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With no disease, no war, no government, no real pain, and virtually no death, life in MidMerica is pleasantly staid.  Ambition has become a thing of the past.  In fact, "with nothing to aspire to, life had become about maintenance.  Eternal maintenance" (44).  Citra Terranova is satisfied with her comfortable, unremarkable existence which she knows will evolve into a comfortable, unremarkable future.  As just one member of a very large family, 16-year-old Rowan Damisch isn't quite as at ease, but he's not unhappy with his life either.  What neither teen expects is to be given the chance to do something important, something extraordinary.  Becoming a scythe's apprentice—and eventually, a real scythe—is that kind of assignment.  In a pleasant world full of placid people, it's a chance to be stand out, to become something special.

As the harbingers—and executors—of death, scythes are universally feared.  Although the random killings performed by scythes are deemed necessary for population control, few are truly comfortable with their presence.  Citra and Rowan are no exception.  They don't want to become scythes, are appalled by the idea of spending the rest of their lives killing people.  Then again, they don't really have a choice, do they?  As the teens learn the "art" of performing sanctioned murder, they're awakened to the harsh realities and cruel costs of maintaining a perfect world.  Is it worth the heavy price?  And how can two kids possibly change things if it's not? 

First off, let me say that I love Neal Shusterman.  His Unwind series is brilliant, one of my favorites.  Shusterman has a way of examining contemporary issues in unique and surprising ways while, at the same time, telling an engaging, exciting story.  I'm a fan, for sure.  So, naturally, I got excited when I heard he was penning a new series.  Even though the book's premise sounded a little odd, I was stoked to read Scythe, the first installment.  What did I think?  Honestly, I was disappointed.  I expected the novel to be chilling.  I expected it to be disturbing.  I also expected to like it because, well ... it's Shusterman!  And yet, I just couldn't get on board with the story's premise (which is, indeed, chilling and disturbing).  At no point in the tale did I become convinced of the necessity of scything.  Nothing about the job seemed noble or necessary.  I mean, if you absolutely had to kill people off every now and then to control the population, why in the world would you make their deaths any more violent or traumatizing than they had to be?  Makes no sense to me, not even in a fictional world.  So, yeah, I had trouble stomaching the whole idea.  Also, considering all the blood and gore, Scythe actually gets boring in places.  I can't see teens sticking with it for all 435 pages.  The novel does ask some intriguing philosophical questions (Can one truly know pleasure without experiencing pain?  Can people really appreciate life if they know nothing of death?) that would make for some excellent discussion.  Overall, though, I had a hard time enjoying Scythe.  I'm still in awe of Shusterman's impressive storytelling skills, but his new series is just not for me.  Bummer.

(Readalikes:  Reminds me a little of the Hunger Games series [The Hunger Games; Catching Fire; and Mockingjay] by Suzanne Collins and "The Lottery" by Shirley Jackson)

If this were a movie, it would be rated:

for violence, blood/gore, sexual innuendo, and language (no F-bombs)

To the FTC, with love:  I bought a copy of Scythe from Costco with a portion of the millions I make from my lucrative career as a book blogger.  Ha ha.

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At a park in Endleby—a small hamlet near Hereford—a devoted mother walks away from her two small children, leaving them alone.  Twenty hours later, she returns.  Where has she been?  No one knows.  Even Selena Cole herself claims to have no recollection of what she'd been doing while her daughters were left alone.  Is the wealthy psychologist telling the truth?  If she is, then where was she for those missing hours?  If not, then why did she leave her kids?  

Not far away, the body of Dominic Newell, a respected defense attorney, is found on a lonely country road.  Dead from a stab wound, his vicious demise shocks all who knew him.  Who would commit such a savage crime?  

Finn Hale, who's been a sergeant detective for 82 whole days, is tasked with solving the case.  His sister, DC Leah Mackay, is investigating the disappearance of Selena Cole.  Are the two events connected?  Or is it just coincidence that they happened at the same time in a quiet place that, as Finn is wont to say, isn't exactly Mogadishu?  As Finn and Leah look deeper into the disappearance and the murder, they discover some shocking clues about what really happened to both Selena and Dominic.

I don't want to say too much about The Missing Hours by Emma Kavanagh because I think it's one of those books where the less you know going into it, the better.  Suffice it to say, it's a tense, suspenseful psychological thriller with plenty of twists to keep the reader not just engaged, but riveted.  Someone recommended this to me (I can't remember who—so sorry!) and I'm so glad they did.  I enjoyed it.

(Readalikes:  Hm, I can't think of anything.  Can you?)

Grade:

If this were a movie, it would be rated:

for language (a handful of F-bombs, plus milder expletives), violence, blood/gore, and depictions of illegal drug use

To the FTC, with love:  A bought a copy of The Missing Hours from Amazon with a portion of the millions I make from my lucrative career as a book blogger.  Ha ha.

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When abused wives and other innocent people need to disappear, they contact Alexandra "Alex" Lovell.  The 29-year-old P.I. uses her considerable computer skills to build her clients new lives in distant places.  As long as they follow the rules Alex sets out for them, they remain safe.  Melanie Coghan, the abused wife of an Austin police officer, has broken those rules and Alex fears the worst.  Without a body, she can't be sure Melanie is dead, but it certainly appears to be true.

Desperate to find her missing client, Alex enlists the help of Nathan Devereaux, a sexy homicide detective.  He's skeptical of Alex's claims, but intrigued nonetheless.  With the aid of an elite group of scientists known as the Tracers, the pair make some startling discoveries.  Can they use the clues they've found to figure out what really happened to Melanie?  With Melanie's angry, possibly murderous, husband on her trail, Alex is not exactly safe herself ...

Untraceable, the first book in Laura Griffin's popular Tracers series, is a taut, exciting mystery filled with plenty of action.  It's not terribly original or surprising (it only offered one twist I didn't see coming), but the main characters are empathetic and likable.  There's definite chemistry between Alex and Nathan, which adds a fun subplot to the novel.  While I didn't absolutely love Untraceable, I found it entertaining and enjoyable.  I've already checked the next book in the series out from the library.

(Readalikes: I'm sure there are lots of similar books/series, but nothing is coming immediately to mind.  Help!)

Grade:

If this were a movie, it would be rated:

for strong language, sexual content, and violence

To the FTC, with love:  Another library fine find

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At 14 years old, Zoe Guerin lost her life.  Not literally, but the devastated piano prodigy went to jail for causing a car accident that killed three teenagers.  With a genius IQ and a promising musical career in front of her, Zoe threw everything away.  Three years later, her life has—improbably—gotten back on track.  Now 17, Zoe is living in a different city using a different last name.  She even has a new family: her stepfather, Chris Kennedy; his teen son, Lucas; and her infant half-sister, Grace.  Zoe's mother has put the past firmly behind them, not telling Chris or Lucas about Zoe's history.  Impossibly, Zoe's even performing again, this time with her stepbrother, who's also a talented pianist.  Although she'll be forever scarred by the accident, Zoe is trying to be hopeful about her future.

When the grieving father of one of the accident victims disrupts Zoe's concert, her secret comes quickly to light.  In the chaotic aftermath, her mother is found dead in the family's shed.  She's been murdered.  Why would someone kill Maria Kennedy?  As the police investigate the crime, scrutinizing everyone in the family, they discover that each member has been hiding incriminating secrets.  Did one of these secrets lead to Maria's death?  Or did a grief-stricken father finally get his revenge on the family who stole his child?  What really happened the night Zoe's mother died?

The Perfect Girl, the newest mystery/thriller by English author Gilly Macmillan, is an engrossing page turner with a tense, tightly-plotted storyline.  The characters are complex, sympathetic, and intriguing.  Twists and turns keep the tale suspenseful until the very end.  Even though I saw the murderer coming, the novel's finale still surprised me.  There's nothing really cheery or uplifting about this book (in fact, it's pretty depressing), but it is a riveting read sure to satisfy fans of British psychological thrillers (which I am and which it did).

(Readalikes:  Hm, I can't think of anything.  Can you?)

Grade:

If this were a movie, it would be rated:

for language (a few F-bombs, plus milder expletives) and violence

To the FTC, with love:  Another library fine find