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Wednesday, January 06, 2016
Warm Family Saga Quiet, But Compelling
7:09 AM
(Image from Barnes & Noble)
Although 17 years have passed since Eustacia "Taisy" Cleary's father cruelly expelled her, her twin brother, and their mother from his life, the betrayal still stings. Not that Wilson Cleary would have won any Dad of the Year awards. The arrogant genetics professor really only cared about one person—himself. After almost two decades, not much has changed. Although Wilson has—uncharacteristically—lavished affection on Willow, the prized only child of his second marriage, he still cares little for his disappointing "first family." Now 35, Taisy knows she should be over her daddy issues. And yet, she's not. Not by a long shot.
So, when 71-year-old Wilson summons Taisy to his bedside after a major health scare, she can't help herself. She goes. Hoping for reconciliation or at least an apology, she's disappointed to find that Wilson isn't interested in resolving differences. Instead, he wants to hire Taisy—a burgeoning ghost writer—to draft a book about his illustrious professional career. To get the project off the ground as quickly as possible, Wilson will pay her expenses, even allowing her to bunk in his pool house. Taisy knows she should refuse, but she can't. There are things she needs to know about Wilson's past, things she's determined to find out—even if he has no intention of telling her.
Living with her estranged father is awkward enough, but Taisy also has to deal with Caro, her spacey stepmother, and Willow, the much fawned over golden child. Then there's Ben Ransom. Taisy's childhood sweetheart has never forgiven her for breaking his heart. She's never loved anyone more than she loved kind, gentle Ben—now that they're living in the same town, she longs for a second chance with him. As Taisy's life intersects with those of Caro, Willow, and Ben, she makes some startling discovers about each of them. It's only while uncovering her father's secrets, though, that she finds the truths she needs to move forward, revelations that have less to do with Wilson and much, much more to do with herself.
As far as family sagas go, The Precious One by Marisa de los Santos, is on the quieter side. And yet, the novel is no less compelling than its more dramatic counterparts. Because of the story's slower pacing, the reader gets to know Taisy and the other characters intimately, which makes each of their sorrows more heartbreaking, their setbacks more painful, their triumphs more sweet. While each member of the book's cast has their flaws, most are sympathetic, making it easy to root for their success. Although I wanted a cleaner ending to this family's strained tale, I think The Precious One comes to a realistically messy conclusion. It manages to be both uplifting and true-to-life. For all these reasons, I enjoyed this slow-building, but engrossing tale about family, forgiveness, and finding oneself in the most surprising of places.
(Readalikes: The Precious One reminds me of other novels about returning home and coming to terms with difficult family situations, although no specific titles are coming to mind. Help?)
Grade:
If this were a movie, it would be rated:
for language (1 F-bomb, plus milder expletives), violence, and sexual innuendo/references
To the FTC, with love: I received a finished copy of The Precious One from the generous folks at HarperCollins via those at TLC Book Tours. Thank you!
Tuesday, January 05, 2016
Despite Intriguing Setting, Bayou Mystery Fizzles Pretty Fast For Me
7:45 PM
(Image from Barnes & Noble)
Everyone in little Cooper's Bayou, Florida, knows the story of Raylene Atchinson. Twenty-five years ago, the young mother was raped and strangled, her dead body left on the banks of the bayou. Raylene's 4-year-old daughter Aurora was found safe, but alone, at the local mini-mart. Suspected of the murder, Aurora's father, disappeared, never to be heard from again.
Now a 29-year-old nurse working in New York City, Aurora returns to Cooper's Bayou to settle the estate of her recently deceased grandfather. Having been raised away from Florida, she's disconcerted by her new surroundings. Bordered by gator-inhabited swampland, the house she inherits spooks her even more, especially since it seems so incongruous with the grandfather she knew. Nevertheless, Aurora stays in town, using her time to find out what really happened to her mother.
Aurora's joined by Josh Hudson, a 30-year-old police detective whose punishment for a poor decision made on the job is helping out in a dusty warehouse full of old evidence. Haunted by his younger brother's mysterious death, Josh has his own demons to battle. Helping Aurora on her quest helps keep them at bay. At least temporarily.
Combing the Evidence Room for clues about Raylene's murder, the pair stumble across some surprising finds. The closer they get to finding out what really happened, the more dangerous their lives become. Can they solve the mystery before they become murder victims themselves? In a terrifying race for their lives, Aurora and Josh will do anything to stay alive long enough to find the answers they seek.
All it takes is a glance at the plot summary for The Evidence Room, a debut novel by Cameron Harvey, to see that it doesn't offer much in the way of an original premise. The setting, however, drew me to the book. Although the bayou backdrop could have been more vividly painted, I did enjoy it. It wasn't enough, however, to distract me from The Evidence Room's flaws—flat characters, a predictable plot, and a disjointed mystery. I'm not sure why I bothered finishing the novel, as it fizzled pretty quickly for me. Bummer.
(Readalikes: Reminded me of lots of other novels about people going home to solve family mysteries)
Grade:
If this were a movie, it would be rated:
for language, violence, and sexual innuendo
To the FTC, with love: Another library fine find
Monday, January 04, 2016
Gentle 1963 Children's Novel Expansive, Eye-Opening
6:41 AM
(Image from Barnes & Noble)
It's only when David arrives in Italy, soaking in the vibrant colors and beauty of that land, that he decides he desperately wants to live. After seeing such a sight, he "could no longer think of nothing as he had trained himself to do in the concentration camp" (191). In order to live, however, the guileless David will have to learn some important lessons about trust, friendship, and making his way in the great, wild world with all its charms and dangers.
I Am David, Anne Holm's 1963 novel for young readers, is a quiet, but expansive coming-of-age tale. Like many tales of imprisonment, this gentle story celebrates the beauty of life, even in the midst of great ugliness. David's remarkable journey opens not just his eyes, but those of the reader as well. Although the story starts slowly and ends in a most convenient, contrived manner, it's still a memorable, inspiring tale. Overall, I enjoyed it.
(Readalikes: I can't think of anything. Can you?)
Grade:
If this were a movie (and it is!), it would be rated:
for violence and scenes of peril
To the FTC, with love: Another library fine find
Eerie Psychological Thriller a Riveting Roller Coaster Ride
1:00 AM
(Image from Barnes & Noble)
Still reeling after the recent death of their 7-year-old daughter, Kirstie, Angus and Sarah Moorcraft struggle to pick up the pieces of their broken marriage and family. Their remaining daughter—Kirstie's identical twin sister, Lydia—hasn't been the same since the tragedy that stole her only sibling. Neither has Angus, whose grief has turned into a hot anger made worse by heavy drinking. Sarah longs for something, anything, positive to bring her family out of the impenetrable darkness into which they're all sinking. So, when Angus inherits a remote Scottish island, Sarah embraces the chance to start over in a place where everything she sees doesn't remind her of her dead daughter. The fact that the place is barely habitable seems irrelevant.
Sarah's new abode—a dilapidated, rat-infested lighthouse keeper's cottage miles away from anything and reachable only by boat is disconcerting enough. Then, there's Lydia's sudden, strange insistence that she is, in fact, Kirstie. Considering how much Lydia's been acting like her dead twin, the declaration sends a horrified shudder down Sarah's spine. What Lydia's saying can't possibly be true, can it? Sure that establishing a normal, comfortable routine will bring normalcy back to her family's life, Sarah sends Lydia off to school and tries not to worry. That plan doesn't last long. With Angus becoming increasingly unpredictable, Lydia withdrawing even more, and Sarah suffering from loneliness and unease, the Moorcrafts have plenty to worry about.
Obsessing about what really happened the day her daughter died, Sarah's anxiety and fear peak. As a vicious storm brews around her, she finds herself stranded on an island where terrifying, inexplicable things keep happening with a daughter who seems as alien as the moon. Is Sarah, in her profound grief, experiencing a break with reality? Are the things she's seeing real? Is the island somehow haunted? Possessed? Is Kirstie truly dead? Or has Sarah made a grave, possibly deadly, mistake?
I love me a psychological thriller where I never quite know what is real and what is not. The Ice Twins by S.K. Tremayne (a "non-man" pseudonym for British journalist Sean Thomas—read why he chose it here) is just such a book. From its eerie setting to its mind-bending plot to its unsettling premise, the novel is a twisty, chilling, roller coaster ride. I couldn't look away from this gorgeously gothic spook story—and I mean that (almost) literally. The Ice Twins kept me completely riveted. If you like creepy, atmospheric mind-twisters, you will not want to miss this one.
(Readalikes: The book's tone/style reminded me of novels by Jennifer McMahon, while the twists are reminiscent of bestsellers like Gone Girl by Gillian Flynn and The Girl on the Train by Paula Hawkins.)
Grade:
If this were a movie, it would be rated:
for language, sexual content, violence, and references to illegal drug use and child abuse
To the FTC, with love: Another library fine find
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