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Mormon Mentions: Michael Perry
"I admit there are times while traveling in certain circles that I take some perverse joy in letting slip that I was raised in an 'obscure fundamentalist Christian sect' because for some disinclined folks the phrase conjures a wild-eyed tribe of charismatic Bible-wingers hoarding automatic weapons and diesel fuel within a walled compound. When I reveal that I am no longer a member, there is the underlying inference that I escaped under cover of darkness and must forevermore avoid Utah. Sadly for the sake of cocktail talk, ours was a pretty low-key operation. No speaking in tongues, no Holy Rolling, and grape juice for communion. We kids went to public schools, our parents worked regular jobs, and at first glance the only thing you might notice was that our mothers wore dresses and stacked all their hair up in a bun. Mom did wear high-top construction boots with her maxi skirts, so that was a little off beat" (78). [Quote taken from an uncorrected proof - it may have been altered in the final book.]
Just for the record, the group with which Perry worshipped was not made up of polygamists, disaffected Mormons, or anything of the sort. It consisted of hardworking Wisconsin farm families devoted to strict principles of living. What I love about Perry's depiction of his unconventional religion is his ability to snicker at its zaniness without dissing its precepts or mocking the believers. He insists that those faithful to "The Truth" were humble, God-fearing, Christian people dedicated to living lives of righteous simplicity.
It's a funny quote, nonetheless.
No Matter What Your Poultry Ambitions, You'll Get A Kick (Cluck?) Out of Coop
(Image from Barnes & Noble)
usk-to-dawn chores. Michael Perry's 2009 memoir, Coop, did not change my feelings in any way, shape, or form. If anything, it convinced me that reading about someone else's clumsy attempts to do something new is a lot safer, not to mention more entertaining, than trying it myself. Besides, laughing myself silly over someone else's foibles makes me feel a whole lot better about my own. The Thief Doesn't Quite Steal My Heart
(Image from Barnes & Noble)Ever since the generous folks at Harper Collins sent me a copy of Megan Whalen Turner's A Conspiracy of Kings to review, I've been dying to get my hands on the first three books in the series. It took some time, but my library finally complied, and voila! I now have all the novels sitting on my shelf. Naturally, I started with The Thief, it being the start of the story and all. Perhaps this was a case of setting my expectations a little too high, because I didn't love, love the book like I wanted to. I enjoyed it - especially the surprise ending, which I did not see coming - I just expected to be blown away and, well, I wasn't.
Our hero is Gen, a cocky young thief who's doing time in prison for stealing the king's seal and daring to brag about it in a crowded winehouse. Everyone in the land has heard him boast about his ability to steal anything from anyone. It should come as no surprise, then, when the king's magus comes seeking Gen's help. Although the magus refuses to let Gen in on the nature of the job, accepting the offer equals freedom. Gen's not about to ignore the "Get Out of Jail Free" card, even if it means riding into the wilderness with a passel of royal guards. He plans to filch whatever it is the king covets, then go on his merry way.
It's only when the thief discovers what it is he's supposed to steal that he experiences a hiccup of doubt. He's confident in his assertion - he really can steal anything - but only if the object actually exists. Hephestia's Gift is the stuff of stories, myths. Maybe the king and his magus believe it can be found, but Gen knows a fool's errand when he sees one. Still, it's not like he has a choice. His reputation is at stake. As is his life.
As Gen follows the magus into enemy territory, he realizes just how dangerous their crazy quest really is. Attempting to steal an ancient artifact from a neighboring kingdom isn't the best way to win friends and influence people. If Attolian soldiers catch him in the act, Gen will be executed swiftly and without mercy. Returning to his own land empty-handed will earn him a similar fate. Even still, it's not soldiers or kings or guards that Gen fears - it's the gods who've protected Hephestia's Gift since the beginning of time. Angering them could cost Gen everything.
I'm not sure exactly how to categorize The Thief. Its Medieval setting suggests historical fiction, except that Turner insists nothing about the book is historically accurate. Talk of gods and myth smack of fantasy, but it's really not that either. Whatever its genre, The Thief's a quick, entertaining adventure story that will keep you flipping pages just to see if Gen really can steal anything. The tale does drag in places, especially when dealing with the history and mythology of Gen's world. All in all, though, it's a swift, exciting book that should appeal to treasure seekers of all ages.
(Readalikes: The Queen of Attolia, The King of Attolia and A Conspiracy of Kings by Megan Whalen Turner)
Grade: B-
If this were a movie, it would be rated: PG for mild language and scenes of peril
To the FTC, with love: Another library fine find
Texas Thriller As Sluggish as a Houston Summer
(Image from Barnes & Noble)When Jay Porter's attempts to speak out against injustice land him in jail, he vows to let so
meone else save the world. All he wants to do is get out and get on with his life. A decade later, he has. He's not exactly living the American Dream, but he's got a wife, a law degree, and a baby on the way. So what if he runs his business out of a shabby strip mall? So what if his most promising client is a brainless hooker? So what if he can barely afford to pay rent, let alone bottles and diapers? He's free, ain't he?
The last thing Jay needs in his life is a complication, but that's exactly what he gets on the night he takes his wife for a birthday cruise through Buffalo Bayou. The muddy waterway winds through some of the worst neighborhoods in Houston - they're floating near Fifth Ward when they hear a scream followed by two gunshots and a splash. Jay has no desire to get involved in whatever's going on out in the darkness, but he jumps into the water anyway. The woman he fishes out of the sludge looks like she walked off Fifth Avenue not Fifth Ward. Clearly, something's not right here. Jay drops the lady off at the police station, desperate to forget the whole thing ever happened.Only, he can't forget. The details of that night continue to haunt him. Before he's even made a conscious decision to investigate, Jay's asking questions. The more he probes, the less anything makes sense. Why is the incident being kept out of the papers? Who is the girl Jay pulled out of the bayou? What was she doing in one of the toughest parts of the city? Guilt wracks Jay's every waking moment - should he go to the police with the little he knows? He can't risk ending up in jail a second time. It's better to keep his mouth shut. Except that the more he learns, the more outrageous the story becomes. Jay learned long ago to let someone else take on all the injustice in the world, but apparently, he's the only one who can fight this battle. Can a struggling black lawyer take on the biggest names in Houston oil? Will he risk everything - once again - to make things right? Or will he go with his first instinct and leave the whole thing alone?
Attica Locke's debut novel, Black Water Rising, is a gritty thriller that examines inequality on every level. It looks at the Civil Rights movement; the disillusionment of freedom fighters who continued to battle racial inequality even into the '80s; the difficulty of rising above one's criminal record (no matter how undeserved); and the struggle of the average man against the supremacy oil money. It was Locke's scrutiny of these big issues, more than anything else, that kept me reading Black Water Rising. The book's characters really didn't speak to me, the plot moves as slowly as a dingy rowboat floating down Buffalo Bayou, and the overall tone is decidedly depressing. Locke's writing impresses, for sure, but I still had a hard time sticking with the story. The action eventually picks up, moving toward a powerful conclusion - it just takes a very patient reader to stay with it for that long. I did like the premise of the novel, it just needed a more exciting execution, a little speed to make it move. Locke's debut proves she has the talent - time will see what she does with it. Regardless, Attica Locke is definitely an author to watch.
(Readalikes: The back cover blurbs compare Locke to Dennis Lehane and Scott Turow.)
Grade: C
If this were a movie, it would be rated: R for language, violence and sexual content
To the FTC, with love: This review is part of a virtual book tour coordinated by the folks over at TLC Book Tours. To see the rest of the tour stops, click here.

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