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Showing posts with label The Catholic Church. Show all posts
Showing posts with label The Catholic Church. Show all posts
Monday, October 28, 2013

Sharratt's Newest Is, Well, Illuminating

(Image from Barnes & Noble)

The story Mary Sharratt tells in her newest historical novel, Illuminations, seems like pure fiction.  And yet, it's based in fact.  Hildegard von Bingen, a young German girl, really was given to the Catholic Church as a tithe in 1106, when she was just eight years old.  Even as a very small child, Hildegard reported seeing visions, something that must have confounded her family, surely leading them to push her into a religious life.  She began her "career" as the handmaiden of 14-year-old Jutta Von Sponheim.  The two girls (and possibly one other) became anchorites at a remote monastery, where they were bricked into a tiny anchorage and "buried with Christ."  In essence, they were dead to the world, now living just to exalt Jesus with their silent devotion.  Only a small screen looking into the church kept the children from total isolation—through it, they received their meager meals, as well as limited communication with the resident monks, and visits from pilgrims who revered Jutta for her example of extreme piety.  

Sharratt imagines the thoughts and feelings that must have accompanied Hildegard through the 30 years she endured in her anchorage prison.  As her youth ebbed away, the nun took comfort where she could, most especially in her great visions of God as a warm, embracing Mother.  Sharing what she saw, however, often brought trouble.  Some regarded Hildegard's visions as heretical, others as profound.  As she wrote about her visions in essays, poems and songs, she became known as a seer, a prophetess.  After her time in the anchorage came to an end, Hildegard also gained a reputation as an influential abbess, an outspoken defender of women and a prodigious scholar who railed against corruption in the Church and government.  Always surrounded by controversy, Hildegard von Bingen was excommunicated near the end of her life, a condemnation that was only lifted a few months before she died.  In October 2012, she was finally canonized by the Vatican and honored as Doctor of the Church, "a solmen title reserved for theologians who have significantly impacted Church doctrine" (quote from an interview with Mary Sharratt).  

Hildegard von Bingen's fascinating and dramatic story comes to life under Sharratt's skillful rendering.  Although the novel's skimpy on plot, the author manages to keep it interesting by examining Hildegard's relationship with Jutta; her beloved brother, Rorich; and even a kindly monk on whom she develops a hopeless crush.  Whether these small dramas actually occurred or not doesn't matter—they keep the story from getting too odd or dull.  As for Hildegard's religious fanaticism, I found it intriguing, if not wholly convincing.  Overall, I enjoyed Illuminations.  It's not the kind of book that's going to appeal to everyone, but for those who venture between its pages, expect a reading experience that is, well, illuminating.    

(Readalikes:  Hm, I can't think of anything.  Can you?)

Grade:

  

If this were a movie, it would be rated:


for sexual innuendo and references to rape

To the FTC, with love:  I received a finished copy of Illuminations from the generous folks at Houghton Mifflin Harcourt via those at Historical Fiction Virtual Book Tours.  Thank you!
Saturday, June 04, 2011

Haigh's Newest Dissects Faith, Family

(Image from Indiebound)

Although the two have never been close, Sheila McGann has always felt great affection for her older half-brother, Arthur Breem. She admires his quiet kindness, his even temperament, and his steadfast devotion to the Catholic Church. As a brother, as a person, as a priest, he's always been above reproach. Which is why Sheila's so shocked when Art's accused of molesting the young grandson of a woman in his suburban Boston parish. Despite the constant headlines accusing other priests of similar acts, Sheila refuses to believe her brother's capable of such a thing.

The accusation causes a rift in the already turbulent McGann Family. Tim McGann's so ravaged by alcoholism he barely remembers he has a stepson, let alone that Art's been accused of such a heinous crime. But the news shatters Mary, who's so pious she arrives thirty minutes early to every Mass so she can "say a rosary and frown at the late-comers" (182). She's always been so proud of her oldest son, the priest. Now, she can hardly show her face in public. Mike McGann's never felt comfortable with his half-brother and Abby, his wife, has never taken to the Church or the McGanns. The scandal adds fuel to both arguments, causing so much tension that Mike can't stand to be at home, a fact that leads to even bigger problems. Sheila's caught somewhere in the middle. She doesn't want to believe her gentle brother would hurt a child. However dysfunctional her family is, Sheila's sure they're not that far gone.

In an effort to prove Art's innocence, Sheila starts digging into her brother's life, examining every minute detail - the thoughts he so often keeps to himself, the actions that look so pure on the surface, the every intention of a man who has pledged his life to the service of God. Mostly, she questions Art's interactions with Kath Conlon and her 8-year-old son, Aidan. Art claims he was counseling Kath, trying to help her beat a fierce drug addiction. He says he looked after the boy like a doting father would. But is it true? Or did Art have a more sinister purpose, as Kath claims? As Sheila combs through the evidence, desperate to exonerate her brother, she finds herself confronting the deep, dark secrets her family's been concealing for years.

Faith, Jennifer Haigh's newest, tells the compelling story of one family's refusal to see what's right in front of them. It's about the corrosive nature of secrets, of lies, and the healing, if painful, path to the truth. Haigh uses flawed characters, few of whom are even likable, to spin her tale. Despite their churlishness, they somehow make us care. Still, the story lacked a little something for me. I'm sure I missed some of the novel's subtle complexities because of my unfamiliarity with Catholicism, but it's more than that - I found the book so depressing, so sad really, that I can't say I enjoyed it. Faith held my attention, it just didn't do much more. In the end, it was just okay for me.

(Readalikes: Reminded me a little bit of Faithful Place by Tana French.)

Grade: C+

If this were a movie, it would be rated: R for strong language, sexual content and depictions of illegal drug use

To the FTC, with love: I received a finished copy of Faith from the generous folks at Harper Collins and TLC Book Tours, for whom this review was written.

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