Bloggin' 'bout Books: Guest Posts

2025 Literary Escapes Challenge

- ~~Alabama~~ (1)

- ~~Alaska~~ (2)

- ~~Arizona~~ (2)

- ~~Arkansas~~ (1)

- ~~California~~ (9)

- ~~Colorado~~ (3)

- ~~Connecticut~~ (1)

- ~~Delaware~~ (1)

- ~~Florida~~ (2)

- ~~Georgia~~ (1)

- ~~Hawaii~~ (1)

- ~~Idaho~~ (1)

- ~~Illinois~~ (1)

- ~~Indiana~~ (1)

- ~~Iowa~~ (3)

- ~~Kansas~~ (1)

- ~~Kentucky~~ (1)

- ~~Louisiana~~ (1)

- ~~Maine~~ (4)

- ~~Maryland~~ (1)

- ~~Massachusetts~~ (1)

- ~~Michigan~~ (2)

- ~~Minnesota~~ (2)

- ~~Mississippi~~ (1)

- ~~Missouri~~ (1)

- ~~Montana~~ (1)

- ~~Nebraska~~ (1)

- ~~Nevada~~ (1)

- ~~New Hampshire~~ (1)

- ~~New Jersey~~ (1)

- ~~New Mexico~~ (1)

- ~~New York~~ (8)

- ~~North Carolina~~ (4)

- ~~North Dakota~~ (1)

- ~~Ohio~~ (1)

- ~~Oklahoma~~ (2)

- ~~Oregon~~ (3)

- ~~Pennsylvania~~ (2)

- ~~Rhode Island~~ (1)

- ~~South Carolina~~ (1)

- ~~South Dakota~~ (1)

- ~~Tennessee~~ (1)

- ~~Texas~~ (2)

- ~~Utah~~ (1)

- ~~Vermont~~ (3)

- ~~Virginia~~ (2)

- ~~Washington~~ (4)

- ~~West Virginia~~ (1)

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- Washington, D.C.* (1)

International:

- Australia (5)

- Canada (3)

- England (16)

- France (2)

- Greece (2)

- Italy (1)

- Japan (1)

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- Puerto Rico (1)

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Showing posts with label Guest Posts. Show all posts

Wednesday, August 03, 2011

History's Best Kisses: A Guest Post by Author Brooke Moss

3:29 PM

Because of a mix-up with the publisher, I haven't yet had a chance to read The "What If" Guy, a contemporary romance by Brooke Moss. So, we'll save the review for later and do something else. How about a guest post by the author? Good idea? I think so, too.

Here goes:

As an author of romance and women's fiction, I've deemed it my privilege, nay my responsibility to watch any and all chick flicks and kissing scenes out there. It's research, people. When you see me in front of the TV with a bowl of popcorn and the remote in my hand, it is all going towards my work. Really.

Come on ... you don't really think that all romance writers write from experience only, do you? Contrary to popular belief, we are not all running around in flowing gowns and rolling around with shirtless warriors on white sand beaches while waves crash nearby. Most of us are normal chicks. Some with husbands and families, some without. Some with day jobs, some without. But I'll let you in on a little secret: We authors wear a lot of sweats.

I love watching a good chick flick for a couple of reasons. First and foremost, I love watching a couple fall in love. There is nothing that warms my heart more. Plus, in each and every chick flick out there, there are subplots and characters that usually inspire a story to blossom in my mind. That blossom quickly becomes a sapling which, unless written, will become a redwood tree that will eventually keep me up at night. I use this inspiration, these small details from these movies, to inspire me.

There are all sorts of kissing scenes that have inspired me to write different parts in my books. Some are sweet, tender first kisses that make me want to sigh blissfully and remember my own kiss that happened in the small town of my youth, in front of the library building. Others are passionate kisses that make me blush and reach for the cigarettes I no longer smoke. Some are initiated by conflict, full of anger and rage that quickly morphs into passion. Others are brought on by acute sadness that evolves into a desperate affirmation of what is real and good on the earth.

In my debut novel, The "What If" Guy (out today from Entangled Publishing), the characters were inspired by a kissing scene in the movie The Bounty Hunter. There is something about seeing Gerard Butler kissing a woman that makes me want to sit down and write. Call me crazy ... I prefer the term infatuated.

What are some of your favorite kisses? Do you have an amazing kiss story to share? Let it inspire you to write, paint, sculpt, or create something. If you're not a creative-minded person, then let it encourage you to go and give someone you love a big, fat, juicy kiss. There have been some pretty amazing kisses up until now. I can only hope my book might serve as an inspiration in the romance department for some of you.

My name is Brooke Moss and, like I said, my debut novel The "What If" Guy is available through Entangled Publishing. It tells the story of single mom Autumn Cole, who is returning to the small town of her youth to reluctantly claim her role as daughter of the town drunk. Her angst increases when she discovers that her son's history teacher is none other than the college sweetheart she left behind years ago.

As a writer, it's my passion to find the love story within every couple's past. I like to provide stories that are equal parts hilarious and heartwarming and I am thrilled to be sharing my book with you. The "What If" Guy is available at Amazon, Barnes & Noble, Books on Board, and at your local bookseller. A special thanks goes to Entangled Publishing for their amazing prizes and giveaways. Thanks, guys!

Find me on the web: Website, Blog, Twitter, Goodreads, and Facebook

Fondly,

Brooke Moss

(Note from Susan: Because I'm an idiot and couldn't figure out how to copy and paste this guest post, I had to type it up myself. Any typos/errors are my own fault. Also, Entangled Publishing and Coffee Time Romance are offering a Kobo e-reader to one lucky reader. Contest starts August 5.)

Labels:Brooke Moss,Guest Posts | 8 bookworm(s) said...

Thursday, January 28, 2010

Singing Her Own Song: Angela Morrison On Writing Lyrics

1:00 AM

As promised, Angela Morrison is here to guest post today. Remember that she's available today to answer questions, so leave some good ones!

And don't forget to enter my giveaway for copies

of her books.

It's all you, Angela ...

A lot of people have asked how I came to include the lyrics Beth writes as part of SING ME TO SLEEP's narrative. Nope. I'm not a song writer. My daughter is. She's the musician in the family.

My editor writes poetry when she's not editing, so Leesie's poems in TAKEN BY STORM were a big hit with her. She has amazing confidence in my poetic abilities. When we were working through the proposal for SING before I started writing, she asked me to make Beth a songwriter and weave her lyrics throughout the story. And of course, Derek would be the brooding composer. Good twist. I agreed.

As I got into the project, I realized I needed more than just Beth's lyrics. I also had to come up with original lyrics for the songs the choirs perform that I use in a scene. Yikes! Could I pull this off? Song lyrics are a far cry from free verse.

My first attempts were pathetic. Sing-song rhymes. Simplistic rhythmic structure. In a bit of a panic, I started studying song lyrics. Pop songs. Gospel choral numbers. The music from "The Phantom of the Opera." I listened to every CD in our apartment. Downloaded more. If I didn't have note liner lyrics, I jotted them down with headphones on. Then I took away the words--wrote out blanks like a giant game of hangman that rhymed. I wonder if Shakespeare's sonnets started that way? No way. Shakespeare breathed sonnets. I sweated those lyrics.

I did happen to have a copy of Leona Lewis's CD that we'd bought in London, England before we left Switzerland for Singapore. We watched her win on X-Factor when all we got was UK TV. (It's a great show, by the way. I'm glad Simon is bringing it to the US.) Her songwriters are incredible. The lyrics are intricate and created a marvelous structural challenge for me. And to test my lyrics out, I got to sing along with Leona! As long as no one was listening. (No one can hit any of those notes.)

As you can imagine, I was an emotional wreck the whole time I worked on SING ME TO SLEEP. The material is so powerful. And "Beth's Song" is the culmination of all that emotion. I wrote it with a box of Kleenex under my arm and Leona wailing on the stereo. We were living in a tiny apartment in Singapore. Close quarters. But my husband was traveling a lot for work, and my son was in school all day, so I had the apartment to myself tons. Otherwise, I wouldn't have finished this book.

One afternoon I was barricaded back in my bedroom, singing through "Beth's Song" at the top of my lungs, blotched swollen face, runny nose, tears choking me up-- And my son walked in!

"Mom, what are you doing?"

I jumped. Screamed. Almost had a heart attack.

He shook his head and left me to my madness.

Ah, the things we do for our art! But now when I hear Shayna Follington from the Amabile Youth Singers, backed up by both of the Amabile men's choirs (the Young Men's Ensemble AND Primus: the Men's Choir)--one hundred gorgeous male voices--I figure it's worth freaking my kids out every once in awhile.

Enjoy the tease you get of it on my trailer. Amabile will release "Beth's Song" on iTunes soon. Everyone please buy it. Harriet and I are waiving our royalties, so all the proceeds will got to Amabile in honor of the Matt Quaife Leadership Award. My tiny way of saying, "Thank you."

Labels:Angela Morrison,Guest Posts | 6 bookworm(s) said...

Saturday, February 14, 2009

My Very First Guest Post: A Conversation With Joshua Henkin

7:12 AM

Chances are, you've heard the name Joshua Henkin. You know, the one who's been promoting the heck out of his book Matrimony. He's also been vocal about the importance of book clubs, keeping the book industry alive, and the power of book bloggers. The man obviously loves books and writing - watch out, his enthusiasm is contagious!

I've never had an author guest post before, so I'm excited to have Josh chat with us today. If his words sound familiar, you probably read them when he originally posted at Books on the Brain. I'm "reprinting" the post here with his permission. I think he makes some interesting observations about book clubs, especially in the 8th paragraph. What do you think?

P.S. If you haven't snagged a copy of Matrimony yet, leave a comment on this post for your chance to win. I'll choose a winner on February 28. Even if you already have the book, I'd love to know your thoughts about what Josh has to say.

P.S.S. Stay tuned for my review of Matrimony, which will be up tomorrow. Happy Valentine's Day, everybody!

----------

These days, when my four-year-old daughter sees me putting on my coat, she says, “Daddy, are you going to a book group or just a reading?” My daughter doesn’t really know what a book group is, but in that phrase “just a reading” she has clearly absorbed my own attitude, which is that, given the choice between giving a public reading and visiting a book group, I would, without hesitation, choose the latter.

I say this as someone who has never been in a book group (I’m a novelist and a professor of fiction writing, so my life is a book group), and also as someone who, when my new novel MATRIMONY was published last October, never would have imagined that, seven months later, I’d have participated in approximately forty book group discussions (some in person, some by phone, some on-line), with fifteen more scheduled in the months ahead. And this is while MATRIMONY is still in hardback. With the paperback due out at the end of August, my life might very well become a book group.

Part of this is due to the fact that my novel is particularly suited to book groups. MATRIMONY is about a marriage (several marriages, really), and it takes on issues of infidelity, career choice, sickness and health, wealth and class, among other things. There is, in other words, a good deal of material for discussion, which is why my publisher, Pantheon/Vintage, has published a reading groups guide and why MATRIMONY has been marketed to book groups.

But I am really part of a broader phenomenon, which is that, as The New York Times noted a few months ago, publishers—and authors—are beginning to recognize the incredible clout of book groups. I recently was told that an estimated five million people are members of book groups, and even if that estimate is high, there’s no doubt that book groups have the power to increase a novel’s sales, often exponentially. I’m talking not just about Oprah’s book group, but about the web of book groups arrayed across the country that communicate with one another by word of mouth, often without even realizing it.

I make no bones about this: I participate in book group discussions of MATRIMONY in order to sell more copies of my book. But there’s a paradox here. On several occasions, I’ve driven over four hours round-trip to join a book group discussion of MATRIMONY. You add enough of these trips together and it’s not surprising that my next novel, which was due at the publisher last month, is nowhere near complete. I have spent the last year publicizing MATRIMONY as a way of furthering my writing life (writers need to sell books in order to survive), and yet what I love to do most—write—has had to be placed on hold.

I say this without a trace of resentment. I lead a charmed life. I get to write novels and have other people read them, and if I, like most writers, need to do more than was once required of us to ensure that people read our books—if writers now are more like musicians—then so be it. And in the process, thanks to book groups, I’ve had the pleasure of meeting far more readers than I could have imagined and have learned a lot more than I expected.

So I want to speak up on behalf of book groups, and to offer a few cautions, and a few hopes. First the good news. From coast to coast and in between, I’ve found a huge number of careful readers from all ages and backgrounds who have noticed things about my novel that I myself hadn’t noticed, who have asked me questions that challenge me, and who have helped me think about my novel (and the next novel I’m working on) in ways that are immensely helpful. I’ve certainly learned more from book groups than from the critics, not because book group members are smarter than the critics (though often they are!), but because there’s more time for sustained discussion with a book group, and because for many people the kind of reading they do for a book group marks a significant departure from the rest of their lives, and so they bring to the enterprise a great degree of passion.

Speaking of passion: I don’t want to give away what happens in MATRIMONY, but something takes place toward the middle of the book that has, to my surprise and pleasure, spawned shouting matches in a number of book groups. I haven’t been one of the shouters, mind you, but I’ve been struck by the fact that MATRIMONY has proven sufficiently controversial to make readers exercised. I’ve been trying to determine patterns. Sometimes the divisions have been drawn along age lines; other times along lines of gender—on those few occasions when there is another man in the room besides myself! Which leads me to my hopes, and my cautions. First, where are all the men? True, my novel is called MATRIMONY, but men get married too, at more or less the same rate as women do. Yet my experience has been that women read fiction and men read biographies of civil war heroes. And women join book groups and men don’t. Yet those few co-ed book groups I’ve attended have been among the most interesting. And if, as seems to be the case, book groups have led to an increase in reading in a culture that otherwise is reading less and less, it would be nice to see more men get in on the act.

Second, if I were allowed to redirect book group discussions, I would urge the following. Less discussion about which characters are likable (think of all the great literature populated by unlikable characters. Flannery O’Connor’s stories. The novels of Martin Amis. Lolita.), less of a wish for happy endings (Nothing is more depressing than a happy ending that feels tacked on, and there can be great comfort in literature that doesn’t admit to easy solutions, just as our lives don’t.), less of a wish that novels make arguments (Readers often ask me what conclusions MATRIMONY draws about marriage, when the business of novels isn’t to draw conclusions. That’s the business of philosophy, sociology, economics, and political science. The business of the novelist is to tell a story and to make characters come sufficiently to life that they feel as real to the reader as the actual people in their lives.) But this is all part of a longer and more complicated discussion—perhaps one we can have in a book group!

Finally, if I were a benign despot I’d make a rule that no book can be chosen if over half the members of the group have already heard of it. This would take care of the biggest problem I’ve seen among book groups, which is that everyone’s reading the same twelve books. Eat, Pray, Love. The Memory Keeper’s Daughter. Water for Elephants. Kite Runner. I’m not criticizing these books, some of which I haven’t even read. I’m simply saying that there are a lot of great books out there that people don’t know about. There is a feast-or-famine culture in the world of books (just as in the world of non-books), such that fewer and fewer books have more and more readers. This is not the fault of book groups but is a product of a broader and more worrisome problem, brought on by (among other things) the demise of the independent bookstore and the decrease in book review pages. For that reason, it has become harder and harder for all but a handful of books to get the attention they deserve.

Labels:Book Clubs,Guest Posts,Joshua Henkin | 13 bookworm(s) said...

Books Read in 2025 (asterisks denote favorites)

1. Coram House by Bailey Seybolt (Jan)
2. She Doesn't Have a Clue by Jenny Elder Moke (Jan)
3. My Salty Mary by Brodi Ashton, Cynthia Hand, and Jodi Meadows* [audio] (Jan)
4. The Echoes by Jess Montgomery (Jan)
5. The Highgate Cemetery Murder by Irina Shapiro (Jan)
6. Barbacoa, Bomba, and Betrayal by Raquel V. Reyes (Jan)
7. Murder at Chateau sur Mer by Alyssa Maxwell (Jan)
8. Away by Megan E. Freeman (Jan)
9. Unsinkable by Jenni L. Walsh [audio] (Jan)
10. A Golden Grave by Erin Lindsey* (Jan)
11. All Over the Map by Lanie Jacobs (Jan)
12. Stranded by Nikki Shannon Smith (Jan)
13. Elementary, She Read by Vicki Delany [audio] (Jan)
14. The Souls of Lost Lake by Jaime Jo Wright (Jan)
15. How to Book a Murder by Cynthia Kuhn (Jan)
16. A Dream of Death by Connie Berry (Jan)
17. The In-Between: Unforgettable Encounters During Life's Final Moments by Hadley Vlahos, RN* (Jan)
18. Red River Road by Anna Downes [audio] (Jan)
19. Janitors School of Garbage by Tyler Whitesides (Feb)
20. Something in the Walls by Daisy Pearce (Feb)
21. Janitors School of Garbage: Trials of the Trash by Tyler Whitesides (Feb)
22. The Brightwood Code by Monica Hesse [audio] (Feb)
23. A Legacy of Murder by Connie Berry (Feb)
24. The Crash by Freida McFadden (Feb)
25. To Catch a Storm by Mindy Mejia (Feb)
26. Murder in Miniature by Katie Tietjen (Feb)
27. A World of Hurt by Mindy Mejia (Feb)
28. If Walls Could Talk by Juliet Blackwell (Feb)
29. Finlay Donovan Is Killing It by Elle Cosimano [audio] (Feb)
30. Wool by Hugh Howey (Feb)
31. Shift by Hugh Howey (Feb)
32. Two Parts Sugar, One Part Murder by Valerie Burns [audio] (Mar)
33. The Treasure Hunters Club by Tom Ryan (Mar)
34. Last Light Over Galveston by Jennifer L. Wright (Mar)
35. Murder on the Page by Daryl Wood Gerber (Mar)
36. The Housemaid by Freida McFadden (Mar)
37. The Housemaid's Secret by Freida McFadden (Mar)
38. The Last Lifeboat by Hazel Gaynor [audio] (Mar)
39. You Belong Here by Megan Miranda (Mar)
40. Asylum Hotel by Juliet Blackwell (Mar)
41. The Mother-in-Law by Sally Hepworth* [audio] (Mar)
42. Reconnected: How 7 Screen-Free Weeks With Monks and Amish Farmers helped Me Recover the Lost Art of Being Human by Carlos Whittaker (Mar)
43. Famous Last Words by Gillian McAllister (Mar)
44. Vera Wong's Unsolicited Advice for Murderers by Jesse Q. Sutanto* (Apr)
45. Her Last Flight by Beatriz Williams (Apr)
46. The Wind Called My Name by Mary Louise Sanchez (Apr)
47. What Happened to Nina? by Dervla McTiernan (Apr)
48. The Younger Wife by Sally Hepworth [audio] (Apr)
49. That Last Carolina Summer by Karen White (Apr)
50. A Pie to Die For by Gretchen Rue (Apr)
51. The Raven Thief by Gigi Pandian (Apr)
52. The Boxcar Librarian by Brianna Labuskes (Apr)
53. Cold As Hell by Kelley Armstrong* [audio] (Apr)
54. Murder Runs in the Family by Tamara Berry (Apr)
55. The Housemaid is Watching by Freida McFadden (Apr)
56. Petals and Poison by Jess Dylan [audio] (Apr)
57. It Happened on the Lake by Lisa Jackson (Apr)
58. The Nightingale by Kristin Hannah* [re-read] (May)
59. Outside by Jennifer L. Holm (May)
60. You Are Here: Connecting Flights by various authors, edited by Ellen Oh (May)
61. The Silver Shooter by Erin Lindsey* (May)
62. The Art of Betrayal by Connie Berry* (May)
63. The Secret Room by Jane Casey* (May)
64. The Sasquatch of Hawthorne Elementary by K.B. Jackson (May)
65. The Sasquatch of Harriman Lake by K.B. Jackson (May)
66. Girl Forgotten by April Henry (May)
67. One Sharp Stitch by Allie Pleiter (May)
68. On Her Own Grounds: The Life and Times of Madam C.J. Walker by A'Lelia Bundles (May)
69. #FollowMe for Murder by Sarah E. Burr (May)
70. The Woman in Cabin 10 by Ruth Ware [re-read] (May)
71. Where Only Storms Grow by Alyssa Colman (May)
72. Every Time I Go On Vacation, Someone Dies by Catherine Mack (May)
73. The Antique Hunter's Guide to Murder by C.L. Miller [audio] (May)
74. The Woman in Suite 11 by Ruth Ware (May)
75. I Am Not Jessica Chen by Ann Liang (May)
76. The Unselected Journals of Emma M. Lion, Volume 1 by Beth Brower (May)
77. The Quiet Librarian by Allen Eskens (Jun)
78. The Burning Library by Gilly Macmillan (Jun)
79. Find Her by Ginger Reno (Jun)
80. Same Page by Elly Swartz (Jun)
81. Mrs. Christie at the Mystery Guild Library by Amanda Chapman (Jun)
82. A Death at Seascape House by Emma Jameson (Jun)
83. Something Wilder by Christina Lauren (Jun)
84. Hummus and Homicide by Tina Kashian (Jun)
85. The Queens of Crime by Marie Benedict* (Jun)
86. The Library of Borrowed Hearts by Lucy Gilmore [audio] (Jun)
87. The Town With No Mirrors by Christina Collins (Jun)
88. Clammed Up by Barbara Ross (Jun)
89. The Knife of Never Letting Go by Patrick Ness* [re-read] (Jun)
90. Emily of New Moon by L.M. Montgomery (Jun)
91. With a Vengeance by Riley Sager (Jun)
92. Murder Past Due by Miranda James (Jun)
93. The Warmth of Other Suns: The Epic Story of America's Great Migration by Isabel Wilkerson (Jun)
94. This Side of Murder by Anna Lee Huber [audio] (Jun)
95. The Whisper Place by Mindy Mejia (Jun)
96. Better Than Before: Mastering the Habits of Our Everyday Lives by Gretchen Rubin (Jun)
97. The Experiment by Rebecca Stead (Jun)
98. The Shadow of Memory by Connie Berry (Jun)
99. The Passengers on the Hankyu Line by Hiro Arikawa (Jun)
100. Rabbit Rabbit by Dori Hillestad Butler (Jul)
101. The Ghostwriter by Julie Clark (Jul)
102. The Ask and the Answer by Patrick Ness* [re-read] (Jul)
103. The Death of Us by Lori Rader-Day (Jul)
104. You Are Fatally Invited by Ande Pliego (Jul)
105. Everything is Tuberculosis by John Green (Jul)
106. A Berry Deadly Welcome by A.R. Winters (Jul)
107. The Beat I Drum by Dusti Bowling (Jul)
108. The Last Murder at the End of the World by Stuart Turton* (Jul)
109. The Women by Kristin Hannah [audio] (Jul)
110. The Ivory City by Emily Bain Murphy (Jul)
111. A Fatal Thaw by Dana Stabenow (Jul)
112. No One Was Supposed to Die at This Wedding by Catherine Mack (Jul)
113. A Murder Most Fowl by Carmela Dutra (Jul)
114. Loon Cove Summer by Donna Galanti (Jul)
115. Death at a Highland Wedding by Kelley Armstrong* (Jul)
116. The Ripple Effect by Rebecca Caprara (Jul)
117. Wild Dark Shore by Charlotte McConaghy (Jul)
118. The Wednesday Wars by Gary D. Schmidt (Aug)
119. Death on Eat Street by J.J. Cook (Aug)
120. The How and the Why by Cynthia Hand* [audio] (Aug)
121. Heist Society by Ally Carter (Aug)
122. Evil Bones by Kathy Reichs* (Aug)
123. Six Weeks in Reno by Lucy H. Hedrick (Aug)
124. The Tontine Caper by Dianne K. Salerni (Aug)
125. I.R.L. by Jenny Goebel (Aug)
126. The Girls of Good Fortune by Kristina McMorris [audio] (Aug)
127. Gluten for Punishment by Nancy J. Parra (Aug)
128. Curses, Boiled Again! by Shari Randall (Aug)
129. I Have Some Questions for You by Rebecca Makkai (Aug)
130. The Truth According to Us by Annie Barrows [audio] (Aug)
131. The Red Umbrella by Christina Diaz Gonzalez (Aug)
132. The Land of Forgotten Girls by Erin Entrada Kelly (Aug)
133. Betrayal in the Badlands by Dana Mentink (Aug)
134. Canter With a Killer by Amber Camp (Aug)
135. Hour of the Bees by Lindsay Eagar (Aug)
136. Dominoes, Danzon, and Death by Raquel V. Reyes (Aug)
137. The Frozen People by Elly Griffiths* (Aug)

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History's Best Kisses: A Guest Post by Author Brooke Moss

Singing Her Own Song: Angela Morrison On Writing Lyrics

My Very First Guest Post: A Conversation With Joshua Henkin

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