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The funny thing is, I am the least opinionated person you'll ever meet. If my husband asks where I want to eat, I usually say, "Oh, Olive Garden. Or Applebees. Or Outback. Whatever. I don't care." But, when it comes to books, I know what I like and what I don't. Amazingly, I form very strong opinions about the things I read. So, if I slam a book you've written and/or loved, I just want to quote my favorite American Idol judge: "Saw-ree, it's just my opinyon."
(Image from www.starblogs.net)
So Much for the Big Surprise ...
Okay, I know you think I am just ranting (and I sort of am), but these thoughts really do have something to do with the book I'm reviewing, Magyk by Angie Sage. Of course, explaining how my rant relates will lead to a spoiler (kind of), so I'll leave it 'til the end of the review. Don't worry - I'll warn you with bold type and lots of exclamation points so you won't inadvertently read something that will ruin the story for you.
Magyk tells the story of the Heaps, a family of 8 who live in The Ramblings, a kind of apartment complex for commoners. Although humble, the Heaps possess bright green eyes - telltale signs of a wizarding family. When the story opens, Sarah Heap has given birth to yet another boy. Baby Septimus is the seventh son of a seventh son, a position which destines him to become a powerful wizard. With the infant safely delivered, his father, Silas, treks into the forest to collect herbs for the baby. As he hustles home in the growing darkness, Silas hears something whimpering in the bushes. When he bends down, he's startled to find a baby laying on the cold, snowy ground. Kind-hearted Silas scoops up the infant and heads toward home. Before he can make it to his front door, a tall figure in purple warns him, "Tell no one you found her. She was born to you. Understand?" (5) A confused Silas rushes on, only to be met at his own door by the midwife, who is running out with Septimus' still form. "Dead!" she cries (6).
Although Sarah and Silas grieve for Septimus, they soon settle into life with their 6 boys and baby daughter. They tell no one about finding the infant in the snow. Six months later, Sarah receives troubling news from the castle - the Queen, who has not been seen publicly since her baby was born, has been shot by an assassin. Rumor has it that the infant princess was spirited away before the killer could get to her. Sarah realizes instantly what has happened. Her 6-month-old daughter is, in fact, the princess.
Ten years later, a friendly ghost warns the Heaps that trouble is on the horizon - the castle's new ruler has commanded an assassin to eliminate the princess. The Heaps flee to their Aunt Zelda's cottage on the isolated marshes, dragging an ExtraOrdinary Wizard, a slobbering wolfhound and a terrified boy soldier with them. As the group bands together, they discover a great many things, all of which will help them take on the evil Necromancer determined to finish off the princess for good.
Although it was predictable, the book kept me turning pages. I would have liked more character development, but basically the cast was sympathetic. Several of the characters - Marcia Overstrand, Aunt Zelda and Boy 412, for instance - were more interesting than others. The characters I most enjoyed were magical beings, like Princess Jenna's pet rock, Zelda's helpful Boggart, and the put-upon messenger rat. The magykal world, with its charms, spells and various enchantments, intrigued me. Probably my favorite passages in the book are those in which Marcia terrorizes doors, appliances and mirrors, all of which have feelings about their punishment. Another thing I enjoyed about this book is the Extras at the end. You can get a taste of these delights at Angie Sage's fun website.
Okay, onto the not-so-good stuff. Occasionally, Sage's writing drove me crazy. She shifted viewpoints at random, sometimes in the middle of paragraphs. It wasn't so much confusing as just plain annoying. She also relied heavily on adverbs, another thing which drives me nuts. I counted 8 on one page, and they're small pages. The writing was also very choppy in places. This is small potatoes, however, and I could have lived with it if it wasn't for this ...
WARNING - SPOILERS AHEAD (although they're so obvious, I don't know if I'd really call them spoilers; nonetheless, you've been warned) !!! My biggest beef with this book is Angie Sage's assumption that her readers are not all that smart. I was irritated by sentences like these, which seemed to imply that readers need to have things spelled out to them:
"Then he screamed again, this time in pain. He had broken his fifth metacarpal. His little finger" (133). I don't know about you, but I understood that his fifth metacarpal was his little finger.
"There was an unhappy silence. No one liked what Alther had said" (439). Duh. That's why the silence is unhappy.
Am I being nitpicky? Probably, but I hate it when the author insults my intelligence. As if these examples weren't enough, Angie Sage saves her big reveal for the end. Boy 412 is Septimus Heap. What, you say? Septimus didn't die? No, he didn't, but we know that from the moment we glance at Magyk's cover, which proudly proclaims it to be Septimus Heap, Book One. So, when a 10-year-old boy of unknown origin appears in the story, it's pretty obvious who he is. But, the author waits until the very ending of the book to make the big reveal. To me, that was obnoxious, since I had known his true identity from the beginning. This one thing killed the book for me. Angie Sage made her surprise ending so obvious that it wasn't a surprise at all.
SPOILER OVER!!!!
So, if it hadn't been for that one thing, I really would have enjoyed reading Magyk. Since the big revelation is out of the way, I'm hoping the next volumes in this series continue the exciting story of the Heap Family, without lazing around with surprise endings that aren't surprises at all.
Grade: C
On Tour Today: Christopher Hoare


With A Little Polish, The Sister Can Shine in A Dark, Victorian Kind of Way
If you do not have a female sibling, you might wonder why authors and filmmakers are so
The story concerns 70-year-old Virginia "Ginny" Stone, a retired lepidopterist (a person who studies moths and butterflies), who is living out her life in her family's crumbling mansion. It's a solitary life Ginny leads, one that is based on routine and strict adherence to the clock. She wears two wristwatches just so she always knows the exact time. Her careful routines are about to be disrupted, she knows, so she watches her driveway with apprehension. Soon, her sister Vivien will arrive. Vivi. The sister she hasn't seen for 50 years.
Vibrant Vivi sweeps into the lonely old house like the proverbial breath of fresh air. But Ginny isn't wild about fresh air. She prefers the safety of her childhood home, where everything is quiet and predictable. Inside that monument to the past she can remember her life, her family the way she wants. Vivien's presence is an intrusion, a harsh reminder that the Stone Family kept its deep, dark secrets just like everyone else.
With Vivien in the house again, Ginny is jolted into the past. Her memories roam back to her childhood, years she spent happily ensconced in the laboratory with her father. Shy and withdrawn, Ginny preferred the cloistered life, where she could focus solely on her specimens. Vivien, on the other hand, resembled their mother Maud, who loved the excitement of society. While Ginny and her father toiled their lives away, happy in their seclusion, Vivi and Maud slowly deteriorated. By the time Ginny emerged from the lab, she found her life inexplicably altered - her mother had become a violent drunk and her cherished sister escaped to the city. Without Vivi to brighten their lives, The Stones followed their obsessive paths until tragedy left Ginny alone in the enormous family home. She retreated further into herself, until Vivi waltzed in a century later to open old wounds.
Despite Vivi's abandonment and further insults over the years, Ginny loves her sister. The bond between them is, in fact, the only bright spot in Ginny's life. As the sisters face the reality of their past, Ginny realizes a great many truths about her parents, about her sister, and about herself. Will the truth be too much for her fragile psyche? Will Vivi cave when Ginny brings her secrets to light? Will the link between the sisters survive? Or will the past crush everything they hold dear, even the strongest of sisterly bonds?
As you can tell from the plot summary, The Sister is not a light read. It's a complex psychological thriller, but not of the "can't put it down" variety. Instead, it builds slowly, chillingly, until it reaches its shocking conclusion. It's only after you've turned the last page that you realize you've been holding your breath.
I know a lot of reviewers didn't like the book's ending, but I thought it made perfect sense (at least in a Ginny Stone kind of way). In fact, it was such a logical conclusion that I really wasn't that startled by it. My beefs with the book lay more in the fact that it was so dense, especially with references to lepidopterology, that I often wanted to close it. I also felt that the author left too many loose ends - I still don't quite understand why Vivi chose to come back after 50 years or what certain minor characters (like Dr. Moyse) had to do with the whole thing. Many of Adams' subplots hung in midair, never connecting to the main plot and never resolving themselves. So, while I felt that the story's ending was right (although I can't say I liked it), I didn't feel satisfied. There were just too many dots left unconnected.
All that said, I ended up liking the book a lot more than I thought I would. It's an interesting read that delves into some fascinating issues. With a little polish (and a different cover - sheesh, how boring can you get?), I think this one could really shine - at least in a dark, brooding, Victorian kind of way.
Grade: B-


Reading
The Haunting of Emily Grace by Elena Taylor

Listening
The Graveyard Book by Neil Gaiman


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