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Showing posts with label African American History. Show all posts
Showing posts with label African American History. Show all posts
Saturday, April 06, 2019

African-American Pioneer Novel Grim and Affecting

(Image from Barnes & Noble)

When Rachel—a maid in the Chicago household of a wealthy African-American widow— meets her boss's handsome son, she loses her heart completely.  And possibly her mind.  Rachel will follow the charismatic Isaac DuPree wherever he goes.  When he informs her that he will be moving to the Badlands, where land is practically free for the taking, she agrees to wed him in order to double the amount of property he'll be able to own.  Rachel knows Isaac's passion is for land, not her, and that their marriage is one of convenience only, but she's determined to show him he's chosen the right bride.  As they work the unyielding earth together, raise children in a squalid dugout, and try to eke out a life in a brutal, unwelcoming place where only the most stubborn folks survive, Rachel does her part without complaint.  When the worst comes to pass, however, she must decide what's best for her and her children.  Isaac will never leave the homestead, no matter how bad things get.  Can Rachel find the strength to do what needs to be done?  Or will she lose everything—and everyone—she's ever loved to the unforgiving land and her husband's even more relentless pride?

The Personal History of Rachel DuPree by Ann Weisgarber is a grim, affecting novel that pays tribute to the pioneering spirit that led to the settling of the American West.  The novel shines a special spotlight on the unique experiences of African-American pioneers, who faced prejudice and racism along with all the other hardships that came with colonizing the frontier.  Rachel is the embodiment of those tough, resourceful female settlers who had to use all their courage, ingenuity, and resilience to survive in a harsh, inhospitable landscape.  Her determination and desperation come through loud and clear, making her story intimate, gripping, and memorable.  Despite its bleakness, I enjoyed this evocative historical novel.

(Readalikes:  Reminds me of the Little House on the Prairie books by Laura Ingalls Wilder, These Is My Words by Nancy E. Turner, and Hattie Big Sky by Kirby Larson)

Grade:


If this were a movie, it would be rated:


for brief, mild language (no F-bombs), violence, blood/gore, and disturbing subject matter

To the FTC, with love:  Another library fine find
Saturday, September 15, 2012

Margolick Tells the Story Behind the Story of a Powerful Photograph

(Image from NPR Books)

On the morning of September 4, 1957, reporter Will Counts snapped a photograph that would haunt not just the nation, but also the two girls pictured most prominently in the image.  Both of them were 15 years old, both were looking forward to becoming juniors at Central High School in Little Rock, Arkansas, and neither knew just how much their faces would come to symbolize the explosive issue of school integration.  The two girls, who did not know each other when Counts took their picture, would become forever linked because of one powerful photograph.  

Because her family did not own a telephone, Elizabeth Eckford did not receive the message to meet the rest of the Little Rock Nine before school on September 4.  They planned to enter Central High School together.  Elizabeth ended up walking alone.  The solitary figure in white became an easy target for the crowd of protesters that gathered outside the school.  In the midst of the mob stood Hazel Bryan.  Like the people around her, she jeered and taunted Elizabeth, making it clear how she felt about a black girl daring to enter the hallowed halls of her high school.  At that moment, Counts' camera clicked, capturing Hazel, her lips pulled back and teeth bared, looking like a lion stalking its prey.  The photo seemed to say everything that needed to be said about the situation in Little Rock.  Published in the Arkansas Democrat later that afternoon, the picture struck an immediate chord with all who saw it.  In today's terms, it went viral.  All over the country, outraged Americans demanded swift and aggressive action to be taken in Arkansas.  

As far as most people know, that's it.  Integration happened, end of story.  Except it's not.  Central High did not integrate right away and, when it finally did, its black students suffered all kinds of indignities.  Elizabeth was never the same after her experience there.  And even though, as an adult, Hazel sought and received forgiveness from Elizabeth, she never quite got over the shame of having her worst moment captured on film for millions to see.   

The story behind the story of Counts' iconic photograph so fascinated David Margolick, a contributing editor at Vanity Fair, that he wanted to write an article about it.  The article turned into a book, Elizabeth and Hazel: Two Women of Little Rock.  Although it may not sound like a page turner, I found myself reading it until way past my bedtime, promising myself over and over that I'd just read one more chapter.  That's the beauty of a well-told story—it draws you in, not letting you go until you've reached the end.  And, often, not even then.  This is how I felt about Elizabeth and Hazel.  I found it totally engrossing.  Also interesting, eye-opening, sad, and thought-provoking.  I'm glad I read it and I know I'll never look at the Eckford/Bryan photo in the same way again.   

(Readalikes:  Reminded me of The Lions of Little Rock by Kristin Levine and the Dear America Book, With the Might of Angels by Andrea Davis Pinkney)

Grade:  B

If this were a movie, it would be rated:  R for strong language (a few F-bombs, plus milder invectives, including racial epithets) and violence

To the FTC, with love:  Another library fine find
Saturday, November 12, 2011

Superzero A Gem All Around

(Image from Barnes & Noble)
Eight-grader Reggie McKnight's not exactly the biggest mover and shaker on campus. In fact, the last time his smarty-pants Brooklyn school offered him a big, be-somebody moment, he ended up puking all over the principal's shoes. Onstage. With the whole student body looking on. Now, "Pukey" McKnight's determined to keep a low profile in the hopes that his classmates will just forget he exists.
Naturally, Reggie's not planning to participate in the upcoming school elections, but when he gets roped into managing the campaign of a pushy classmate, he wonders if this might the perfect opportunity to make the school elections really mean something. He's been volunteering with his church youth group at a homeless shelter, an experience that's changing his whole outlook on life. The project is so important to Reggie that he wants to recruit more volunteers to help out at the shelter - if only he could convince more of his classmates to show up, Reggie knows it will make a huge difference in a lot of people's lives. And, in spite of himself, he does want to make a difference. The problem is no one else does, especially not Clarke's presidential candidates, who are more concerned about throwing parties and creating scholarships for themselves. If Reggie's going to get his classmates' attention, he's going to have to do something drastic. Something more convincing than spewing onstage.
So much for keeping a low profile. Suddenly, Reggie's got more worries than he can handle. It's not just winning the election that's got him fretting, it's his dad, who's still unemployed; his best guy friend, who doesn't seem to get him anymore; George, the homeless guy who's gone missing; and, of course, pretty Mailone Davis, who's making him nervous with all the attention she's suddenly paying to him. With so much on the line, Reggie can't afford to choke - or puke - but that's just what he feels like doing ...
As generic as 8th Grade Superzero by Olugbemisola Rhuday-Perkovich may sound, it's not. Or maybe the story is, except, really, it isn't. Oh, I don't know! All I can say is I loved this funny, upbeat novel about a boy who learns to stand up for himself, believe in his own potential, and use his influence, however meager, to make a difference. Reggie is a likable everyman whose voice and struggles will ring true with anyone who's ever trudged his/her way through middle school. Perkovich writes with humor, authenticity, and confidence, making 8th Grade Superzero a gem all around. Did I mention how much I adore this novel? Seriously, people, it's a must-read.
(Readalikes: I should be able to think of a million readalikes, but I can't. Suggestions?)

Grade: A


If this were a movie, it would be rated: PG-13 for language (no F-bombs) and sexual innuendo

To the FTC, with love: I received a finished copy of 8th Grade Superzero from the generous folks at Scholastic. Thank you!
Friday, February 11, 2011

Slave Girl's Diary Makes History Intimate, Impactful

(Image from Indiebound)

Even though 12-year-old Clotee is forbidden from reading or writing, words thrill her, each one filling her mind with pictures. "Home" brings images of the Belmont Plantation, an elegant property near Richmond, Virginia, where Clotee has lived all her life. "Kitchen" conjures herbs hanging from the ceiling, pots bubbling over the fire, and the kind face of Aunt Tee, the best cook in the state. "Family" calls up memories of her mother, who died after being sold away by heartless Master Henley. But "Freedom"? That one's a blank. "Spelled right or wrong," says Clotee, "freedom got no picure, no magic. Freedom is just a word" (17).

Still, Clotee knows enough to take advantage where she can. For the last two years, she's been fanning William Henley while his mother teaches him to read. The young master may be the same age as Clotee, but she's a much more willing student. Unbeknownst to the mistress, who would skin Clotee alive if she knew, the slave girl can decipher enough words to read most anything and she can write well enough to keep a diary. The Henleys would beat Clotee if they knew, so she must keep her secret hidden not just from them, but from anyone who could rat her out. No matter how vigilant she is, Clotee knows she could be discovered at any second ...

When things really start getting crazy at Belmont, Clotee must decide where her loyalties lie. Should she whisper slave secrets to her mistress in exchange for pretty things? Can she sell out a man who's been nothing but good to her in order to save the boy who's the closest thing she has to a brother? And, most importantly, should she make a run for freedom when she has absolutely everything to lose?

A Picture of Freedom: The Diary of Clotee, a Slave Girl by Patricia McKissack was originally published in 1997, then reissued in 2011 as part of Scholastic's efforts to breathe new life into the Dear America series. McKissack based the story on her great-great-great grandmother, a slave woman who not only learned to read and write, but also used her knowledge to teach others. Clotee's story is similar to others about slavery, and yet it still manages to be both intimate and impactful. I did want a little more from our heroine, who is, after all, kind of the same ole clichéd slave we always find in historical fiction. Still, I enjoyed the story, easily devouring it in a matter of hours. The Dear America books continue to delight me, as they will any history lover, young or old.

(Readalikes: The Dear America books are similar to The American Girl series; this one reminded me of Chains by Laurie Halse Anderson, Day of Tears by Julius Lester, and other stories about slavery.)

Grade: B-

If this were a movie, it would be rated: PG for violence and vague references to plantation owners sleeping with their slaves

To the FTC, with love: I received a finished copy of A Picture of Freedom from the generous folks at Scholastic. Thank you!
Thursday, December 02, 2010

Award-Winning Chains Exquisitely Engineered

(Image from Indiebound)

I've read plenty of books about slavery, but none as powerful as Chains by Laurie Halse Anderson. What makes the story so compelling? Perhaps it stands out because of its unique time period or because of the subtlety with which Anderson weaves the tale of a young girl's fight for freedom with America's own struggle for independence. Or it could be the simple fact that I can no longer read stories like these without picturing my daughter. What would her fate have been, with her milk chocolate skin and tight black curls, in an age of absolute intolerance toward anyone with even a drop of African blood? The mere thought is enough to send ice through my veins. For all these reasons and more, Chains swallowed me whole, ravished my insides, then spat me back out, desperate for more. It's not an easy read, not at all. It is troubling, touching, illuminating and very, very worthwhile.
The story opens with the death of Miss Mary Finch, a passing that both saddens and cheers 13-year-old Isabel. Although her mistress was kind, the slave girl can't wait to be her own boss lady. But before she's allowed to get even a taste of the freedom Miss Finch promised her, Isabel finds herself sold to the highest bidder. Along with her younger sister, Ruth, Isabel sails from Rhode Island to New York, where she becomes a servant in a grand house on Wall Street. Her new owners, the Locktons, are proud and wealthy Loyalists, disdainful of American rebels and slaves who dare use their tongues for anything other than licking the boots of their betters. Isabel's determined to keep her head down, avoiding her cruel mistress whenever possible. It's only when Madam does the unthinkable that Isabel puts up a fight. And is violently punished for her efforts.
Although Isabel cares little for the mounting conflict between the British and the Americans, aiding the Locktons' enemies gives her some small satisfaction. Not only is she fighting back against her hateful owners, but selling their secrets means winning favor with Patriot bigwigs who she hopes will repay her with freedom. Plus, she owes Curzon, the slave boy who once saved her life. Spying is a risky business for anyone, let alone a slave girl whose fate lies at the hands of an already malicious mistress. While the American Revolution explodes around her, Isabel must fight with everything she has - for her freedom, for her sister, for her life.
Every book I've ever read about slavery in America took place during the Civil War era. Somehow, I never even thought about the practice existing 100 years earlier. Anderson dissolved my ignorance with exhaustive research and painstaking detail, painting a heartrending portrait of early American slavery. The irony of a group of people risking life and limb for independence but refusing to grant it to others snakes through the story, bringing home the astounding hypocrisy embraced by so many people throughout the history of our young country. Anderson's message blares loud and clear, although it flows delicately through tight prose, vivid detail, and memorable characters. Although the author takes her time telling the tale, Chains offers a story that's enthralling, empathetic and exquisitely engineered. Historical fiction at its absolute best, this important book is not to be missed.
(Readalikes: Day of Tears by Julius Lester; Black Angels by Linda Beatrice Brown; Numbering All the Bones by Ann Rinaldi; Forge by Laurie Halse Anderson [sequel to Chains])
Grade: A-
If this were a movie, it would be rated: PG for depictions of cruelty, racism and war-related violence
To the FTC, with love: I bought Chains with a portion of the millions I make from my lucrative career as a book blogger. Ha ha.
Friday, March 05, 2010

Wench as Thought-Provoking as it is Heartbreaking

(Image from Barnes & Noble)

"Stories didn't get told unless they had to. Stories were for remembering, and none of the women wanted to tell how they had gotten there. When they told their stories, they preferred to tell the ones about that faraway place. They preferred to tell ones they had patched together in their heads, hundreds of oral remnants whispered in dark slave cabins" (55).

There's a short time every year when the slave women get to feel like human beings. They're mistresses of their own homes, cooking and cleaning only for themselves and their men, dressing up for dinner, gossipping with their girlfriends, even taking occasional dips in the pond. It's not freedom, but it's the closest thing the women have ever known. For Lizzie, Sweet and Reenie, it's a chance to experience something that's not exactly happiness, but not quite the usual misery either.

Each summer, wealthy plantation owners gather at Tawawa House to hunt, fish and enjoy "extracurricular activities" away from the watchful eyes of their wives. Along with their fishing poles and hunting rifles, the men haul their favorite slaves to the Ohio resort, including their most desirable "wenches." Tawawa House sits in free territory, surrounded by sympathetic Quakers and Methodists, but the slave mistresses know that they cannot run. Beatings are not uncommon, even in this vacation setting - best to pretend its freedom rather than longing for the real thing.

These are the rules by which the three women are used to abiding ... until Mawu comes along. With her light skin, red hair and uppity mannerisms, she sets herself apart from the other slaves. Her bold ways shock the other women. Mawu's intent on escaping into free territory, an act that could endanger herself and her new friends. With no children to worry about, Mawu can afford her rebellious attitude - the others would be risking far, far more. Lizzie, especially, can't bear the thought of abandoning her kids. Sure, they look just like their father - pale-skinned and bright-eyed, but even that doesn't guarantee them the Master's protection. The lure of freedom is so close for the Tawawa women, but so, so far away. Even when a fire breaks out, giving them the best chance of escape they've ever had, the slaves hesitate. What are they willing to risk to save their own lives? Will Mawu convince them to follow her lead to freedom? Or will she simply guide them all to their deaths? Amidst the horror of slavery, where even a shred of happiness is hard won, will the wenches be content with their tiny slice? Or will it only whet their appetites for the real thing?

Wench by Dolen Perkins-Valdez explores this little-known, but historically-accurate piece of slave history. She looks at what it means to live and love under the most complicated and trying of circumstances. It's an unsentimental novel that is as thought-provoking as it is heartbreaking. Like Toni Morrison's Beloved, Wench is not an easy or happy read, nor should it be. It's bleak, disturbing, an impressive and important debut, but one that may be too difficult for the casual reader.

(Readalikes: Beloved by Toni Morrison; reminded me a tiny bit of The Help by Kathryn Stockett)


Grade: B

If this were a movie, it would be rated: R for language, violence and sexual content

To the FTC, with love: I received this book from the generous folks at HarperCollins. Thanks!
Wednesday, February 03, 2010

Julius Lester Helps Slaves Speak. Hear Them.

(Image from Barnes & Noble)

"Some of the slaves cried worse than a baby what's sick. Most of 'em, however, did their crying on the inside, 'cause if you looked real close you could see the sorrow in their eyes. A few, however, looked like they was dead, but their hearts hadn't got the message yet."

- Will, Day of Tears, pgs. 4-5

On March 2 and 3, 1859, in Savannah, Georgia, over 400 human beings were bought and sold like cattle. The highest price paid for an individual was $1, 750, the lowest: $250. It was the biggest slave auction in American history. All of the slaves belonged to Pierce Butler, a plantation owner recently divorced from English actress and abolitionist, Fanny Kemble. He sold his "property" to pay off the debts of around $700,000 he had incurred from dabbling in the stock market and losing at cards. Torrential rain crashed down throughout the proceedings, stopping only when the auction ended. Thus, the auction became known as "The Weeping Time."

Day of Tears by Julius Lester fictionalizes the horrifying event. Through the eyes of Butler's slaves, the auctioneer, other slave owners, and Butler himself, we get not only the details of the auction, but also the strong emotions that must have been felt by all involved. Much of the story is told from the perspective of Emma, a 12-year-old house servant on Butler's plantation. She's spent her whole life there, working alongside her parents, and tending to Butler's young daughters. Although the master has promised not to sell her, he's in desperate financial straits, too desperate to keep a vow made to a lowly slave girl. Thrust into a frightening new situation, far away from the only home she's never known, Emma must learn how to survive. Through her firsthand accounts, we learn of her sorrows and triumphs. Although she never actually existed, her voice is strong and true. Her account is riveting, heart-wrenching, unforgettable. And then there's the rain. The sound of it pounding in the background, mournful and eerie, makes her story even more haunting.

While the majority of contemporary Americans - black, white and otherwise - agree that slavery was an impossibly cruel and inhumane practice, Lester makes a point of showing how widely attitudes differed during the 1850s. From a coach driver who prefers the "safety" of slavery to the uncertainty of freedom, to a young hand who refuses to kowtow to his white owner, to an auctioneer who believes his "inventory" to be devoid of feelings, to a store owner who risks life and limb to help slaves escape bondage - he reveals how slavery both murdered and inspired the human spirit. By remembering the Day of Tears, Lester makes us taste the brutality of which we're all capable, a not-so-subtle reminder that humanity and kindness bring their own rewards.

Lester's "novel in dialogue" is a spare, probing thing. It's disturbing and inspirational, sorrowful and triumphant, a tale that bears witness to the vilest evil and purest compassion known to mankind. Day of Tears will haunt you into hearing - and remembering - the hundreds of voices that never got a chance to speak. This is their story. Hear them.

(Readalikes: Hmm ... I can't think of anything else quite like this book.)

Grade: B+

If this were a movie, it would be rated: While the inhumanity with which slaves were treated can be "rated" nothing less than R, the book is not overly graphic. I would rate it PG for mature themes.

To the FTC, with love: I received Day of Tears from Disney/Hyperion. It comes off their backlist of books published under the Jump at the Sun imprint. The purpose of the program is to help all children celebrate the beauty, history and diversity of Black culture. Many thanks, Disney/Hyperion.

Monday, February 02, 2009

Well Done, Moses, Well Done


Since February brings us Black History Month, I thought I'd kick it off with a book about one of the most well-known heroes in African American history - Harriet Tubman. Moses by Carole Boston Weatherford celebrates the brave slave woman's life and accomplishments with gentle, faith-affirming prose and bright, hopeful illustrations by Kadir Nelson (who just won the Coretta Scott King Award for We Are the Ship: The Story of Negro League Baseball). Although it was published several years ago, I just discovered this gem thanks to my pal Hallie at Disney Publishing.

The story is written in the form of a conversation between God and Tubman. An Author's Note at the back of the book says, "[Harriet Tubman] talked to God as to a friend and she heeded His commands." Her close relationship with her Maker is very clearly depicted in the book. Throughout the story, as Tubman escapes bondage, hides from slave masters and courageously leads her people to safety, she seeks guidance from the Lord and follows His admonitions. Although hers is a story of bravery, love and loyalty, what most impresses me is her profound faith in God.

The text also hints that God foreordained Harriet Tubman to become a hero among her people. I could be inferring too much, but lines like "Harriet, your father/taught you to read the stars,/predict the weather,/gather wild berries,/and make cures from roots./Use his lessons to be free" seem to say she received the exact sort of schooling she would later use to save herself and so many others. I love this idea, because I, too, believe that God specially grooms the men and women He needs to lead His people.

Nelson's illustrations bring the story to life with strong colors and poignant images. His drawings of Tubman clearly reflect the fear, determination and hope she must have felt. One picture, which shows Tubman shushing her followers, bothered me because in it, she looks so unkind. Then I read this in the Author's Note, and realized how apt the depiction really is: "She used medicine to hush crying babies and threatened to shoot runaways who begged to turn back." I guess you don't make repeated successful forays into enemy territory without becoming a tough, commanding leader.

Weatherford's text combined with Nelson's illustrations make Moses a powerful, inspiring book. A Coretta Scott King Award winner (2007), it speaks of faith, bravery and Tubman's passionate fight for freedom. After following her journey, it's plain to see how she became known as "the Moses of her people" and why, at the end of the book, God says, "Well done, Moses, well done." To Weatherford and Nelson, I say the same - Well done.

Grade: A

(Book images from Barnes & Noble)

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