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Top Ten Tuesday: Places I've Visited So Often In Books That I Might As Well Live There
New Proper Romance Enjoyable Despite a Few Wrinkles
The second novel (after Edenbrooke by Julianne Donaldson) to be published in Shadow Mountain's new Proper Romance line, Longing for Home by Sarah M. Eden does what a proper romance should—it tells a wholesome love story in a pleasing format that's not going to make anyone blush. It's clean, it's fun, it's readable. The story's vintage Eden, just in a more modern setting and with a tragic back story that makes it a more serious novel than her others. Eden's gift for writing amusing banter between her male and female characters shines especially bright in Longing for Home. Overall, it's an enjoyable book. I would just leave it at that, but of course, I had a few issues. My biggest beef was Katie herself. Although she's a sympathetic and courageous character, she's also a very self-absorbed one. I'm still not quite sure why all the other characters loved her so much—she didn't really do anything and the things she did do mostly just benefited herself. Add that to a few other irritants—the story's ending is pretty anti-climactic, one arm of the love triangle doesn't get any kind of resolution (I know there's a sequel in the works, but still ...), Katie's inner conflict seems really weak, etc.—and I ended up liking, but not loving this one. I remain an Eden fan, I just hope she works out some of these story wrinkles in the next book (Hope Springs, coming in Spring 2014). Four Words for Ahern's Newest: P.S. I Love You
(Image from Indiebound)In the Acknowledgments section of her newest book, Irish novelist Cecelia Ahern writes:
In The Book of Tomorrow I share my belief in the magic of books, how I believe books must contain some sort of homing device, which allows them to draw the correct reader to them. Books choose their readers, not the other way around. I believe that booksellers are the matchmakers
(p. 312).I have to agree with her, although in my case, it's usually book bloggers who set me up with great stories. Case in point: The Book of Tomorrow by Cecelia Ahern. The author's best known for her debut novel, P.S. I Love You, which enjoyed bestsellerdom, then became a movie starring Hillary Swank and Gerard Butler. Despite the story's popularity, I couldn't get past its first chapter. So, I was a tiny bit reluctant to pick up Ahern's newest venture. Still, rave reviews in Book Bloggerland persuaded me to give it a go. The first page convinced me: this book and I belonged together. Really. It was love at first sight (well, first read).
The book revolves around 16-year-old Tamra Goodwin, a wealthy Dubliner whose world starts to crumble when her father commits suicide. It's not just his death that shocks her, but also the reason behind it: George Goodwin owed so much money that he died with barely a euro to his name. As the bank repossesses the family's home, Tamra's mother sells off everything she can to pay her husband's debt. Now Tamra, the girl who swathed herself in designer-ware, swung at tennis balls on her private court, and played princess in a 7,000-square-foot mansion, is homeless, penniless, and not too happy about it either. She's stuck living in a cramped cottage in the countryside, miles away from anything that's anything, with her eccentric aunt and uncle.
Aunt Rosaleen takes charge of Tamra's mother, who's almost comatose with grief, leaving the teenager to find something - anything - to do. As Tamra explores the area, she finds all kinds of wondrous things, including a ruined castle, a traveling bookmobile run by a very sexy librarian, an unconventional nunnery and a mysterious diary. While each discovery holds its own secrets, it's the last that has her completely flummoxed. Drawn to the old-fashioned book with its leather cover and gold padlock, Tamra takes it home to pry it open. When she succeeds, she's disappointed to find that it's a journal, every page blank. She's never been into writing, but these days she's bored enough to try just about anything. This time, as Tamra opens the diary, she's shocked to discover that the first few pages are already filled, covered with words written in her own handwriting, words she's sure she never penned. The entry's dated for the next day. A practical joke, she assumes, until all the things written in the diary come true.
Tamra doesn't know how the diary works, but she believes in its magic. Somehow, it's leading her, luring her to investigate the dark secrets that swirl around Kilsaney Castle. The more Tamra pries, the more confused she becomes. What happened to the castle? Why did the Kilsaneys abandon it? Why does timid Rosaleen yank the mail out of Tamra's hands, forbid her from entering the garage, and insist that Tamra's mother does not need a doctor when she so clearly does? And, most importantly, what does it all have to do with her? Something sinister's going on in the Irish countryside and Tamra's going to find out what. Even if it kills her. Which it just might.
Family secrets, a magic diary, a handsome Irish book lender - you can see why I find The Book of Tomorrow so intriguing. Add in a bit of humor, a healthy dose of teenage angst, and some good, old-fashioned mysteries and, really, what's not to love? Okay, I would have liked more depth from the male characters (Marcus and Weseley are so similar I can barely tell them apart), and some of the plot points come off as a bit contrived, but the story overall does not disappoint. Not in the least. In fact, it's one of those magical novels Ahern referred to, the kind that pulls the right reader to them, then proceeds to enchant the heck out of them. After devouring her latest novel, I have only four words for Ms. Ahern: P.S. I Love You.
(Readalikes: It reminds me of other books about family secrets, though no specific titles come to mind.)
Grade: B+
If this were a movie, it would be rated: R for language (a handful of F-bombs, plus milder invectives), some violence and sexual content (not graphic)
To the FTC, with love: I received an ARC of The Book of Tomorrow from the generous folks at Harper Collins. Thank you!
Ooo La La! Newest Another Thrilling Triumph for French.
(Image from Barnes & Noble)Usually, hard-boiled crime fiction littered with enough F-bombs to blow the world to smithereens several times over isn't my thing. And yet, I just can't get enough of Irish author Tana French. There's something about her books that keeps me coming back for more. And more. And more. She's penned three novels - I've devoured each one. The woman cannot write fast enough to keep me satisfied!
Like In the Woods and The Likeness, French's newest introduces a compelling cast of fully-realized characters whose lives are about to be blown apart by a gruesome discovery. Faithful Place opens with a cozy domestic scene - undercover officer Frank Mackey is picking up his 9-year-old daughter for a weekend of pizza and kite-flying in the park. Two things which never happen. As soon as Frank steps into his apartment, he spies his voicemail button blinking rapidly. On the other side is the one thing he's always feared: his family. He's spent the last 22 years running from his chaotic childhood in Dublin's inner city with no intention of ever, ever going back. And yet, when "the bubbling cauldron of crazy that is the Mackeys at their finest" (15) comes calling, the ole boy answers.
In Faithful Place, the crumbling neighborhood where Frank came of age, few things ever change. A paint job here, a renovation there - it's enough to get the street in a twitter about folks getting above themselves. So, when a Polish building team finds an old suitcase wedged inside the fireplace of a long-abandoned apartment, tongues really start wagging. Especially when it's revealed to be the property of one Rose Daly, who just happens to be the same young girl who disappeared on the night she was supposed to leave for London with her boyfriend, a 19-year-old local by the name of Frank Mackey. Only Rosie never showed. For the past two decades, everyone - including Rosie's spurned lover - has assumed she's been living it up in England, too la di da to return to her pathetically humble roots. Everyone, it appears, was wrong. But what happened to the apparently love-struck girl with the neon-bright future all laid out before her? How did she end up going exactly nowhere?
Frank, whose scarred heart has always hoped to reunite with his first love, is shaken to his core. Although he's warned off the case by the egocentric Detective Kennedy, he can't keep himself away. He's been on the force long enough to know that the simplest explanation usually solves the crime, which means the answers he's looking for are right here on Faithful Place. Only, Frank's no longer part of the dirty streets, he's a police officer - and if there's one thing the people like less than a no-good Mackey, it's a cop. Especially one who would abandon his upbringing for something as suspect as a better life. If Frank's going to get the answers he so desperately needs, he's going to have to play his cards just right, which means sinking right back into the muck and mire with mates who would happily drown him in it.
As the story of Rosie's last days on Earth slowly unravels, Frank has to face all the ugliness he's been trying so hard to shove behind him: his family's violent, dysfunctional history; the fact that the girl he loved so fiercely might not have felt the same; and the guilt over his part in Rosie's tragic end. Is it, truly, his fault that Rosie died all those years ago? People he's known since toddlerhood think he murdered the sweetest gal on the block. Are they really going to rat out their own to help a monster like him, especially considering his uppity position as one of Dublin's finest? Can anyone, especially a hopeless Mackey, solve a case as cold as this one? Or is Frank doomed to become exactly what everyone always assumed he would be - a futureless nobody dragging himself through Dublin's grimy underbelly with all the other drunks and dole rats?
Like French's other novels, Faithful Place grabbed my attention with its first sentence, yanking me along for a swift, swervy thrill ride that kept me tottering on the edge of my seat, hardly daring to breathe. Although the killer's identity didn't surprise me, the orchestrated inevitability of it all did. French's skillful plotting, masterful character building, and grudging affection for Dublin's saltier citizens makes this one what it is - brilliant.
(Readalikes: In the Woods and The Likeness by Tana French)
Grade: A-
If this were a movie, it would be rated: R for strong language, sexual content and violence
To the FTC, with love: Another library fine find
Dear Ms. Binchy, Where's the Dazzle?
If you've never read Maeve Binchy before, you might not want to start with her newest effort. In fact, you probably shouldn't start with any of her last 3 or 4 novels. Go back to the early books (Circle of Friends, The Glass Lake, Light A Penny Candle), so you can experience Binchy at her finest. Even her less spectacular novels glow with trademark warmth, but certain titles (like the ones listed above) absolutely dazzle. I wanted Heart and Soul to be one of these, but it just doesn't sparkle the way I hoped it would. It's good. Just lacking in dazzle.The story revolves around a newly-opened heart clinic in Dublin. Housed in an unused storage depot owned by St. Brigid's Hospital, the clinic comes under the supervision of one Frank Ennis. The cranky administrator had hoped to sell the building for a handsome profit; outvoted by the hospital board, Frank now supervises the very heart clinic he vehemently opposed. He's not impressed with the new director, either - despite her glowing resume, Dr. Clara Casey's a ball-buster who won't take no for an answer. Soon, she's brought on a team of professionals who quickly turn the clinic into an organized, efficient establishment with a growing list of satisfied patients. Still, Frank seems hell-bent on keeping the clinic unsupported and underfunded, which only makes Clara more determined to make the project a success.
Employees, patients and friends of the establishment take turns telling the story of The Little Clinic That Could, while also ruminating on their own lives. This "Everybody Has a Story" technique is vintage Binchy - it's what makes her books so enjoyable. So, we meet Ania, a Polish immigrant who works tirelessly to earn money for the mother she shamed back home; Fiona, a friendly nurse with a mysterious past; Declan, a doctor who pines for Fiona; Clara's two self-absorbed daughters; Bobby, a good-natured heart patient, who's devoted to a woman no one else can stand; and many more colorful, very relatable characters. This motley crew supply myriad subplots to sustain the reader when the main plotline drags (as it often does).
What Heart and Soul lacks in plot it makes up for in rich characterization. Binchy also brings Dublin to life, even bringing back people from previous novels to help establish authenticity. On the flip side, the story drags in some places and lacks cohesion in others. Too many characters (however loveable they are) makes for a great deal of confusion - I kept forgetting who was who. All in all, I liked the book, but didn't love it. I expect more from this venerable author, who charmed me with her magical early novels. She's delivered in the past, so I'm not giving up on Ms. Binchy, but c'mon, Maeve, a girl's gotta have some dazzle. Maybe next time, eh?
Grade: B-

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