I'm not sure why I thought Feed, a 2002 National Book Award finalist by M.T. Anderson, had to do with zombies. Maybe because of the title? Or maybe because the closer we creep to 2012, the more nervous I get about an undead apocalypse? Anyway, whatever the reason, I was totally wrong. No zombies shuffle their way through this book. Except, sort of, in a way, they do. Only they're not the slobbering, walking dead variety. Not exactly.

In this futuristic YA novel, almost anything has become possible. Spring Breakers can party on the moon. Jet-setting off to Mars is completely doable. And no one has to go offline. Ever. Feeds are transplanted straight into people's brains, allowing them to not just stand, but live their entire lives, at the very center of the information superhighway. A constant stream of content pours into their heads, meaning they never have to sound ignorant, never have to wonder about anything, never need to bother with learning or thinking at all. Ads flash through their minds continually, keeping them up-to-date on the latest fashion trends, celebrity breakups and cool, new gadgets. With a functioning feed, they can fit in anywhere, with anyone.

But what happens when a feed malfunctions? Titus is about to find out.

When the teenager and his friends go looking for a little lunar fun, they discover something: the Moon kinda sucks. In no time, their little excursion has gotten totally null. They're bored out of their feed-blasted minds. Then, Titus meets Violet Durn. Not only is Violet stunningly beautiful, but she's different. Like, somehow she seems more real than anyone else Titus has ever known. She's a little out of the loop, sure, but she's unique, something exciting to brighten his dull vacation. Titus convinces a reluctant Violet to come party with him and his friends at a night club his feed assures him is hot. He's having a good time (even if she's not) when the unthinkable happens - a raging doomsayer hacks into both their feeds, spamming them with angry extremist mumbo jumbo. In order to get their systems back online, both their feeds will have to be shut down. Immediately.

Without the noise in his head, Titus experiences an unsettling quiet, a kind of clarity he's never known before. Between the weird emptiness in his brain and Violet's odd observations about life (""Everything we've grown up with - the stories on the feed, the games, all of that - it's streaming our personalities so we're easier to sell to ...'" [97]), Titus literally does not know what to think. Even when the feed doctors reboot him and everything's back to normal, he's out of sorts, a feeling which only increases when Violet gives him some very disturbing news. Suddenly, Titus is asking questions he's never even considered before: What, in his life, is real? Who is he - his own person or some kind of product manufactured by the wily feed gods? If he didn't have his feed to stuff him full of info, would he be worth anything at all?

The allegorical Feed offers a chilling commentary on our Internet/Facebook/Twitter-obsessed times. In alternately frenetic (when he is on feed) and calmer (when he's off) chapters, Titus explores concerns that plague all of us with our increasingly virtual lives - realitiy vs. the online world; genuine human conversation vs. instant messaging, Facebook status updating, and Tweeting; true scholarship vs. copycat research; and developing authentic personality vs. allowing marketers to tell us who to be. The book's lesson isn't very subtle, but the plot's entertaining and Anderson's point comes across in a way that's both vivid and affecting. I can't say I loved Feed; I can say I appreciated it. And I haven't stopped thinking about it. Must be the zombie thing ...

(Readalikes: Reminded me a little of Girl Parts by John M. Cusick and, oddly, of the movie Wall-E)

Grade: B

If this were a movie, it would be rated: R for strong language

To the FTC, with love: I received a finished copy of Feed from the generous folks at Candlewick Press. Thank you!

(Image from Barnes & Noble)

I tried to resist reading After the Snow by S.D. Crockett. I really did. Not for forever, just until it got closer to the book's publication date (March 2012). But everything about the book intrigued me - the setting (an arctic dystopian England - haven't seen that one before), the cover (chilling, no?), and the plot (teenager's family gets taken, leaving him to fend for himself in a frigid, empty world). So, you see why I had to read it, right? Right? And, of course, I could just post-date this review, but where would the fun in that be? This way, you can get just as interested, just as excited about the novel as I did!

The story begins on a cold, icy day - because that's how every day dawns in Willo Blake's eternally white world. The 15-year-old is a straggler, one of the few people who live outside the enclosed cities, staying well below the government's radar. He, along with his father, stepmother, younger sister, and an assortment of friends, eke out a life in the hills, eating the animals they kill and trading their furs to a trusted outsider in order to purchase other supplies. The stragglers may not play by the government's rules, but they're not doing anything wrong. Just trying to survive.