Twenty years ago, two frustrated American writers found each other in Italy and fell in love. They married, forming a romantic partnership at the same time they began co-writing what would become a popular, bestselling murder mystery series. Two decades later, Thea and Fred Morgan-Lane are flying back to the place where they met to participate in a writers' conference. They should be anticipating a romantic, nostalgic trip into the past, but the couple has not lived together in six years; they're keeping up the image of a happy marriage only to appease their fans. In fact, Thea is working up the courage to confront Fred about ending not just their long-running book series, but also their sham of a marriage. 

Amid the usual dramas of a writers' conference—intrusive super fans, jealousies between authors, exhausting social engagements, and more—guests are abuzz about the treasure hunt that's been planned in the medieval castle-turned hotel where the conference is being held. Rumors of a real treasure have always circled about the centuries-old edifice, but Thea—a medieval scholar—strongly doubts it ever existed. When a shocking death occurs on the first night of the conference, it commands everyone's attention. The next dead body confirms that there is a killer at the event, and they're using one of Thea and Fred's books as a blueprint for murder. Under suspicion themselves, the warring couple finds themselves reluctantly working together to unmask the true murderer. Can the duo that solves crimes so successfully on the page unmask a real-life killer? Or will they become the next victims?

Carol Goodman is one of my go-to mystery/thriller authors. Her books feature atmospheric settings, complicated relationships, and twisty plots. Our Marriage is Murder, her latest, which comes out today, is no exception. It does differ from her previous novels; between its tongue-in-cheek title and its lighter tone, it has the feel of a cozy, although it's still darker and more violent than most books in that genre. Our Marriage is Murder is actually a mash-up of genres: it's a little bit mystery/thriller, a little bit cozy, a little bit Indiana Jones-style action/adventure, and a little bit second-chance romance. These extra elements give the story more oomph, which is needed because the tale does get slow in places. It's also pretty predictable. The ending, however, is perfect, with some thrilling scenes and a satisfying conclusion. 

The characters are a bit skimpy in the depth and complexity departments. Thea is sympathetic, but she's also rather self-centered and a little cold. Fred is more dynamic, but he's also less likeable. Nevertheless, I was rooting for the couple to work things out, both professionally and personally. Even though I don't read much romance, I always want a nice HEA to look forward to. I prefer a realistic one and, like I said, I enjoyed the way Thea and Fred's story wraps up. 

Our Marriage is Murder isn't my favorite of Goodman's novels, but I enjoyed it overall. It kept me entertained, although it was only in the last 1/3 or so that I found it unputdownable. Still, it's a solid read that shows Goodman's flexibility as a writer. I'm excited to see what she does next.

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Do you have certain time periods or places that you avoid in your reading?  Settings that, for whatever reason, just don't really appeal to you?  I for sure do.  Ancient Rome being one of them, I was naturally reluctant to give Jennifer A. Nielsen's middle grade Mark of the Thief series a go.  If it hadn't been for a book award gig I'm involved in, I probably would not have bothered.  In an effort to do a thorough judging job, however, I read not just the latest and greatest book in the trilogy, but also the first two.  And you know what?  Overall, I enjoyed them.
Nic Calva is no longer a slave, but he's still very much trapped.  With the power of the gods running through his veins, he's become a pawn in the war over Rome.  The Praetors, a secretive group determined to possess Nic's magical amulet, won't leave him alone.  With his mother in their possession, Nic can't afford to ignore their threats.  Finally, he makes them an offer they can't refuse—Nic will enter a chariot race, competing against the area's best riders and using no magic.  If he wins, the Praetors release his mother and let Nic go free.  If he loses, he will give up the powerful amulet so tenaciously sought after by the Praetors.  With very little experience driving a chariot, Nic has everything to lose.  Even with loyal friends by his side, it's a race that can't be won, especially since he insists on playing fair, a vow his competitors certainly won't honor.  Does Nic have even a sliver of a chance?  Or will he lose everything on a foolish gamble he never should have taken?

Claire Raythorn is a YouTube sensation.  And not in a good way.  Having witnessed her filmed reaction to the most humiliating moment in her life, the whole world seems to be laughing at Claire.  Humiliated by the video and grieving her beloved Grammy, the 28-year-old is determined to rebuild not just her life but also her reputation.  With that goal firmly in mind, she arrives in Italy ready to take on a challenging new work project.  

As emotionally draining as the past little while has been for Claire, she hasn't suffered any kind of mental breakdown.  Not that she knows of, anyway.  So why is she seeing a Mr. Darcy-like man in the background of every photo she takes in Florence?  She knows he's not really there.  What is he, then?  A ghost?  A figment of her imagination?  An obvious sign that she should check herself into the nearest mental hospital?

The last person she expects to help explain the inexplicable is Dante D'Angelo, an Italian colleague and competitor.  He might be undeniably gorgeous, but he's also a hack.  Claire wants nothing to do with him, so why is she so drawn to the enigmatic Italian?  And why does he believe her Mr. Darcy visions are not just legitimate, but also important?  Who is Dante, really?  What does he know about the strange things that are happening to Claire?  Most importantly, how does he explain the fierce—almost unearthly—attraction they feel toward one another?  Unbeknownst to Claire, theirs is a love story two hundred years in the making ...

Gladly Beyond, the first book in a new trilogy by Nichole Van, is not the sort of book I would have picked up all on my own.  Soulmates-searching-for-each-other-repeatedly-throughout-time stories are a dime a dozen and not really my bag.  However, since I needed to read the book's sequel for the Whitney Awards, I decided to give Gladly Beyond a go first.  Spoiler alert: I shouldn't have bothered.  For one thing, I didn't care at all for Claire.  I can't quite put my finger on why, but I really didn't give a fig about her.  That made it difficult to care about the story, which is looonnnggggg.  Way too long.  Melodramatic and clunky, it makes for a dull, endless slog.  If I hadn't been planning to read its sequel, I wouldn't have made it past the first couple chapters of Gladly Beyond.  It just did not capture my fancy at all.  That being said, I liked Van's voice and overall writing style.  This particular story, though, was way too loquacious, way too generic, way too forgettable.  Although I liked its sequel much better, I never would have picked it up based on Gladly Beyond.  Sad but true.

(Readalikes:  Love's Shadow by Nichole Van; also reminds me of Transcendence by C.J. Omololu; The Time Traveler's Wife by Audrey Niffenegger; and the t.v. show DC Legends of Tomorrow)

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