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Addison Schmeeter knows what normal is. Or maybe she doesn't, but at least she knows what it's not. It's not a mom leaving her kids for nights on end without letting them know where she is or when she'll be home. It's not a mom refusing to get out of bed for a week. It's not a 12-year-old doing all the cooking, cleaning, and shopping. It's not a parent acting like a child. The way Addie and Mommers live - nothing about it is normal. Addie knows their situation's unconventional (to say the least); she also knows she can't tell anyone about it, not if she wants to avoid ending up in foster care. Besides, Mommers needs her. Addie can't abandon her mother, no matter how crazy Mommers acts sometimes.

So, Addie hides the truth about her mother's violent mood swings - from her teachers at school, from her grandfather, and from her new friends across the street. Only Addie's ex-stepfather knows how bad Mommers gets sometimes, but no matter how hard he tries, he can't really help Addie. She knows he'd take her to live with him and her little half-sisters if Mommers would let him, but she won't. No way. She hates Dwight. And since he's not Addie's biological father, he can't legally force the issue. So Addie waits. And waits. For normal to make an appearance in her increasingly wonky life.

At least, Addie's in a new neighborhood, attending a new school. No one in this part of Schenectady knows her or Mommers. It's easier to hide. Until things get complicated. Suddenly, along with daily survival in an always-unpredictable home, Addie's got to deal with a friend's devastating secret, Dwight's new romance, and the intense stage fright that grabs hold of her every time she thinks about her upcoming violin solo. She'll have to face it all, while, at the same time, trying to predict what her mother will do next, where she will (or will not) show up, and how she's going to keep Mommer's erratic behavior a secret from prying eyes.

Although not as hard-hitting as other novels about children dealing with a parent's mental illness, Waiting for Normal is nonetheless affecting. The 2009 Schneider Family Book Award Winner by Leslie Connor takes a poignant look at one girl's brave fight for normality despite living with a mother whose manic-depression makes her life anything but. While I didn't love the book, I do think it's a well-written story about an important issue.

(Readalikes: Reminded me of Miles From Ordinary by Carol Lynch Williams, You Are My Only by Beth Kephart, and Small As An Elephant by Jennifer Richard Jacobson, and A Blue So Dark by Holly Schindler)

Grade: C

If this were a movie, it would be rated: I waffled between PG and PG-13, but finally settled on the latter because of mild langauge, intense situations, candid discussions of female issues associated with puberty and references to homosexuality.

To the FTC, with love: I received a finished copy of Waiting for Normal from the generous folks at Katherine Tegen Books (an imprint of Harper Collins). Thank you!

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On a stormy night 16 years ago, a mother in the throes of a manic episode dragged her daughters aboard her sailboat. Hurricane-force winds slapped the craft around, stealing control of the vessel. Before the night was over, the ocean claimed the mother, leaving her daughters adrift and terrified. Although the sisters were lucky to escape with their lives, the strange events of that night changed everything. The girls, who were once as close as twins in the womb, became living ghosts. Scared. Haunted. Strangers ...

The Memory of Water by Karen White begins 10 years later, when Marnie Maitland comes home to the South Carolina Lowcountry. She hasn't spoken to her sister Diana for a decade. Still, when Diana's ex-husband Quinn summons her home, she packs her bags and lands in the one spot she never thought she'd be again - her childhood home. She hasn't come for herself, or even for her sister, but for her 9-year-old nephew Gil. The boy has not spoken since the night his mother took him for his own storm-tossed boatride. Quinn hopes that Marnie, who teaches art to special needs students, can help him speak again. Although Marnie's own fears make her want to turn and flee, she knows she must try to help the boy whose terror reminds her so much of her own.

As weeks stretch into months, Marnie feels the distance she so carefully put between herself and home evaporate. Her true self comes back to her, along with repressed memories of the night her mother drowned. She wants to confront Diana, demand to know the truth of what happened, but her sister is dealing with her own demons. Like her mother before her, Diana battles bi-polar disorder. The manic episodes twist her mind, but allow her to paint with brilliance and abandon. Since her boat accident with Gil, Quinn forces her to take her meds in order to see her son. Since he cringes every time she comes near, Diana locks herself in her studio where she produces second-rate pieces she knows to be "the paintings of the drugs and not the true heart of the damaged artist" (69). So, Marnie stays away as well, keeping her distance from her turbulent sister.

Marnie's presence obviously agitates the unstable Diana, who vaccilates wildly between rationality and madness. She raves about the Maitland curse, painting a macabre timeline to document all the tragedies the family has experienced. Diana seems bent on releasing the secrets that are eating her alive, obsessed by stopping the madness before it consumes her son, but how far can she go before her tenuous hold on life slips away? And what of the others? Can they handle the ugly truths hidden in every nook and cranny of the family home? Pandora's Box has opened, and demons are running rampant - will any of them have what it takes to finally bring peace to the troubled Maitlands?

Told from 4 different viewpoints (Marnie, Diana, Gil and Quinn), The Memory of Water tells a complicated story that highlights the very thin line between love and hate. It asks tough questions - What happens when a mother favors one child over the other? Can a child ever survive betrayal by a parent? What is a family to do when mental illness threatens to tear it apart? And, most importantly, can the truth really set us free? These questions are explored through the eyes of a fascinating cast of characters in lovely, lyrical language. Although the plot is surprisingly predictable, the book clips along at a fast pace, propelled by the complexity of the characters and White's gift for speaking directly to the heart. It's compulsively readable, hauntingly beautiful and deeply resonate. I guarantee you won't be able to forget this book.

Grade: A-