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2026 Bookish Books Reading Challenge (hosted by Yours Truly)

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2026 Cover Lovers Reading Challenge (hosted by Yours Truly)

2026 Cover Lovers Reading Challenge (hosted by Yours Truly)

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2026 Historical Fiction Reading Challenge

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Dragon Rambles' Law of Fives Bingo

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2026 Pioneer Book Reading Challenge

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Showing posts with label Mental Illness. Show all posts
Showing posts with label Mental Illness. Show all posts
Thursday, January 19, 2023

Nellie Bly: A Fascinating Trailblazer in Any Genre

(Image from Barnes & Noble)

"After all, what was sanity, except being able to contain the madness inside you?" (178)

If you know anything about Nellie Bly, it's probably that she was an intrepid newspaper reporter who went undercover at a mental institution on Blackwell's Island in New York City in 1887. That stunt alone was enough to make her famous. It also says a great deal about who she was, what she cared about, and how far she was willing to go to not just make a name for herself but also to create a better world for those she considered underprivileged and underserved. Just from this scant amount of information, it's easy to see that Bly was a fascinating person who lived an interesting life. No wonder I wanted to know more about her!

When I first heard about Madwoman by Louisa Treger, I thought it was a biography of the well-known journalist. Turns out, it's a novel—just one that feels very much like a biography. I don't have a problem with either genre, of course, but I would have preferred to read either a novel or a biography, not a mash-up of both that left me wondering what was true and what wasn't. Despite Madwoman's rather lackluster storytelling, though, I did find myself hooked. Bly's story is that compelling.  

Although Treger spends a few chapters on Bly's upbringing (which was fairly uneventful until her beloved father died and her mother married an abusive alcoholic), Madwoman focuses almost entirely on the reporter's experience on Blackwell's Island. The events leading up to her investigation show her pluck and her determination to be something extraordinary—a female journalist writing hard news—at a time when women reporters were almost unheard of, even in New York City. Those who were in the industry wrote only about safe, feminine subjects like cooking, cleaning, and fashion. Bly wanted more. By using courage and ingenuity, she infiltrated an esteemed institution almost entirely on her own, ushering in an era of bold, creative investigative reporting that hadn't been seen before. Her experience at the asylum was harrowing, naturally, but her observations of how cruelly patients were treated there helped change the way mental institutions cared for those confined within. 

Treger's prose is matter-of-fact and rather flat, but as I said, I still found myself caught up in Bly's story. Even though I knew she only ended up spending ten days in the asylum before her rescue was organized by executives at the New York World newspaper, I nevertheless worried for her. Treger did an excellent job of making her days in the grim institution feel as endless, dangerous and hopeless as they no doubt were. 

Madwoman is wrapped up with a few chapters about the aftermath of Bly's incredible stunt. Not only does Treger describe the public's eager fascination with Bly's resulting articles, her subsequent fame, and the change that was wrought because of her investigation, but she also talks about the toll those ten days in the asylum took on Bly both physically and emotionally. "She had faked madness to get into the asylum," writes Treger. "Now she was out of it, she must fake sanity" (234). The question at the heart of Madwoman is clear: How can anyone, no matter how sane or insane they are upon entrance, leave such a place after having been treated so horribly, with their mental faculties intact? 

I found Madwoman fascinating, but it did leave me wondering which parts of the story were true and which weren't. I also wanted to know what happened to Bly next. Did she continue taking on (or inventing for herself) dangerous assignments? What else did her long career in journalism accomplish? These questions led me to Ten Days a Madwoman by Deborah Noyes, a biography intended for middle-grade readers that covers Bly's whole life in 122 focused, informative pages (the title is misleading since the book only spends a few chapters on Bly's experience in the asylum). Honestly, since I got the information I wanted from Ten Days a Madwoman, I probably could have skipped Madwoman altogether, although it was interesting to compare/contrast the two books. Despite reading both, my desire to know more about Bly has not been entirely satiated. At some point, I still plan to read The Mad Girls of New York by Maya Rodale, Eighty Days: Nellie Bly and Elizabeth Bisland's History-Making Race Around the World by Matthew Goodman, and Ten Days In A Mad-House by Nellie Bly herself. 

Am I the only one fascinated by this fearless history-maker? Which books have you read and loved about the incredible Nellie Bly?

(Readalikes: Reminds me of Ten Days a Madwoman by Deborah Noyes and The Woman They Could Not Silence by Kate Moore as well as novels about mental asylums in 19th Century America, like Girl 99 by Greer MacallisterA Madness So Discreet by Mindy McGinnis, etc.)

Grade:


If this were a movie, it would be rated:


for language (1 F-bomb, plus milder invectives), violence, and disturbing subject matter

To the FTC, with love: I bought a copy of Madwoman with a portion of the millions I earn from my lucrative career as a book blogger. Ha ha.

Thursday, December 05, 2019

Newest Not My Favorite Kelly Novel, But Still An Engrossing Page-Turner

(Image from Barnes & Noble)

Sometimes reinventing the wheel by writing my own plot summaries for the books I review doesn't make any sense, especially when a novel's back cover copy describes it in a way that's both succinct and brilliant.  Such is the case with Stone Mothers, the newest thriller from British crime writer Erin Kelly.  Check it out:

You can't keep the secret.

You can't tell the truth.

You can't escape the past...

Marianne was seventeen when she fled her home in Nusstead – leaving behind her family, her boyfriend, Jesse, and the body they buried. Now, thirty years later, forced to return to in order to help care for her sick mother, she can feel the past closing around her. And Jesse, who never forgave her for leaving in the first place, is finally threatening to expose the truth.

Marianne will do anything to protect the life she's built, the husband and daughter who must never know what happened all those years ago. Even if it means turning to her worst enemy for help... But Marianne may not know the whole story – and she isn't the only one with secrets they'd kill to keep.

I find books about the early treatment of mental illness both fascinating and horrifying.  Even if I hadn't already been a fan of Kelly's, then, I would have been eager to read Stone Mothers.  Turns out, this isn't my favorite of the author's books.  Still, as with all of Kelly's work, this one kept me burning through pages to see what would happen next.  The characters are complex and intriguing, the plot is fast-paced but contemplative, and the vibe is gothic and eerie.  With plenty of twists to keep things interesting, Stone Mothers is definitely an engrossing page-turner.  It's also sad, depressing, and not my favorite Kelly novel.  Overall, though, I enjoyed it.

(Readalikes:  Reminds me of The Other Mother by Carol Goodman; Woman 99 by Greer MacAllister; and a little of The Bright Unknown by Elizabeth Byler Younts)

Grade:


If this were a movie, it would be rated:


for language, violence, sexual innuendo/content, and disturbing subject matter

To the FTC, with love:  Another library fine find
Saturday, November 09, 2019

Younts' Newest Thought-Provoking, Faith-Affirming, and Hope-Filled

(Image from Barnes & Noble)

Brighton Friedrich has never lived in a real home and has no idea what "normal" family life looks like.  Born at Riverside Home for the Insane to a single, catatonic mother, she has lived in the facility ever since.  Cared for by a nurse who has educated and reared her on the sly, Brighton has grown up feeling loved, but the older she gets, the more trapped she begins to feel.  Along with her best friend—an albino who didn't have a name before she dubbed him "Angel"—Brighton longs to break free of the asylum and experience the world outside its gates.  When she learns that her beloved "Nursey" has been keeping secrets about both her and Angel, Brighton no longer feels as if she has a choice.  She and Angel have to leave Riverside.  No matter what.

Completely unprepared for life on the outside, Brighton and Angel must find their way in a strange and terrifying new world.  As they stumble along a perilous path from Pennsylvania to Michigan, they will find adventure, danger, and other heartbreaking obstacles that put their friendship to the ultimate test.  Can two misfits who have never known "normal" find the answers they seek in a hostile world that threatens to tear them apart at every turn?

Ever since I read The Solace of Water last year, I've been a big fan of Elizabeth Byler Younts.  Raised in an Amish community, which she remains close to even though her family left the faith when she was a child, Younts has written a handful of lovely, authentic, faith-promoting books featuring Amish characters.  The Bright Unknown is a bit of a departure (although an Amish family does have a small cameo in the novel), but it still showcases Younts' trademarks—lush prose, sympathetic characters, and a gentle tone that makes her stories shine with empathy, humanity, and heart.  As heartbreaking as this tale is, it's also thought-provoking, faith-promoting (without being heavy-handed or cheesy), and hope-filled.  I adored it.

(Readalikes:  Hm, I can't think of anything.  Can you?)

Grade:


If this were a movie, it would be rated:


for violence and disturbing subject matter

To the FTC, with love:  I received an e-ARC of The Bright Unknown from the generous folks at Thomas Nelson via those at Celebrate Lit in exchange for an honest review.  Thank you!

--


Want other opinions on The Bright Unknown?  Follow along on the book's blog tour, hosted by Celebrate Lit, by clicking the links below:

The Power of Words, November 2
A Reader’s Brain, November 2
Inspired by fiction, November 3
Fiction Aficionado, November 4
Genesis 5020, November 4
janicesbookreviews, November 5
All-of-a-kind Mom, November 5
The Becca Files, November 7
Bigreadersite, November 7
Connect in Fiction, November 8
Moments, November 9
Simple Harvest Reads, November 10
Betti Mace, November 10
Pause for Tales, November 11
Inklings and notions, November 11
Mary Hake, November 11
Texas Book-aholic, November 12
Hallie Reads, November 12
For Him and My Family, November 13
Remembrancy, November 14
mpbooks, November 14
Godly Book Reviews, November 15
Thursday, May 23, 2019

Historical Insane Asylum Novel Heartbreaking, But Hopeful

(Image from Barnes & Noble)

As the daughter of a wealthy San Francisco businessman, Charlotte Smith knows exactly what's expected of her.  She's to conduct herself as a refined young lady ought, marry the man her parents select, and hold her tongue should she have any complaints.  Charlotte's prepared to follow the predictable course set out for her life—until her beloved older sister is sent away.  Phoebe might be a little different, but Charlotte knows she doesn't belong at Goldengrove, "a Progressive Home for the Curable Insane."  Determined to rescue Phoebe, Charlotte schemes to get herself sent to Goldengrove.  Shocked by the deplorable conditions at the hospital and the horrifying treatments forced on the patients, she vows to get both herself and her sister out.  But that's not nearly as simple as it may seem ...

Both heartbreaking and hopeful, Woman 99 by Greer Macallister shines a harsh light on the misunderstanding and mistreatment that characterized mental health "care" in the late 19th Century.  Depictions of life inside Goldengrove are graphic enough to make a point, but not so explicit as to elicit more than a PG-13 rating.  Still, this is an eye-opening, thought-provoking novel.  It's peopled with a host of "inconvenient" women who are brave, loyal, and compassionate.  While I liked the premise of Woman 99 and its cast, I didn't end up loving the book.  Macallister's prose is clunky, more tell than show, and the story wraps up in a way that feels convenient and inauthentic.  Overall, then, I didn't adore this one like I thought I would.  It's still an engaging read, just not as satisfying as it could have been.

(Readalikes:  Hm, I can't think of anything.  You?)

Grade:


If this were a movie, it would be rated:


for language (no F-bombs), violence, and disturbing subject matter

To the FTC, with love:  Another library fine find
Friday, March 15, 2019

YA Romance-Made-in-the-Psych-Ward Novel Teaches Important Lessons

(Image from Barnes & Noble)

When Addie Foster's obsessive tics and lengthy routines become too debilitating, the 17-year-old is admitted to the psych ward of a Seattle hospital to get help with her OCD.  Surrounded by a group of teens battling schizophrenia, severe depression, delusions, and more, life at the facility is never boring.  Addie is especially taken with Fitz, a boy her age who's smart, funny, and brave.  Even though he's constantly fighting with the voices inside his head, Addie feels like Fitz is the only person who's ever really gotten her.  A teenage romance kindled in the psych ward is not likely to go anywhere, but Addie doesn't care—she's just grateful to have a true friend on the inside.

Then Fitz asks Addie to help him break out of the hospital.  For reasons he won't explain, Fitz insists he has to go to San Juan Island and it has to be now.  Addie understands obsessions, but she's not too keen on breaking out, especially when she's finally making progress with her OCD.  Still, she can't deny her new pal (who is maybe becoming more than a friend), so a plan is hatched ... Will it work?  What will happen when the pair is on the outside trying to make important decisions without their medication, their doctors, or their hospital friends?  Can their lives—their romance—ever really work outside the psych ward?

Waiting for Fitz is a debut novel by Spencer Hyde, a college professor who spent three years of his adolescence at Johns Hopkins being treated for severe OCD.  His experience makes the book feel authentic.  It also colors his fictional treatment of mental illness—he normalizes the issue without ever trivializing it.  Hyde's sympathetic view helps the reader see the patients in his novel (and thus their real-life counterparts) as teens who are just like everybody else, even as they deal with unique problems.  He preaches hope for those with mental illness, encouraging them to never, ever give up. 

Addie and Fitz are likable leads, although they are definitely not your average high schoolers.  They're old souls whose unusual interests will probably not resonate with most young adults.  While these oddities may alienate teen readers, it does keep the characters' developing relationship ... interesting.  That being said, the first half of Waiting for Fitz really dragged for me.  There's a lot of talking and philosophizing to wade through without much action to perk up the plot.  In fact, the plot doesn't even really start until the middle of the book, which is (not) coincidentally when the story really begins to get engaging.  The problem, I think, is that Addie has no real story goal so she doesn't do much, especially in the book's initial chapters.  Fitz is the star of the show, making Addie's role in the story kind of murky.  Despite the action picking up in the second half of Waiting for Fitz, I ended up not loving the novel.  I did care about the characters and became invested enough in them to finish the book.  All in all, though, this was just an okay read for me.


Grade:


If this were a movie, it would be rated:


for violence and mild sexual innuendo

To the FTC, with love:  I received a finished copy of Waiting for Fitz from the generous folks at Shadow Mountain in exchange for an honest review.  Thank you!
Friday, January 09, 2015

Sequel Not As Powerful As Predecessor, But Still Enjoyable

(Image from Barnes & Noble)

(Note:  While this review will not contain spoilers for Just Call My Name, it may inadvertently reveal plot surprises from its predecessor, I'll Be There.  As always, I recommend reading books in a series in order.)

With his violent, schizophrenic father behind bars, 17-year-old Sam Border can finally take a breath.  At long last, he can live the normal life he's always dreamed of.  It's a good life, too.  He's enrolled in school; dating sweet, pretty Emily Bell; and watching his autistic younger brother blossom under Emily's mother's care.  That's a Happily Ever After in Sam's book.  

Then, he meets Destiny Verbeck, a vivacious mystery girl who cashiers at a variety shop near the restaurant where Emily works.  Sam recognizes in Destiny a kindred spirit, someone who, like him, has lived a rougher life than Emily could possibly imagine.  The closer he gets to Destiny, the more distant he feels from Emily.  Sam doesn't want to lose her, but something in him refuses to believe someone as innocent and pure as Emily could really want someone like him

In the midst of their relationship trouble comes the last person either one of them expects to see outside a jail cell.  Clarence Border is out and looking for revenge.  Can anyone survive his deadly wrath?  Can Sam and Emily overcome all the odds stacked against them and finally be left in peace to pursue the love that keeps them glued together?  Or will they be torn apart by Clarence or Destiny or both?  

After reading (and loving) I'll Be There by Holly Goldberg Sloan, I couldn't wait to dive into its sequel, Just Call My Name.  Even though the first book wrapped up to my satisfaction, I still wanted to check in on Sam, Riddle, and Emily.  That's how deeply they were lodged in my heart!  Just Call My Name starts off pretty tame.  The conflict with Destiny feels forced and gets really irritating really fast.  I was glad when the action picked up in the second half of the novel, perking up the story significantly.   The tense, adrenaline-fueled ending definitely made up for a slower beginning.  In the end, I didn't adore Just Call My Name like I did I'll Be There, but I did enjoy it.  If you like compelling heart-tuggers that are a little outside the norm, give these two books a go.  You won't regret it.

(Readalikes:  I'll Be There by Holly Goldberg Sloan; also reminds me a bit of The Impossible Knife of Memory by Laurie Halse Anderson)  

Grade:


If this were a movie, it would be rated:


for brief, mild language (no F-bombs), violence/gore, and sexual innuendo/content

To the FTC, with love:  Another library fine find

Tender, Touching I'll Be There Should Not Be Missed

(Image from Barnes & Noble)

Thanks to his erratic, nomadic father, 17-year-old Sam Border wouldn't recognize a stable family life if it alighted on the end of his nose.  He does his best to protect his odd little brother from harm, but Sam knows Rudolph ("Riddle") deserves better than their itinerant existence.  With their father always on the run from the law, the boys have never stayed in one place long enough to put down roots.  Sam longs for a normal life, one that includes school, friends, and safety for both himself and Riddle.  Especially Riddle, who's always silent, always sickly, always starving.    

When the boys manage to break away from their father, they're in even more danger than usual.  They can't attract any unwanted attention.  That plan goes awry as soon as Sam meets the The Bell Family in a small Oregon town.  He's attracted to 17-year-old Emily, not just because she's pretty, but also because she's kind.  Her close-knit family exudes the kind of warmth and love Sam and Riddle have never known.  Sam can't explain to her what the boys' life has been like—she wouldn't understand.  At all.  He keeps his secrets close to his own heart, even as he gives it, piece by broken piece, to Emily.

Just when it looks like Happily Ever After has come along to save the boys, their father, Clarence Border, returns with a vengeance.  No one is exempt from his wrath, especially not Sam and Riddle, whose betrayal Clarence will never forgive.  How will they survive—how does anyone survive—when hope has been so cruelly snatched away?

I'll Be There, Holly Goldberg Sloan's debut novel, is an unforgettable tale that stretches across genre borders.  It's a family drama, a romance, and a survival story all rolled up into one well-rounded story.  The characters come alive, the plot speeds along at a breathless clip, the prose sings with lyrical, luminous beauty—seriously, what's not to like here?  Compelling and unique, I'll Be There is a tender, touching novel that quite simply should not be missed.  In case you can't tell, I loved it.  

(Readalikes:  Just Call My Name by Holly Goldberg Sloan; also reminds me a bit of The Impossible Knife of Memory by Laurie Halse Anderson)

Grade:


If this were a movie, it would be rated:


for language (no F-bombs), violence, and sexual innuendo

To the FTC, with love:  Another library fine find
Monday, August 13, 2012

Compelling Mind-Bender My Favorite Wells Book Yet

(Image from Barnes & Noble)

When 20-year-old Michael Shipman wakes up in a hospital bed, he's confused.  He can't remember where he's been for the last two weeks or why he now needs medical care.  Vague images of an empty, hollow city are the only memories swimming through his muddled mind.  Michael has no idea what happened to him, but he knows who's responsible—Them.  Of course, the doctors don't believe in Them.  They might even be Them.  He can't trust his medical team any more than he can trust anyone.  His best bet is to convince the doctors he's healthy and get the heck out of Dodge.

But, Michael's not going anywhere.  Especially not after the authorities name him as a suspect in a string of grisly murders in the Chicago area.  Michael can't remember killing anyone, but then, he can't remember not killing anyone either.  The voices in his head say he couldn't have harmed another person.  They say lots of things, not all of which are real.  In fact, the longer he stays in the mental hospital to which he's now confined, the less anything makes sense at all.

In his heart, Michael knows he's not a killer.  And yet, he's pretty sure his alarm clock will attack him if he doesn't keep it covered.  What is real?  What's only true in his head?  In order to save himself, Michael must figure it out before he's condemned to a lifetime of incarceration in a mental hospital—or worse.

The Hollow City, the newest adult novel by horror writer Dan Wells, is a riveting mind-twister.  I don't want to spoil it by saying too much, so I'll just tell you that I loved this entertaining psychological/supernatural thriller.  To me, it's more compelling, more entertaining, and a whole lot less gruesome than Wells' John Cleaver series.  I may be in the minority here, but I really think The Hollow City is Wells' best novel to date.   It's my favorite, anyway.  

(Readalikes:  Reminds me a little of Dan Wells' John Cleaver series [I Am Not A Serial Killer; Mr. Monster; I Don't Want to Kill You] and a teensy bit of Before I Go To Sleep by S.J. Watson)

Grade:  B+

If this were a movie, it would be rated:  PG-13 for mild language (no F-bombs), violence/gore and disturbing subject matter

To the FTC, with love:  I received a finished copy of The Hollow City from the generous folks at Tor/Forge.  Thank you!

**Don't forget that you can win yourself a copy of this excellent psychological/supernatural thriller.  Click here to enter the giveaway.  It ends on August 15th, so don't delay!         
Thursday, December 08, 2011

Small As An Elephant Another Poignant Portrait of Parental Mental Illness

(Image from Barnes & Noble)

Of all the crazy ideas his mother's had during her "spinning" times, 11-year-old Jack Martel likes this one best of all. Not only does he get to spend the last weekend before school starts camping in Acadia National Park with his mom, but he also gets to take an elephant ride at the famous York's Wild Kingdom on the way home to Boston. For a pachiderm-lover like Jack, it sounds like the perfect vacation. And it is. Until the second day, when Jack crawls out of his tent to find his mother gone, along with the small tent she was sleeping in and the rental car they drove to Maine. Any other kid would freak. Not Jack. He's not like other kids. And his mom? She's definitely not like other moms.

Jack's spent plenty of time fending for himself, but usually he waits out his mother's manic phases in the safety of their Jamaica Plain apartment. This time, he's in a whole different state, miles and miles from home. He knows he should call the police; he also knows what will happen if he does. Despite his mother's ping-ponging moods, Jack doesn't want to be taken away from her. If he doesn't want to end up living with his gradma, Jack has to find his mom before anyone realizes she's abandoned him. No problem - he just has to search the entire state of Maine for a blonde-haired, blue-eyed crazy woman.

As Jack traces the sightseeing route he and his mom planned to take, with only a small, plastic elephant for company, he has to battle loneliness, hunger, thirst and fatigue. Not to mention fear. Surviving on his own is tougher than he ever imagined it could be, especially with the whole state of Maine on the lookout for a missing boy. Determined to complete his quest, Jack keeps moving, all the while asking himself some tough questions: How can his mom say she loves him when she keeps disappearing like this? Does it take more than just love to make a good parent? And what does it mean to be a good son? Should he protect his mother? Or get her the help she needs, even if it means he never gets to live with her again? As he examines his own heart and conscience, Jack will learn some big lessons - about family, about fear and about facing the truth, no matter how heartbreaking.

While not as heavy-hitting as other novels on this subject, Small As An Elephant by Jennifer Richard Jacobson, offers another poignant portrait of what it means to be a child dealing with a parent's mental illness. Although the story definitely deals with an emotional hardship, Jack's physical struggle for survival will make the book especially interesting to younger readers. I didn't find it mind-blowing or anything, but I enjoyed this middle grade novel about a resillient young boy's journey to find his mother and, ultimately, himself.

Grade: B-

If this were a movie, it would be rated: PG for intense situations

To the FTC, with love: I received a finished copy of Small As An Elephant from the generous folks at Candlewick Press. Thank you!

Wednesday, November 30, 2011

Normal: It's All Relative

(Image from Barnes & Noble)

Addison Schmeeter knows what normal is. Or maybe she doesn't, but at least she knows what it's not. It's not a mom leaving her kids for nights on end without letting them know where she is or when she'll be home. It's not a mom refusing to get out of bed for a week. It's not a 12-year-old doing all the cooking, cleaning, and shopping. It's not a parent acting like a child. The way Addie and Mommers live - nothing about it is normal. Addie knows their situation's unconventional (to say the least); she also knows she can't tell anyone about it, not if she wants to avoid ending up in foster care. Besides, Mommers needs her. Addie can't abandon her mother, no matter how crazy Mommers acts sometimes.

So, Addie hides the truth about her mother's violent mood swings - from her teachers at school, from her grandfather, and from her new friends across the street. Only Addie's ex-stepfather knows how bad Mommers gets sometimes, but no matter how hard he tries, he can't really help Addie. She knows he'd take her to live with him and her little half-sisters if Mommers would let him, but she won't. No way. She hates Dwight. And since he's not Addie's biological father, he can't legally force the issue. So Addie waits. And waits. For normal to make an appearance in her increasingly wonky life.

At least, Addie's in a new neighborhood, attending a new school. No one in this part of Schenectady knows her or Mommers. It's easier to hide. Until things get complicated. Suddenly, along with daily survival in an always-unpredictable home, Addie's got to deal with a friend's devastating secret, Dwight's new romance, and the intense stage fright that grabs hold of her every time she thinks about her upcoming violin solo. She'll have to face it all, while, at the same time, trying to predict what her mother will do next, where she will (or will not) show up, and how she's going to keep Mommer's erratic behavior a secret from prying eyes.

Although not as hard-hitting as other novels about children dealing with a parent's mental illness, Waiting for Normal is nonetheless affecting. The 2009 Schneider Family Book Award Winner by Leslie Connor takes a poignant look at one girl's brave fight for normality despite living with a mother whose manic-depression makes her life anything but. While I didn't love the book, I do think it's a well-written story about an important issue.

(Readalikes: Reminded me of Miles From Ordinary by Carol Lynch Williams, You Are My Only by Beth Kephart, and Small As An Elephant by Jennifer Richard Jacobson, and A Blue So Dark by Holly Schindler)

Grade: C

If this were a movie, it would be rated: I waffled between PG and PG-13, but finally settled on the latter because of mild langauge, intense situations, candid discussions of female issues associated with puberty and references to homosexuality.

To the FTC, with love: I received a finished copy of Waiting for Normal from the generous folks at Katherine Tegen Books (an imprint of Harper Collins). Thank you!

Wednesday, November 23, 2011

You Are My Only Moving Story About Strength, Resilience

(Image from Barnes & Noble)

Sophie Marks doesn't want much really, just the things the average 14-year-old takes for granted: school, friends, laughter, an occasional trip to the mall or the movies. It's so little to wish for, but Sophie knows she'll never get any of those things. Not as long as she lives with Cheryl Marks. Her mother is so afraid of the outside world, so paranoid of what she calls the "No Good," that she refuses to leave the house any more than she absolutely has to. Since Sophie doesn't work or go to school, she's never allowed to stray outdoors. Her mother insists she remain inside, with the door locked and the shades drawn against prying eyes. Sophie obeys, as she always has, because it's the only way to keep her mother calm. But she can't stop hoping, wishing things were different.

As isolated as the Marks' new rental home is, it's not the only one hidden back in the woods. When Sophie spies a boy about her age playing outside with his dog, the urge to reach out to him is so strong that she does the unspeakable - she talks to him. Soon, she's creeping outside to play baseball with him. Then, she's sneaking over to the house where Joey Rudd lives with his two aunts. Their home life seems so sweet, so normal, that lonely Sophie can't stay away. She has to be extra careful, though - if her mother knew she was consorting with strangers, Cheryl would pack up their meager belongings and drag Sophie onto the next train out of there.

Sophie's small rebellion sparks a curiosity she's never felt before. Now, she's wondering about her mother: Why is Cheryl so afraid? As she sifts through the few momentos her mother's kept from their life together, Sophie discovers a shocking truth, one that has her questioning everything she's ever known to be true.

The premise of You Are My Only, a new YA novel by Beth Kephart, intrigued me from the moment I heard about it. The novel's execution, unfortunately, doesn't quite live up to its potential. Still, I enjoyed this bittersweet story about the awakening of a girl whose spirit refuses to be broken, no matter what. It's a tale about desperation, fear, hope and, ultimately, healing. The book's not as affecting as similar titles (Miles From Ordinary by Carol Lynch Williams, say), but it's definitely a moving novel that shows how damaging a parent's mental illness can be for a child. Our heroine's bravery, though, teaches a more powerful lesson, one that celebrates the strength, resilience and courage shown by all the real-life Sophies who struggle with this problem every single day. and, somehow, manage to survive

Grade: B-

If this were a movie, it would be rated: PG-13 for language (no F-bombs) and mature themes/situations

To the FTC, with love: Another library fine find

Thursday, September 01, 2011

Haunting Miles From Ordinary Another Heavy Hitter From Carol Lynch Williams

(Image from Indiebound)

Ordinary is working a summer job - without spending every second wondering if your mother will be okay in your absence. Ordinary is going to school - without agonizing over whether or not she'll show up in your classroom wearing only her pajamas. Ordinary is mother/daughter bonding time at home - without the interference of your dead grandaddy. Life for 14-year-old Lacey Mills is so out of whack, it's miles and miles and miles from ordinary.

Lacey has only one hope for this summer: to find a friend. Just one single, solitary friend. Thanks to her mother's illness, everyone at school already thinks Lacey's a freak. And no one will come near the Mills' house after what happened the night Laurel slept over. But, maybe, maybe, Lacey's new job at the Peace City Library will produce the kind of bosom buddy she longs to have in her life. And maybe her mother's first day as a cashier at Winn-Dixie will turn into weeks and months and years of a normal adult going to a normal job acting like a normal parent. Maybe.

As Lacey watches her mother get off the bus at Winn-Dixie, she's filled with trepidation and a cautious hope. The day holds such possibility for both of them. With gorgeous Aaron Ririe flirting with her on the bus, it seems like all Lacey's dreams are about to come true. Then it takes a terrifying turn for the worse and, once again, Lacey's wishes take a backseat to her mother's paranoia. This time, though, the stakes are much, much higher. This time, there's no one for Lacey to turn to. This time, she may not be able to save her mother. Or herself.

If you've read either of Carol Lynch Williams' previous books, you're familiar with the raw, provocative tone that marks her YA fiction. True to form, the author's newest - Miles From Ordinary - gives readers an honest, albeit disturbing, look at the realities of dealing with a parent's mental illness. It's impossible not to feel for vulnerable, abandoned Lacey, who's so trapped by responsibility and guilt that doing one simple thing for herself seems horrifyingly selfish. Her story's so gut-wrenching, so real, so haunting, that it stays with you long after you've closed this taut, thought-provoking novel. Williams doesn't write light, airy stories, so be prepared. Miles From Ordinary is a heavy-hitter. One you won't soon forget.

(Readalikes: Reminded me of A Blue So Dark by Holly Schindler and Dirty Little Secrets by C.J. Omololu and a little of Glimpse by Carol Lynch Williams)

Grade: B+

If this were a movie, it would be rated: PG-13 for intense scenes/subject matter

To the FTC, with love: Another library fine find

Monday, March 21, 2011

Disturbing Sequel Makes Me Think, Dry Heave

(Image from Indiebound)

(Note: While this review will not contain spoilers for Mr. Monster, it may inadvertently reveal plot surprises from its predecessor, I Am Not A Serial Killer. As always, I recommend reading books in a series in order.)

In I Am Not A Serial Killer, Dan Wells' disturbing debut novel, 15-year-old John Wayne Cleaver kills a murderer. He doesn't want to kill anyone. Not really. Even if he does have dark, violent thoughts. Even if he studies serial killers obsessively. Even if the dead bodies that arrive in his family's mortuary fascinate him a whole lot more than they really should. John's a sociopath, but he's not a killer. At least he wasn't until he came face-to-face with a foe so unbelievable, so formiddable, that the only way to save his town from more grisly murders was to tap into his violent side and take out the monster. Only this monster wasn't human like Ted Bundy or the BTK Strangler. And this monster, apparently, brought along some friends. At least that's what John comes to believe when dead bodies start turning up once again in his hometown.

Mr. Monster begins with a murdered woman discovered in an irrigation canal. John can't be sure it's the work of another demon, but what else makes sense? As other victims are found, John studies the crimes for evidence of an otherworldly killer. His interest in the killings, coupled with his presence at one of the crime scenes, raises the suspicions of Clark Forman, the FBI agent in charge of investigating the killings. Even though Agent Forman finds John's obsession strange, he can't deny the usefulness of John's uncanny ability to get inside the head of a killer. John can't deny it either - hunting down the killer satisfies the hungry need of his inner demon, who he refers to as Mr. Monster. As much as John resists tapping into the side of himself, he has to unleash it in order to truly understand who - or what - is stalking his little town.

The closer John gets to discovering the identity of the murderer, the more perilous his situation becomes. Not only is the killer hunting John, but unleashing Mr. Monster is making John dangerous to himself and everyone around him. Can he control his inner demon long enough to save the town once again or will this new round of murders finally put John over the edge?

Like Wells' first book, Mr. Monster is a deeply disturbing portrait of a boy at war with himself. John's violent thoughts are jarring, while his deep commitment to being a good person makes him complex and even sympathetic. Like I've said before, the most intriguing aspect of this series is its premise, which basically says that no matter what instincts we may or may not have been born with, the decisions we make are ultimately up to us. It's a fascinating concept, the exploration of which makes for some consistently compelling reads. Still, John's constant thoughts of death, combined with some pretty graphic, violent scenes in the book's finale, make Mr. Monster so dark and disturbing, I could barely stomach it. It made me think; it also made me want to vomit. And take some Prozak. So, yeah, I'm definitely on the fence about these ... Have you read them? What do you think?

(Readalikes: I Am Not A Serial Killer and I Don't Want to Kill You (available in the U.S. on March 29, 2011) by Dan Wells; Wells' work also reminds me quite a bit of Stephen King's)

Grade: B-

If this were a movie, it would be rated: R for mild language, mild sexual content and graphic/disturbing/violent images

To the FTC, with love: Another library fine find

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