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(Totally Random) This and That
I'm still feeling overwhelmed and scatter-brained - I'm afraid this post is really going to reflect that. Sorry in advance. I just wanted to mention a few "bookish" things:
- If you caught my review of Saving Sammy by Beth Maloney (you can read it here), you will want to watch The Bonnie Hunt Show today. Beth will be there to talk about her experience with her son's OCD, which she detailed in her book. You can find more info here.
- I've only had a few people enter my giveaway for Donna VanLiere's The Christmas Secret. Click here to sign up, then tune into Lifetime, which will be playing the three movies that were made out of VanLiere's Christmas books. On December 13, The Christmas Shoes will air at 4, The Christmas Blessing at 6 and The Christmas Hope at 8. You can see the full schedule for its holiday movies here.
- Remember how fascinated I was by Dave Cullen's Columbine (read my review here)? The only thing I still didn't get after reading it was how the shooters' parents could have been so oblivious to what was happening in their sons' lives. According to Cullen, those parents refused to be interviewed; thus, no one knew much about them or their relationships with their sons. In November's issue of Oprah Magazine, Susan Klebold tells her story for the first time. You can read it in its entirety here. Interesting.
- Did you read my extensive response to Shannon Hale's thoughts on the responsibilities of writers and readers? In this month's issue of The Writer, novelist Randall Silvis states my thoughts exactly (and much more eloquently than I did):
... It is not the reader's job to work hard; it is the writer's job to work hard to provide the reader with an evocative experience...
The notion that the reader is in any way responsible for a story's effectiveness simply can't be justified except on a purely egotistical level. Because the truth is,we read fiction primarily for enjoyment - whether it is the delight we take in a writer's use of language, the vicarious pleasure of watching a new world unfld, or the titillation of being perched on teh edge of our seats nad leaning forward with all senses cocked. So why should we as readers be forced to struggle to comprehend a story when we can be quite confident that the writer, unless she has spend the last 30 years in Tibet learning how to levitate, is probably not going to reward our labors with some startling insight?
The best that any of us can hope to do with our writing is to present to the reader a piece of the world, and to do so with honesty and clarity and gratitude. The best we an hope to do is to extend an invitation to the reader to see and feel the worlds we create inside our heads. The irony of writing is that , although conducted in solitude, it is an act of communion between the writer and her readers. Not a contract that impries a conscious mutual agreement, but an inexplicable connection between hearts that will probably never meet. (15-16)
- Speaking of writing, I mentioned The Marshall Plan for Novel-Writing by Evan Marshall in my last post. I discovered this book a couple of years ago while browsing for writing books at Borders. It's quickly become my favorite, because it boils the whole mysterious process of fiction writing down to an easy-to-follow formula. I have used the workbook several times to outline stories. Well, Marshall let me know that he has now developed software that makes the workbook even easier to use. I'll be reviewing it soon, but you can get a sneak peek here. I told Marshall that chatting with him is like meeting my favorite rock star - really, I love him that much.
- Finally, check out Bookreporter.com's Second Annual Holiday Blogs feature, in which a bunch of authors - including Barbara Delinsky, Sandra Dallas, Kristin Hannah, Donna VanLiere and more talk about the holidays.
P.S. Yes, some day I will post a real, live review of a work of fiction ...
See, totally random. Have a great day, anyway!
Fiction Writing 102
(Teensy tiny image from Barnes & Noble)
The 38 Most Common Fiction Writing Mistakes (And How to Avoid Them) by Jack M. Bickham is exactly what it says it is - 38 chapters on errors many writers make on the road to publication. As a novelist (according to Wikipedia, he wrote the book that inspired The Apple Dumpling Gang - I used to love that movie!) and writing professor, he looks at book creation from the standpoints of students, beginning writers and professionals. If you're expecting the book to reveal the great mysteries of what publishers really want, you're going to be disappointed. Bickham focuses on the basics: clear story goals, tight plot structure, dynamic characters, etc.
The most instructive chapter for me is 27: "Don't Criticize Yourself to Death." The following really gave me something to think about:
The most common formof lethal self-criticism, it seems to me, is often heard in the young writer's wail, "This story I wrote is really dumb!" Or, "This whole plot line is dumb!"
What writers who uter such lines are relaly saying, I think, might be paraphrased as follows: "This is the best I can do, but I'm deathly afraid it isn't slick and clever enough, and therefore you are going to think I'm a stupid person for having written it."
Such fears are as much a part of writing fiction as headachs, wads of crumpled paper on the floor, and rejection slips. When you write fiction, whether you realize it or not (and at some level you probably do), you are risking revelation of your dreams and deepest emotions. It's frightening to reveal yourself this way, even indirectly. Further, the act of writing is tied very close to a person's ego structure; I have seen students shaky with even a brief paragrpah of factual material. "Criticize my work, criticize my personal essence," the feeling seems to be. The most humdrum piece of writing somehow represents the writer's worth as a person sometimes. Small wonder, then, that the writer of a story or even (horrors!) a novel often gets worried sick - literally - about whether the reader may think it's dumb. Because if it's dumb, the writer is dumb. And if the writer is dumb, he is also, ipso facto, worthless, an object of potential ridicule ... doomed.
Thus, it's perfectly natural for you to worry that some character or bit of dialogue or plot line you just wrote may be "dumb."
It's natural - but it's also dangerous ... So stop it. (77 & 80)
While I didn't find Bickham's book nearly as entertaining as How to Write A Damn Good Novel, I still found it instructive. The chapters are short and to-the-point, but still cover a lot of ground. Much of what he says, especially about scene structure, reminds me of another of my favorite writing books, The Marshall Plan for Novel Writing by Evan Marshall.
Like How to Write A Damn Good Novel and The Marshall Plan, Bickham's book was written in the pre-Internet years. I wonder how the CyberSpace Age has changed the craft, if at all. What's your opinion? And what other writing books should I be reading?
What I'm finding from all these books is that writing fiction really is a no-brainer. Follow the formula and voila! You've got yourself a book. All you published authors make it look so easy ...
Grade: B
If this were a movie, it would be rated: G
To the FTC, with love: I bought this one with my own hard-earned money, and I didn't make it reviewing books. Actually, I didn't make it at all ... my husband did. And not by book blogging, either.
A Happy Birthday (to Me) Giveaway

Are you getting any reading done in December? I looked back at my post outlining the reading I planned to get done before the new year, and laughed. So. Not. Happening. My reading has been almost totally eclipsed by the craziness that is December. I've been putting up Christmas decorations, thinking about getting cards mailed, shopping for gifts, and dealing with a very full schedule. I love this time of year - the cool weather, the Christmas lights, the feeling of joy and giving in the air - so why do I start and end the day feeling overwhelmed and headache-y? I swear, next year I will be more organized so I can actually ENJOY the holidays.
I really don't have anything to complain about, though - I have a beautiful home; a wonderful, healthy family; strong faith in God; and more blessings than any one person really deserves. Life's good - I just need some Tylenol and a nap :)
Anyway, on to the important stuff: books. I'm reading Back Creek by Leslie Goetsch, and really enjoying it. Goetsch does a remarkable job of pulling you into the setting, not only with the way she describes everything but with the very pacing of the story. I feel like I'm living creekside - it's actually very calming, something I need desperately right now. I'm hoping to have a review up by the end of the week. We'll see if it happens ...
In other news, I'm still waiting to hear back from Beth, who won a copy of Deadly Little Secret by Laurie Faria Stolarz. Beth, will you please email me (blogginboutbooks[AT]gmail[DOT][COM]) your address? If I don't hear from her by Sunday, I'll have to choose another winner. To the other winners, I will get your books out as soon as I can. Thanks for your patience.
Speaking of giveaways, I have some fun ones coming up. You know Invisible i, which I've been raving about? I'm going to have copies up for grabs soon. I'm also planning a little something-something to celebrate my 500th post on BBB (this one is #495), so keep checking back for more fun and free books.
While we're on the subject of free books, I'm giving away a little holiday cheer today. I was going to wait until I read and reviewed it, but that may not happen this year, so here goes: I have 2 copies of The Christmas Secret by Donna VanLiere to give away. This is the 5th in her series of holiday books, although I'm not sure "series" is the right word since the stories aren't interrelated as far as I can tell. I've never read VanLiere, but her books seem to be sweet and heartwarming. You can find out more about the author and her work on her website (link is above). Deadline for this one is my birthday, December 22. All you have to do is leave a comment on this post telling me what Christmas "secrets" you hope to find under your tree. Dream big, people! Blog, Tweet or announce the contest in some other way, and I'll give you an extra entry (1 extra entry per post, Tweet, or whatever). Contest is open internationally. Good luck!
(P.S. Copies of The Christmas Secret are courtesy of The Book Report Network. Thanks, Anne.)
Frey's Writing Tutorial A D@#! Good Book
I rarely say this, but the only thing I don't like about James N. Frey's How to Write A Damn Good Novel is the title. I mean, it's catchy and all, but leave it laying around the house and you're going to get some flak. My 7-year old said, "Mom, I can't read cursive very well, but I'm pretty sure that book has a bad word on it." Then, my 11-year-old hit me with, "Mom, if a book has bad words in it, why are you reading it?" Ahem. My response of, "Because it's a @!$! good book" didn't impress them. In reality, I mumbled something more along the lines of, "Oh, uh, yeah, hm ... good point."Anyway, Frey's novel-writing tutorial (first published in 1987) covers the basics of fine storytelling in an engaging, easy-to-read manner. It's a slim volume, but it hits all the important points, like: working with a solid premise, telling the story from the most interesting viewpoint, the necessity of continually increasing conflict, writing snappy dialogue, and plenty more. If it's been awhile since you've taken Writing 101, I suggest reading this book - it provides an excellent refresher course. There are several other books in Frey's "Damn Good" series, all of which I'm putting on hold at the library right now.
Since I've been fooling around with my own novel, I found this passage particularly funny (it's long, but worth the read):
ON BECOMING A NOVELIST
If you go to dental school you will take a state exam when you finish and, upon passing, you will be given a license to practice dentistry. In order to take the test, you must have first submitted to a rigorous course of study, done thousands of hours of supervised work in people's mouths, taken hundreds of exams, and paid a lot of money. When you're finished, you will be called "Doctor," and your cup will runneth over with drilling, filling, and billing. If you do good gold crowns, play soft music in the waiting room, have a receptionist with a sympathetic smile and a soothing voice, you may even become rich.
In the course of your studies you will have been transformed from an ordinary citizen into a Doctor of Dental Surgery. You will even begin to think of yourself as something more than an ordinary citizen. Someone will ask you who you are and you will say, "Sam Smoot, Doctor of Dental Surgery."
For novel writing, unlike dentistry, there is no course of study you can pursue and, when finished, say "I'm a novelist." You can get an M.F.A. in creative writing, or a Ph.D. in the modern novel, but that won't make you a bona fide novelist. To be a novelist, you have to get published.
Being an unpublished novelist has about as much social acceptability as being a shopping bag lady. Should the word get out about you, your friends will snicker. Your neighbors will whisper about you. Your Uncle Albert will try to talk you into becoming a chiropractor. Your Aunt Bethilda will take you aside and lecture you on the grim realities and responsibilities of adulthood. Your creditors will break out in hives. Your mother will be sympathetic, but late at night her eyes will flood with tears as she tries to figure out where she went wrong.
It's a sad fact of life, but to be an honest-to-goodness novelist you must have that honor conferred on you by a publisher. But remember this: each and every bird is first an egg, and each and every published novelist is first an unpublished novelist - even the great ones, Ernest Hemingway, Leo Tolstoy, Virginia Woolf, and James Joyce included.
There are several strategies for avoiding the stigma attached to proclaiming yourself a would-be novelist. One is to tell people you are a writer, but not to admit that what you're writing is fiction. Suppose you're writing a murder mystery in which the victim is a prostitute and the murderer is a college professor. You can tell everyone you're writing a book about sexual mores and morbidity in academia. That sounds like a good subject for a nonfiction book. Your friends will be impressed. It's okay to be a nonfiction writer because it's assumed that nonfiction writers are hard-nosed practical people who take life seriously. Besides, it is popularly believed - possibly with some justification - that anyone who can spell well can write a nonfiction book, so no one will doubt that your project has merit.
Another way to camouflage your novel-writing pursuits is to enroll in an English Literature degree program someplace and take only snap courses. As long as it looks as if you're working for a degree no one will ask what you're doing locked in your study all day and half the night. If they ask why you're banging away so hard on your typewriter, tell them you're writing a thesis. Everyone knows that's a sensible thing to do.
Some novelists at the beginning of their careers go completely underground. These "closet" novelists tell no one. They hide their manuscripts behind the refrigerator. They write in longhand so no one will hear the clacking of typewriter keys. Nobody knows the closet novelist even reads novels, let alone wites them. Their spouses may think they are keeping a lover in the basement or garage, or wherever it is they "do it."
Any of these methods will work. The alternative, the "John Wayne Solution," is a bit tougher. The John Wayne Solution is this: grit your teeth, rock back on your heels, stick your thumbs in your belt, and just say it - I'm writing a novel, nad if you so much as smirk I'll punch your lights out, pilgrim.
You get the idea.
I've been dreaming of writing a novel since around kindergarten, so I've read dozens of books about creating fiction. Somehow, I missed the gem that is James Frey. I love How to Write A Damn Good Novel, bad words and all.
Grade: A-
If this was a movie, it would be rated: PG for some language and sexual content
To the FTC, with love: Although an author (Janette Rallison) recommended this book, I bought it with my husband's hard-earned money. He fervently wishes I was being paid for this review. As do I.

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