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Nellie Bly: A Fascinating Trailblazer in Any Genre
Newest Not My Favorite Kelly Novel, But Still An Engrossing Page-Turner
You can't tell the truth.
You can't escape the past...
I find books about the early treatment of mental illness both fascinating and horrifying. Even if I hadn't already been a fan of Kelly's, then, I would have been eager to read Stone Mothers. Turns out, this isn't my favorite of the author's books. Still, as with all of Kelly's work, this one kept me burning through pages to see what would happen next. The characters are complex and intriguing, the plot is fast-paced but contemplative, and the vibe is gothic and eerie. With plenty of twists to keep things interesting, Stone Mothers is definitely an engrossing page-turner. It's also sad, depressing, and not my favorite Kelly novel. Overall, though, I enjoyed it.
(Readalikes: Reminds me of The Other Mother by Carol Goodman; Woman 99 by Greer MacAllister; and a little of The Bright Unknown by Elizabeth Byler Younts)
Grade:
Younts' Newest Thought-Provoking, Faith-Affirming, and Hope-Filled
Historical Insane Asylum Novel Heartbreaking, But Hopeful
YA Romance-Made-in-the-Psych-Ward Novel Teaches Important Lessons
Sequel Not As Powerful As Predecessor, But Still Enjoyable
Tender, Touching I'll Be There Should Not Be Missed
I'll Be There, Holly Goldberg Sloan's debut novel, is an unforgettable tale that stretches across genre borders. It's a family drama, a romance, and a survival story all rolled up into one well-rounded story. The characters come alive, the plot speeds along at a breathless clip, the prose sings with lyrical, luminous beauty—seriously, what's not to like here? Compelling and unique, I'll Be There is a tender, touching novel that quite simply should not be missed. In case you can't tell, I loved it.
Compelling Mind-Bender My Favorite Wells Book Yet
When 20-year-old Michael Shipman wakes up in a hospital bed, he's confused. He can't remember where he's been for the last two weeks or why he now needs medical care. Vague images of an empty, hollow city are the only memories swimming through his muddled mind. Michael has no idea what happened to him, but he knows who's responsible—Them. Of course, the doctors don't believe in Them. They might even be Them. He can't trust his medical team any more than he can trust anyone. His best bet is to convince the doctors he's healthy and get the heck out of Dodge.In his heart, Michael knows he's not a killer. And yet, he's pretty sure his alarm clock will attack him if he doesn't keep it covered. What is real? What's only true in his head? In order to save himself, Michael must figure it out before he's condemned to a lifetime of incarceration in a mental hospital—or worse.
The Hollow City, the newest adult novel by horror writer Dan Wells, is a riveting mind-twister. I don't want to spoil it by saying too much, so I'll just tell you that I loved this entertaining psychological/supernatural thriller. To me, it's more compelling, more entertaining, and a whole lot less gruesome than Wells' John Cleaver series. I may be in the minority here, but I really think The Hollow City is Wells' best novel to date. It's my favorite, anyway.
(Readalikes: Reminds me a little of Dan Wells' John Cleaver series [I Am Not A Serial Killer; Mr. Monster; I Don't Want to Kill You] and a teensy bit of Before I Go To Sleep by S.J. Watson)
Grade: B+
If this were a movie, it would be rated: PG-13 for mild language (no F-bombs), violence/gore and disturbing subject matter
To the FTC, with love: I received a finished copy of The Hollow City from the generous folks at Tor/Forge. Thank you!
**Don't forget that you can win yourself a copy of this excellent psychological/supernatural thriller. Click here to enter the giveaway. It ends on August 15th, so don't delay!
Small As An Elephant Another Poignant Portrait of Parental Mental Illness
(Image from Barnes & Noble)Of all the crazy ideas his mother's had during her "spinning" times, 11-year-old Jack Martel likes this one best of all. Not only does he get to spend the last weekend before school starts camping in Acadia National Park with his mom, but he also gets to take an elephant ride at the famous York's Wild Kingdom on the way home to Boston. For a pachiderm-lover like Jack, it sounds like the perfect vacation. And it is. Until the second day, when Jack crawls out of his tent to find his mother gone, along with the small tent she was sleeping in and the rental car they drove to Maine. Any other kid would freak. Not Jack. He's not like other kids. And his mom? She's definitely not like other moms.
Normal: It's All Relative
(Image from Barnes & Noble)Addison Schmeeter knows what normal is. Or maybe she doesn't, but at least she knows what it's not. It's not a mom leaving her kids for nights on end without letting them know where she is or when she'll be home. It's not a mom refusing to get out of bed for a week. It's not a 12-year-old doing all the cooking, cleaning, and shopping. It's not a parent acting like a child. The way Addie and Mommers live - nothing about it is normal. Addie knows their situation's unconventional (to say the least); she also knows she can't tell anyone about it, not if she wants to avoid ending up in foster care. Besides, Mommers needs her. Addie can't abandon her mother, no matter how crazy Mommers acts sometimes.
So, Addie hides the truth about her mother's violent mood swings - from her teachers at school, from her grandfather, and from her new friends across the street. Only Addie's ex-stepfather knows how bad Mommers gets sometimes, but no matter how hard he tries, he can't really help Addie. She knows he'd take her to live with him and her little half-sisters if Mommers would let him, but she won't. No way. She hates Dwight. And since he's not Addie's biological father, he can't legally force the issue. So Addie waits. And waits. For normal to make an appearance in her increasingly wonky life.
At least, Addie's in a new neighborhood, attending a new school. No one in this part of Schenectady knows her or Mommers. It's easier to hide. Until things get complicated. Suddenly, along with daily survival in an always-unpredictable home, Addie's got to deal with a friend's devastating secret, Dwight's new romance, and the intense stage fright that grabs hold of her every time she thinks about her upcoming violin solo. She'll have to face it all, while, at the same time, trying to predict what her mother will do next, where she will (or will not) show up, and how she's going to keep Mommer's erratic behavior a secret from prying eyes.
Although not as hard-hitting as other novels about children dealing with a parent's mental illness, Waiting for Normal is nonetheless affecting. The 2009 Schneider Family Book Award Winner by Leslie Connor takes a poignant look at one girl's brave fight for normality despite living with a mother whose manic-depression makes her life anything but. While I didn't love the book, I do think it's a well-written story about an important issue.
(Readalikes: Reminded me of Miles From Ordinary by Carol Lynch Williams, You Are My Only by Beth Kephart, and Small As An Elephant by Jennifer Richard Jacobson, and A Blue So Dark by Holly Schindler)
Grade: C
If this were a movie, it would be rated: I waffled between PG and PG-13, but finally settled on the latter because of mild langauge, intense situations, candid discussions of female issues associated with puberty and references to homosexuality.
To the FTC, with love: I received a finished copy of Waiting for Normal from the generous folks at Katherine Tegen Books (an imprint of Harper Collins). Thank you!
You Are My Only Moving Story About Strength, Resilience
(Image from Barnes & Noble)Sophie Marks doesn't want much really, just the things the average 14-year-old takes for granted: school, friends, laughter, an occasional trip to the mall or the movies. It's so little to wish for, but Sophie knows she'll never get any of those things. Not as long as she lives with Cheryl Marks. Her mother is so afraid of the outside world, so paranoid of what she calls the "No Good," that she refuses to leave the house any more than she absolutely has to. Since Sophie doesn't work or go to school, she's never allowed to stray outdoors. Her mother insists she remain inside, with the door locked and the shades drawn against prying eyes. Sophie obeys, as she always has, because it's the only way to keep her mother calm. But she can't stop hoping, wishing things were different.
As isolated as the Marks' new rental home is, it's not the only one hidden back in the woods. When Sophie spies a boy about her age playing outside with his dog, the urge to reach out to him is so strong that she does the unspeakable - she talks to him. Soon, she's creeping outside to play baseball with him. Then, she's sneaking over to the house where Joey Rudd lives with his two aunts. Their home life seems so sweet, so normal, that lonely Sophie can't stay away. She has to be extra careful, though - if her mother knew she was consorting with strangers, Cheryl would pack up their meager belongings and drag Sophie onto the next train out of there.
Sophie's small rebellion sparks a curiosity she's never felt before. Now, she's wondering about her mother: Why is Cheryl so afraid? As she sifts through the few momentos her mother's kept from their life together, Sophie discovers a shocking truth, one that has her questioning everything she's ever known to be true.
(Readalikes: Reminds me of Miles From Ordinary by Carol Lynch Williams; June Bug by Chris Fabry; Circle Nine by Anne Heltzel; The Talk-Funny Girl by Roland Merullo; Sparrow Road by Sheila O'Connor and Dirty Little Secrets by C.J. Omololu)
If this were a movie, it would be rated: PG-13 for language (no F-bombs) and mature themes/situations
To the FTC, with love: Another library fine find
Haunting Miles From Ordinary Another Heavy Hitter From Carol Lynch Williams
(Image from Indiebound)Ordinary is working a summer job - without spending every second wondering if your m
other will be okay in your absence. Ordinary is going to school - without agonizing over whether or not she'll show up in your classroom wearing only her pajamas. Ordinary is mother/daughter bonding time at home - without the interference of your dead grandaddy. Life for 14-year-old Lacey Mills is so out of whack, it's miles and miles and miles from ordinary.
Lacey has only one hope for this summer: to find a friend. Just one single, solitary friend. Thanks to her mother's illness, everyone at school already thinks Lacey's a freak. And no one will come near the Mills' house after what happened the night Laurel slept over. But, maybe, maybe, Lacey's new job at the Peace City Library will produce the kind of bosom buddy she longs to have in her life. And maybe her mother's first day as a cashier at Winn-Dixie will turn into weeks and months and years of a normal adult going to a normal job acting like a normal parent. Maybe.
As Lacey watches her mother get off the bus at Winn-Dixie, she's filled with trepidation and a cautious hope. The day holds such possibility for both of them. With gorgeous Aaron Ririe flirting with her on the bus, it seems like all Lacey's dreams are about to come true. Then it takes a terrifying turn for the worse and, once again, Lacey's wishes take a backseat to her mother's paranoia. This time, though, the stakes are much, much higher. This time, there's no one for Lacey to turn to. This time, she may not be able to save her mother. Or herself.
If you've read either of Carol Lynch Williams' previous books, you're familiar with the raw, provocative tone that marks her YA fiction. True to form, the author's newest - Miles From Ordinary - gives readers an honest, albeit disturbing, look at the realities of dealing with a parent's mental illness. It's impossible not to feel for vulnerable, abandoned Lacey, who's so trapped by responsibility and guilt that doing one simple thing for herself seems horrifyingly selfish. Her story's so gut-wrenching, so real, so haunting, that it stays with you long after you've closed this taut, thought-provoking novel. Williams doesn't write light, airy stories, so be prepared. Miles From Ordinary is a heavy-hitter. One you won't soon forget.
(Readalikes: Reminded me of A Blue So Dark by Holly Schindler and Dirty Little Secrets by C.J. Omololu and a little of Glimpse by Carol Lynch Williams)
Grade: B+
If this were a movie, it would be rated: PG-13 for intense scenes/subject matter
To the FTC, with love: Another library fine find
Disturbing Sequel Makes Me Think, Dry Heave
(Image from Indiebound)(Note: While this review will not contain spoilers for Mr. Monster, it may inadvertently reveal plot surprises from its predecessor, I Am Not A Serial Killer. As always, I recommend reading books in a series in order.)
In I Am Not A Serial Killer, Dan Wells' disturbing debut novel, 15-year-old John Wayne Cleaver kills a murderer. He doesn't want to kill anyone. Not really. Even if he does have dark, violent thoughts. Even if he studies serial killers obsessively. Even if the dead bodies that arrive in his family's mortuary fascinate him a whole lot more than they really should. John's a sociopath, but he's not a killer. At least he wasn't until he came face-to-face with a foe so unbelievable, so formiddable, that the only way to save his town from more grisly murders was to tap into his violent side and take out the monster. Only this monster wasn't human like Ted Bundy or the BTK Strangler. And this monster, apparently, brought along some friends. At least that's what John comes to
believe when dead bodies start turning up once again in his hometown.
Mr. Monster begins with a murdered woman discovered in an irrigation canal. John can't be sure it's the work of another demon, but what else makes sense? As other victims are found, John studies the crimes for evidence of an otherworldly killer. His interest in the killings, coupled with his presence at one of the crime scenes, raises the suspicions of Clark Forman, the FBI agent in charge of investigating the killings. Even though Agent Forman finds John's obsession strange, he can't deny the usefulness of John's uncanny ability to get inside the head of a killer. John can't deny it either - hunting down the killer satisfies the hungry need of his inner demon, who he refers to as Mr. Monster. As much as John resists tapping into the side of himself, he has to unleash it in order to truly understand who - or what - is stalking his little town.
The closer John gets to discovering the identity of the murderer, the more perilous his situation becomes. Not only is the killer hunting John, but unleashing Mr. Monster is making John dangerous to himself and everyone around him. Can he control his inner demon long enough to save the town once again or will this new round of murders finally put John over the edge?
Like Wells' first book, Mr. Monster is a deeply disturbing portrait of a boy at war with himself. John's violent thoughts are jarring, while his deep commitment to being a good person makes him complex and even sympathetic. Like I've said before, the most intriguing aspect of this series is its premise, which basically says that no matter what instincts we may or may not have been born with, the decisions we make are ultimately up to us. It's a fascinating concept, the exploration of which makes for some consistently compelling reads. Still, John's constant thoughts of death, combined with some pretty graphic, violent scenes in the book's finale, make Mr. Monster so dark and disturbing, I could barely stomach it. It made me think; it also made me want to vomit. And take some Prozak. So, yeah, I'm definitely on the fence about these ... Have you read them? What do you think?
(Readalikes: I Am Not A Serial Killer and I Don't Want to Kill You (available in the U.S. on March 29, 2011) by Dan Wells; Wells' work also reminds me quite a bit of Stephen King's)
Grade: B-
If this were a movie, it would be rated: R for mild language, mild sexual content and graphic/disturbing/violent images
To the FTC, with love: Another library fine find

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