wants to know better.  There's only one problem—Prince Kai doesn't know Cinder's a cyborg.  If he did, he wouldn't be talking to her, let alone inviting her to the royal ball.  

Cinder knows better than to trust this fairy tale turn in her life.  She vows to put all thoughts of Kai out of her cyborg brain, a feat which turns out to be much more difficult than she ever imagined.  Especially when she's recruited to be a guinea pig for the king's royal scientists, who are desperately searching for a cure to the plague that's decimating what remains of the human race.  As the citizens of New Beijing prepare themselves for annihilation—either by pestilence or war—one of them makes the startling realization that she's their secret weapon.  Will Cinder sacrifice her meaningless cyborg life to save the people who have always scorned her?  Can she come clean about who she really is if it means losing the man she loves?  And, most importantly, what will happen when she discovers the alarming truth about her mysterious past?  

I know, right?  Not only does the premise sound intriguing, it is intriguing.  Meyer does everything right in her debut novel, the first in a quartet of "rebooted" fairy tales that tell the story of Cinder's struggle to find her place in a panicked, dying world.  Our heroine is entirely sympathetic, mostly because she doesn't whine about her situation, but endures it with grace and fortitude.  Still, she's no simpering Disney Cinderella—she's strong and funny, a kick-A heroine if I ever saw one.  Although Cinder's story mirrors the classic fairy tale, it's got so much more to offer than the original.  An exciting blend of dystopian, sci-fi, romance and adventure, Cinder should not be missed.  Just see if you don't agree—Happily Ever After has never been this exciting.      

(Readalikes:  I'm sure there are other clever Cinderella retellings, but I can't think of any.  Besides Scarlet, Cinder's sequel, I'm drawing a blank here.  Help?)

Grade:  A

If this were a movie, it would be rated:  PG for mild language, violence and scenes of peril

To the FTC, with love:  I received an ARC of Cinder from the generous folks at Feiwel and Friends (an imprint of Macmillan).  Thank you!




Thursday, February 09, 2012

Cruel, But Lovely, Tale of Contradictions Brings 1930s Shanghai to Life

(Image from Barnes & Noble)

As the second daughter in a traditional Chinese family, comparatively little is expected of 17-year-old Xiao Feng. Unlike her older sister, she will not be required to take lessons on how to speak, dress, dance and flirt. Feng needn't be beautiful or charming or impressive in any way—it is not she who will feel the pressure of marrying well to ensure the social standing of her family. Since the eyes of society really are not on her, Feng is free to dress like a peasant girl and spend her time roaming the gardens with her beloved grandfather.

When a cruel twist of fate turns the tables for Feng, she's forced into a marriage she doesn't want and for which she's wholly unprepared. Thrust into the secluded inner circle of the Sheng Family, Feng must learn to navigate this new world where tradition reigns alongside vicious squabbling, ambitious social climbing, and relentless, stifling boredom. Feng knows the only way to get her elders off her back is to bear the family an heir—a precious, sought-for son. As Feng struggles to please the Shengs, she must grapple with questions of duty, identity and how far a woman in her time and culture will go to find happiness.


It takes a gentle hand to produce a book like All the Flowers in Shanghai. A feminine hand, you might guess. But, you'd be wrong. The debut novel is the work of Duncan Jepson, a Eurasian filmmaker, who wrote the story as a way to explore the fierce, domineering role of a Chinese mother—the kind he might have had if his own hadn't immigrated to the U.K. in the 1950s. Through the eyes of Xiao Feng, the author brings the turmoil of 1930s Shanghai to vivid life, not by focusing on the revolution happening without, but by examining the brutal, tumultuous world within. Although Feng's is a life of emotional hardship, ruthless subjugation, and eternal bitterness, it's described with such care and sensitivity that it seems almost lovely. Even when it most certainly is not. Thus, Jepson seems to say, are the contradictions of China, of tradition, of life itself. This deep, absorbing plunge into one woman's journey through such an existence left me both breathless and heartsick. All the Flowers of Shanghai may not be the most uplifting of novels, but it's a sweeping tale that stays in the reader's heart and mind long after the story ends.

(Readalikes: Reminded me of Memoirs of a Geisha by Arthur Golden and The Joy Luck Club by Amy Tan)


Grade: B


If this were a movie, it would be rated: PG-13 for violence and sexual content

To the FTC, with love: I received an ARC of All the Flowers of Shanghai from the generous folks at William Morrow (an imprint of Harper Collins) and TLC Book Tours. Thank you!
Wednesday, April 06, 2011

It's About Family - In All Its Confusing, Contradictory, Captivating Glory

(Image from Indiebound)


"Enough of drawing lines between strength and weakness, great and ordinary, themselves and other women. They'd drawn lines until they'd drawn themselves into cages" (267).
When Irene Shen's husband leaves her after thirty years of marriage, she's stunned. When, in the act of fleeing, he's killed in a car accident, she's devastated. His death unanchors not only Irene, but also her three daughters, who drift even farther apart in the wake of the tragedy. Five months later, Irene's desperately lonely. In a frantic effort to reconnect with her family, she plans a two-week tour of China for herself, her trio of girls, her sister, and her mother. Irene hopes that by returning her fractured family to its roots, they can unite in their pain, buoy each other up, and find the inspiration they need to face an uncertain future.
Planning the trip gives Irene something to do, a project with which to fill her empty hours, but the idea of vacationing with family fills the rest of the group with dread. At almost 80, Irene's mother, Lin Yulan, has finally found contentment. She has little desire to return to China at all, especially not with her estranged daughters. Irene's sister, Susan, is settled in Hong Kong. The idea of traveling to China with women she barely knows frightens her. Even if they are her family. Nora, a 28-year-old Wall Street phenom, has her own problems. She's a smashing success at everything but love. As her long-time relationship with a kind Jewish man starts to fade, she has to grapple with the eternal career v. family question. As much as she could use a vacation, she's not sure she wants to spend it with Irene, who's so needy it's pathetic. Kay is already in China. She fled for Beijing after her father's death, vowing to get to know the country up close and personal. What she sees isn't pretty, but her attempts to help cure the city's social problems have been ridiculously inept. Now she's not sure what to do. Sophie, the youngest of Irene's daughters, still lives in New York with her mother. Despite their physical closeness, the two hardly communicate at all. Sophie's hiding a dangerous secret, one she may not be able to keep concealed during two weeks with her nosy, hypercritical family.
Each packing their own secrets, the six women head to China, reluctant except for Irene, who trudges forward with unmitigated hope in the healing power of the trip. As the group hops from vista to vista, more secrets are formed, hoarded and, eventually, revealed. The revelations bring the women closer, even as one larger mystery threatens to tear apart the fragile bonds they've formed. Will the truth be the undoing of an already splintered family or will it be the one thing that will finally bring them together?
A Thread of Sky, a debut novel by New Yorker Deanna Fei, is a beautifully-rendered portrait of a family struggling to keep itself together. With a backdrop as colorful and complex as China, one can't help make comparisons between the Shen Family and the land of its birth. Steeped in history, culture and the gritty realities of every day life, it's an ideal setting for six women to find themselves as each grapples for understanding of herself as an individual, her role in the family, and her place in the world at large. It's not an easy story to read, nor an overly bright one, but A Thread of Sky is a well-crafted, compelling novel about family in all its confusing, contradictory, captivating glory.
(Readalikes: Reminded me a little of The Joy Luck Club by Amy Tan)
Grade: B-
If this were a movie, it would be rated: R for strong language, sexual content and some violence
To the FTC, with love: I received a finished copy of A Thread of Sky courtesy of TLC Book Tours, for whom this review was written.
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