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Cows Can't Jump: "I Wike Dat Stowy"
(Image from Barnes & Noble)I don't review tons of picture books, but I do read a lot of them to my younger kids. My 2-year-old generally prefers stories involving at least one Disney princess and my 6-year-old usually gravitates toward non-fiction books on boy topics (cars, boats, construction vehicles, etc.). However, when I asked my little critics who wanted to listen to a story, three of them piled onto the couch with me (my 12-year-old has the flu, otherwise I'm *sure* he would have joined us :]). Surrounded by a trio of warm bodies, I opened up Cows Can't Jump by Dave Reisman. Giggles ensued. When we got to the end of the story, all three agreed it was a keeper. I didn't love it quite as much as the kids did, but I truly believe that when it comes to picture books, children know best.
The story follows a simple pattern - it shows something an animal can't do (i.e. jump), then something it can (i.e. swim). Not all of the verbs used in the book are that self-explanatory, however. Some of the animals scurry or glide or wallow, which leads to questions and, thus, vocabulary development. By focusing on things the animals can do, the book also helps kids practice positive thinking about others and themselves. The bright, colorful illustrations (by Jason A. Mass) keep children interested, prompting smiles when an unexpected animal shows up. All in all, it's a fun, informative book that doesn't feel educational. My 2-year-old summed it up pretty well when she proclaimed, "I wike dat stowy."
My favorite picture books usually have a memorable rhythm (The Cat in the Hat by Dr. Seuss; Chicka Chicka Boom Boom by Bill Martin, Jr. and John Archambault; Brown Bear, Brown Bear by Bill Martin, Jr.), stunning pictures (On The Night You Were Born by Nancy Tillman) or a theme that's surprising/touching/funny/unique (Love You Forever by Robert Munsch; Julius, the Baby of the World by Kevin Henkes; The Very Hungry Caterpillar by Eric Carle). This one didn't have any of these elements or anything that really made it stick out for me. Still, it's a fun, warmhearted story that's short enough to keep kids' attention, even after many readings. I appreciate its message, its subtle teaching, and the fact that my kids enjoyed it. Really, I'm not sure there is a better endorsement out there than this, so I'll repeat my toddler's enthusiastic, "I wike dat story" and weave it at dat.
(Readalikes: Um, I can't think of anything, can you?)
Grade: B
If this were a movie, it would be rated: G
To the FTC, with love: I received two signed, finished copies of Cows Can't Jump from the generous folks at Jumping Cow Press. Thank you!
Ignore the Cover Art - Everything I Was Warm, Funny and Hopeful
(Image from Barnes & Noble)Despite its rather ominous cover, Everthing I Was by Corinne Demas, is actually a very sweet story. It begins on the day 13-year-old Irene moves out of her posh Upper West Side apartment. With her father out of work, her family can no longer afford the exorbiant rent, even though they've auctioned off valuable art, let the housekeeper go, and sold her father's Jag. Unless a job suddenly becomes available, her private school tuition won't be paid, and Irene won't be able to return except as a scholarship student - a fate too embarrassing to contemplate. In the meantime, the family's moving to the country to live with Irene's paternal grandfather, who lives on a rural farm. Irene's leaving her whole life behind, with nothing to look forward to ahead of her.
When an opportunity comes up in the city, Irene doesn't know what to think: City or country? Old life or new? As she deals with this newest life reversal, she must come to terms with her family, her friends, but, most of all, herself.
The cover of this one really threw me; the darkness of it still bothers me. Not that the story's all flowers and bubbles. It's not, but it's definitely lighter than the cover indicates. That little issue aside, though, I enjoyed Everything I Was. It's a quick read, full of warmth, humor and hope. It's a timely story and one I think young readers will find relatable in this time of economic upheavel. Even if they've never been uprooted, they'll sympathize with Irene, fall for the laidback Jim, and enjoy this gentle ride out into the countryside.
If this were a movie, it would be rated: PG-13? - This is the first time I've ever encountered this situation, so I'm not sure exactly how to rate Everything I Was. Irene says the F-word twice, which should automatically make the book an R. However, there's nothing else in the book that's offensive. A little kissing, but that's it. Weird, right? If it weren't for those two F-bombs, the book would be PG. So, what do I give it? PG-13? R? I'm going to stick with the former for now.
Debut Dystopian Needs More Than Just Action
(Image from Barnes & Noble)The United States of America was once a great country. Fifteen-year-old Stephen Quinn knows this from the stories he's heard, the ruins he's explored. But that was 20 years ago, before the U.S. lobbed nukes at China, before war devastated the country, before China unleashed P11 - a vicious flu virus nicknamed "The Eleventh Plague" - to finish off anyone the war hadn't. Resources had been running low even before that, causing oil shortages and other problems. Now, the nation's nothing but a vast wasteland, covered with rusting automobiles and crumbling buildings, worthless relics of the past.
To survive, Stephen and his father work as salvagers, combing through wrecked cities in search of anything they can trade for food, clothing and other supplies. As long as they dodge all the bandits and slavers on the loose, it's a successful enough enterprise. But when a run-in with the wrong sort leaves Stephen's father near death, Stephen knows he can't proceed alone. He has to find help. Even if it means doing the one thing he vowed never to do - trust a stranger.
When he's brought to the small village of Settler's Landing, Stephen's amazed by the tidy, civilized society. Isolated and safe, it's like a tiny oasis in the middle of the wide, treacherous Sahara. Stephen can hardly believe the place is real. The longer he stays there, though, the more he realizes that Settler's Landing isn't exactly what it appears to be. When he and his new friend, the mischevious Jenny , play a prank that goes horribly awry, Stephen remembers just how dangerous this changed new world really is.
The Eleventh Plague, a debut novel by Jeff Hirsch, offers a bleak, but relatively tame, look at the end of the world. The book's got enough grit to be suspenseful, while remaining clean enough for a young young adult audience (I debated whether to rate it PG or PG-13, finally settling on the latter just to be on the safe side). While there's not a lot of originality to the book, it kept my attention with lots of action, something that will also appeal to teen boys, I'm sure. Still, I longed for better character development, stronger imagery and more dynamic dialogue. Without all that, The Eleventh Plague remains just okay for me. That book cover, though? Perfection.
(Readalikes: Reminded me of The Road by Cormac McCarthy and Prized by Caragh M. O'Brien)
Grade: C
If this were a movie, it would be rated: PG-13 for mild language, violence, and intense situations
To the FTC, with love: I received a finished copy of The Eleventh Plague from the generous folks at Scholastic. Thank you!
Who Does Depression Hurt? Everyone.
(Image from Barnes & Noble)Losing her mother was hard enough, but now Serena's lost her father as well. A
t least that's how it feels. Ever since the car accident that killed his wife, Michael Shaw's been overcome by the "blue," so sad he won't leave the house, change out of his pajamas, eat, or work on the drawings he creates for his job as a freelance picture book illustrator. Serena needs him to snap out of it. And fast. The 7th grader's got enough going on with schoolwork, play practice, friend drama, and a cute boy who's finally showing some interest in her. She doesn't need the added burdens of laundry, grocery shopping, cooking, housework, watching her little brother, and making excuses for her father. Serena's been carrying it all for eighteen months; she's not sure how much longer she can take it.
Knowing one wrong move could land her and her brother in foster care, Serena's desperate to hold her world together. But as her father slides deeper down into the pit of his depression, keeping up appearances becomes harder and harder. She can't ask anyone for help, but she can't hold things together for much longer. It's only a matter of time before someone figures out her dad's not right. Can she figure out a way to cure him before it's too late? Or will the "blue" destroy the only family she's got left?
Even though I hate the idea of children being forced into adult roles because of circumstances beyond their control, I'm always drawn to these kinds of stories, be they real or fictional. The strength and resiliency of children never ceases to amaze and inspire me. I was especially excited, then, to read Silhouetted by the Blue, a new middle grade novel by Traci L. Jones, since it's a survival against-all-odds story featuring an African-American tween. It's a realistic portrayal of depression and the toll it can take on not only the sufferer, but also on his family. Serena's take on it all is an honest one - she feels alternately responsible, resentful and guilty. The story's got its doom and gloom, for sure, but there are some light, funny moments as well. While I didn't love the book quite as much as I wanted to, I still think it's an important story. It's timely, relevant, and a tale that will likely hit close to home for both children and adults.
(Readalikes: Reminded me a little of What Can't Wait by Ashley Hope Perez)
Grade: B-
If this were a movie, it would be rated: PG for mild language and some intense situations
To the FTC, with love: I received an ARC of Silhouetted by the Blue from the generous folks at Farrar Straus Giroux. Thank you!

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