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As With Fairies, So With McMahon: Stay Away. Far, Far Away.
(Image from Indiebound)I've probably mentioned this before, but Jennifer McMahon's novels creep me out. F
rom the freaky covers to the chilling plotlines to the haunting details - everything about them makes me want to dive into my bed, pull a blanket over my head, and chant, "It's not real. It's not real. It's not real." Seriously. Every time I finish one of McMahon's books, I vow not to pick up another one. Not to even look at another one. Because if there's one thing I've learned about this author, it's that if I so much as glance at one of her books, I will pick it up, I will skim the first page, and I won't stop until I finish the story. Even though it will give me nightmares for a week. That's how compelling they are.
McMahon's newest, Don't Breathe A Word, might just be the most compelling of all. It's my favorite of the three books I've read by her, not because it's less creepy than the others, but because it's got a clever bent to it that kept me guessing through the whole book. I love me a psychological thriller, even if it's one I have to read only in the daylight. With the doors locked. And the shades drawn. When I'm surrounded by people. Ahem. It's not real. It's not real. It's not real. Okay, moving on ...
Don't Breathe A Word takes place in a small Vermont town called Harmony. It's a green, peaceful hamlet that should be an idyllic spot for children to grow up. And it would be, maybe, if it weren't for the woods. In the middle of the trees sits the ruins of an old village, the inhabitants of which - it is said - were whisked away by the King of the Fairies in 1918. When, some 70 years later, a 12-year-old girl goes missing from the same spot, it confirms the rumors about the haunted woods. The fact that Lisa O'Toole Nazzaro told her younger brother she planned to step through a magical door in the woods that would take her to Fairyland, just before she disappeared without a trace, sounds crazy - except to long-time residents of Harmony. The ones who know about the woods. The ones who hear sounds out there, who see strange things, who stay far, far away from the forest and all its secrets.
Fifteen years after Lisa's disappearance, 35-year-old Phoebe is dating sweet, steady Sam Nazzaro. Although she's always been fascinated with the story of little Lisa traipsing off to join the fairies, Phoebe doesn't, at first, know about Sam's connection to the missing girl. When she discovers that he's her younger brother, the same boy to whom Lisa confided about the fairies in the woods, Phoebe's even more intrigued. She doesn't dare ask Sam about the disappearance since she knows he's determined to put the past behind him, but she wonders what really happened the night Lisa vanished into the woods. Does Sam believe the fairy story? He won't say. Even when a series of strange, unexplainable occurrences shakes the couple's world, rocketing the past right into the present, Sam remains tight-lipped. Maybe Sam doesn't believe, but Phoebe can't explain the eerie happenings any other way - if it's not the King of Fairies messing with their lives, then who is it?
It took me all of a chapter to be thoroughly spooked by Don't Breathe A Word. And a lot less than that to be totally and completely hooked. The whole fairy plotline makes this missing girl story different, lending it a dark kind of charm. I wanted to believe in Lisa's fairy world, so much so that I almost skipped the last, everything-is-revealed section of the book. I'm glad I didn't, though, because then I would have missed the book's final, brilliant scene, the one that made me question everything.
Intrigued yet? See what I mean about that darn Jennifer McMahon? She drags you into her macabre little stories whether you like it or not. I'm going to give you the same advice about McMahon that Lisa was given about the fairies: Stay away. Far, far away. And if you ignore this advice, beware - nightmares will ensue.
(Readalikes: Island of Lost Girls by Jennifer McMahon)
Grade: B
If this were a movie, it would be rated: R for strong language, violence and sexual content
To the FTC, with love: I received a finished copy of Don't Breathe A Word from the generous folks at Harper Collins and TLC Book Tours, for whom this review was written. Thank you!
Newest Karen White Novel Not Quite Up to Snuff

(Image from Indiebound)
guardian of the two things Monica valued most - her 5-year-old son, Beau, and a beach house in Biloxi, Mississippi. Unsure what to do with either, Julie sets out for the Gulf Coast with the vague plan of settling into her new property while drumming up the courage to confront Monica's estranged family. She knows Monica had a compelling reason for leaving her family behind, but considering the circumstances, Julie figures the Guidrys deserve to know of her death. And of Beau. The little boy needs a home and family now more than ever.
an easy task, especially when Monica's grandmother insists on revealing the family's story at her own, leisurely pace. With no home or job to return to in New York, Julie moves into the Guidry's house, allowing the family to get to know Beau while she works to restore River Song the way Monica would have wanted it done.The more time Julie spends with Monica's family - especially her attractive older brother - the closer she grows to them. It's the kind of closeness Julie craves since her own family started to disintegrate after the disappearance of Julie's younger sister 17 years ago. She's even beginning to feel at home in the Gulf Coast, despite all of Katrina's warnings against settling in such a dangerous clime. Most intriguing of all are the secrets Julie's uncovering, secrets that have her wondering if getting close to the Guidrys is really such a good idea after all. If you've read other books by Karen White, you'll recognize her damaged-woman-finds-healing/redemption-in-revealing-long-buried-family-secrets formula. I'm usually more than down with that, but the familiar plot got a little tedious for me in White's newest, The Beach Trees. The novel kept my attention, even though it ran long, it was just the little things that bugged me - the characters never really came alive for me, some of the plot twists seemed illogical, and the book's Julie-can-survive-her-trials-because-Katrina-victims-didn't-give-up-in-the-face-of-theirs seemed a bit heavy-handed. I also puzzled over things like Julie's decision to up and move to Mississippi without even seeing the house she inherits and the way the Guidrys welcome a complete stranger into their home, not blinking an eye when she questions them about sensitive issues from their pasts. Then, there's Julie's complete devotion to Monica, a character who might as well be a paper doll for all we know about her. So, yeah, I had some issues. All in all, though, I enjoyed the read, just not as much as I wanted to.
(Readalikes: The Lost Hours by Karen White; The Memory of Water by Karen White; Tomorrow River by Lesley Kagen)
Grade: C
If this were a movie, it would be rated: PG-13 for mild language (no F-bombs) and a small amount of sexual content
To the FTC, with love: I received a finished copy of The Beach Trees from the lovely ladies over at TLC Book Tours, for whom this review was written.
School's Out and I'm Hopping for ... Joy, Yeah, That's It
Even though I already posted today, I wanted to get in on this week's Blog Hop. I always love hopping around the book blogosphere checking in on blogs I love and discovering new ones. It makes me happy, especially since I'm currently mourning the ending of the school year. Not that I don't adore my kiddos. I just foresee a very long summer full of arguing and "I'm bored"s. Since I need a little cheering up (and because I really, really want to get to 500 Followers), I'm going to start hopping. Join me, won't you?This week's question is: Which book-to-movie adaptation have you liked? Which have you disliked?
- The movies that first come to mind are the Harry Potter ones. I thought the casting was incredible - the actors brought the characters to life just as I'd pictured them in my head. And with the sets, the adaptation and everything else, well, magical is all I can say.
As far as movie adaptations I didn't like, the two that stand out are Twilight and Stardust. If you've seen the former, you know exactly what I'm talking about. It's so bad, it's funny. Stardust just didn't do the book justice. Loved the book, detested the film.
What about you? Which have you liked? Which didn't work for you? I'd love to know.
Thanks for stopping by BBB. Please leave me a comment and a link to your blog so I can hop by and visit you. Have a great Memorial Day weekend!
Allende's Newest Sumptuous and Satisfying
(Image from Indiebound)I don't know about you, but these days I fly through at least 2-3 books a week. Rarely do I spend a whole seven days on one book. Unless, of course, it's a super busy time of y
ear (like, say, the last week of school), or I have a sick toddler, or, my kids have at least one activity every single night or all of these things occur at the same time I happen to be reading a book by Isabel Allende. If you've ever read the author, you know her sumptuous writing can't be skimmed or rushed. It must be experienced fully in order to truly be appreciated. So that's what I did. For a whole week, I just ... enjoyed.
Island Beneath the Sea concerns Toulouse Valmorain, a 20-year-old Frenchman who comes to the island of Saint-Domingue (present-day Haiti) in 1770 to help his father run the family's sugarcane plantation. He doesn't plan to stay. Then, his father dies and Toulouse's fate is sealed. Saint-Lazare, the plantation his father has almost run into the ground, now belongs to him. Toulouse gets to work setting the place to rights, making himself
wealthy in the process. As a white plantation owner, one of the grands blancs who run the wild, backward island, he has enough money, power and influence to do whatever he pleases.
When Toulouse decides to marry, he asks his favorite courtesan to find his new wife a maid. Violette Boisier suggests young Zarité, known as Tété. The slave girl's scrawny and nappy-headed, but Violette sees potential in her quiet, graceful ways. Soon, Tété's serving the demanding Eugenia Valmorain, a position that keeps her in the big house, away from the cane fields and the brutal overseer who runs them. As she grows into her beauty, Tété cannot escape her master's eye. Or his bed. She doesn't want to be Toulouse's concubine, doesn't want to bear his children, but she's trapped. Her only path to freedom lies in pleasing the insatiable Frenchman.
When a massive slave revolt led by the infamous Toussaint Louverture forces Toulouse Valmorain and the other grands blancs off the island, he sails to New Orleans. To protect her daughter and Valmorain's son, whom she's raised since infancy, Tété goes with him. In America, Tété hopes Toulouse will make good on his promise to free her. But in Lousiana where "abolitionism was considered worse than syphilis" (318), the path to liberation will be fraught with danger, sacrifice and heartache. Maybe more than Tété can bear.
In Island Beneath the Sea, Allende employs deftness and detail to paint an affecting portrait of slavery. Through Toulouse Valmorain, she brings to vivid life all the hatred, hypocrisy and hubris of the institution. With strong, stalwart Tété, she proves the tenacity of the human spirit. Mostly, though, the story is about freedom - what it costs, how it inspires, and what, in the end, it really means. Evocative and eye-opening, the novel requires an investment of time, but it's worth a week. And more.(Readalikes: Reminded me of a little of Wench by Dolen Perkins-Valdez and Chains by Laurie Halse Anderson)
Grade: BIf this were a movie, it would be rated: R for language (no F-bombs), violence and sexual content
To the FTC, with love: I received an ARC of Island Beneath the Sea from the generous folks at Harper Collins and TLC Book Tours, for whom this review was written.

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