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The Boy Who Loved Anne Frank: A Novel of Remembering and Forgetting

Repent! And Read This Romantic Classic.

As the title suggests, the book follows the life of one Jane Eyre. When we first see her, she is curled up on a window seat trying to lose herself in a book. Escape into her imagination is her only retaliation against the cruel blows life has dealt her. After her parents' deaths, Jane was sent to live with The Reeds - her aunt, uncle and three cousins. Now widowed, Mrs. Reed has become an indulgent bore who treats Jane as little better than a servant. Her son, the sadistic John, tortures Jane with physical blows, while his sisters tolerate her with haughty indifference. Even the servants believe she is a "mad cat" (11).
Some respite comes in the form of bemused Mr. Lloyd, who encourages Mrs. Reed to send Jane to a school for poor girls. When the school's director poisons the other girls against Jane, she fears she will not survive the experience. She does, however, and soon finds herself qualified to work as a governess in one of England's grand old homes. Soon, she is the employee of Mr. Edward Rochester, the absentee owner of Gateshead. Her charge is Sophie Varens, a precocious child of 7 or 8, who has become Mr. Rochester's ward in the wake of her mother's death. Jane enjoys her student and her associations with the kindly servants of Gateshead. Only one thing mars her experience - she keeps hearing strange noises at night. The other members of the household dismiss it as the odd habits of servant Grace Poole, but Jane's suspicions are aroused. The strange occurrences aside, Jane feels content at Gateshead.
When Jane meets Mr. Rochester by chance, her world changes once again. Despite his oddities, she falls in love with him. Jane knows she is not attractive, but Mr. Rochester seems to appreciate her intelligence and wit. Still, his flirting with a beautiful, if shallow, society woman convinces her that he has better prospects. Finally, the unlikely romance blossoms into marriage, but a shocking revelation halts the happy proceedings. The mystery of Gateshead is finally solved, but Jane's heart is shattered.
Shamed, Jane flees to a distant town, where she begins life anew. This journey will bring her joy and despair - as well as another marriage proposal - but she can't seem to forget Mr. Rochester. The conclusion of the book begins with a Jane in turmoil, caught between two men and two very different futures. Will she abandon her desire for Mr. Rochester to pursue a life of missionary service? Or will she risk it all for the man she loves?
Call Jane Eyre what you will - sentimental, predictable, sappy - but it's a thoroughly charming novel. The voice of our heroine is brave, honest and determined. Even though the novel is essentially a love story, it's not all bubbles and roses. Its themes travel various paths, hitting on passion, moral choices, marital responsibility, duty to God, women's rights in the stifling Victorian period, etc. Hailed as revolutionary for its time, Jane Eyre endures because it's still relevant today. Besides all those noble things, it's simply a good story. It's readable, romantic and utterly enchanting. If you - like me - have committed the sin of not reading this book, repent now. You won't regret it.
Grade: A+
(Book image is from Modern Library)
Mum's the Word in Avi's The Secret School
(image from Avi's official website)
Most kids would be ecstatic to learn that school is letting out early for summer break. Not 14-year-old Ida Bidson, heroine of Avi's The Secret School. When Mr. Jordan, the miserly school board president, makes the announcement - Ida's teacher will be moving to Iowa to care for her ill mother, so the one-room schoolhouse will be closed until next term, at the earliest - she is devastated. If school lets out early, she will not get credit for the work she has completed, thus delaying her entrance into the high school in town. Her dreams of becoming a teacher are further shattered when Mr. Jordan scoffs at her concerns, telling her, "I'm not so sure a girl needs a high school education" (11). She knows that attending high school was never a sure thing. After all, it's 1925 and things are hard, especially for the sheep farmers in rural Colorado. Still, Ida can't bear the thought of living out her life as a farmer. She has a dream, and she may have to risk everything to achieve it.
When Ida's friend Tom makes a suggestion - "You're such a gravy know-it-all ... You could take over the school when Miss Fletcher leaves" (18) - her hopes revive. Nervously, she accepts the challenge, insisting that the children keep mum about their "secret school." Ida knows teaching won't be easy, but soon she's dealing with a myriad of crises - from an insubordinate student to his ignorant father to an irate school board. All of this is in addition to her usual chores on the farm and her own studies. Soon enough, Ida wonders if she's gotten in over her head. Her childhood seems to be slipping right through her hands.
Finally, a school official agrees to give the students credit for the year only if all of them pass a final exam. Ida worries for her students, and herself. With all the responsibilities Ida has taken on, she's barely had time to crack open her own books. The fate of the school lies in her hands - will plucky Ida be able to save it? Or will her dreams crumble under the weight of her failure?
The Secret School is a short, simple read aimed at young readers. Still, Avi manages to pack in some very complicated and adult themes. At the heart of the book are questions that must plague all teachers - how much of my own life am I willing to give up in the service of my students? Where do I draw the line between being a friend and an authority figure? And, how do I cut through all the red tape and prove to my community that a good education is worth making a few sacrifices? It also discusses issues at stake when a child is teetering on the edge of adulthood - how does a kid get the courage to defy parents and conventions in pursuit of a dream? And, is it disloyal to even attempt it? As you can see, I was impressed with the author's ability to raise so many interesting questions while telling an exciting, compelling story at the same time.
Because of its many layers, I think The Secret School is a book both children and adults will enjoy. Kids will like it for the adventure (the schoolchildren drive Model T's, build a radio, and most exciting, keep secrets), while adult readers will appreciate it for the engaging characters, swift plot and important themes. It's a very quick read with universal appeal. The Secret School gets top marks in my grade book.
Grade: A
Breezy in the Big Easy

I wanted something light and breezy to read while at the hair salon today, and Motif for Murder by Laura Childs seemed like just the thing. It was definitely breezy - so breezy, in fact, that it had very little substance at all. Considering its fumbling plot, depthless characters and clumsy writing, the best thing about this book may be that it's short.
The novel is the third in a series of mysteries featuring Carmela Bertrand, a scrapbook store owner in New Orleans. As the book opens, Carmela is just patching up her marriage with Shamus, the son of a wealthy banking family. Waking up in her 26-room home with her husband by her side, everything feels right - until he pads downstairs to make breakfast and disappears. Carmela arrives on the scene just in time to see a black Cadillac racing away from her home, Shamus presumably inside. Frantic, she sprints down the street to her husband's uncle's house only to find out that Uncle Henry has been murdered in his extensive library. She knows the two events are related, even if the police are slow to make the connections. Frustrated, Carmela determines to find her husband and Henry's killer on her own. Along with her voodoo-loving best friend Ava, Carmela combs the city for clues to the crimes, only to find that the answers are right under her nose. Of course, her meddling quickly comes to the attention of the fiends, and soon she is running for her own life. Can she stop the killers in time? Or will more graves be dug in her family's corner of the cemetery?
The plot actually doesn't sound that bad, but it is so poorly presented that it comes off as completely unrealistic. Probably the most absurd situation was Carmela running off to the bayous, magically locating kidnappers police couldn't find, and rescuing her husband with nary a hitch. Ridiculous. It would never happen. After that whole melodramatic event, the characters go back to their lives, almost forgetting about poor, dead Henry. The police bumble along in the investigation, while Carmela continues to pry, stumbling on the only clue in the book that points to the true murderer. Of course, she meets the murderer, the identity of whom comes out of the blue. The killer has to explain his/her whole motive because, like I said, there are few other clues in the book. I just found the whole plot ridiculous.
I also thought the characters were poorly drawn. After I finished the book, I realized one reason for this - I believed I was reading the first book in the series, when it was actually the third, so perhaps the characters' histories have been revealed in the first two books. Still, I didn't feel a bond with any of them, didn't feel like I knew them or really cared all that much about what happened to them.
Now, I could stand a far-fetched plot and cardboard characters if the book had some other redeeming qualities, but it really doesn't have many. I do think the scrapbooking element is interesting, even though I'm personally not much of a scrapper. Still, I thought some of Childs' tips - offered in the story and in a section at the end of the book - were innovative. Besides these tips, the book also included recipes, several of which sound really good. So, I appreciated those things, but overall, the book is an insipid piece of fluff.
Speaking of fluff - I continue to grade these kinds of breezy mysteries poorly, and I'm wondering if I'm being too critical of the genre. After all, a "light" mystery is just that - a quick story without a lot of complicated twists and turns. It's supposed to be fast and entertaining. So, am I just too harsh? Is it too much to ask for a light mystery with some interesting characters and a plot I can sink my teeth into? Do I need to shun this genre forever? What do you think?
Grade: C-


Reading
The Five: The Untold Lives of the Women Killed By Jack the Ripper by Hallie Rubenhold

Listening
The Other Mothers by Katherine Faulkner


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