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Thursday, March 03, 2016
Mormon Mentions: Fiona Barton
7:12 AM
If you're not sure what a Mormon is, let alone a Mormon Mention, allow me to explain: My name is Susan and I'm a Mormon (you've seen the commercials, right?). As a member of The Church of Jesus Christ of Latter-Day Saints (commonly known as the Mormon or LDS Church), I'm naturally concerned with how my religion is portrayed in the media. Because this blog is about books, every time I see a reference to Mormonism in a book written by someone who is not a member of my church, I highlight it here. Then, I offer my opinion—my insider's view—of what the author is saying. It's my chance to correct misconceptions, expound on principles of the Gospel, and even to laugh at my (sometimes) crazy Mormon culture.
--
In The Widow, a debut novel by Fiona Barton, Detective Inspector Bob Sparkes is looking into the disappearance of a 2-year-old girl. He and a sergeant knock on the door of a person of interest in the case:
When he [Mike Doonan] cracked open the door onto the walkway, it was not his Good Samaritan neighbor with his Saturday delivery of lager and sliced bread but two men in suits.
"If you're Mormons, I've already got enough ex-wives," he said, and made to close the door."
(quote from Page 77 of uncorrected proofs)
You'd be surprised how many times police procedurals mention detectives knocking on doors being mistaken for Mormon missionaries. It's the clean-cut, suit-wearing thing, apparently. This particular mention, with its not-very-subtle reference to polygamy, made me laugh out loud. Although plural marriage has not been practiced in The Church of Jesus Christ of Latter-Day Saints (the mainstream church is vastly different from its splinter groups, including fundamentalist sects that continue the practice) for over 100 years, the polygamy misconception/stigma remains. Even while I chuckle over this quote, I want to make one thing perfectly clear: members of the modern LDS Church do not practice polygamy. Okay? Okay.
Hyped-Up Debut Leaves Me Seriously Underwhelmed
6:56 AM
(Image from Barnes & Noble)
When her banker husband is hit and killed by a bus, Jean Taylor's first reaction is relief. She's unmoored, as Glen has always told her what to do and say, but she's far from devastated by his death. Ever since he was accused of involvement in the disappearance of a 2-year-old girl, Glen—and by extension, Jean—has been living under a cloud of suspicion. Even though the widow has always stood by her man, their life together has been tense and difficult.
With Glen Taylor out of the picture, the local media knows it's the perfect time to get the real story out of his vulnerable wife. Jean has always refused to talk to journalists, but somehow, Kate Waters manages to get in her door. With her gentle approach, the reporter is an expert at softening up her subjects before moving in for the kill. Jean, however, proves tough to crack. Although she eventually agrees to sell her story to Kate's newspaper, the widow is not exactly forthcoming about Glen, their marriage, and the disappearance of little Bella Elliott.
As Kate digs into Jean's psyche, Detective Inspector Bob Sparkes—the cop who's still haunted by his inability to find Bella—does his own investigating. The questions that have always plagued the case haven't changed much. Did Glen Taylor kidnap the little girl? What about Bella's single mom? Does she know more than she's saying? Was it, in fact, her who did something to the toddler? What role, if any, did Jean Taylor play in the crime and its possible cover-up? Both Bob and Kate are convinced the widow knows more than she's saying. But how can they pry loose the truth from a surprisingly obstinate Jean?
Told from several different perspectives, the story bounces between the past and the present to slowly reveal the truth about what really happened to Bella Elliott. While doing so, it asks the terrifying question: How well can we ever know another person?
The Widow, a debut novel by journalist Fiona Barton, has received lots of buzz, including comparisons to recent bestselling psychological thrillers Gone Girl and The Girl on the Train. Are those examples apt? Not really. While The Widow has similar themes, it lacks the depth, complexity, and wow factor of the aforementioned books. For a suspense novel, it's just not that suspenseful. The characters are almost wholly unlikable, the plot is too predictable, and the ending feels anticlimatic. Although the premise behind The Widow seems promising, the execution doesn't do it justice. Barton's prose is skilled enough, but the rest of her debut left me seriously underwhelmed. Bummer.
(Readalikes: Um, I can't really think of anything. Can you?)
Grade:
If this were a movie, it would be rated:
for strong language, violence, and disturbing subject matter (child pornography, child endangerment, emotional abuse, etc.)
To the FTC, with love: I received an ARC of The Widow from the generous folks at Berkley/NAL (an imprint of Penguin Random House. Thank you!
Tuesday, March 01, 2016
Tense, Atmospheric Gilded Age Mystery One of My Favorite Reads So Far This Year
1:00 AM
(Image from Barnes & Noble)
"If you're going to bury the past, bury it deep, girl. Shallow graves always give up their dead" (187).
Jo Montfort is an atypical girl living an average life—at least for a wealthy society girl in the Gilded Age. The 17-year-old is beautiful, cultured, and expected to marry a man whose blood is as blue as her own. Although she's practically engaged to her best childhood friend, Bram Aldrich is a man who "inspired admiration rather than passion" (103). Jo knows she would have a comfortable, happy life with him. Still, she longs for excitement, for freedom, for something more than the banality of endless tea parties, balls, and child rearing. She yearns to be a reporter, to make a difference like her hero, Nellie Bly. Of course, such desires are entirely inappropriate for a well-bred woman. Jo will never voice them; instead, she'll wed Bram, bear his children, and settle into married life with grace, just like every other young woman with whom she associates.
Then, Jo's world shatters utterly and irrevocably. Her beloved father, the successful owner of several prominent New York businesses, accidentally shoots himself while cleaning his gun. When Jo overhears Eddie Gallagher, a dashing young reporter, call it suicide, she's outraged. Charles Montfort would never do such a thing! Jo begs the handsome newspaperman to help her find the truth about her father's death, never suspecting just how big of a mess she's getting herself into. To find out what really happened, she'll have to cavort with the city's seediest residents, combing its slimy underbelly for clues no one wants unearthed. Being spotted in public without a chaperone, let alone with a low-class reporter (or worse) could mean the permanent ruin of Jo's reputation. And yet, she can't help herself. She must clear her father's good name—because no matter what, no matter what she finds, she has to believe he still has one. Jo can't be wrong, she just can't.
The closer Jo and Eddie come to finding the truth, the riskier their partnership becomes. Not only are their movements being tracked by goons with murderous intentions, but the damning eyes of society are always on them. As Jo's own eyes are opened to the realities of life outside (and inside) her gleaming world, she begins to understand what she really wants and— most dangerous of all—what she doesn't.
Can Jo uncover the truth about her father's death? Was it really an accident? Suicide? Or murder? And after her Nellie Bly-ish pursuits, can she return to her gilded life? Will she ever be the same again?
There's so much to love about These Shallow Graves, Jennifer Donnelly's newest YA novel. Tense, atmospheric, and compelling, it's a page turner that will leave you breathless. I literally (yes, literally) could not put it down. Jo is a brave, sympathetic heroine, one whose ignorance and subsequent awakening feels realistic. The minor characters are likewise complex, making the whole cast intriguing. While I did guess some of the story's turns, several of the twists caught me by surprise. All of these elements combined to make a thoroughly enjoyable novel, one of my favorite reads of the year so far. Trust me, you don't want to miss this one.
(Readalikes: Hm, I can't really think of anything. Can you?)
Grade:
If this were a movie, it would be rated:
for language (no F-bombs), violence, blood/gore, sexual innuendo, and disturbing subject matter (prostitution, domestic violence, drug/alcohol abuse, poverty, etc.)
To the FTC, with love: Another library fine find
Monday, February 29, 2016
Mormon Mentions: Rinker Buck
1:03 AM
If you're not sure what a Mormon is, let alone a Mormon Mention, allow me to explain: My name is Susan and I'm a Mormon (you've seen the commercials, right?). As a member of The Church of Jesus Christ of Latter-Day Saints (commonly known as the Mormon or LDS Church), I'm naturally concerned with how my religion is portrayed in the media. Because this blog is about books, every time I see a reference to Mormonism in a book written by someone who is not a member of my church, I highlight it here. Then, I offer my opinion—my insider's view—of what the author is saying. It's my chance to correct misconceptions, expound on principles of the Gospel, and even to laugh at my (sometimes) crazy Mormon culture.
--
In The Oregon Trail, journalist Rinker Buck recounts the trip he took with his brother in 2011 from St. Joseph's, Missouri, to Farewell Bend, Oregon. As he describes trekking in the footsteps of pioneers in a restored 19th Century covered wagon pulled by a stubborn team of mules, he discusses
the terrain, the history of the places he passes, and the similarities/differences between his trip and those of the trail's original travelers. Mormonism is mentioned often in his account because, as Buck notes:
Addressing everything Buck writes about Mormons would take forever, so I just want to point out a couple passages. His account of visiting Martin's Cove, a historical site owned by the LDS Church, is hilarious. He makes some interesting points while telling a hysterical tale about his foul-mouthed brother trying to "put on his Mormon" for the visit. Buck has his criticisms about how the Church acquired and runs the site, but the brothers' experience there made me laugh 'til I cried."Reaching the Oregon Trail in Wyoming and not confronting the Mormon experience would be like reaching Paris and not studying the cathedrals. You cannot understand one without the other" (262).
While Buck's comments about Martin's Cove were not entirely positive, his experience on Rocky Ridge—the highest point of the Mormon Trail and one made sacred because of the extreme hardship endured there by pioneers, especially during the 1856 crossing of the beleaguered Willie Handcart Company—made a believer out of him. The fortuitous appearance of two "Mormon angels" just when the Buck brothers needed them in order to cross treacherous Rocky Ridge seemed to convince them that indeed, they trod on holy ground. Of the experience, Buck wrote, "... I loved ... everything Mormon, that day on Rocky Ridge. Indeed, standing with them on the high rocks, I was a Mormon. Today, on windy Rocky Ridge beneath a hard blue Wyoming sky, I was Mormon" (309). It's a very touching account, the most memorable part of The Oregon Trail for me.I haven't ever visited Martin's Cove or Rocky Ridge, but I still have a great respect and love for the pioneers whose blood and tears flowed freely over both. These men and women—some my own kin—endured incredible hardships in the name of religious freedom. In obeying the God they believed in with their whole hearts and souls, they blazed trails for all of us to follow. Vital to the settling of not just Utah, but also much of the American west, the magnificence of their courage and sacrifice really can't be understated.
(Book image from Barnes & Noble; handcart painting by Brent Flory)
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