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What's the Most Difficult Kind of Review to Write? This Kind.
I really, really, really wanted to love Dead Girls Don't Lie, Jennifer Shaw Wolf's second novel. But I just didn't. Since I grew up in a small town in rural Washington State, I did like the book's familiar setting as well as the conflict between Mexican migrant workers and small-minded local yokels (not that I like that kind of conflict, I just like that it's fresh, something I haven't encountered before in YA lit). It's a current kind of problem, one I observed firsthand while growing up; it's a hot topic even now, especially in states like Arizona (my current location), which border Mexico. The whole gang plot, though, seemed a little too melodramatic for rural Washington. It didn't ring very true to me. I also had a problem connecting to the characters in Dead Girls Don't Lie. None of them struck me as particularly likable. They didn't seem to like each other much either, as I felt little warmth between any of them. Add that to a far-fetched plotline with some big holes, and yeah, this one just didn't do a lot for me. Wolf's got lots of potential, though, so I'll keep an eye on her. Hopefully, her next venture will be a little more to my liking.What Can't Wait An Immigrant Story With Bite
(Image from Indiebound)
Marisa Moreno's parents came to The United States to make a better life for themselves. So, why won't they let her do the same? Sure, they want her to graduate from high school, but only if it doesn't interfere with cooking meals for her gruff Papi, babysitting her niece, or working enough hours at Kroger to help pay the family's bills. Marisa knows her duties to la familia come first, but she also knows she's smart enough to really make something of herself. Marisa's parents want her to stay in the barrio, marry a neighborhood boy, have babies, and work at some dead-end job like a good little Mexican girl. Marisa wants more. So much more.
When Marisa's favorite teacher urges her to apply to a competitve engineering program at the University of Texas, Marisa longs to do it. But just the thought of fleeing Houston fills her with paralyzing guilt. How will her Mami and Papi afford rent without Marisa's paycheck? Who will cook Papi's meals? If Tia Marisa isn't around, who will watch little Anita, soothe her when her parents fight, keep her safe from her drug-dealing father's vicious temper? And what of sweet, gorgeous Alan Peralta, who's finally showing some interest in her? Can she leave all of it behind? Just for some fancy science program? As much as Marisa wants to follow her own dreams, she knows it's impossible.
As things at home become more and more impossible, Marisa faces the most difficult choice of her life: Does she give up on her own future to make everyone else happy, like she's always done in the past? Or does she fight for her dreams, no matter what the cost? Trapped by all that's expected of her, Marisa will be forced to choose between tradition and progress, cultural expectations and personal ambition, familial obligations and her own fulfillment. Can she find a way to make her dreams come true without losing everything in the process? Or is she doomed to eke out a hard scrabble life in a cockroach-infested tenement building, just like her parents?
What Can't Wait, a debut novel by Texas native Ashley Hope Perez, is an immigrant story with bite. It's familiar, touching on all the usual conflicts, but surprising in its unflinching honesty. I found the novel both compelling and affecting, even though I would have liked a whole lot more originality from it. Still, it's refreshing to see modern Mexican-American culture being explored in teen lit, especially when it comes from a writer like Perez, who uses her own experience to make her story realistic, relevant and, most of all, relatable to readers of every background. While What Can't Wait didn't blow me away, it has placed Perez firmly on my radar. You better believe I'll be keeping my eye on this intriguing literary lady.
(Readalikes: I guess I don't read many stories about Mexican-American teenagers. Any ideas here?)
Grade: B-
To the FTC, with love: I received a finished copy of What Can't Wait from the generous folks at Carolrhoda LAB. Thank you!
Kephart's Newest Like A Railroad Journey - Slow, But Worth the Ride
Different authors appeal to me for different reasons. Some writers consistently wipe away my cares by yanking me into a heart-pounding world of action and suspense; others create characters so real that I miss them when they're gone; still others make me swoon with the sheer beauty of their wordcraft. An author who can successfully combine all three is a treasure indeed. Since I've only read one book by Beth Kephart, I can't speak to her consistency; however, judging by The Heart Is Not A Size, I'd say she falls solidly into the last category. Why? Because although I thought the novel's plot dragged, sometimes awkwardly, sometimes disjointedly, I hardly noticed because I was too busy savoring Kephart's every word. She sculpts each sentence until it's pure poetry - lovely, lyrical and full of subtle meaning.
Kephart's newest novel (to be released in March 2010 from HarperCollins) features best friends Georgia Walker and Riley Marksmen. For bosom buddies, the two couldn't be more different - Georgia's a giant next to the see-through skinny Riley; the former lives with her parents and brothers in an older home, the latter is a lonely only who dwells in the "biggest house on the tallest hill" (3) with her self-absorbed mother; and Riley's an artist with failing grades, where the thought of not answering a teacher's question correctly can send Georgia into a panic attack. Still, Georgia can't imagine traveling to Mexico without Riley. And Georgia really, really wants to go to Mexico. For her, it's not just about adding another community service item to her college application, it's about releasing herself from the pressure of being herself:
"In Juarez all my little self-imposed rules would be tested, the things I tried to control, my minuscule attempts at doing most things right ... I needed a release from the narrow outlines of my life" (17).
Georgia understands that working in Juarez isn't going to be a walk on the beach. The more she researches the place, the more she discovers
"... there were fuzzy collisions of optimism and despair, opportunity and danger, welcome and barbed fences. The ghosts of murdered women. The faces of children left behind. The chance to help. The possibility of being helpless" (87).
These contradictions only intrigue Georgia, convincing her that Mexico is exactly the cure for the neuroses that ail her. She can't wait to shed her outer skin and discover precisely what lies beneath.
The ever-responsible Georgia can't quite escape all of her duties, however - she has to look after Riley, after all. Although she feigns ignorance, Georgia knows what her friend is doing too herself, how desperate she is to earn not only her mother's attention but also her approval. Georgia can't wait to whisk her out from under Mrs. Marksmen's manicured thumb, to give her the chance to see herself in a truer light.
So, packing different agendas, the girls head to Anapra, a squatter's village south of the border. Along with 9 other teens and several chaperones, the group sets about building a community bathroom for the village's poverty-stricken residents. It's back-breaking work, performed under the blazing Mexican sun. Georgia's exhausted, but thrilled by the landscape, by the smiling children, by the photographs she takes to capture the experience. Then, things take a turn for the worse. Georgia knows she has to help Riley, but the tension between them is palpable. Is she finding herself in Mexico only to lose her best friend? Will the secrets they keep, the truths they dare not broach, keep them apart forever? How can Georgia stop Riley from self-destructing? Can she help her friend find herself when Georgia's not even sure who she, herself, is? Will Juarez be the glue that holds Georgia and Riley together or the one thing that will rip them apart?
It's difficult to describe the plot of The Heart Is Not A Size, because not a lot really happens. The novel is based on Kephart's own transforming experience in Mexico, and at times, it reads more like a memoir than a novel. Her description makes the tiny village of Anapra come alive, makes her characters live and breathe, but also weighs down the story a tad. It's apparent from the first chapter that the novel's not going to be plot-driven, but I still wish it had moved a little faster.
At its heart, of course, the book is about a friendship. It's also about things we see and things we don't see, secrets needing to be kept and truths begging to be revealed, people making themselves invisible when what they really want is to be seen. (If I was reading this for an English class, I'd go through and mark all the references to looking, seeing, losing, finding, remembering and forgetting and turn it into a brilliant essay.) This is not the kind of book you are going to fly through, flipping pages as fast as you can to get to the cliffhanger at the end. The Heart Is Not A Size is the kind of book that will have you combing back through the pages, re-reading passages for the deeper meaning you know is there. It's a multi-layered, ponderous type of tale that will have have you digging into your own heart, wondering what, exactly, it's made of. In short, this is not the dizzying thrill ride so common in teen novels - it's more like a railroad journey, slow and contemplative. Not what you're used to, but worth it. So worth it.
Grade:
BIf this were a movie, it would be rated:
PG for some languageThe Ruins: DiVINEly Creepy
The story begins with 4 friends vacationing in Cancun. After a few days soaking up the rays on the beach, they decide to join a German friend, Mathias, on a day trip to visit some ruins. Mathias' brother had followed his girlfriend archaeologist to the site, encouraging Mathias to join them by following a crude map he had drawn. So, the 5 of them, plus a Greek they just met, head off for a remote Mayan village. Strange happenings occur right off the bat - the group's taxi driver warns them the place is "no good," the locals try to run them off, and the archaeologists are nowhere in sight. Soon, the group finds itself stranded on a hillside, surrounded by armed Mayans. The hillside is eerily silent, devoid of animal, insect or human life - the only thing that's living is the vine that grows thickly all over the hill. As it becomes increasingly clear that they won't be leaving the hillside anytime soon, the group has to figure out how to survive on little food and water, and how to avoid turning on each other. As if they didn't have enough problems, the mysterious vines seem to have a life of their own...
The story is, in a word, creepy. The first half, especially, is taut, and breathtakingly suspenseful. You won't be able to turn the pages fast enough. The only thing I really didn't like about the book was the ending - the characters became wimpy and annoying, and the mystery of the vine was never solved. Should you read it? Definitely. It's an incredibly suspenseful book - just watch out for the vegetation!

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