(Image from Barnes & Noble)

Ignoring everything she's ever heard about gigs that sound too good to be true, Londoner Rowan Caine accepts a position as a live-in nanny in the Scottish Highlands.  Lured by the promise of a ridiculously generous salary; the luxury of Heatherbrae House, a remote "smart" home that's rumored to be haunted; and the charm of her three young charges, who appear to be pleasant and well-behaved; the 27-year-old is so glad for the job that she doesn't ask too many questions.  After all, she doesn't want her new employers querying her too closely, now does she?  

At first, Rowan is relieved to be given almost complete autonomy in her new job.  Bill and Sandra Elincourt—busy professionals who run a family architecture business—are consumed by work and seem perfectly content to leave the care of their children in the hands of a virtual stranger.  When the couple takes off almost immediately after Rowan's arrival, leaving the nanny in charge for the foreseeable future, she's dismayed, then horrified.  Not only does Rowan have little idea how to run Heatherbrae House's smart features, but the place seems to have taken against her, turning on lights, locking doors, and blaring music at all hours.  The Elincourt children aren't any better with their tricks and tantrums.  As the situation grows increasingly out of control, a frantic Rowan becomes more and more panicked.  In over her head, she's desperate for help that's obviously not coming.  When push comes to shove, the unthinkable happens.  

Now Rowan's sitting in a Scottish prison pleading for someone—anyone—to believe in her innocence.  A child is dead; if Rowan isn't the killer, then who is?

I'm a fan of Ruth Ware's psychological suspense novels.  I love how they keep me feeling off-kilter throughout, never quite knowing what's real and what's not.  While her newest, The Turn of the Key, is not my favorite of hers, I still enjoyed it.  Despite a slower pace than her other books, this one still boasts an intriguing premise, a creepy, suspenseful vibe, and an engrossing plot, all of which kept me flying through the pages to see what would happen next.  If you dig compelling, slow-building (but still engaging) psychological thrillers, you'll definitely want to give this one a go.  It's an old-fashioned haunted house story with a fresh, modern twist to keep things interesting.    

(Readalikes:  Reminds me of The Other Mother by Carol Goodman and The Death of Mrs. Westaway by Ruth Ware)

Grade:

If this were a movie, it would be rated:

for language, violence, mild sexual content, and disturbing subject matter

To the FTC, with love:  I received an e-ARC of The Turn of the Key from the generous folks at Gallery/Scout Press via those at NetGalley.  Thank you!

(Image from Barnes & Noble)

At 23, Kika Shores isn't quite ready to dress in big girl clothes and commute to the city for an adult job with all the other suits.  She'd rather be backpacking across Europe or scouring an African bazaar for unique jewelry to sell on her blog.  Too bad traveling requires so much dough.  Working for a corporate travel agency in New York City helps pad her checking account, but that doesn't mean Kika has to enjoy acting like a grown-up.  

When she screws up one too many times on the job, Kika finds herself unemployed, with so little coinage she can barely afford a trip to the dollar store, let alone overseas.  Then, fate steps in.  A wealthy friend asks Kika to come to London and nanny for her daughters.  Overjoyed, she accepts.  Not only will Kika be able to hang out with her favorite girls, but she'll also be much closer to Belfast where her "roadmance" boyfriend, Lochlin O'Mahone, lives.  She especially can't wait to reconnect with the gorgeous Irishman, the memories of whom still keep her warm at night.  

London soothes Kika's wanderlusting soul, but that doesn't mean it's a problem-free zone.  Not at all.  Kika's charges are having trouble fitting in; she's lying to their parents; and for some weird reason, she's thinking more of stuck-up Aston Hyde-Bettencourt than of Lochlin.  When a series of shocking revelations rocks Kika's world, she has to decide what she really wants and how much she's willing to risk in order to get it.  For a Peter Pan girl, Kika's suddenly having to make some very adult decisions.  And she doesn't like it.  Can she grow up enough to go after what she wants?  Or will she grab her passport and head for the hills like she always does when things get dicey?

I wasn't expecting to like Girls Who Travel, a debut novel by travel writer Nicole Trilivas, quite as much as I did.  Why not?  I'm not a huge fluff reader.  And the novel is undeniably fluffy.  At least sometimes.  Not always, though, which is the part that surprised me.  Yes, Girls Who Travel is a zany, funny romp with a sometimes annoyingly immature heroine, but it also makes some deeper points about growing up and getting real.  A messier ending would have been more true to life, but still ... Overall, this is a satisfying novel voiced by a woman who matures over the course of the tale while never losing her unique, free-spirited perspective.  Like I said, I enjoyed Girls Who Travel much more than I thought I would.  Needless to say, I'm looking forward to seeing what Trilivas comes up with for her sophomore voyage.

(Readalikes:  Hm, nothing is coming to mind.  Suggestions?)

Grade:

If this were a movie, it would be rated:

for language (a dozen or so F-bombs, plus milder expletives), sex, violence, and depictions of alcohol abuse

To the FTC, with love:  I received an e-ARC of Girls Who Travel from the generous folks at Berkley (an imprint of Penguin Books).  Thank you!