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Showing posts with label Native American History/Cultures. Show all posts
Showing posts with label Native American History/Cultures. Show all posts
Thursday, August 05, 2021
Buzzy YA Mystery/Thriller an Engrossing, Satisfying Read
5:14 PM
(Image from Barnes & Noble)
Half Ojibwe and half white, 18-year-old Daunis Fontaine is used to walking the line between her mixed identities and cultures. As an unenrolled tribal member, she's not quite part of the Native world. As a Native, she's not exactly immersed in the white world either. It shouldn't matter, but it does, especially in Sault Ste. Marie, Michigan. That's why Daunis can't wait to escape to college in Ann Arbor, where she can start studying for her medical degree. A family emergency has delayed her plans, but it won't be forever. Soon, she'll be able to break free. In the meantime, she'll continue volunteering at the rec center, working on her hockey game, and trying not to fall under the spell of the hot new guy on the rink.
When Daunis witnesses a murder, it shakes up her careful plans. Suddenly, she finds herself in the middle of an FBI investigation centering on a dangerous new drug. Reluctantly agreeing to go undercover in order to help, she's thrust into a dangerous world that could put everything she's worked for and dreamed of at risk. She's dedicated to helping her community, but at what cost? People are dying around her; Daunis does not want to be next. As shocking revelations come to light, she learns some startling truths about her family, her friends, and the clashing worlds that combine to make her who she is. Will her life ever be the same again?
Firekeeper's Daughter, a debut novel by Angeline Boulley, has been receiving massive buzz ever since it came out in March. And no wonder. It tells a sweeping, multi-faceted story set against the backdrop of a unique, complex community. With its intimate look at Ojibwe customs and mythology, it feels more layered, more expansive than other teen thrillers. That being said, the mystery at its core is compelling, with enough twists to keep it interesting. Yes, I saw some of the story swerves coming and yes, elements of the tale seem far-fetched, but neither detracts much from this absorbing page-turner. The characters are colorful and well-drawn (with the exception of Jamie, who's pretty blah for a leading man). Boulley's prose is skilled and assured. The plotting is tight and taut. All things considered, I quite enjoyed this buzzy #OwnVoices novel. Pretty sure I'm not the only one who's waiting anxiously to see what Boulley does next!
(Readalikes: Reminds me a little of the Wind River Reservation mystery series by Margaret Coel and Hearts of the Missing by Carol Potenza)
Grade:
If this were a movie, it would be rated:
for language (a dozen or so F-bombs, plus milder expletives), violence, depictions of underage drinking/partying, depictions of illegal drug use, sexual content (including a rape scene), and disturbing subject matter
To the FTC, with love: I bought a copy of Firekeeper's Daughter with a portion of the millions I make from my lucrative career as a book blogger. Ha ha.
Monday, March 22, 2021
Popular Series Opener More About the Journey Than the Destination
12:36 PM
(Image from Barnes & Noble)
I started watching Longmire, a crime series on Netflix, without realizing it was based on a set of books. Since I'm a staunch the-book-is-always-better-than-the-movie person, I immediately stopped watching and got to reading The Cold Dish by Craig Johnson. In this first installment, we're introduced to Walt Longmire, who's been sheriff of (fictional) Absaroka County, Wyoming, for 25 years. Although the venerable old cowboy loves his job, retirement is starting to sound mighty good. With an election on the horizon, he just might get his wish. In the meantime, it's up to him to deal with the murder of a local bad boy.
No one is too surprised or too saddened by the shooting death of Cody Pritchard. The young man was no altar boy. In fact, he was known for making racist cracks about Native Americans and being involved in the vicious gang rape of Melissa Little Bird, a Cheyenne girl with learning disabilities, three years ago. Cody received only a light sentence for his part in the crime, an outcome that pleased the smug boy and outraged both Walt and his county's Indian community. An eagle feather found by Cody's corpse seems to indicate that someone with Native blood is seeking justice in their own way. While Walt isn't about to shed a tear over the likes of Cody Pritchard, it's his job to find out who killed the kid and stop the murderer from executing the rest of Melissa's rapists. With the help of Victoria "Vic" Moretti, his tough-talking deputy and protégé, the sheriff sets about to do just that. As Walt digs deeper into the secrets of his small town friends and neighbors, he finds himself in increasing danger. He won't stop until he finds the answers he seeks, even if it means stepping into the killer's crosshairs himself.
I've heard The Cold Dish described as a "literary" mystery. While I'm not sure it's as high-brow as all that, it's certainly more than your typical, run-of-the-mill police procedural. For one thing, Johnson imbues the novel with a very strong sense of place. You can feel his love for the American West—its landscape, its people, its contradictions—in every word he writes. In addition, the story is much more about community than crime. Johnson focuses on Walt's relationships with the people around him more than on the job he's doing. The result is a folksy, long-winded novel that's enjoyable more for the journey than the destination. While the plot takes a long time to get anywhere, which makes the story sag in places, there's still plenty in the way of humor, quirky characters, and local color to keep the reader entertained. The killer's identity also surprised me, which doesn't happen all that often for this veteran mystery reader. However, the most appealing thing about The Cold Dish by far is its hero. Walt Longmire is an endearing character on many levels. Not only is he brave, compassionate, and committed, but he's also fallible and self-deprecating. It's impossible not to like him. All these things considered, it's easy to see why this book has garnered so many fans since its publication in 2004. While it's hardly an edge-of-your-seat thriller, it's an entertaining read. The real question for me is, do I want to continue with the series? Maybe, maybe not is my answer. While I enjoy character-driven crime fiction, I prefer the kind that also features a taut, focused plot. This is not that, so we'll see if I continue on with the series or not...
(Readalikes: Reminds me of C.J. Box's Joe Pickett series, Margaret Coel's Wind River Reservation series, and Nevada Barr's Anna Pigeon series)
Grade:
If this were a movie, it would be rated:
for strong language, violence, blood/gore, and sexual innuendo
To the FTC, with love: I bought a copy of The Cold Dish with a portion of the millions I make from my lucrative career as a book blogger. Ha ha.
Friday, December 04, 2020
Series Opener Not So Engaging Second Time Around
5:58 AM
(Image from Barnes & Noble)
After fighting a debilitating alcohol addiction, Father John O'Malley was sent to the Wind River Reservation in central Wyoming to dry out. Six years later, he's come to love the Arapaho people he serves, even if he still doesn't fully understand all the nuances of their culture. He appreciates their ancient traditions and counts the members of his flock as treasured friends. When Harvey Castle, the tribal chairman, is stabbed to death in his teepee while attending a local powwow, John is just as shocked and sad as everyone else on the rez.
Suspicion for the murder immediately falls on Harvey's nephew, Anthony, who was heard arguing with his uncle the night before his death. Although the kid's an undeniable hothead, John doesn't think he's a killer. Vicky Holden, a lawyer who grew up at Wind River, agrees. If they're going to clear his name, John and Vicky need to find out who really killed Harvey—and why. Their investigation leads in unexpected directions, putting the duo in danger from someone who's desperate to keep old secrets buried. Can they expose the murderer and free Anthony without becoming the next victims of a cold-blooded killer?
Back in the Dark Ages before I started reviewing books on this blog, I read the first few installments in Margaret Coel's Father John O'Malley mystery series. I enjoyed learning about Arapaho culture, following the developing relationship between John and Vicky, and reading mysteries that were engaging without being graphic. When I needed a book set in Wyoming for the Literary Escapes Reading Challenge, I decided to revisit the series. While I still appreciated the things that first drew me to the series, this time around I found its first installment, The Eagle Catcher, not quite as engrossing or compelling as I did the first time I read it. John and Vicky are both likable characters, but they're so underdeveloped that neither comes off as very unique or exciting. The supporting cast is the same, with so many similar people that they all ran together for me. Plotwise, The Eagle Catcher is predictable, with no real twists to keep it interesting. In a word: boring. The story is slow and dull. I'm not saying this series opener is a terrible read; it's not. It's just a bit of a slog, which disappointed me because I wanted to love it as much as I did the first time I read it. Bummer.
(Readalikes: Coel's books have been compared to those by Tony Hillerman, although I don't know how apt the comparison is since I've never read Hillerman.)
Grade:
If this were a movie, it would be rated:
for language (no F-bombs), violence, and scenes of peril
To the FTC, with love: Another library fine find
Friday, July 12, 2019
A Lot to Love in Engaging, Atmospheric Native American Mystery Series Debut
9:22 AM
(Image from Barnes & Noble)
Fire-Sky tribal member Sandra Deering had everything going for her, including a college degree she was about to receive. Why would she have committed suicide just when she stood on the cusp of getting everything she'd worked so hard for? It doesn't make any sense, especially since Sandra's is the latest in a string of suspicious deaths linked to the Fire-Sky people. Like Sandra, the victims appear to have been murdered by a killer familiar enough with the tribe's beliefs to make sure his/her victims cannot receive proper burials, dooming their spirits to wander the earth forever.
Monique "Nicky" Matthews, a sergeant and special agent working with the Fire-Sky Pueblo Police, is called in to investigate. Along with her partner, a suave newcomer she's not sure she can trust, Nicky begins looking into the odd deaths. Guided by good police work as well as the strange visions that have always been a part of her life, she uncovers some very sinister goings-on on the rez.
Determined to catch a murderer and bring closure and peace to the victims' families, Nicky will stop at nothing to solve the case. With the people she loves being threatened and her own neck on the line, she'll have to risk everything to bring the cold-blooded killer to justice. Can Nicky catch the culprit in time to save lives or will her spirit be the next to join the tortured souls already on eternal walkabout?
In the tradition of Tony Hillerman, Carol Potenza has penned an exciting, well-written mystery steeped in Native American tradition and culture. Although the Fire-Sky people are fictional, their beliefs are based on those of known tribes, giving Hearts of the Missing an authentic feel. The characters in this satisfying debut are well-drawn and complex, the setting is vivid and atmospheric, the plot is taut and twisty, and the prose is skilled and readable. In short, there's a lot to love here. I thoroughly enjoyed this series debut and can't wait to see what the next installment brings.
(Readalikes: I've read very little Hillerman, but Hearts of the Missing definitely reminds me of his novels, as well as the Wind River Reservation mystery series by Margaret Coel.)
Grade:
If this were a movie, it would be rated:
for language (two F-bombs, plus milder expletives), violence, blood/gore, references to illegal drug use, and disturbing subject matter
To the FTC, with love: Another library fine find
Tuesday, October 23, 2018
Touching MG Novel Asks Important Questions About Family, Foster Care, and Cultural Identity
7:21 AM
(Image from Amazon)
When Chipeta Uncarow, an infant from the Ute tribe, is abandoned by her mother, the Twitchells gladly take her in. A treasured member of the big Mormon family, Chipeta (known as Dori) fits in so seamlessly that the Twitchells long to adopt her. Eleven-year-old Britta Twitchell is especially fond of her foster sister, now four years old, and can't imagine life without little Dori. When Dori's mother reappears, now ready to parent her daughter, Britta's incredulous. How can a woman who cared so little about her baby just waltz in and reclaim her? Dori already has a family, a family who adores her and takes care of her. The Twitchells can't really be expected to just hand over their beloved sister and daughter. Can they?Britta can't believe that soon Dori will be living on the Uintah-Ouray Indian Reservation with her birth mother. It's so not fair! The rest of her family might be going along with it, but Britta will stop at nothing to make sure Dori stays at home where she belongs. However good her intentions are, however, Britta soon finds herself in real trouble. Now, in order to save Dori's life, she'll have to think beyond—beyond the lush green of her small farming community, beyond what she wants, and beyond her limited view of what it means to be a family.
Beyond the Green by Sharlee Glenn is a touching, semi-autobiographical novel that asks some important questions about family, cultural identity, and the rights of people involved in foster care. The tender, heartbreaking story is handled with both authenticity and sensitivity, telling an all-too-common tale with care. Full of flawed but sympathetic characters; enough action and conflict to keep young readers engaged; and some strong, meaningful lessons; Beyond the Green is a solid read that I highly recommend to anyone who
enjoys realistic middle grade fiction.
(Readalikes: Hm, nothing is coming to mind. You?)
Grade:
If this were a movie, it would be rated:
for scenes of peril and some difficult subject matter (alcoholism, child abandonment, etc.)
To the FTC, with love: I received an e-ARC of Beyond the Green from the generous folks at Charlesbridge via those at Netgalley. Thank you!
Wednesday, August 15, 2018
Debut Novel Offers Poignant, Heart-Wrenching Look at 1800s Native American Assimilation
7:00 PM
(Image from Barnes & Noble)
With her successful lawyer husband and posh Philadelphia home, Alma Mitchell appears to be just another sheltered, well-to-do society woman. No one would guess she spent her childhood in the wilds of Wisconsin, mingling with the "savages" her father was attempting to tame at The Stover School for Indians. As the only white child at the boarding school, Alma watched with fascination—and growing horror—as her brown-skinned classmates were stripped of their birth names, their native language, and their unique culture. Forever changed by her experience in Wisconsin, Alma has buried the scars and secrets of her past in an effort to assimilate into a society that no longer feels like her own.
Fifteen years after fleeing Wisconsin, Alma reads a shocking newspaper article that propels her right back into the past she's been trying so hard to forget. An old friend from the Stover School, Asku "Harry" Muskrat, is being charged with the murder of a federal agent. The smart, sweet boy Alma knew would never commit such an act. Determined to right a past wrong, she begs her husband to represent Asku. When the two confront the angry Native American, Alma is shocked by what she sees. The boy could never have harmed anyone, but what about the man? With Asku's life on the line, Alma will find the truth and free her old friend, even if it means reopening the wounds and heartaches of her past.
Between Earth and Sky, a debut novel by Amanda Skenandore, offers a sharp, heart-wrenching look at the U.S. government's troubling efforts to assimilate Native Americans into "polite" society after the Indian Wars of the 1800s. It's a fascinating subject, made even more intriguing through Senandore's use of lyrical prose, sympathetic characters, and a compelling (if a little slow) plot. Although the novel is depressing, it's also affecting and eye-opening without being sentimental or preachy. Overall, I enjoyed this thought-provoking book.
(Readalikes: Hm, I can't think of anything. Can you?)
Grade:
If this were a movie, it would be rated:
for brief, mild language; violence; and mild sexual content
To the FTC, with love: Another library fine find
Tuesday, December 21, 2010
Native American Coming-of-Age Story Just Okay
5:59 AM
(Image from Amazon)
Montana, 1909 - Intent on civilizing Native Americans, the U.S. government is rounding them up, corralling them onto reservations, and cleansing them of their "savage" ways. For young Lionel and Beatrice, Blackfoot orphans who lost their mother to tuberculosis during the brutal winter of 1903, this means enrollment at the Chalk Bluff boarding school. Although Lionel would rather live with what's left of his family, he's not unhappy with the situation. Beatrice, on the other hand, craves the old ways. She defies the Brothers who run the school by speaking her native tongue, refusing to let them cut her thick black braids, and honoring the Creator in the ancient manner. Lionel can't understand why she insists on making trouble not only with the priests at the school but with the soldiers at the Army outpost next door.
On the day Lionel finds a dead man kneeling in the snow, Beatrice turns on two of the soldiers with a vengeance that surprises them all. Stealing the Army's prized stallion, she and Lionel flee into the wilderness. Beatrice thinks she remembers how to get to their grandfather's home, but the way is long and the weather uncooperative. With soldiers hot on their trail, the children try to move quickly, keeping themselves and the big horse safe from harm. Fighting hunger, the frigid winter, wild animals, illness, and the not always honorable intentions of other wanderers, the children's journey is fraught with danger. And adventure. And great revelation for Lionel, who finally begins to see why Beatrice fights so strongly to defend the culture the government's determined to destroy.
Starfish, a debut novel by writer/filmmaker James Crowley, examines two very different characters coming of age in a time when everything around them is changing. As the old ways converge with the new, Lionel and Beatrice must choose which to embrace. The farther their journey takes them, the more they learn - about themselves, each other, and what it means to be a Native American in the white man's world. While I didn't absolutely adore this book, I did find it to be an exciting adventure piloted by two engaging characters. It's not entirely believable and I have no doubt that some people (see Debbie Reese's very thorough review of Starfish here) will have problems with Crowley's portrayal of American Indians, but I thought it was okay. Not unputtownable, not riveting, not jaw-dropping, just okay.
(Readalikes: Apparently, I haven't read too many books about Native Americans. Any suggestions here?)
Grade: C
If this were a movie, it would be rated: PG-13 for mild, but frequent invectives
To the FTC, with love: I received a finished copy of Starfish from the generous folks at Disney/Hyperion. Thank you!
Monday, March 17, 2008
Diary One Novel That Earns Its Hype
4:28 PM
I haven't read a lot of books about Native Americans, so I guess it's not surprising that I've 

never come across a narrator quite like Arthur Spirit. "Junior" as he's known on the rez, has all the characteristics of a Class A loser - he stutters, lisps, wears thick glasses, sucks at basketball, and cries a little more than is safe for a 14-year-old boy. He gets beat up. A lot. Luckily for Junior, his best friend is the toughest kid around. Still, life on the rez isn't exactly easy for Junior or anyone else. Yeah, there's a casino nearby, but it's not making money for the common Indian (clarification: Alexie uses the term "Indian" constantly; he never uses "Native American," so I'm going to risk being politically incorrect and follow his lead) who still struggles against poverty, alcoholism, and an inability to get ahead.
So, Junior draws cartoons. He draws because "I feel like it might be my only real chance to escape the reservation. I think the world is a series of broken dams and floods, and my cartoons are tiny little lifeboats" (5). As Junior explains the world to himself, he suddenly realizes that he can better himself. Just because he lives within five miles of where he, his parents, and his grandmother were born, doesn't mean he can't leave. Just because no one else in the tribe has ever done it, doesn't mean he can't. So, Junior begs his parents to let him go to Reardan, the high school in town where all the white farmers' kids - and no Indians - attend. The school is 22 miles away, meaning Junior has to walk when his parents don't have the money to pay for gas, but he's determined to get a good education. His decision brands Junior as an apple (red on the outside, white on the inside), a traitor to his tribe. In fact, it makes him feel like a traitor to himself:
"Traveling between Reardon and Wellpinit, between the little white town and the reservation, I always felt like a stranger. I was half Indian in one place and half white in the other. It was like being an Indian was my job, but it was only a part-time job. And it didn't pay well at all" (118).
Not surprisingly, Junior feels different and alone in the sea (or pond - Reardan's a small town) of white faces. He's surprised by the blatant racism of the town's adults, and the acceptance he eventually wins from their children. His year at Reardon is a time of discovery - he falls in love, proves himself on the basketball court, and discovers that friendship can endure despite great odds.
The Absolutely True Diary of a Part-Time Indian is an original, honest and engaging story. When I say honest, I mean it - Arnold discusses everything from masturbation to his parents' alcoholism to the irony of Indians celebrating Thanksgiving. The frankness is both disturbing and enlightening. Conversely, the thing I found most interesting about this story is the subtlety of the author's language use. Each sentence seems to have at least five meanings. Take this passage, for instance, in which Junior describes his dad's Christmas "sacrifice":
"Drunk for a week, my father must have really wanted to spend those last five dollars. Shoot, you can buy a bottle of the worst whiskey for five dollars. He could have spent that five bucks and stayed drunk for another day or two. But he saved it for me.
It was a beautiful and ugly thing" (151).
The book is full of such passages, which makes the story so much more meaningful than it appears to be on the surface.
I found the discussion of racism against Indians fascinating. This book is set in Washington State, where I grew up (although I lived in the Western, not Eastern part of the state), and I don't remember this kind of prejudice against Native Americans. Stephenie Meyer's Twilight series, also set in Washington, brings up similar issues. I remember feeling miffed when my Indian buddy Leon got 2 weeks off school for fishing season, but that's the only time I ever had a negative feeling about him (until he grew up and became a small town gang banger, but that's another story ...) or other Indians at our school. I guess I was just shocked that the kind of racism Alexie describes actually happens.
The Absolutely True Diary of a Part-Time Indian is one book that earns the hype it has generated. It's brilliant, from Junior's voice (authentic, honest) to the cartoons "taped" into his diary (witty), to its statements on Indian culture and prejudice (eye-opening) - it's simply unforgettable.
Grade: A
(Book Image from Sherman Alexie's official website. The book is semi-autobiographical. Check out the "Biography" section of Alexie's site to read more about him.)
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