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African-American Pioneer Novel Grim and Affecting
Margolick Tells the Story Behind the Story of a Powerful Photograph
On the morning of September 4, 1957, reporter Will Counts snapped a photograph that would haunt not just the nation, but also the two girls pictured most prominently in the image. Both of them were 15 years old, both were looking forward to becoming juniors at Central High School in Little Rock, Arkansas, and neither knew just how much their faces would come to symbolize the explosive issue of school integration. The two girls, who did not know each other when Counts took their picture, would become forever linked because of one powerful photograph. (Readalikes: Reminded me of The Lions of Little Rock by Kristin Levine and the Dear America Book, With the Might of Angels by Andrea Davis Pinkney)
Grade: B
If this were a movie, it would be rated: R for strong language (a few F-bombs, plus milder invectives, including racial epithets) and violence
To the FTC, with love: Another library
Superzero A Gem All Around
(Image from Barnes & Noble)
us. In fact, the last time his smarty-pants Brooklyn school offered him a big, be-somebody moment, he ended up puking all over the principal's shoes. Onstage. With the whole student body looking on. Now, "Pukey" McKnight's determined to keep a low profile in the hopes that his classmates will just forget he exists.Slave Girl's Diary Makes History Intimate, Impactful
(Image from Indiebound)
n, an elegant property near Richmond, Virginia, where Clotee has lived all her life. "Kitchen" conjures herbs hanging from the ceiling, pots bubbling over the fire, and the kind face of Aunt Tee, the best cook in the state. "Family" calls up memories of her mother, who died after being sold away by heartless Master Henley. But "Freedom"? That one's a blank. "Spelled right or wrong," says Clotee, "freedom got no picure, no magic. Freedom is just a word" (17).
anything and she can write well enough to keep a diary. The Henleys would beat Clotee if they knew, so she must keep her secret hidden not just from them, but from anyone who could rat her out. No matter how vigilant she is, Clotee knows she could be discovered at any second ...Award-Winning Chains Exquisitely Engineered
(Image from Indiebound)I've read plenty of books about slavery, but none as powerful as Chains by Laurie Halse Anderson. What makes the story so compelling? Perhaps it stands out because of its unique time period or because of the subtlety with which Anderson weaves the tale of a young girl's
fight for freedom with America's own struggle for independence. Or it could be the simple fact that I can no longer read stories like these without picturing my daughter. What would her fate have been, with her milk chocolate skin and tight black curls, in an age of absolute intolerance toward anyone with even a drop of African blood? The mere thought is enough to send ice through my veins. For all these reasons and more, Chains swallowed me whole, ravished my insides, then spat me back out, desperate for more. It's not an easy read, not at all. It is troubling, touching, illuminating and very, very worthwhile.The story opens with the death of Miss Mary Finch, a passing that both saddens and cheers 13-year-old Isabel. Although her mistress was kind, the slave girl can't wait to be her own boss lady. But before she's allowed to get even a taste of the freedom Miss Finch promised her, Isabel finds herself sold to the highest bidder. Along with her younger sister, Ruth, Isabel sails from Rhode Island to New York, where she becomes a servant in a grand
house on Wall Street. Her new owners, the Locktons, are proud and wealthy Loyalists, disdainful of American rebels and slaves who dare use their tongues for anything other than licking the boots of their betters. Isabel's determined to keep her head down, avoiding her cruel mistress whenever possible. It's only when Madam does the unthinkable that Isabel puts up a fight. And is violently punished for her efforts. Although Isabel cares little for the mounting conflict between the British and the Americans, aiding the Locktons' enemies gives her some small satisfaction. Not only is she fighting back against her hateful owners, but selling their secrets means winning favor with Patriot bigwigs who she hopes will repay her with freedom. Plus, she owes Curzon, the slave boy who once saved her life. Spying is a risky business for anyone, let alone a slave girl whose fate lies at the hands of an already malicious mistress. While the American Revolution explodes around her, Isabel must fight with everything she has - for her freedom, for her sister, for her life.
Every book I've ever read about slavery in America took place during the Civil War era. Somehow, I never even thought about the practice existing 100 years earlier. Anderson dissolved my ignorance with exhaustive research and painstaking detail, painting a heartrending portrait of early American slavery. The irony of a group of people risking life and limb for independence but refusing to grant it to others snakes through the story, bringing home the astounding hypocrisy embraced by so many people throughout the history of our young country. Anderson's message blares loud and clear, although it flows delicately through tight prose, vivid detail, and memorable characters. Although the author takes her time telling the tale, Chains offers a story that's enthralling, empathetic and exquisitely engineered. Historical fiction at its absolute best, this important book is not to be missed.
(Readalikes: Day of Tears by Julius Lester; Black Angels by Linda Beatrice Brown; Numbering All the Bones by Ann Rinaldi; Forge by Laurie Halse Anderson [sequel to Chains])
Grade: A-
If this were a movie, it would be rated: PG for depictions of cruelty, racism and war-related violence
To the FTC, with love: I bought Chains with a portion of the millions I make from my lucrative career as a book blogger. Ha ha.
Wench as Thought-Provoking as it is Heartbreaking
"Stories didn't get told unless they had to. Stories were for remembering, and none of the women wanted to tell how they had gotten there. When they told their stories, they preferred to tell the ones about that faraway place. They preferred to tell ones they had patched together in their heads, hundreds of oral remnants whispered in dark slave cabins" (55).
There's a short time every year when the slave women get to feel like human beings. They're mistresses of their own homes, cooking and cleaning only for themselves and their men, dressing up for dinner, gossipping with their girlfriends, even taking occasional dips in the pond. It's not freedom, but it's the closest thing the women have ever known. For Lizzie, Sweet and Reenie, it's a chance to experience something that's not exactly happiness, but not quite the usual misery either.

Julius Lester Helps Slaves Speak. Hear Them.
(Image from Barnes & Noble)"Some of the slaves cried worse than a baby what's sick. Most of 'em, however, did their crying on the inside, 'cause if you looked real close you could see the sorrow in their eyes. A few, however, looked like they was dead, but their hearts hadn't got the message yet."
On March 2 and 3, 1859, in Savannah, Georgia, over 400 human beings were bought and sold like cattle. The highest price paid for an individual was $1, 750, the lowest: $250. It was the biggest slave auction in American history. All of the slaves belonged to Pierce Butler, a plantation owner recently divorced from English actress and abolitionist, Fanny Kemble. He sold his "property" to pay off the debts of around $700,000 he had incurred from dabbling in the stock market and losing at cards. Torrential rain crashed down throughout the proceedings, stopping only when the auction ended. Thus, the auction became known as "The Weeping Time." 
Day of Tears by Julius Lester fictionalizes the horrifying event. Through the eyes of Butler's slaves, the auctioneer, other slave owners, and Butler himself, we get not only the details of the auction, but also the strong emotions that must have been felt by all involved. Much of the story is told from the perspective of Emma, a 12-year-old house servant on Butler's plantation. She's spent her whole life there, working alongside her parents, and tending to Butler's young daughters. Although the master has promised not to sell her, he's in desperate financial straits, too desperate to keep a vow made to a lowly slave girl. Thrust into a frightening new situation, far away from the only home she's never known, Emma must learn how to survive. Through her firsthand accounts, we learn of her sorrows and triumphs. Although she never actually existed, her voice is strong and true. Her account is riveting, heart-wrenching, unforgettable. And then there's the rain. The sound of it pounding in the background, mournful and eerie, makes her story even more haunting.
While the majority of contemporary Americans - black, white and otherwise - agree that slavery was an impossibly cruel and inhumane practice, Lester makes a point of showing how widely attitudes differed during the 1850s. From a coach driver who prefers the "safety" of slavery to the uncertainty of freedom, to a young hand who refuses to kowtow to his white owner, to an auctioneer who believes his "inventory" to be devoid of feelings, to a store owner who risks life and limb to help slaves escape bondage - he reveals how slavery both murdered and inspired the human spirit. By remembering the Day of Tears, Lester makes us taste the brutality of which we're all capable, a not-so-subtle reminder that humanity and kindness bring their own rewards.
Lester's "novel in dialogue" is a spare, probing thing. It's disturbing and inspirational, sorrowful and triumphant, a tale that bears witness to the vilest evil and purest compassion known to mankind. Day of Tears will haunt you into hearing - and remembering - the hundreds of voices that never got a chance to speak. This is their story. Hear them.
(Readalikes: Hmm ... I can't think of anything else quite like this book.)
Grade: B+
If this were a movie, it would be rated: While the inhumanity with which slaves were treated can be "rated" nothing less than R, the book is not overly graphic. I would rate it PG for mature themes.
To the FTC, with love: I received Day of Tears from Disney/Hyperion. It comes off their backlist of books published under the Jump at the Sun imprint. The purpose of the program is to help all children celebrate the beauty, history and diversity of Black culture. Many thanks, Disney/Hyperion.
Well Done, Moses, Well Done

Since February brings us Black History Month, I thought I'd kick it off with a book about one of the most well-known heroes in African American history - Harriet Tubman. Moses by Carole Boston Weatherford celebrates the brave slave woman's life and accomplishments with gentle, faith-affirming prose and bright, hopeful illustrations by Kadir Nelson (who just won the Coretta Scott King Award for We Are the Ship: The Story of Negro League Baseball). Although it was published several years ago, I just discovered this gem thanks to my pal Hallie at Disney Publishing.
The story is written in the form of a conversation between God and Tubman. An Author's Note at the back of the book says, "[Harriet Tubman] talked to God as to a friend and she heeded His commands." Her close relationship with her Maker is very clearly depicted in the book. Throughout the story, as Tubman escapes bondage, hides from slave masters and courageously leads her people to safety, she seeks guidance from the Lord and follows His admonitions. Although hers is a story of bravery, love and loyalty, what most impresses me is her profound faith in God.
The text also hints that God foreordained Harriet Tubman to become a hero among her people. I could be inferring too much, but lines like "Harriet, your father/taught you to read the stars,/predict the weather,/gather wild berries,/and make cures from roots./Use his lessons to be free" seem to say she received the exact sort of schooling she would later use to save herself and so many others. I love this idea, because I, too, believe that God specially grooms the men and women He needs to lead His people.
Nelson's illustrations bring the story to life with strong colors and poignant images. His drawings of Tubman clearly reflect the fear, determination and hope she must have felt. One picture, which shows Tubman shushing her followers, bothered me because in it, she looks so unkind. Then I read this in the Author's Note, and realized how apt the depiction really is: "She used medicine to hush crying babies and threatened to shoot runaways who begged to turn back." I guess you don't make repeated successful forays into enemy territory without becoming a tough, commanding leader.
Weatherford's text combined with Nelson's illustrations make Moses a powerful, inspiring book. A Coretta Scott King Award winner (2007), it speaks of faith, bravery and Tubman's passionate fight for freedom. After following her journey, it's plain to see how she became known as "the Moses of her people" and why, at the end of the book, God says, "Well done, Moses, well done." To Weatherford and Nelson, I say the same - Well done.
Grade:
A(Book images from Barnes & Noble)

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