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Tuesday, July 21, 2015
Vivid World + Intriguing Characters + Annoying Love Triangle - Strong Heroine = Not-As-Good-As-It-Could-Have-Been Debut
10:39 AM
(Image from Barnes & Noble)
As the Sin Eater's daughter and apprentice, Twylla is resigned to her fate. Like her mother before her, she will spend her life growing fat off the sins of the dead. It's an important duty in the kingdom of Lormere, but certainly not a glamorous one. Twylla longs for something different than the lonely, hardscrabble life through which she sees her mother slog every day. So, when the queen informs Twylla that she's been chosen by the gods to serve her country in an elite position, the 13-year-old jumps at the chance. Not only will she get to live in the castle, betrothed to Prince Merek, but the queen will see that Twylla's family receives healthy compensation, money they sorely need.
Four years later, Twylla has a better understanding of what it really means to be Daunen Embodied. Because her blessed blood is mixed with a magical potion every month, her skin is toxic. Except for the king, queen, and prince, no one can touch her without dying. Sequestered in the luxurious castle, feared by those around her, Twylla lives a privileged, but lonely life. Even her fianceé avoids her. Her special duties as court assassin only make her life more difficult. Twylla knows she must do her duty for her queen, for her country, and for her family, but she wishes for something more than her isolated world.
Her wish is granted with the arrival of her new bodyguard. A handsome 18-year-old from a neighboring land, Lief treats Twylla with a charming familiarity that no one else has ever employed with her. Not only does his presence make her heart pound, but his gentle prodding makes her question everything she's ever known. As she learns shocking truths about her queen, her belief structure, and herself, Twylla will have to decide what's real, what's not, and—for the first time in her life—what and who she really wants.
The Sin Eater's Daughter, a debut novel by Melinda Salisbury, introduces a vivid, complex world populated by an intriguing cast of characters. With tight, evocative prose, Salisbury molds all these elements into a slow-building, but engrossing story. The elements of well-known fairy tales that are woven into the narrative make it even deeper, although I would have liked to see more development of the ones I found most interesting (the Pied Piper, for example), which perhaps will come in the trilogy's subsequent installments. That being said, there were several things that detracted from my enjoyment of this novel. The biggest one? The so-very-annoying love triangle. Ugh. I also wanted more from Twylla as a heroine. While she's a sympathetic character, she's not a very dynamic one. She spends most of her time reacting instead of acting, letting other people save her instead of saving herself. Admittedly self-absorbed, she's just not a strong, admirable enough heroine for me. Plotwise, the story follows a pretty generic things-are-not-as-they-seem pattern. It kept me reading, yes, but not salivating over the upcoming sequels. Salisbury is obviously a skilled writer, she just didn't win me over with her freshman effort. Ah, well.
(Readalikes: Nothing is coming to mind. Suggestions?)
Grade:
If this were a movie, it would be rated:
for sexual content (not graphic) and violence
To the FTC, with love: I received an e-ARC of The Sin Eater's Daughter from the generous folks at Scholastic via those at Edelweiss. Thank you!
Heavy-Handed Sermonizing Makes Christian Novel A Whole Lot Less Appealing
1:00 AM
(Image from Barnes & Noble)
Like all the folks who live in her isolated mountain community, 10-year-old Cadi Forbes is a descendant of a hearty band of pilgrims who came to Appalachia from the wilds of Scotland and Wales. Along with their heavy brogues, these pioneers brought with them legends, myths and Old World customs. Some of which still endure. The Sin Eater, for instance. Cadi knows all about the mysterious figure who's summoned down from the hills when someone dies. His duty—which he will perform as long as he lives—is to take upon himself the sins of the dead so that they can ascend to heaven unburdened. No one dares look the Sin Eater in the face, nor do they seek him out. The man is sentenced, because of his own misdeeds, to a life of banishment and solitude, welcomed among the villagers only when he is needed. And only with extreme caution.
Cadi needs absolution from the sin that is eating her up inside, the evil that makes even her mother turn away in shame. So pained by her affliction is Cadi that she's willing to do the unthinkable. She knows hunting down the Sin Eater will bring punishment from her parents as well as a curse on her family. But she can't stop herself. Cadi can't wait until she's dead to get forgiveness—she needs it now.
As Cadi defies the orders of her family and village leaders in dogged pursuit of her goal, she discovers some shocking truths—not just about the Sin Eater, but also about her community and the secrets it keeps in the name of tradition. Can Cadi convince the others of what she now knows? Will she ever get absolution for her sins? Her journey of self-discovery will lead her down paths she never could have expected to follow ...
When I picked up The Last Sin Eater by Francine Rivers, I had no idea it was a Christian novel. In retrospect, the title probably should have given it away, if not the fact that it's published by Tyndale. Somehow I missed these clues. Not that I have anything against Christian/religious fiction, mind you. I don't. At least not if its lessons are taught with grace and subtlety through complex characters doing interesting things against vivid backgrounds. The Last Sin Eater's Appalachian setting intrigued me from the start, as did its sympathetic story people. All the conflict between Cadi, her family, and the village folk reeled me in as well. In fact, I quite enjoyed the first half of the novel. Then, it got preachy. In an annoying, very heavy-handed way. It became too much, even for me —and I spend at least three hours a week in church! While I appreciated what the story had to say about the importance of repentance/forgiveness, letting Christ into our lives, and moving beyond the sins of the past, I didn't care for the novel's too-obvious sermonizing. In the end, then, The Last Sin Eater was just an okay read for me.
(Readalikes: Um, I can't think of anything. Can you?)
Grade:
If this were a movie (and, apparently, it is), it would be rated:
for violence, sexual innuendo and references to rape, adultery, and abuse
To the FTC, with love: I bought a copy of The Last Sin Eater with a portion of the millions I make from my lucrative career as a book blogger. Ha ha.
Monday, July 20, 2015
One Kick An Engrossing Stomach-Turner
1:00 AM
(Image from Barnes & Noble)
You may—or may not—have noticed the plethora of reviews I've been posting lately. I'm trying super hard to catch up. Not doing too bad of a job, either. Only one more review after this one and I will have finished reviewing all the books I've read up to April of this year. Can I get a woot, woot? Yeah, I know that still leaves four months of reading (44 books + whatever I finish in the meantime) to deal with, but I'm proud of myself nonetheless.
I am, however, feeling a little overtaxed, so I'm going to skip out on writing my own plot summary of One Kick by Chelsea Cain. The back cover copy sums the novel up very nicely, while holding enough back to keep things interesting. I couldn't have done a better job, anyway, so here you go:
From the author of the critically acclaimed Archie Sheridan and Gretchen Lowell thrillers, here is a heart-stopping ride that Cheryl Strayed (author of #1 New York Times bestseller Wild) called “deeply intelligent and grippingly suspenseful…a wickedly brilliant masterpiece.” Kick Lannigan has taught herself to be dangerous. She can pick any lock, fire any weapon, throw any knife, and aim a punch at her opponent’s trachea. She has also taught herself to be safe. So when enigmatic John Bishop shows up asking her to help him rescue missing kids, Kick has every reason to be wary. He appears to have access to limitless money, high-level contacts, and details of Kick’s background long kept sealed by the court. Yet everything he tells her about himself seems to be a lie. Headstrong by nature, suspicious by circumstance, and a smart-ass by self-determination, Kick can’t help but see the writing on the wall: together, she and Bishop could make an unstoppable team, willing to do whatever it takes—legal or not—to see justice served…if they don’t kill each other first. For Kick, whose interest in child abduction is deeply personal, it’s a gamble worth taking. Critically acclaimed as “excruciating…compelling” (Booklist, starred review) and “a propulsive new thriller” (People), One Kick is an engrossing, entertaining new novel you won’t want to miss.It's tough to resist a summary that intriguing, don't you think? I certainly couldn't. Even though the novel concerns child endangerment/abuse through abduction, isolation, and exploitation—subjects which always turn my stomach—I kept reading. Why? Believe me, I asked myself that more than once. The answer is simple: Kick Lannigan is a fascinating character. After her own traumatic childhood, the now 21-year-old promised herself she would never be vulnerable again. And she isn't. She's tough, she's shrewd, she's cool under pressure. Yet, she makes mistakes. She's not one of those slick kick butt heroines whose methods and decisions are always spot-on. No, Kick is very real. Because of her painful childhood as well as her devotion to those who need protection (her brother, James; her blind/deaf dog; the kids she tracks down with Bishop), she's a sympathetic character. You can't help rooting for her, even if her tactics are not always admirable.
Besides Kick, the novel's compelling because it's suspenseful, action-packed, and just all-around engrossing. I couldn't put it down, even though it's seriously disturbing. Now I'm kinda regretting that I read it, seeing as how the sequel, Kick Back, is coming out in January 2016. I have no self-control because darn it, I'm going to read it, I'm excited to read it. I'm just not sure my stomach will be able to handle another wild ride with Kick Lannigan ...
(Readalikes: Hm, I can't think of anything. Can you?)
Grade:
If this were a movie, it would be rated:
for strong language, violence, sexual content, depictions of child abuse, and other disturbing subject matter
To the FTC, with love: Another library fine find
Saturday, July 18, 2015
Rich, Sweeping The Nightingale An Epic, Emotional Journey
1:00 AM
(Image from Barnes & Noble)
Viann Mauriac lives a quiet life as mistress of Le Jardin, the country home that's been in her family for three hundred years. Nestled in France's Loire Valley, it's a safe, lovely spot to raise her 8-year-old daughter, Sophie. Even when she has to send her husband—gentle Antoine, whom she's loved since she was a child—off to the Front, Viann's convinced her little village of Carriveau will be spared the horrors of the approaching war. When her worst fears come to pass, Viann does her best to blend into the landscape, making sure she and Sophie do nothing to arouse the attention of the Nazi soldiers who crowd the streets of her little town. Then, a Nazi captain commandeers Le Jardin, keeping Viann on as his housekeeper. Terrified for herself and her daughter, Viann must watch herself every minute of every day. As the war drags on, she has to rely on the inner strength she never knew she had, even as she's forced to do the unthinkable to keep Sophie safe.
Safety is the last thing Isabelle Rosignol, Viann's younger sister, wants. The 18-year-old longs for adventure, the chance to do something real, something important. Kicked out of yet another finishing school, she's living with her estranged father when the Germans bomb Paris. Running for her life, Isabelle flees the city, heading for Viann's house. Along the way, she meets a charming Communist; when he betrays her, hotheaded Isabelle does the one thing that feels meaningful—she joins the Resistance. Isabelle never intends to put her sister and niece at risk with her dangerous activities, but that's exactly what she's doing. Striking out on her own, the passionate young rebel will face deadly obstacles around every corner in her battle to make a difference in her chaotic, war-torn world.
For two sisters—a decade apart in age and experience—war will test their nerves, their courage, their compassion, and their already tenuous relationship with one another. As they fight every day to survive in enemy territory, they will become heroes in their own right. But will they live through the fighting? Will they survive long enough to reunite with their loved ones? Even if their bodies make it through the hell of war, will their hearts—scarred and shattered by horrors they can't un-see, un-experience—ever mend?
You may have noticed that "A" grades are a little hard to come by around here. In order to earn my undying love and praise, a book has to pick me up, sweep me off my feet, and move me in a way that makes certain I'll never forget it. The Nightingale by Kristin Hannah did all of those things. With rich detail, complex characters, a dramatic historical backdrop, and a sweeping storyline, it has everything I crave in a novel. So absorbing is this epic tale that it seems real, like you're taking a Technicolor journey through the same landscape and emotions as the characters. This is a novel you feel. Sometimes too much. I worried right along with Viann, cringed in fear with Isabelle, and wept as I came to the end of their story. The Nightingale is, at its heart, a story about two sisters, but truly, it's so much more. It's a meditation on how far one would go to save the people she loves, a celebration of the sacrifices military wives make (then and now), as well as an astute acknowledgement of the importance of families—no matter how imperfect they may be. In case you can't tell, I loved it. Although it's a difficult read at times, I can't recommend The Nightingale highly enough.
Grade:
If this were a movie, it would be rated:
for language (a handful of F-bombs, plus milder invectives), violence, mild sexual innuendo/content (although there is a short, but fairly graphic rape scene), and intense situations
To the FTC, with love: I received an ARC of The Nightingale from the generous folks at St. Martin's Press. Thank you!
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