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Monday, August 31, 2015
Atmospheric Old San Francisco Mystery Leaves Me Satisfied. But Begging for More
7:54 AM
(Image from Barnes & Noble)
Celia Davies knows what it's like to feel lost and alone. Seven years ago, she left a prosperous life in England to come to America with her handsome Irish husband. With Patrick now missing at sea, 29-year-old Celia is "not quite a wife, not quite a widow." Thanks to a small inheritance left to her by a beloved uncle, she's able to fill her days with worthwhile, though controversial work. Celia, a nurse who served in the Crimea, operates a free clinic for indigent women out of her dead uncle's home. With the help of her orphaned, half-Chinese niece and their outspoken Scottish housekeeper, she serves San Francisco's most helpless residents: the poor, the hated "Celestials," and women of ill repute. As prejudice against the city's Chinese immigrants comes to a violent boiling point, Celia's choice of patients makes her a target for criticism from some of the city's most influential residents.
When the body of a young Chinese prostitute is found floating near the docks, Celia is shocked to discover that she knew the dead girl. As Celia helped Li Sha create a better life for herself, the two became friends. Now, the pregnant young woman has been murdered. Outraged, Celia vows to bring Li Sha's killer to justice.
Detective Nicholas Greaves has seen his share of corpses. This one, however, tears at his heart and conscience, for he failed to save his younger sister from a similar fate. Determined to figure out what happened to the girl, he begins to investigate everyone who knew Li Sha. Clues lead him not just to the bars and brothels of the Barbary Coast, but also to the highest echelons of San Francisco society. They also bring him in contact with the captivating Mrs. Davies, whose brother-in-law has been brought in for questioning. Forming an unwitting investigate team, Nick and Celia follow the sinister trail of a vicious killer, hoping to unmask the murderer before they become the next victims.
No Comfort for the Lost, the first book in Nancy Herriman's Old San Francisco mystery series, introduces us to a vibrant historical setting filled with equally colorful characters. Both Celia and Nick are brave, admirable souls trying to do some right in a city filled to the brim with wrong. Rooting for the smart, capable pair is a no-brainer. What the novel's plot lacks in originality, it makes up for in slow, steady construction, which creates an even-paced story that remains compelling from its first page to its last. While No Comfort for the Lost comes to a satisfying conclusion (and no, I didn't guess the killer's identity—at least not accurately!), it leaves plenty of intriguing questions to be explored in subsequent novels. I thoroughly enjoyed this engrossing, atmospheric series debut and am not entirely sure I can wait for the next installment (No Pity for the Dead comes out in August 2016)!
(Readalikes: Hm, I can't think of anything. Can you?)
Grade:
If this were a movie, it would be rated:
for mild language, violence, and frequent (though not graphic) references to prostitution, adultery, and the excessive use of alcohol and opium
To the FTC, with love: I received a finished copy of No Comfort for the Lost from the generous folks at Penguin Random House. Thank you!
Friday, August 28, 2015
Let Me Die in His Footsteps a Tantalizing, Southern Gothic Mystery
8:59 AM
(Image from Barnes & Noble)
Myth and superstition swirl through the Kentucky hills, adding a sinister bewitchment to the daily lives of those who live there. Especially folks like Annie Holleran, who've been blessed/cursed with the "know-how," which "floats just above the lavender bushes, trickles from the moss hanging in the oaks, drifts like a fallen leaf down the Lone Fork River, just waiting for someone ... to scoop it or snatch it or pluck it from the air" (2). Like her mother before her, Annie "feels things that aren't hers to feel" (13-14), a spooky skill that makes even the silliest of mountain rituals seem heavy with meaning. Naturally, then, Annie's a little apprehensive about what she's about to do. When girls in Hayden County reach their ascension day (exactly halfway between their 15th and 16th birthdays), it's time to gather at the nearest well. According to legend, when they gaze into its depths, at precisely midnight—the face of their future husband will be revealed. It's ridiculous, of course, and yet, Annie can't resist this bit of foolish fortune-seeking.
The nearest well to Annie's home lies in a place she's forbidden to go. Hollerans do not cross the lavender fields, don't dare to step onto Baine property. Not since Juna Crowley, Annie's mother, came of age 16 years ago and used her particular mountain magic to ensnare the best of the Baine boys. Ignoring every warning, Annie heads for the well. What she discovers there is not the identity of her intended, but a dead body. The corpse of a Baine.
Annie's grisly discovery stirs up an old mystery that cuts to the heart of the Holleran/Baine feud. As the lavender harvest nears and the past comes calling, she knows trouble isn't far behind. Terrified that Juna will return to cause even more damage, Annie waits with dread. Somehow, she must save her family and her community from the witch who cursed them all, but how can Annie do that when she carries her own horrifying secret fear—that she is just like her mother, the infamous Juna Crowley.
Atmospheric and haunting, Let Me Die in His Footsteps by Lori Roy is a tantalizing Southern Gothic mystery. With a vivid, evocative setting; authentic, interesting characters; and plenty of complex, compelling family drama, if offers a tense, suspenseful story. Overall, its a sad story, almost overwhelmingly depressing. That, plus the sometimes confusing back-and-forth-in-time narration, made the novel difficult to read at times. In the end, I found Let Me Die in His Footsteps intriguing, but not as enjoyable as other books I've read in this genre.
(Readalikes: Reminds me a little of American Ghost by Janis Owens)
Grade:
If this were a movie, it would be rated:
for language (no F-bombs), violence, and mild sexual content
Wednesday, August 19, 2015
Sophomore Spellman Novel Inspires Repeat Public LOL-ing
7:52 AM
(Image from Barnes & Noble)
A plot summary that captures the essence of a novel in a few succinct, but hilarious paragraphs is a thing of beauty. Whoever writes the cover copy for the Spellman mysteries by Lisa Lutz nails it every time. As a tribute to his/her genius (and a nod to my laziness), I give you the perfection that is his/her description of Curse of the Spellmans:
In this sidesplittingly funny follow-up to the New York Times bestselling The Spellman Files, San Francisco’s own highly functioning yet supremely dysfunctional family of private investigators are back on the case in another mystery full of suspicion, surveillance, humor, and surprise from award-winning author Lisa Lutz. Curse of the Spellmans was nominated for both the Edgar Award and the Macavity Award, and the Izzy Spellman Mysteries have earned comparisons to everything from Carl Hiaasen and Janet Evanovich to Veronica Mars and Bridget Jones. When Izzy Spellman, PI, is arrested for the fourth time in three months, she writes it off as a job hazard. She’s been (obsessively) keeping surveillance on a suspicious next door neighbor (suspect’s name: John Brown), convinced he’s up to no good—even if her parents (the management at Spellman Investigations) are not. When the (displeased) management refuses to bail Izzy out, it is Morty, Izzy’s octogenarian lawyer, who comes to her rescue. But before he can build a defense, he has to know the facts. Over weak coffee and diner sandwiches, Izzy unveils the whole truth and nothing but the truth—as only she, a thirty-year-old licensed professional, can. When not compiling Suspicious Behavior Reports on all her family members, staking out her neighbor, or trying to keep her sister, Rae, from stalking her “best friend,” Inspector Henry Stone, Izzy has been busy attempting to apprehend the copycat vandal whose attacks on Mrs. Chandler’s holiday lawn tableaux perfectly and eerily match a series of crimes from 1991–92, when Izzy and her best friend, Petra, happened to be at their most rebellious and delinquent. As Curse of the Spellmans unfolds, it’s clear that Morty may be on retainer, but Izzy is still very much on the case...er, cases—her own and that of every other Spellman family member.
As you may remember, The Spellman Files, the first book in Lutz's zany series about a family of private eyes working in San Francisco, made me laugh out loud. More than once. In public. It's that hilarious. Curse of the Spellmans, the second book in the series, inspired a repeat performance. There's just something about Isabelle, our lovable anti-hero, that I find wholly appealing. Not only is she hapless and hilarious, but she's so real. Her madcap adventures make for fun, addicting reading. Every time. After the first Spellman novel, Curse of the Spellmans does feel a little formulaic and predictable. Still, the novel kept me royally entertained. I'm not usually a big fan of screwball comedy, but I make an exception for the Spellmans. I don't care how goofy these mysteries get, I adore them.
(Readalikes: Other books in the Spellman series [The Spellman Files; Revenge of the Spellmans; The Spellmans Strike Again; Trail of the Spellmans; and The Last Word])
Grade:
(Readalikes: Other books in the Spellman series [The Spellman Files; Revenge of the Spellmans; The Spellmans Strike Again; Trail of the Spellmans; and The Last Word])
Grade:
If this were a movie, it would be rated:
for language and depictions of underage drinking and illegal drug use
To the FTC, with love: Another library fine find
Tuesday, August 18, 2015
Despite Lovely Prose, Hawthorne Historical a Long, Dull Read
9:38 PM
(Image from Barnes & Noble)
Crippling headaches, brought on by her painting, keep Sophia Peabody out of society. Although she remains isolated because of her health, her artwork and lively journals attract attention from the outside world. Most especially from a shy, reclusive writer named Nathaniel Hawthorne. The couple fall quickly in love. Although Sophia pines for marriage, Nathaniel hesitates because of financial concerns. Finally, the two wed, joining their lives and artistic temperaments. It's a coupling beset by the usual challenges, not the least of which is trying to balance their creative lives with the requirements of home and family. Through the trials, their love endures, sustaining them both ...
It's difficult to describe The House of Hawthorne, a fictional imagining of a real-life marriage . Indeed, the story, written by Erika Robuck, runs very thin on plot, even thinner on action. While the book's quiet prose is quite lovely, poetic in many places, the narrative drags, making for a long, often dull read. The fact that I found Sophia whiny and annoying didn't help matters. The House of Hawthorne has many beautiful passages, as well as some intriguing thoughts on how art and love mingle—or don't—but, overall, the book put me to sleep. I finished it, but it felt more like a feat of endurance than enjoyment.
(Readalikes: Hm, I can't think of anything. You?)
Grade:
If this were a movie, it would be rated:
for sexual innuendo and content
To the FTC, with love: I received a finished copy of The House of Hawthorne from the generous folks at Penguin. Thank you!
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