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Journey From Head to Heart Just Not My Cup of Tea

If it sounds confusing, it is a little. As I read, I found myself wondering if I was living an authentic life or not. I was hoping for a quiz I could take that would answer this question, but all I found were confusing graphs showing The Energy Analysis, which didn't make any sense to me. Figuring I could probably stand to live more authentically anyway, I tried to figure out how to do it. Oelklaus gives some guidelines: rid yourself of pain through forgiveness; be still and open yourself to whisperings from the Voice; focus on making choices for yourself, not just to please other people; and send out good vibes (or mirror neurons). What she doesn't give is a specific plan, with concrete steps. She does provide several interesting tools, some of which I liked (the idea of The Circle, with desired traits inside and undesirables outside), others of which were way too corny (talking to a childhood photo of yourself or writing yourself love letters).
Overall, this was a difficult read for me. It was so dense that I found myself skipping through sections to get to the "good stuff." There were some valuable insights, but I found most of her techniques to be too vague for me. I guess I was hoping for someway to discern whether or not I was living as authentically as I could, and then a plan to show me the way to more authentic living. Perhaps I am supposed to be finding those answers from the Voice. Or perhaps I'm just so tired that I missed the point completely.

Dead and Berried Satisfies

I've realized that in order for me to enjoy a cozy mystery, I have to remind myself what I am reading. I have to tell myself not to expect complicated plots; deep characterization; realistic events; or heavy drama. A cozy is by definition (albeit my definition, not Webster's) light, fun entertainment. By willingly suspending my disbelief (because face it, few real world chefs/B&B proprietors/caterers/scrapbook store owners, etc. find dead bodies every month), I allow myself to sit back and savor these light mysteries.
So, when I picked up Karen MacInerney's Dead and Berried (the second in her A Gray Whale Inn Mystery series), I steeled myself. Then, I read. And enjoyed. In fact, I liked it better than its predecessor, Murder on the Rocks (see my review here). I think it's because of the ghost story threaded through this one, but I'm getting ahead of myself ...
Dead and Berried takes us back to Cranberry Island, Maine, the site of Natalie Barnes' 150-year-old Gray Whale Inn. As usual, Natalie's up to her neck in trouble. She's got the daily task of keeping her business afloat, coupled with the possibility of a subdivision cropping up next to her B&B, complicated by the fact that she vehemently opposes any construction that will put Maine's wildlife in danger. Her opinion makes her unpopular with Reverend McLaughlin, a recent transplant who's dating her best friend Charlene, as well as with the developers who are combing the island. Those issues are enough to keep her busy, but wait, there's more: her ex-fiancee shows up unexpectedly, promising to buy her a quaint B&B in Texas in exchange for her hand in marriage; she's feuding with Charlene; there's a chatty blonde watching her every move; and then there's the little problem of the ghost in her attic. To top it all off, Polly, her housekeeper, has disappeared, leaving Natalie with mountains of laundry to do. As if she didn't have enough on her plate! When soiled linens threaten to take over the entire inn, Natalie goes in search of her lost help. What she discovers is Polly lying dead in a bog with a gun in her hand and a hole in her chest.
Once again, Natalie has discovered a body, putting her back in the clutches of chain-smoking Sergeant Grimes. The bumbling cop declares Polly's death suicide, but Natalie's not so sure. For one thing, the woman had fresh berries and milk in her fridge. For another, she left a dozen cats to fend for themselves, an admission completely out of character for the feline-loving Polly. Knowing Grimes won't investigate the death as murder, Natalie channels her inner Nancy Drew once again. While she's poking into Polly's affairs (Why were 2 shots fired from Polly's gun when she only needed 1 to kill herself? Why was there a half-packed suitcase on her bed?), another island resident ends up dead. Suddenly, Natalie finds herself as Sergeant Grimes' prime suspect.
She's also quickly becoming the target of a cold-blooded murderer. If she doesn't find the killer she may end up in jail, or worse. Of course, considering the state of her life, she may also find herself homeless, penniless and loveless. Once again, she must pick apart the island's secrets to save herself and her beloved B&B. Oh yeah, and she really needs to take care of her ghost before she drives herself insane.
As you can see, this is another fun, fast-paced mystery from Karen MacInerney. There's a lot going on in the book, which makes it kind of a whirlwind, but I thought the mysteries were solved in a less predictable manner than in Murder on the Rocks. There were a few little things that bugged me, like the fact that the boatwright's name is spelled Eleazer in the first book, and Eliezer in Dead and Berried; and the lack of chemistry between Natalie and Benjamin; as well as a general choppiness to the writing; but overall, I enjoyed it.
Culinary cozies generally don't float my boat, but this series satisfies. For me, it's a delicious romp that gets better with each book.
P.S. The recipes in the back of the book look scrumptious. I'm going to try Barbara Hahn's Berried Medley Lemon Streusel Muffins as soon as I get the ingredients from the store :)
Grade: B

The Truth Rings A Little False

Are there truths girls learn in childhood that evaporate as they enter adulthood? Are there nuggets of wisdom they glean from their mothers that disappear when they have children of their own? Is there a way to remember this wisdom so that mothers can improve relationships with their own daughters? Psychologist Barbara Becker Holstein thinks the answers to all of these questions is a resounding yes.

In conclusion, I have to say that tween readers can surely find better fiction on the library shelves, but The Truth is worth reading. It's definitely a story with a message, but it's not a bad story, and it could definitely open lines of communication between mothers and daughters whose relationships are often rocky. Basically, the message is listen, and that's a morale we can all use.
Grade: B -

The Photograph's Truths Are In Its Details

Soon after her death, Kath's husband Glyn finds an envelope marked, "Don't Open. Destroy." Inside lies a snapshot. Glyn doesn't recognize the setting, but he spies his wife holding hands with another man, a man who is, in fact, her brother-in-law. The image "smolders in its envelope, and in his head" (16), forcing him to face the fact that he didn't know his own wife. This "unreliability about my own past" (98) shakes him to his core. He deals with the problem in the way he knows best. As a historian, Glyn has done plenty of research, so he turns his investigative skills to the subject of his marriage. His search consumes him, but this is "par for the course; Glyn does obsession, always has, a five-star capacity for obsession is what makes him a painstaking researcher" (115).
As part of his quest, Glyn confronts those who knew Kath best - her sister, Elaine; Elaine's husband, Nick; Nick's business partner, Oliver; and Kath's closest friend, Mary Packard. Each of their voices, as well as that of Polly, Nick and Elaine's daughter, offer one piece of the puzzle that was Kath. Ultra-responsible Elaine remembers only her frustration with her irresponsible younger sister. Nick, who has "remained in a time warp of feckless adolescence" (182) can't understand why Elaine cares about his long-ago fling with her sister. Oliver wants only to put the past behind him. He regrets both taking and saving the damning photo. Ironically, Mary Packard, the one who spent the least time with Kath, is the only one with any real answers. While the others saw only Kath's pretty face, the fine features which allowed her to float through life shunning all responsibility, Mary heard the woman's secrets and desires. Mary's morale is a familiar one: Things are not always what they seem.
This novel is so difficult to describe because it isn't a story as much as it is a series of character studies. Basically, Lively takes a situation - Kath's infidelity - and examines how each person reacts to it. She mines their psyches to make statements about grief, identity, marriage and love. The result is a melancholy novel populated with sad, bitter people who can't get over the death of the only person (apparently) who brought any light to their lives. The story is depressing, really, although I also found it surprisingly compelling.
Although The Photograph feels dark and brooding, I found the writing quite beautiful. It's haunting, to be sure, but also rich and evocative. While scrutinizing his marriage, Glyn observes that "It is the subtexts that signify, the alternative stories that lurk beyond the narrative" (22). The same could be said of this novel - its truths are in the details. I thought a lot about this book, but I can't say I really enjoyed it.
Grade: B-


Reading
The Haunting of Emily Grace by Elena Taylor

Listening
The Graveyard Book by Neil Gaiman


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