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Showing posts with label Hurricane Katrina. Show all posts
Showing posts with label Hurricane Katrina. Show all posts
Friday, September 19, 2014

Comfort or Cold-Blooded Murder: What Really Happened at Memorial During Katrina's Aftermath?

(Image from Barnes & Noble)

As Hurricane Katrina barreled toward New Orleans in late August 2005, residents braced for impact.  Many headed for Memorial Medical Center, a sprawling hospital in the heart of the city that had, for generations, provided sturdy shelter through violent storms.  When the hurricane hit, around 2,000 people—including patients, doctors, nurses, other hospital employees, and their friends/family members (many of whom brought along pets)—sought safety inside its walls.  Although the hospital suffered some damage from the storm's initial battering, it continued to operate, surviving as it always had.

When floodwater began to rise, swamping the city and causing widespread panic both within the hospital and without, the staff at Memorial started to realize they may not be as safe as they had previously thought.  With complete power failure becoming increasingly likely, the evacuation of Memorial's nearly 200 patients become necessary.  Stranded people all over the area were in dire need of rescue.  With few vehicles available, hospital staff had to make some tough decisions:  Which patients should be evacuated first?  The tiny babies in the NICU?  The sickest adults?  The patients who were healthiest?  A decision that seemed simple at the time, but later became critical, was made: patients with Do Not Resuscitate orders would be taken out of the hospital last.  

Those in charge at Memorial believed the hospital would be emptied completely within a matter of hours.  This did not happen—and would not happen until September 11th, when coroners removed 45 corpses from Memorial's chapel.  What occurred to the more than 100 patients who remained after the hospital's initial evacuation during the five harrowing days between August 28, when the storm hit, and September 1, when all living patients were rescued from Memorial?  Why did so many people, more than at any other medical facility of comparable size, perish?  As the power died, causing the failure of lights, air conditioners, and life-saving medical equipment, conditions inside the hospital became unbearable, not just for patients but for the doctors and nurses who were rapidly losing hope in the promise of rescue.  With no end to anyone's misery in sight, those in charge at Memorial made a critical choice—to make suffering patients "comfortable."  Were those decisions merciful acts or cold-blooded murder? 

Five Days at Memorial, an epic work of investigative journalism by Pulitzer Prize-winning reporter Sheri Fink, presents the chilling facts, allowing the reader to come to his/her own conclusions about what really happened at the hospital.  Well-balanced and exhaustively researched, it's a haunting account that asks important questions about disaster preparedness; medical ethics; end-of-life care; and the responsibility of doctors toward their patients, especially when under extreme stress with their own lives in danger.  At just under 600 pages, Five Days at Memorial looks intimidating, but it's actually very readable.  It didn't bore me in the least.  Eye-opening and thought-provoking, the book is an intense, compelling piece of non-fiction that should not be missed.  

For a shorter, but just as riveting account of the situation recounted in the book, click here to read "The Deadly Choices at Memorial," an article Fink published in The New York Times Magazine on August 25, 2007.  

(Readalikes:  Although Five Days at Memorial is different than anything else I've read about Hurricane Katrina, it does remind me of fictional accounts of the storm, like Ninth Ward by Jewell Parker Rhodes and Upside Down in the Middle of Nowhere by Julie T. Lamana)

Grade:  

If this were a movie, it would be rated:


for strong language, violence, and intense scenes/situations

To the FTC, with love:  Another library fine find
Tuesday, June 03, 2014

Haunting, Hopeful Hurricane Katrina Novel a Vivid, Inspirational Read

(Image from Central Speaks)

A storm is brewing in the Gulf Coast, a squall some say could turn into the biggest, most catastrophic hurricane ever to hit New Orleans.  Armani Curtis could not care less about all the talk, however ominous.  She's got more important things to worry about—like her upcoming birthday party.  She's weathered plenty of storms, but she's never turned 10 before.  She can't wait for the cake, the presents, and all that attention focused just on her.  It's going to be a perfect day.  

Then, the storm starts blowing in earnest.  People begin to panic, not just boarding up their houses, but actually leaving town.  Things don't look good for the party Armani's been looking forward to for ages.  In fact, things don't look good at all.  Especially not for the Curtises, who can't leave their home in the Lower Ninth Ward.  They have nowhere else to go, no choice but to hunker down and pray for preservation. 

As Hurricane Katrina rages on and the floodwater rises, Armani realizes just how desperate her family's situation really is.  Stranded on the rooftop with her sickly grandma, her terrified parents and her four young siblings, Armani yearns for deliverance.  When help fails to come, she knows it's up to her to save her family.  But how?  With fetid water drowning her home and dead bodies floating by in the murderous soup, survival seems like a hopeless dream.  What chance does a brand-new 10-year-old have of triumphing over the vicious storm?  Probably none, but Armani has to try—no matter what the risk.   

A lot of readers avoid books about natural disasters, war, and other cruel events, preferring to spend their leisure hours enjoying lighter fare.  In fact, when I explained the plot of Upside Down in the Middle of Nowhere—a debut novel by Julie T. Lamana—to my dentist, he exclaimed, "How can you stand to read such depressing books?"  (Yes, I talk books with my dentist.  And my hygienist.  In fact, I think we spend more time exchanging reading recommendations than discussing my teeth.  Which is just fine with me—I'll take a rousing book discussion over an oh-so-scintillating flossing lecture any day.)  It's funny, because although Upside Down in the Middle of Nowhere details some pretty harrowing events, I hadn't thought of the book as depressing until my dentist described it as such.  Why is that?  I think it's because the story has such a triumphant feel to it.  Lamana, who lives in Louisiana and worked with children displaced because of Hurricane Katrina, wrote the book to give kids hope in the face of difficult situations.  Through the brave, spunky Armani, she does just that.

While it teaches important lessons, there's more to Upside Down in the Middle of Nowhere than just an inspirational message.  With a vivid, atmospheric setting; tight, vibrant prose; complex, colorful characters; and a heart-pounding, action-packed plotline, it's also a riveting story.  Because all these elements are so well fleshed-out, readers get a you-are-there feel for the horror many people experienced for real.  Lamana doesn't shy away from showing scary scenes, but she does infuse them with hope, promising that good can be found even in the face of devastating tragedy.

Maybe the book's subject is depressing, but overall, I found it to be an uplifting novel about the power of family, fortitude and finding the strength you didn't know you had in the instant you needed it the most.      

(Readalikes:  Ninth Ward by Jewell Parker Rhodes)

Grade:


If this were a movie, it would be rated:


for brief, mild language (no F-bombs) and intense/scary images

To the FTC, with love:  I received an ARC of Upside Down in the Middle of Nowhere from the generous Julie T. Lamana.  Thank you!
Tuesday, December 04, 2012

Haunting Ninth Ward A Vivid Tribute to NOLA's Survivor Spirit

(Image from Barnes & Noble)

Lanesha can see ghosts.  It's an ability the 12-year-old has had since the day she was born.  Her guardian, an 82-year-old midwife named Mama Ya-Ya, attributes Lanesha's "sight" to the unusual circumstances of her birth.  Lanesha figures it's because her entrance into the world caused her mother's exit.  Now, she can see not just the ghost of her mother, but also those of the other unsettled spirits who walk the streets of New Orleans.  The apparitions don't scare Lanesha—they're just there, gazing at her with confusion in their blank, empty eyes.  Still, she's learned not to mention the ghosts to other people.  She gets mocked enough as it is.

Mama Ya-Ya also has The Sight.  As Hurricane Katrina gathers strength, preparing to bear down on New Orleans, she's beset by visions of destruction and death.  Lanesha's frightened by Mama Ya-Ya's predictions, but what can she do?  She has no money, no place to go.  Even if she could convince Mama Ya-Ya to evacuate, the elderly woman wouldn't last long in the overcrowded Superdome.  The only solution is to prepare for the monster storm as best she can and pray that Katrina will have mercy on their poor souls.

As the hurricane blows and the levees break, drowning her home in foul floodwater, Lanesha will be in for the fight of her life.  It's up to one terrified girl to save not just herself, but also her frail guardian.  In Ninth Ward, one of the areas most devastated by Katrina's brutality, the indomitable Lanesha will experience terror, sorrow, and ultimately, the will to go on in the face of unimaginable tragedy.

Ninth Ward, a new middle grade book by adult author Jewell Parker Rhodes, captures the horror unleashed by Hurricane Katrina in a vivid, atmospheric story that will haunt readers long after they finish reading it.  Lanesha's a wholly sympathetic character, one who earned not just my pity, but my admiration.  I rooted for her from the first page of her harrowing story to the last.  And she did not disappoint.  Although the ending of Ninth Ward isn't as happy as I wanted it to be (all too realistic, unfortunately), I found the tale as a whole to be an engrossing, inspiring and very fitting tribute to all the people who defied Katrina by resisting, rebuilding and restoring hope to a devastated city ironically called The Big Easy.

(Readalikes:  Although I haven't finished Salvage the Bones, a gritty YA novel by Jesmyn Ward, it's similar [in subject matter, anyway] to Ninth Ward.)

Grade:  B

If this were a movie, it would be rated:  PG for scary images/scenes of peril


To the FTC, with love:  I borrowed a finished copy of Ninth Ward from the library at my children's elementary school as part of my volunteer work with the school's reading program.  
Monday, May 30, 2011

Newest Karen White Novel Not Quite Up to Snuff

(Image from Indiebound)

When her friend Monica Guidry dies unexpectedly, Julie Holt's surprised to find herself guardian of the two things Monica valued most - her 5-year-old son, Beau, and a beach house in Biloxi, Mississippi. Unsure what to do with either, Julie sets out for the Gulf Coast with the vague plan of settling into her new property while drumming up the courage to confront Monica's estranged family. She knows Monica had a compelling reason for leaving her family behind, but considering the circumstances, Julie figures the Guidrys deserve to know of her death. And of Beau. The little boy needs a home and family now more than ever.

Julie receives another shock when she nears Monica's beloved River Song. Ravaged by Hurricane Katrina five years before, all that remains of the beach house is bare boards and the porch columns that used to welcome the Guidrys to the shore every summer. Unmoored by the destruction of the place Monica loved so dearly, Julie flees to New Orleans, intent on getting advice - and answers - from the Guidrys. Not an easy task, especially when Monica's grandmother insists on revealing the family's story at her own, leisurely pace. With no home or job to return to in New York, Julie moves into the Guidry's house, allowing the family to get to know Beau while she works to restore River Song the way Monica would have wanted it done.The more time Julie spends with Monica's family - especially her attractive older brother - the closer she grows to them. It's the kind of closeness Julie craves since her own family started to disintegrate after the disappearance of Julie's younger sister 17 years ago. She's even beginning to feel at home in the Gulf Coast, despite all of Katrina's warnings against settling in such a dangerous clime. Most intriguing of all are the secrets Julie's uncovering, secrets that have her wondering if getting close to the Guidrys is really such a good idea after all.

If you've read other books by Karen White, you'll recognize her damaged-woman-finds-healing/redemption-in-revealing-long-buried-family-secrets formula. I'm usually more than down with that, but the familiar plot got a little tedious for me in White's newest, The Beach Trees. The novel kept my attention, even though it ran long, it was just the little things that bugged me - the characters never really came alive for me, some of the plot twists seemed illogical, and the book's Julie-can-survive-her-trials-because-Katrina-victims-didn't-give-up-in-the-face-of-theirs seemed a bit heavy-handed. I also puzzled over things like Julie's decision to up and move to Mississippi without even seeing the house she inherits and the way the Guidrys welcome a complete stranger into their home, not blinking an eye when she questions them about sensitive issues from their pasts. Then, there's Julie's complete devotion to Monica, a character who might as well be a paper doll for all we know about her. So, yeah, I had some issues. All in all, though, I enjoyed the read, just not as much as I wanted to.

(Readalikes: The Lost Hours by Karen White; The Memory of Water by Karen White; Tomorrow River by Lesley Kagen)

Grade: C

If this were a movie, it would be rated: PG-13 for mild language (no F-bombs) and a small amount of sexual content

To the FTC, with love: I received a finished copy of The Beach Trees from the lovely ladies over at TLC Book Tours, for whom this review was written.

Thursday, July 15, 2010

Simply From Scratch Is, In a Word, Delicious

(Image from Barnes & Noble)

"Maybe it's sick, but I admit: I kind of like it, that feeling of suspension, that sense that something unknown - a force, a spirit - holds on to your heart, and won't let it beat, and won't let it go, at least for a little while" (89).

After reading the very heavy Glimpse, I desperately needed a happy read. Everything about the cover of Alicia Bessette's debut novel, Simply From Scratch (available August 5), screams, "Light!" "Fun!" "Heartwarming!" I gladly picked it up ... only to find out the book's about a grieving widow. She's a quirky widow, though, and her story's more lighthearted than it seems at first glance. In fact, Simply From Scratch is a perfect blend of pensive and playful. I loved every page.

Our heroine is 34-year-old Rose-Ellen "Zell" Carmichael Roy, a medical illustrator who's lived in small town Wippamunk, Massachusetts her whole life. With her freelance business just getting off the ground, she's pretty much got it all - a satisfying career, a loving marriage to her childhood sweetheart (happy-go-lucky photographer, Nick), the perfect pet (a retired Greyhound named Captain Ahab), a new house (okay, half a house), and plans to bear enough children to start her own soccer team (well, that one's mostly Nick's idea - she'll start with one and see how it goes). Then, Nick joins a relief mission to Katrina-ravaged New Orleans and everything changes. When he's killed in a freak accident, Zell's life plunges into a soul-shaking tailspin.

More than a year later, Zell's still wandering around the house like a zombie, wearing Nick's camoflauge apron and talking like a pirate to her dog. Alone with the Memory Smacks that bring her husband back to her in painful glimpses, Zell struggles to stay anchored in the here and now. She knows she needs to move on, find closure, but she just can't.

When Zell mistakenly receives her neighbor's cooking magazine in the mail, she spies an announcement that fills her with purpose for the first time since her husband's death. Cheery celebrity chef Polly Pinch (think Racheal Ray) is hosting her first annual Desserts That Warm the Soul baking contest. The winner receives $20,000, the exact amount Nick was trying to raise for Katrina victims. It's too big a coincidence to be anything other than fate. Zell decides to enter the contest, even though she hasn't touched her oven since, well, ever.

Her first effort brings the fire department. And a pint-sized helper. Zell's neighbor, 9-year-old Ingrid Knox, is a Polly Pinch devotee who will do anything for a chance to meet her idol. Even help a baking-challenged widow. Convinced that she can help Zell win the contest, Ingrid throws herself into the project with customary zeal. Zell hardly knows what to do with the child, let alone her very good-looking (and available) father, Garrett, but she accepts the help anyway. It's a sacrifice she's willing to make in order to fulfill Nick's dream. As it turns out, Ingrid's not much of a baker, either. What she has in spades, though, is effusive happiness - the exact thing Zell needs to thaw her frozen heart.

The more the pair bake together, the more successful their experiments become. With the help of several quirky townfolks, they come up with what just might be a winning recipe. As the project comes to an end, Zell realizes how much Ingrid's company has warmed her own soul. Zell's become so attached to the girl that she can't stand the thought of disappointing her, but that, Zell soon discovers, is exactly what's going to happen if she takes Ingrid to meet Polly Pinch. Breaking her promise will mean shattering the heart of the little girl who's been so instrumental in healing her own. Can she risk it? And what about her own heart - has it healed enough to give her the courage to face a future without Nick? Or will it shrivel back into itself without Polly Pinch to hold it together?

Everything about this charming story - from the warm-hearted characters to the captivating setting to the hopeful tone - enchanted me. It's a little predictable, but, frankly, I couldn't care less. Curling up with Simply From Scratch is like spooning bites of rich, oven-warm brownie into your mouth while snow falls outside and a fire crackles in the hearth. The ultimate in cozy comfort. And you know I love me some cozy comfort. Easily one of my favorite books of the year, Simply From Scratch is, in a word, delicious.

(Readalikes: Hm, I can't think of anything. Can you?)

Grade: A-

If this were a movie, it would be rated: PG for mild language and sexual innuendo

To the FTC, with love: I received a finished copy of Simply From Scratch from the generous folks at Dutton. Thank you!

Friday, December 05, 2008

Recovering Charles: What Will Be Lost and What Will Be Found in the Wake of Hurricane Katrina?

(Image from Barnes & Noble)

After reading Christmas Jars by Jason F. Wright, I vowed never to choose this author again (you can read my "scathing" review of the book here). Then, I started hearing some buzz about Wright's newest novel, Recovering Charles. My reader's brain went, "Hmmm ... Could I be missing something here?" Then, a few people (including my mom) recommended I read it. Still, I refused. When the leader of my book club (an enthusiastic Wright fan) selected it for last month's read, I realized I was done for - I stopped resisting, and read the darn thing. And guess what? Much to my surprise, it wasn't half bad.

The story stars Luke Millward, a photographer living in New York City. Luke's life is good, if a bit hollow. His career is going well, he's got a nice apartment and a beautiful best friend who would love to be more. Luke's future is almost bright enough to outshine the pain of his past. Then, he receives a phone call that brings old anguish screaming into the present: His father is missing. In the aftermath of Hurricane Katrina, Charles Millward is nowhere to be found.

Although Charles' friend, Jerome, begs Luke to come to New Orleans to search for his father, Luke hesitates. After all, they haven't spoken since the last time Charles called pleading for money. He said he'd try to quit, promised to stick with AA this time, but Luke had cut him off, told his father not to contact him again. Once a "brilliant musician," (2) who "bled his heart through [his] saxophone" (159), the old man had disintegrated into a drunken, musical failure, saddled with debt and heartbreak. He communicates with his son for one reason only: money. Now, the older man is missing, possibly dead. Luke can't quite convince himself not to care, so he heads out to New Orleans.

In the ravaged, desperate city Luke finds a refuge in Verses, the bar where Charles played saxophone to pay the rent. The Verses family - including Charles' fiancee, his musician buddies, and a pretty Tulane student - describe a Charles Luke never knew. Is it possible the old man really changed his ways? Luke ponders the question as he sifts through Katrina's detritus to find his father. Is Charles alive or dead? Will Luke get a chance to reconcile with his old man? Does he even want to? As Luke grapples with his emotions, the most compelling question emerges - Who, really, is lost, and who, truly, needs to be found? In a crumbling city, Luke must launch a desperate search to find the answers - for his father and for himself.

The kind of sentimentality that ruins Christmas Jars exists here, but it's balanced by a gritty backdrop and the raw emotion devastation usually inspires. The story's ultimately hopeful, but also painfully realistic. I found the main characters likeable (although Luke was a little cold for me), even though they could have been fleshed out more. Too many minor characters overwhelm the reader, stealing focus from the major players. I also think Wright verges on preachy when he tries to make certain points - like the fact that not all of Katrina's victims were poor and uneducated - and this also distracts from the story. Wright does deserves kudos for an unexpected, (although still somewhat predictable) ending, which made me cry despite some cheesy overtones.

All in all, though, I found Recovering Charles a compelling and inspirational read. It's a much better effort than Christmas Jars, probably because it actually required effort. Since I'm nothing if not forgiving, I even put Wright's The Wednesday Letters back on my TBR list. I'm hoping for another pleasant surprise.

Grade: B


Saturday, September 27, 2008

Two Bobbies Gives Voice to Katrina's Speechless Survivors

August 29, 2005 - We all watched in horror as Hurricane Katrina pummeled New Orleans and surrounding areas. The news ran endless video of people stranded on rooftops, corpses floating in filthy floodwater, homes flattened, and despair etched on every face. Many of us watched the devastation from afar, hearts aching for the desperate residents of Louisiana.

Katrina's survivors have told their stories in every possible medium. I'm sure I'm not the only one who has been moved to tears upon hearing their words. Those who are able have spoken, assuring that their heartbreak and courage will never be forgotten. But what of those who can't speak? Who will tell their stories?

When authors Kirby Larson and Mary Nethery heard about Bobbi and Bob Cat, two Katrina survivors, they knew they could act as mouthpieces for the courageous duo. Two Bobbies is the heartwarming result of their collaboration. The picture book recounts the true story of a "wisp of a cat and one puppy" who were left behind to face the storm's wrath on their own. Tethered by a length of chain, Bobbi (the dog) was unable to leave his porch. Bob Cat stayed by his side. When Bobbi finally broke free, the pair wandered the soaked streets of New Orleans looking for food and shelter. Gangs of rabid dogs roamed the streets as well, claiming all scraps for themselves. Bobbi and Bob Cat grew thin from hunger. Finally, four long months later, the pair were rescued by the Best Friends Animal Society. When the shelter's volunteers placed the animals in separate rooms, Bobbi howled in protest, barking and pacing until Bob Cat was once again by his side. Their devotion to one another touched everyone's hearts, and efforts were made to find someone who could care for both Bobbi and Bob Cat. Leaving their damaged city behind, the duo found a home in Oregon, where they could finally be at peace - together, as always.

Two Bobbies tells a sweet, simple story about friendship and survival. It discusses Katrina in a way that is more hopeful than scary, informing kids about disaster while focusing on the courage and love shown by the animals. The characters, illustrated in soft, gentle colors, will grab the reader's attention and steal their hearts clean away. It's impossible not to root for this brave pair and the friendship that saved them both from the ravages of a deadly storm.

I'm the first to admit that I'm no picture book expert. I have my favorites, of course, and they are those that offer unique plots, engaging language, and stories that make me laugh, cry or shout with joy. While I enjoyed Two Bobbies, I didn't quite get the A+ feeling I glean from the masters (Kevin Henkes, Patricia Polacco, Dr. Seuss, etc.), but I still think it's a touching book that beautifully celebrates that most valuable of human and animal treasures - a friend.

Grade: B+

(To learn more about the remarkable friendship that inspired Two Bobbies, be sure to visit the book's website. You can download color pages, read about the real Bobbi and Bob Cat, learn how to protect pets during natural disasters, and find out more about the authors [real-life best friends] and illustrator.)
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