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Monday, April 07, 2014
Dream-Walker Novel As Confusing and Unfocused as, Well, a Dream
8:04 AM
(Image from Barnes & Noble)
As a Watcher, 16-year-old Parker Chipp has the ability to walk through other people's dreams, unnoticed by the dreamer. It's not a pick-and-choose kind of thing—he haunts the dreams of the last person he made eye contact with before he fell asleep. Roaming through the night visions of strangers and friends—experiencing their fears, frustrations and unexpressed desires—might sound like a cool super power, but it's not. Not really. Parker hasn't enjoyed a decent sleep in four years and it's killing him. Literally.
Then, he meets Mia Greene, a foster kid who's staying with a local family. Parker's stunned by what he finds in her dreams. Inside her unconscious mind, he finds only peace and calm. The sensations are so unfamiliar, so soothing, that he's able to sleep deeply for the first time in years. Parker craves more rest, needs more to live. The only problem? He can't get it without Mia—and she thinks he's a crazy stalker.
When Mia begins receiving threatening emails, her suspicion naturally falls on Parker. The thing is, she may be right. He's so desperate for more of the peace only she can give him that he'll do anything to get it. Anything. But is he the one scaring Mia? Would he really do her harm? As Parker's need for Mia becomes more desperate and all-consuming, he realizes he doesn't know himself at all. How can he keep Mia safe—especially if he's the one from whom she needs to be protected?
I've always found dreams fascinating, so I'm drawn to tales with premises like the one that drives Insomnia by J.R. Johansson. Having read novels similar to this one, I was happy to discover some fresh elements in this debut novel. As much as I appreciated these novelties, however, they didn't do enough to save this story from being confusing, unfocused, and melodramatic. Poor character development and a flimsy plot just made things worse. In the end, I liked the idea of this novel a whole lot more than the novel itself. Bummer.
Grade:
If this were a movie, it would be rated:
for brief, mild language (no F-bombs), violence/scary images, and depictions of underage drinking
Friday, April 04, 2014
New Bethany Wiggins Dystopian: How Did I (Almost) Miss This One?
7:52 AM
(Image from Barnes & Noble)
So, I'm still trying to figure out how I missed the fact that Bethany Wiggins wrote another book (actually, two). I enjoyed her debut, Shifting, then somehow lost track of her. When I discovered Stung, the first installment in her YA dystopian series, I was shocked. As far as I can tell, the novel's received very little buzz. Which is a crying shame, since it's a taut, well-crafted post-apocalyptic thriller. Original? Well, okay, it's kind of the same ole, same ole plot-wise, but still, it's better written than many of its contemporaries.
The publisher's plot summary describes the book well—and in one concise, compelling paragraph, no less:
Fiona doesn't remember going to sleep. But when she opens her eyes, she discovers her entire world has been altered-her house is abandoned and broken, and the entire neighborhood is barren and dead. Even stranger is the tattoo on her right wrist-a black oval with five marks on either side-that she doesn't remember getting but somehow knows she must cover at any cost. And she's right. When the honeybee population collapsed, a worldwide pandemic occurred and the government tried to bio-engineer a cure. Only the solution was deadlier than the original problem-the vaccination turned people into ferocious, deadly beasts who were branded as a warning to un-vaccinated survivors. Key people needed to rebuild society are protected from disease and beasts inside a fortress-like wall. But Fiona has awakened branded, alone-and on the wrong side of the wall . . .
I love the whole Sleeping Beauty aspect of this novel. It brings a new spin to an overly-familiar storyline, while introducing the reader to the rules of Fiona's dystopian world in a way that feels both natural and suspenseful. Fi's a sympathetic character, one who's easy to relate to and root for. As you can imagine, Stung offers plenty of action, intensity, and zombie gore. A bit of romance, too. Overall, it's a fast-paced, engrossing tale that stands out from its peers (at least for me) because of its tight prose, interesting characters and heart-pounding action. So what if Stung's nothing we haven't seen before? I enjoyed it. A lot.
(Readalikes: Reminds me of Ashes and Shadows by Ilsa J. Bick; Ashfall and Ashen Winter by Mike Mullin; and, of course, its sequel, Cured by Bethany Wiggins)
Grade:
(Readalikes: Reminds me of Ashes and Shadows by Ilsa J. Bick; Ashfall and Ashen Winter by Mike Mullin; and, of course, its sequel, Cured by Bethany Wiggins)
Grade:
If this were a movie, it would be rated:
for brief, mild language (no F-bombs); violence/gore; and references to rape
To the FTC, with love: Another library fine find
Tuesday, April 01, 2014
YA Novel Tackles the "Real" in Reality TV
7:49 AM
(Image from Barnes & Noble)
Bonnie Baker knows better than most how little real exists in reality television. As a former star of the hit series Baker's Dozen (think Jon & Kate Plus Eight), she spent most of her childhood in front of a camera. The crew filmed her every trial and tantrum, stealing private family moments to air for all the world to see. Until Bonnie snapped. Her breakdown caused an international scandal, shut down the show, and turned her personal tragedy into nothing more than a juicy piece of celebrity gossip.
In the four years since the show went bust, Bonnie's done her best to move on. She re-named herself, changed her look, and enrolled in public school. None of Bonnie's friends or classmates know her true identity—and she intends to keep it that way. Chloe Baker prefers a quiet life, filled with nothing more exotic than trig homework and game nights at home with the family.
Unfortunately for Bonnie/Chloe, the normal life she's so carefully constructed for herself is about to explode. To see the stunned 17-year-old's reaction to this shocking turn of events, you just have to tune in to Baker's Dozen: a Fresh Batch. It's true, Chloe's worst nightmare is coming to pass. A new spin-off of the original series has been created. Once again, she's a t.v. star. Once again, her every move will be tracked by camera crews and paparazzi vultures. Once again, she has no choice in the matter.
Except this time, maybe she does. What will Chloe's rebellion cost her? Everything. Is it worth it? Absolutely. Probably. Maybe. The more she tries to stand up for herself, the less sure of herself she becomes. Will Chloe cave under all the pressure and guilt being stacked on her shoulders and cooperate with the show's producers? Or can she save herself and her siblings from the insanity that's already ruining their lives? There's only one thing Chloe knows for sure: whatever happens, Fresh Batch will end in a tear-jerking, drama-filled, Hollywood-worthy finale.
Unlike a lot of people, I couldn't care less what happens on The Bachelor. Or Big Brother. Or Iron Chef. Case in point: I had to Google "popular reality shows" to even come up with those titles! I am, however, fascinated by the psychology behind the phenom that is reality t.v.: Why would anyone agree to have a camera record every step they take, broadcasting their private struggles to the world? Why are viewers so obsessed with watching the petty dramas of someone else's life—especially when we all know none of it is real? And what kind of damage does this do to the stars of such series, especially the children?
These are the questions Heather Demetrios explores in her debut novel, Something Real. Although the story involves plenty of the kind of drama you'd expect—dodging the paparazzi; dealing with unwelcome, often engineered surprises; having your newest zit broadcast on national television, etc.—at its heart, the novel is about family. And finding your place in the world, even when asserting yourself means hurting other people. Told in the funny, sarcastic voice of Bonnie/Chloe, the story still manages to be both thoughtful and hopeful. I had my issues with Something Real, of course, but overall, it's a compelling, well-written tale that's every bit as riveting as any episode of Keeping Up With the Kardashians (at least, so I'm told).
(Readalikes: Hm, I can't think of anything. Can you?)
Grade:
If this were a movie, it would be rated:
for strong language, depictions of underage drinking/partying, and sexual innuendo/content
To the FTC, with love: I bought a copy of Something Real from Amazon with a portion of the millions I make from my lucrative career as a book blogger. Ha ha.
Monday, March 31, 2014
Jenny Oaks Baker's Newest Makes a Believer Out of Me. Almost.
3:32 PM
I'll be honest, I don't listen to a lot of violin music. Too many years of attending screechy elementary school orchestra concerts may have ruined the instrument for me forever! Kidding, kidding—I love that my kids, along with all their classmates, get to learn to play violin. It's just that when I'm listening to music, I prefer rock or pop to classical. I need songs I can sing along to, you know? Which, come to think of it, might be why I decided to accept this CD of violin music for review.
I'd heard of Jenny Oaks Baker, an LDS, Juilliard-educated, Grammy Award-nominated violinst, but until now, I had never listened to any of her music. Something about her newest CD, though, made me want to change that. As you can probably surmise from its title—Classic: The Rock Album—it includes violin versions of popular (singable!) rock ballads. From well-known oldies like Yesterday (The Beatles) and Scarborough Fair (Simon & Garfunkel) to more recent hits like Sting's Fields of Gold and Everybody Hurts by R.E.M., the CD offers a nice variety of recognizable songs on its ten tracks.
Although I appreciate beautiful violin music, I admit I've often found it snooze-inducing—that's not true at all with Baker's newest collection. Even the more melancholy numbers feel not just upbeat, but also uplifting. While I enjoyed all of the pieces, my favorite is Liverpool Suite, a medley of Beatles songs. It's lively and fun—the perfect choice for Track #1.
So, did Baker's latest convince me to head right over to Spotify and download as much violin music as I can find? Well, no. However, it did remind me how lovely the instrument sounds in the hands of a master. And, okay, that it wouldn't hurt me to listen to more inspiring music (especially when played by Baker), even if it doesn't have any words. A serious epiphany, I'm telling you!
Classic: The Rock Album, which comes out on April 7, can be pre-ordered from Amazon, Barnes & Noble, Deseret Book, and other retailers for under $20.
To the FTC, with love: I received a free copy of Classic: The Rock Album in exchange for an honest review from the generous folks at Deseret Book. Thank you!
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