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Family: Isn't It About Love?
Anyone who knows about my beautiful, bi-racial daughter, adopted a few years ago from the bayous of Louisiana, will understand why I found Being Lara by Lola Jaye such a compelling novel. I would have read the book based on the cover alone (when my little girl saw the model on the front, she exclaimed, "It's me, Mommy!"), but the plot line also intrigued me. With themes of transracial adoption, racial/cultural identity, family, and other issues I ponder every day, I knew this story would speak straight to my heart. And it did. I sympathized with Lara, in all her confusion and vulnerability, as well as with her two mothers, both of whom narrate some sections of the story. While I don't necessarily agree with how the Reids handled the whole adoption thing, I recognized all their feelings of anxiety, doubt, guilt and fear, as I've experienced them all since the day I decided to become an adoptive mother. As for the actual story, it's fast-paced, well-told, realistic (except, perhaps, for the rather tidy end) and heartwarming without being sappy. I'm not sure I buy the idea that Lara didn't notice her family was different until age 8 (after all, my 3-year-old will look at a picture of Disney princesses and identify herself as Tiana and me as Belle), but that's a small matter, really. From the lovely cover (I need the number of the hairstylist responsible for that gorgeous hair!) to the important (and very relevant to me) themes to the globetrotting storyline (just try not to be affected by Jaye's descriptions of Nigeria, a place she once lived), I liked Being Lara a whole lot. It reminded me that families aren't about "matching," they're about love.
Dark Family Drama Refuses to Be Put Down. Or Forgotten.
(Image from Indiebound)
ally fit in. And now, in the long, hot days of 1976, their family ties are unraveling like the threads on a cheap sweater. Dick Slepy, who's got his own sins to atone for, can't help noticing the way his wife retreats further and further into her Greek myths, abandoning reality for the safety of fantasy. Or the way beautiful Mary Grace uses her looks to keep no-good Rocky Rasmussen sniffing around. Then there's selfish, mocking Mary Tessa and pious Mary Catherine, who's starving herself for Jesus. Last of all, little Amaryllis, the child who "sees what can't be seen and smells what can't be smelled and knows what can't be known - who has never seemed quite right, even as she seems the sanest of them all" (77). Like Yliss' all-knowing eyes, the family's dysfunction stares Dick in the face, challenging him to act before the ties that bind the Slepys come undone for good. From Blue Monkeys to Magical Detectives, Farmer Classic Enthralls with Adventure, Originality
(Image from Barnes & Noble)The year: 2194. The place: Zimbabwe. In The Ear, The Eye and The Arm, Nancy Farmer's second novel, the author imagines a futuristic Africa where civil unrest still reigns. As Chief of Security, General Amadeus Matsika has spent a good part of his career dealing with violent gangs - he knows exactly how rough the streets of his city have become. So, he hides his family behind electrified gates, keeping outsiders at bay with alarms, automatic weapons and a computerized Doberman. The Matsika children - Tendai, Rita and Kuda - have never ventured outside the family estate alone. Unlike other children, they have never participated in team sports, attended school, or gone to a movie with friends. Even though the kids know their father only wants their safety, they're getting mighty tired of being cooped up at home all the time. Tendai, especially, longs for an adventure. As a Boy Scout, he has earned all of his merit badges (completed at home, of course), but one - in order to become an Eagle Scout, he needs an explorer's badge. The problem? It requires leaving the Matsika estate. After all, "Exactly how much exploring could you do in a garden?"
Enter the Mellower, a sunny, soothing man whose job is to exert a calming influence on the family. By hypnotizing them with praise, he allows the family, especially General Matsika, to de-stress and begin the day in a peaceful manner. Simple and happy, the Mellower is as exuberant as a child - and as mischevious. It is he who suggests asking for permission and securing the necessary passes while the children's father is under the Mellower's trance. The plan goes off without a hitch, and the trio head outside the gates for the first time without a chaperone.
With no street smarts whatsoever, the sheltered kids are soon kidnapped by a malevolent duo called Knife and Fist, respectively. Dumped in a wasteland inhabited only by the mysterious Vlei people, Tendai and his siblings are put to work digging antiques (like plastic sacks and dishware) out of the landfill. Rumor has it they will soon be sold to a dangerous gang called The Masks. Escape comes from a surprising source. Freed, the kids stumble their way into unfamiliar territory. Not knowing whom to trust, they must find their way home; that journey, however, will not be easy. Tendai, Rita and Kuda will encounter a strange city where staying means they can never leave; a terrifying She Elephant who will stop at nothing to find them; a greedy caretaker who wants only ransom money; and a gang war which could destroy their lives forever. Along the way, they will shed their innocence, band together, and fight for their own survival.
Despite its exotic locale, The Ear, The Eye and The Arm tells a universal story. It's about a son desperate to prove himself to a critical father; it's about a boy whose adventure will test and try him; it's about the man he will become because of his quest. It's a coming-of-age tale at once familiar and unique. Steeped in African mysticism, it's a colorful, consuming, even funny story. What really sets the tale apart, though, is its fascinating characters - from the formiddable General Matsika; to his brave, but naive children; to a sarcastic blue monkey; to a trio of lovable detectives with special powers - who make the plot a constant surprise. Original and absorbing, this is a wild, thrilling ride that will keep even the most reluctant reader thoroughly enthralled.
Grade: B
African Sci-Fi Novel Leaves Me Cold
(Image from Barnes & Noble)It's 2070, and things have changed. The continents have shifted following a nuclear fallout, erasing borders between lands and worlds. Advanced technology exists alongside potent magic. In West Africa, where 14-year-old Ejii Ugabe lives with her mother, chaos reigns. The ground shakes, electricity sizzles off and on, and her land's rulers can't keep the peace. It's a tumultuous time for Earth, but Ejii knows great things are happening. And she wants to be a part of it.
Sure, Ejii's only a kid, but she possesses abilities most other 14-year-olds do not. She's a metahuman, one of a small group of people who have magical abilities. As a Shadow Speaker, she can see up to 15 miles in the dark and "day or night, the shadows were alive and drawn to her, often pressing close and trying to speak to her" (25). Her cat-like eyes proclaim her identity, earning her mixed reactions. Some respect Ejii's powers, but most cross the street to avoid her. Her own half-brother mocks her, calling her a curse from hell. Ejii wants desperately to belong, but she also wants to see how far her abilities can take her. The Red Queen, a warrior woman who rules the turbulent land, recognizes Ejii's potential and requests her presence on an important peace-keeping mission. When her mother refuses to let her go, Ejii slips away, determined to help the Red Queen on her quest.
Days behind the warrior woman, Ejii must find her way with only the help of her talking camel. In a world turned strange and dangerous, she must be very careful. The desert teems with characters - human and non - who threaten to end her journey prematurely. With the help of a new friend and the ever present shadows, Ejii will make her way to the queen. Even at her journey's end, she realizes that everything is not as it seems. Can she channel her own power to help bring peace to her land? Or will the world's great shifts leave her abandoned and alone? Can she channel the shadows or will they devour her with their power? Can she, a self-confessed freak of nature, really make a difference?
So goes The Shadow Speaker by English professor Nnedi Okorafor-Mbachu. While there were definitely elements I liked about this novel - namely, its exotic locale and the idea of magic emerging in a post-apocalyptic world
- I also found it to be bleak and depressing. With the exception of Ejii's loyal camel, I thought the characters came off as cold. Empathetic, but lacking any real warmth. Plotwise, The Shadow Speaker moves quickly, but comes to an anticlamatic and ambigious end. It's also liberally peppered with profanity, which I found jarring and out-of-place. Without a doubt, Okorafor-Mbachu can write, but something about this story just failed to grab or move me. If it didn't have such a strong sense of place, I probably wouldn't have finished the novel, but the Africa angle kept me interested. It just wasn't enough to save the book for me. I do think Okorafor-Mbachu's other book, Zahrah the Windseeker (which I think is a prequel, of sorts) sounds interesting, so maybe I'll give the author another shot. Just probably not anytime soon.Grade: C
Poetic Home of the Brave Will Make You Cheer
You may have noticed that I don't read a lot of poetry. Scratch that. I don't read poetry. At all. Correction - there are poems I enjoy, but most of them are straight forward and rhyming, a la Henry W. Longfellow. As for vague, abstract, brain-taxing verse, count me out. So, when I first picked up Home of the Brave, a YA novel by Katherine Applegate, I almost put it right back down. After all, it's written in stanzas, so it greatly resembles a poem. A few pages into the book, however, I was hooked. That's about when I realized the story offered all the things I like about poetry - impactful imagery; lyrical writing; and engaging subject matter - without being abstract or difficult to understand. If it is poetry, it reads like a novel - the words are just prettier.Applegate's lovely words can't erase the horrors that have befallen Kek in his native Sudan. Before boarding the "flying boat" to America, he lost his father and brother to bloodthirsty soldiers. He survived because his mother screamed at him to run. Because he was so frightened, he clutched her dress - now all he has left of her is a piece of blue and yellow fabric. Kek knows the odds are against it, but he's certain his mother will come for him.
In Minnesota, Kek is overwhelmed by strange and baffling sights. With the help of his new friend Hannah, he discovers the wonders of washing machines, chocolate milk, and the grocery store with its "answers to prayers on every shelf" (156). Still, Kek gravitates to the one thing that is familiar - a cow he spies at a ramshackle farm. He has always had a way with cattle - his father owned many in Sudan - and the animal is the one thing he understands in his confusing new life. Kek uses his own ingenuity to make his way in his world, but he's still haunted by the loss of his family. Although his friend Dave is checking for his mother in refugee camps, he cannot find her. Kek knows he has to be brave, but sorrow weighs him down. Without taking part in his tribe's ceremony, he doesn't know if he can find the strength to be a man.
Although the story sounds depressing, Kek is nothing if not hopeful. He's a sympathetic and engaging narrator, whose determination and ingenuity make him an interesting and inspiring character. His wide-eyed wonder will make readers smile, his misadventures will make them laugh, and his undying hope will make them root for brave young Kek. The immigrant experience has been addressed many times before, but Home of the Brave seems fresh somehow. Whether or not it adds anything new to this crowded genre, it's a quick, touching story that will leave you cheering for a brave young boy named Kek and a tired old cow called Gol.
Grade: A
(Book Image from Barnes & Noble)

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2026 Goodreads Reading Challenge
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