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Wednesday, June 18, 2014
Why? Morbid Curiosity. Conclusion? Never Again.
2:38 PM
(Image from Barnes & Noble)
True crime stories have never really been my thing, but that changed (at least temporarily) when I read my first Ann Rule book. Rule—a former Seattle police officer—writes about notorious modern murderers, examining their crimes by looking at their lives, their victims' stories, and the police work that went into bringing the killer to justice. Her first book, The Stranger Beside Me, chronicles her search for a vicious serial killer who she's stunned to discover is her nice, quiet co-worker, Ted Bundy. It's gruesome, but fascinating stuff. Rule is obsessed with figuring out why such people do the things they do. The question intrigues me as well, which explains why I've read a half dozen or so of her books.
While I'm still interested in the psychology behind violent crime, I stopped reading these types of books because they are, by nature, graphic and disturbing. So, why did I suddenly decide to pick up In Cold Blood—a classic of the genre—after all this time? Simple: morbid curiosity. Conclusion? Never again. However compelling, true crime is just too gory and too depressing for me.
You probably know the story behind In Cold Blood, but here's a quick summary: On November 15, 1959, on a remote cattle ranch near Holcomb, Kansas, two teenagers and their parents were murdered in their home. The Clutters were a well-respected family, known for their fairness and generosity. Why four of them were shot at close-range on an otherwise ordinary night, no one could guess. The brutality of the crime shocked residents of the tiny town, baffling police officers and causing gentle farming folk to look on their neighbors with newly-acquired suspicion and paranoia.
With few clues to go on, law enforcement officials hardly knew how to proceed. As they followed the few leads they had, they found only more questions. A nonsensical crime became even more confounding.
In Cold Blood, the product of four years of research by Capote, traces the case from beginning to end. Although Capote insisted that every word in the book was true, he's been criticized for fabricating scenes and misquoting witnesses. Some call In Cold Blood a "true crime novel." Whatever the case may be, it's an engrossing book. That being said, it's also (like I said above) gory and depressing. Very depressing. The book focuses less on the psychology behind the killers' actions than on the actions themselves, so for me, it didn't hold quite the same appeal as Ann Rule's books. All in all, though, it's a fascinating, well-told story about a tragic crime that ruined a family and shattered the innocence of a quiet, Midwestern town.
(Readalikes: I haven't read any other historical true crime books, but In Cold Blood definitely reminds me of modern ones like those written by Ann Rule)
Grade:
If this were a movie, it would be rated:
for language (no F-bombs), violence, disturbing images, and sexual content
To the FTC, with love: I bought a copy of In Cold Blood from Amazon using a portion of the millions I make from my lucrative career as a book blogger. Ha ha.
Friday, June 13, 2014
Because She's An Auto-Read Author, That's Why
2:02 PM
(Image from Barnes & Noble)
Do you have auto-read authors? You know, writers whose books you grab, no matter what, just because their name appears on the cover? I do. Lots of them, in fact. Case in point: Mary Higgins Clark. My dad introduced me to her books back when I was in junior high. Even though she's always written for adults, Clark keeps her stories pretty much PG-rated, so I could enjoy her novels even as a teen. And I did. She writes in short, addictive chapters that kept me up way, way, way too late on many a school night. All these years later, the format of her books remains the same, but the quality of Clark's writing seems to have tanked. Or maybe I've just matured as a reader. Whatever the reason, I'm finding her newer mysteries increasingly formulaic, predictable and annoyingly tell-y (as opposed to show-y). And yet, I still put my name on the library's waiting list every year when a new Mary Higgins Clark mystery comes out. Why? I don't know! I guess it's because I know what to expect with her—I get a fast, clean, entertaining story that requires little brain work on my part. Some days, that's a definite win-win for me.
Having said that, I have to admit that Clark's newest, I've Got You Under My Skin, does change up her usual formula just a bit. The novel revolves around Laurie Moran, a 36-year-old t.v. producer. Although she has a successful career and a charming young son, Laurie is still haunted by the murder of her beloved husband five years ago. Especially since his killer warned that her son would be next. Half a decade has passed with no threats, but she still can't allow herself to breathe easy.
Given all that, Laurie feels a little uneasy about her newest production project. The true-crime reenactment program, focused on cold cases, could be the key to boosting her station's ratings. Not to mention her career. So, despite her misgivings, she's going forward. The series premiere will be a doozy, too, reuniting all the suspects in the infamous "Graduation Gala" murder. Filmed on location at the glamorous mansion where the crime occurred, the show will have enough glitz and drama to attract millions of viewers. Especially if it leads to the discovery of a killer. What Laurie doesn't know is that the Graduation Gala killer isn't the only one lurking around the set ... and this one's got his eyes on her.
Like I said before, I've Got You Under My Skin isn't great literature or even a very complex or clever murder mystery. What it is is mindless entertainment, a fast, easy way to kill a few hours. If you're looking for a effortless beach or airplane read, you can't go wrong with Mary Higgins Clark.
(Readalikes: Other books by Mary Higgins Clark)
Grade:
If this were a movie, it would be rated:
for brief, mild language (no F-bombs) and violence
To the FTC, with love: Another library fine find
Tuesday, June 10, 2014
My Top Ten So Far ...
1:00 AM
It's been awhile since I've participated in Top Ten Tuesday and I've missed my favorite weekly meme. This week's topic didn't require much thought, so it seemed like a good time to jump back into the fun. This time around, the lovely ladies at The Broke and the Bookish want to know about the Top Ten Books I've Read This Year. I always keep a running list of the books I've finished, using asterisks to mark those I enjoyed most, so it was a cinch to recall my favorites. Here they are, in no particular order:
1. The House at Riverton, The Distant Hours, and The Forgotten Garden by Kate Morton—Since these three novels are by the same author, with lots of similarities in theme and story, I'm going to count them as one. Morton excels at writing lush family sagas and I loved each of these. If you forced me to choose a favorite from among the three, I'd probably go with The Forgotten Garden, but seriously, I enjoyed all of them.
2. A Death-Struck Year by Makkia Lucier—Good historical YA novels are not exactly plentiful, so I'm always excited when I find one. Especially when it's set in the same neck of the woods where I grew up (Portland, Oregon). The novel concerns a wealthy teenage girl who's left alone in the city during the vicious Spanish influenza epidemic that swept the world in 1918. It's a tense, haunting story that kept me riveted.
3. All The Truth That's In Me by Julie Berry—This spare, but lyrical YA novel centers around a young woman who hasn't spoken since she returned from a mysterious absence. It tells an intriguing, suspenseful story. All The Truth That's In Me won a well-deserved Whitney Award for Best General YA novel.
4. Stung by Bethany Wiggins—Although this YA dystopian wasn't all that original, I still enjoyed the Sleeping Beauty twist on a familiar post-apocalyptic/zombie story.
5. Cress by Marissa Meyer—The Lunar Chronicles is one of my very favorite YA series. It's original, it's fun, it's clean, and it gets better with every installation.
6. In a Handful of Dust by Mindy McGinnis—McGinnis' first book, Not a Drop to Drink, sucked me in so totally that it became one of my favorite books of last year. While the sequel isn't quite as fresh, it still offers up a taut, harrowing tale of survival told in tight, gripping prose.
7. A Snicker of Magic by Natalie Lloyd—This quirky MG novel is a fun, playful story about the power of words.
8. Save the Cat by Blake Snyder—I've been hearing about this writer's Bible for years. I finally read it and, yes, it definitely lives up to the hype. If you're having trouble plotting your novel, definitely check out this guide for screenwriter's. It's invaluable.
9. Mississippi Jack by L.A. Meyer—This is the fifth book in another of my favorite YA series. Like its predecessors, this novel tells a rollicking adventure tale starring the indomitable "Bloody" Jack Faber. Jacky's one of my favorite YA characters of all time—it's impossible not to love her.
10. Upside Down in the Middle of Nowhere by Julie T. Lamana—An atmospheric MG novel about a young girl living in the Ninth Ward during Hurricane Katrina. It's a gritty, but hopeful tale.
How about you? What are your favorite books so far this year?
*All book images from Barnes & Noble
Saturday, June 07, 2014
Novel Writing: What Does a Cat Have to Do With That? Everything, Believe It or Not.
11:40 AM
(Image from Barnes & Noble)
My point? Although the focus of the conference is not religious at all, it's amazing how much time the presenters and attendees spend gushing about the Bible. I'm not referring to the Holy Bible, oh no. I'm talking Save the Cat! by Blake Snyder, a screenwriter who's hailed (at least at LDS Storymakers) as a kind of writing god. What, you might ask, does crafting a movie have to do with penning a novel? Lots, actually. Especially when it comes to plotting, pacing, and populating your story with all the elements that dazzle moviegoers as well as book readers.
The thing that makes the book so helpful is Snyder's identification of the "beats" that every good movie needs and in which order they should appear to maximize their effectiveness in the telling of the story. This formula can easily be applied to novels (in fact, I know several authors who use Save the Cat! Scrivener templates every time they draft a book). Just as Snyder breaks down popular movies into identifiable "beats," you can do the same with any novel, which helps you to understand why they do/do not work. It's very revealing. Snyder's beat sheets are especially helpful when plotting a novel, as they help you recognize potential slow, weak spots in your story. Again, extremely helpful.
So, does the book—and the ideas it contains—deserve the reverence it receives every year at Storymakers? I think, yes. I found it to be not just informative, but also entertaining, encouraging, and enlightening. If you write (or try to write) novels or screenplays and you haven't read Save the Cat!, do it. Before Snyder passed away in 2009, he wrote two sequels: Save the Cat Goes to the Movies and Save the Cat Strikes Back. If you can't get your hands on the books, there's also a fabulous Save the Cat! website as well as frequent Save the Cat! workshops around the country. Obviously, Mormon writers aren't the only ones extolling the virtues of Snyder and his famous cat :)
(Readalikes: Reminded me of The Marshall Plan for Novel Writing by Evan Marshall; also, the other Save the Cat! books)
Grade:
If this were a movie, it would be rated:
for brief, mild language (no F-bombs) and references (not graphic) to sex
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