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Inkspell A Somewhat Satisfying Sequel
How many times have you been so enchanted with a book that you wished you could step right into it and never come out? More than once, probably. But, what if you could literally transport yourself inside a story? Would it be as magical as you imagined? Or would there be hidden horrors in the book's world just like in your own? If you had the choice between living in a fairy tale and residing in your own time, which would you choose? For Meggie Folchard, heroine of Cornelia Funke's Inkheart series, these are not merely hypothetical questions.
In Inkheart, Meggie learns about her father's special ability to read characters into and out of stories. Before long, she discovers that she also has this dubious gift. Although Meggie is enchanted by the idea of entering her favorite story, she soon finds out how dangerous it can be to trade places with fictional characters. After escaping a band of villains from a storybook - also called Inkheart - she suppresses her "gift" to ensure a quiet, peaceful life for herself and her family.
A year later, when Inkspell opens, Meggie is getting restless. Life is good surrounded by her family and friends, but the words of Inkheart have been whispering to her, beckoning her to its world. When her friend Farid appears with troubling news - his master, Dustfinger, has returned to his own story, not knowing that old enemies are right on his tail - Meggie knows her world will collide with Inkheart's once more. Soon enough, Farid knocks on her door, begging her to read him into the book. Meggie agrees on one condition - she gets to go, too. Farid reluctantly agrees, and the two are sucked into the magical, storybook world.
Meggie is fascinated by her surroundings - fairies twinkle past her, water nymphs gaze at her from watery depths, fragile glass men sparkle in the sunlight - which are just as described in the book. They are not the only occupants populating Inkheart, as Meggie soon finds out. Her enchantment with the fairy tale fades as she faces each new horror: the lands are full of blood-thirsty wolves wandering the forest; pale White Ladies reaching greedily for the souls of the dying; and warring princes with hosts of vicious thugs searching for her, the girl-witch with the magical voice.
Meggie's only consolation is knowing that her beloved parents are safe at home - or so she thinks. When rumors circulate of a strange, injured man dying in a gypsy camp, she recognizes her father's description. The superstitious folk mistake him for "Bluejay," a Robin Hood-like figure who steals from royalty and gives to peasants; soon there is a price on his head as well. Not only is Meggie hunted by enemies, but everyone she loves seems marked for death as well.
Desperate, she turns to Fenoglio, Inkheart's author. The writer has been living peacefully in his own book for a year, reveling in the marvels of his creation. Meggie's warnings alarm him, and Fenoglio vows to revise the story into a less threatening tale. His words only seem to complicate matters; soon, Fenoglio is cowering in the shadows with the rest of his outlaw friends. When Meggie and her parents are imprisoned in the castle of the devious Adderhead, she knows the fate of the land rests in her hands. Can she summon the power of words one more time to save the lives of those she loves? Or will the story that has gotten away from its own author be the death of her and all she holds dear?
Although Inkspell has a lot of the magic and excitement of its predecessor, I didn't enjoy it quite as much. Still, it has a swift plot, with plenty of twists and turns to keep the action going. Character development doesn't suffer - familiar cast members are explored more fully, while new ones contribute local color and intriguing subplots. The majority of the book takes place in the land of Inkheart, which gives the book a fun, magical setting. In fact, I only have two beefs with the book: (1) My favorite character, Elinor, spends most of the book locked in her cellar. Although she is with Darius, nothing develops, and not much happens, and (2) I didn't like the ending. I can't explain without giving things away, but I just wasn't satisfied. There is another book coming out, so maybe it will tie up all the loose ends, but still ... the book's conclusion just didn't sit right with me. Other than that, it was a fun, fast-paced read.
Grade: B
A Meme and A Giveaway
The Rules:
1) Pick up the nearest book (of at least 123 pages)
2) Open the book to page 123
3) Find the fifth sentence
4) Post the next three sentences
5) Tag five people
Okay, so the closest book to me is Inkspell by Cornelia Funke. The fifth sentence is not a very exciting one - "Orpheus did not look at him." The next three sentences are: "He straightened his jacket in embarrassment and inspected Elinor's bookshelves. 'Hey, just look at him!' Basta dug his elbow roughly into Orpheus' ribs."
The funny thing is, this book has plenty of great quotations about books and reading ... this just wasn't one of them! LOL.
I really hate tagging people, but I also hate not following the rules, so here goes ... I tag Megan, Karlene, Joy, Pour of Tor and Robin. Thanks for playing along, everybody!
The Boy Who Loved Anne Frank: A Novel of Remembering and Forgetting

Repent! And Read This Romantic Classic.

As the title suggests, the book follows the life of one Jane Eyre. When we first see her, she is curled up on a window seat trying to lose herself in a book. Escape into her imagination is her only retaliation against the cruel blows life has dealt her. After her parents' deaths, Jane was sent to live with The Reeds - her aunt, uncle and three cousins. Now widowed, Mrs. Reed has become an indulgent bore who treats Jane as little better than a servant. Her son, the sadistic John, tortures Jane with physical blows, while his sisters tolerate her with haughty indifference. Even the servants believe she is a "mad cat" (11).
Some respite comes in the form of bemused Mr. Lloyd, who encourages Mrs. Reed to send Jane to a school for poor girls. When the school's director poisons the other girls against Jane, she fears she will not survive the experience. She does, however, and soon finds herself qualified to work as a governess in one of England's grand old homes. Soon, she is the employee of Mr. Edward Rochester, the absentee owner of Gateshead. Her charge is Sophie Varens, a precocious child of 7 or 8, who has become Mr. Rochester's ward in the wake of her mother's death. Jane enjoys her student and her associations with the kindly servants of Gateshead. Only one thing mars her experience - she keeps hearing strange noises at night. The other members of the household dismiss it as the odd habits of servant Grace Poole, but Jane's suspicions are aroused. The strange occurrences aside, Jane feels content at Gateshead.
When Jane meets Mr. Rochester by chance, her world changes once again. Despite his oddities, she falls in love with him. Jane knows she is not attractive, but Mr. Rochester seems to appreciate her intelligence and wit. Still, his flirting with a beautiful, if shallow, society woman convinces her that he has better prospects. Finally, the unlikely romance blossoms into marriage, but a shocking revelation halts the happy proceedings. The mystery of Gateshead is finally solved, but Jane's heart is shattered.
Shamed, Jane flees to a distant town, where she begins life anew. This journey will bring her joy and despair - as well as another marriage proposal - but she can't seem to forget Mr. Rochester. The conclusion of the book begins with a Jane in turmoil, caught between two men and two very different futures. Will she abandon her desire for Mr. Rochester to pursue a life of missionary service? Or will she risk it all for the man she loves?
Call Jane Eyre what you will - sentimental, predictable, sappy - but it's a thoroughly charming novel. The voice of our heroine is brave, honest and determined. Even though the novel is essentially a love story, it's not all bubbles and roses. Its themes travel various paths, hitting on passion, moral choices, marital responsibility, duty to God, women's rights in the stifling Victorian period, etc. Hailed as revolutionary for its time, Jane Eyre endures because it's still relevant today. Besides all those noble things, it's simply a good story. It's readable, romantic and utterly enchanting. If you - like me - have committed the sin of not reading this book, repent now. You won't regret it.
Grade: A+
(Book image is from Modern Library)


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